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Bach Masterworks: The Original Jackets Collection [Limited Edition] [50 CDs]

Notes & Reviews:

The emphasis here is on great recordings from both the DG and Archiv labels - so that Claudio Abbado's Brandenburgs, Thomas Quasthoff's cantatas, Maurizio Pollini's Well-tempered Clavier and Ivo Pogorelich's English Suites all appear, as well as period-performances from John Eliot Gardiner, Paul McCreesh and Trevor Pinnock. The contents are arranged by BWV (Bach catalogue) numbers, which places the cantatas and major choral works first, before moving onto keyboard (organ and harpsichord/piano) and chamber works, then the orchestral (concerto) works before drawing to a close with "studies and canons" - in other words, those supreme masterworks The Musical Offering (Musica Antiqua Köln under Reinhard Goebel) and The Art of Fugue (Pierre-Laurent Aimard). No area of Bach's output is ignored. There are even Lute Suites and Sacred Songs from the Schemelli Songbook. Plus a Decca / L'Oiseau-lyre classic: The Peasant and Coffee Cantatas sung by Emma Kirkby and David Thomas under Christopher Hogwood. Hard to explain, but there are no recordings of these works available on the DG or Archiv labels.


Works:

Magnificat in D major, BWV 243 by Johann Sebastian Bach

Performer: Hertha Töpper (Alto), Dietrich Fischer-Dieskau (Baritone), Maria Stader (Mezzo Soprano),
Ernst Haefliger (Tenor)
Conductor: Karl Richter
Orchestra/Ensemble: Munich Bach Orchestra, Munich Bach Choir
Period: Baroque
Written: circa 1728-1731; Leipzig, Germany
Language: German

Mass in B minor, BWV 232 by Johann Sebastian Bach

Performer: Kieth Engen (Bass), Dietrich Fischer-Dieskau (Baritone), Maria Stader (Soprano),
Hertha Töpper (Alto)
Conductor: Karl Richter
Orchestra/Ensemble: Munich Bach Orchestra, Munich Bach Choir
Period: Baroque
Written: 1747-49; Leipzig, Germany
Date of Recording: 1961
Venue: Munich, Germany
Language: Latin

Ein feste Burg ist unser Gott, BWV 80 by Johann Sebastian Bach

Performer: Dietrich Fischer-Dieskau (Baritone), Trudeliese Schmidt (Mezzo Soprano), Edith Mathis (Soprano),
Peter Schreier (Tenor)
Conductor: Karl Richter
Orchestra/Ensemble: Munich Bach Orchestra
Period: Baroque
Written: by 1744; Leipzig, Germany
Language: German

Du Freidefürst, Herr Jesu Christ, BWV 116 by Johann Sebastian Bach

Performer: Trudeliese Schmidt (Mezzo Soprano), Peter Schreier (Tenor), Edith Mathis (Soprano),
Dietrich Fischer-Dieskau (Baritone)
Conductor: Karl Richter
Orchestra/Ensemble: Munich Bach Orchestra
Period: Baroque
Written: 1724; Leipzig, Germany
Language: German

Ach wie flüchtig, ach wie nichtig, ist der Menschen Leben, BWV 26 by Johann Sebastian Bach

Performer: Trudeliese Schmidt (Mezzo Soprano), Edith Mathis (Soprano), Peter Schreier (Tenor),
Dietrich Fischer-Dieskau (Baritone)
Conductor: Karl Richter
Orchestra/Ensemble: Munich Bach Orchestra
Period: Baroque
Written: 1724; Leipzig, Germany
Language: German

Nun komm, der Heiden Heiland, BWV 61 by Johann Sebastian Bach

Performer: Nancy Argenta (Soprano), Olaf Bär (Baritone), Petra Lang (Mezzo Soprano),
Anthony Rolfe Johnson (Tenor)
Conductor: John Eliot Gardiner
Orchestra/Ensemble: English Baroque Soloists, Monteverdi Choir
Period: Baroque
Written: 1714; Cöthen, Germany
Date of Recording: 01/1992
Venue: Blackheath Concert Halls, London, UK
Length: 14 Minutes 5 Secs.
Language: German

Schwingt freudig euch empor, BWV 36 by Johann Sebastian Bach

Performer: Anthony Rolfe Johnson (Tenor), Nancy Argenta (Soprano), Petra Lang (Mezzo Soprano),
Olaf Bär (Baritone)
Conductor: John Eliot Gardiner
Orchestra/Ensemble: English Baroque Soloists, Monteverdi Choir
Period: Baroque
Written: 1731; Leipzig, Germany
Date of Recording: 01/1992
Venue: Blackheath Concert Halls, London, UK
Length: 28 Minutes 26 Secs.
Language: German

Nun komm, der Heiden Heiland, BWV 62 by Johann Sebastian Bach

Performer: Petra Lang (Mezzo Soprano), Anthony Rolfe Johnson (Tenor), Olaf Bär (Baritone),
Nancy Argenta (Soprano)
Conductor: John Eliot Gardiner
Orchestra/Ensemble: English Baroque Soloists, Monteverdi Choir
Period: Baroque
Written: 1724; Leipzig, Germany
Date of Recording: 01/1992
Venue: Blackheath Concert Halls, London, UK
Length: 18 Minutes 17 Secs.
Language: German

Wachet auf, ruft uns die Stimme, BWV 140 by Johann Sebastian Bach

Performer: Stephen Varcoe (Bass Baritone), Anthony Rolfe Johnson (Tenor), Michael Chance (Countertenor),
Ruth Holton (Soprano)
Conductor: John Eliot Gardiner
Orchestra/Ensemble: English Baroque Soloists, Monteverdi Choir
Period: Baroque
Written: 1731; Leipzig, Germany
Date of Recording: 03/1990
Length: 24 Minutes 35 Secs.
Language: German

Herz und Mund und Tat und Leben, BWV 147 by Johann Sebastian Bach

Performer: Ruth Holton (Soprano), Michael Chance (Countertenor), Anthony Rolfe Johnson (Tenor),
Stephen Varcoe (Bass Baritone)
Conductor: John Eliot Gardiner
Orchestra/Ensemble: English Baroque Soloists, Monteverdi Choir
Written: 1723
Date of Recording: 03/1990
Length: 28 Minutes 5 Secs.
Language: German

Saint John Passion, BWV 245 by Johann Sebastian Bach

Performer: Gillian Ross (Soprano), Rufus Müller (Tenor), Nicholas Robertson (Tenor),
Andrew Murgatroyd (Tenor), Simon Birchall (Bass), Ruth Holton (Soprano),
Stephen Varcoe (Bass), Cornelius Hauptmann (Bass), Michael Chance (Countertenor),
Nancy Argenta (Soprano), Neill Archer (Tenor), Anthony Rolfe Johnson (Tenor)
Conductor: John Eliot Gardiner
Orchestra/Ensemble: English Baroque Soloists, Monteverdi Choir
Period: Baroque
Written: 1724; Leipzig, Germany
Date of Recording: 03/1986
Venue: All Saints' Church, Tooting, London
Length: 107 Minutes 0 Secs.
Language: German

Christmas Oratorio, BWV 248 by Johann Sebastian Bach

Performer: Anthony Rolfe Johnson (Tenor), Anne Sofie von Otter (Mezzo Soprano), Nancy Argenta (Soprano),
Hans-Peter Blochwitz (Tenor), Olaf Bär (Bass), Ruth Holton (Soprano),
Katie Pringle (Soprano)
Conductor: John Eliot Gardiner
Orchestra/Ensemble: English Baroque Soloists, Monteverdi Choir
Period: Baroque
Written: 1734-1735; Leipzig, Germany
Date of Recording: 01/1987
Venue: EMI Abbey Road Studios, London
Length: 140 Minutes 4 Secs.
Language: German

Ich will den Kreuzstab gerne tragen, BWV 56 by Johann Sebastian Bach

Performer: Rainer Kussmaul (Violin), Albrecht Mayer (Oboe), Thomas Quasthoff (Bass Baritone)
Conductor: Rainer Kussmaul
Orchestra/Ensemble: Berlin RIAS Chamber Chorus, Berlin Baroque Soloists
Period: Baroque
Written: 1726; Leipzig, Germany
Date of Recording: 01/2004
Venue: Jesus-Christus-Kirche, Berlin-Dahlem
Length: 18 Minutes 8 Secs.
Language: German

Der Friede sei mit dir, BWV 158 by Johann Sebastian Bach

Performer: Thomas Quasthoff (Bass Baritone), Rainer Kussmaul (Violin)
Conductor: Rainer Kussmaul
Orchestra/Ensemble: Berlin RIAS Chamber Chorus, Berlin Baroque Soloists
Period: Baroque
Written: after 1723; Leipzig, Germany
Date of Recording: 01/2004
Venue: Jesus-Christus-Kirche, Berlin-Dahlem
Length: 10 Minutes 18 Secs.
Language: German

Ich habe genug, BWV 82 by Johann Sebastian Bach

Performer: Albrecht Mayer (Oboe), Rainer Kussmaul (Violin), Thomas Quasthoff (Bass Baritone)
Conductor: Rainer Kussmaul
Orchestra/Ensemble: Berlin Baroque Soloists
Period: Baroque
Written: 1727; Cöthen, Germany
Date of Recording: 01/2004
Venue: Jesus-Christus-Kirche, Berlin-Dahlem
Length: 21 Minutes 21 Secs.
Language: German

Jauchzet Gott in allen Landen, BWV 51 by Johann Sebastian Bach

Performer: Christine Schäfer (Soprano)
Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Written: 1730
Date of Recording: 01/1999
Venue: German Radio Studios, Cologne, Germany
Length: 14 Minutes 37 Secs.
Language: German

Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata" by Johann Sebastian Bach

Performer: Christine Schäfer (Soprano)
Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: circa 1718-1723; Cöthen, Germany
Date of Recording: 01/1999
Venue: German Radio Studios, Cologne, Germany
Length: 17 Minutes 38 Secs.
Language: German

O holder Tag, erwünschte Zeit, BWV 210 by Johann Sebastian Bach

Performer: Christine Schäfer (Soprano)
Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: ?1740; Leipzig, Germany
Date of Recording: 01/1999
Venue: German Radio Studios, Cologne, Germany
Length: 29 Minutes 56 Secs.
Language: German

Musikalisches Opfer, BWV 1079 by Johann Sebastian Bach

Performer: Reinhard Goebel (Violin), Charles Medlam (Viola da gamba), Hajo Bäss (Violin)
Conductor: Reinhard Goebel
Orchestra/Ensemble: Musica Antiqua Cologne
Period: Baroque
Written: 1747; Leipzig, Germany

Schweigt stille, plaudert nicht, BWV 211 "Coffee Cantata" by Johann Sebastian Bach

Performer: Rogers Covey-Crump (Tenor), David Thomas (Bass), Emma Kirkby (Soprano)
Conductor: Christopher Hogwood
Orchestra/Ensemble: Academy of Ancient Music
Period: Baroque
Written: circa 1734-1735; Leipzig, Germany
Language: German

Mer Hahn en neue Oberkeet, BWV 212 "Peasant Cantata" by Johann Sebastian Bach

Performer: Emma Kirkby (Soprano), David Thomas (Bass)
Conductor: Christopher Hogwood
Orchestra/Ensemble: Academy of Ancient Music
Period: Baroque
Written: 1742; Leipzig, Germany
Language: German

Mache dich, mein Geist, bereit, BWV 115: Bete aber auch... by Johann Sebastian Bach

Performer: Daire Fitzgerald (Cello), Fred Sherry (Cello), Itzhak Perlman (Violin),
Kathleen Battle (Soprano), Lewis Paer (Double Bass), Anthony Newman (Organ)
Period: Baroque
Written: 1724; Leipzig, Germany
Date of Recording: 1989-90
Venue: RCA Studio A, New York City
Length: 7 Minutes 7 Secs.
Language: German

Gott, wie dein Name, so ist auch dein Ruhm, BWV 171: Jesus soll mein erstes wort in dem neuen Jahre by Johann Sebastian Bach

Performer: Lewis Paer (Double Bass), Kathleen Battle (Soprano), Myron Lutzke (Cello),
Itzhak Perlman (Violin), Anthony Newman (Harpsichord)
Period: Baroque
Written: ?1729; Leipzig, Germany
Date of Recording: 1989-90
Venue: RCA Studio A, New York City
Length: 4 Minutes 12 Secs.
Language: German

Mass in B minor, BWV 232: Benedictus by Johann Sebastian Bach

Performer: Kathleen Battle (Soprano), Anthony Newman (Organ), Itzhak Perlman (Violin),
Myron Lutzke (Cello), Lewis Paer (Double Bass)
Period: Baroque
Written: 1747-1749; Leipzig, Germany
Date of Recording: 1989-90
Venue: RCA Studio A, New York City
Length: 4 Minutes 15 Secs.
Language: Latin

Mass in B minor, BWV 232: Laudamus te by Johann Sebastian Bach

Performer: Itzhak Perlman (Violin), Anthony Newman (Organ), Lewis Paer (Double Bass),
Daire Fitzgerald (Cello), Kathleen Battle (Soprano)
Conductor: John Nelson
Orchestra/Ensemble: Orchestra of St. Luke's
Period: Baroque
Written: 1747-1749; Leipzig, Germany
Date of Recording: 1989-90
Venue: RCA Studio A, New York City
Length: 4 Minutes 42 Secs.
Language: Latin

Herr, gehe nicht ins Gericht mit deinem Knecht, BWV 105: Kann ich nur Jesum mir zum Freunde machen by Johann Sebastian Bach

Performer: Anthony Newman (Harpsichord), Kathleen Battle (Soprano), Lewis Paer (Double Bass),
Daire Fitzgerald (Cello), Marc Goldberg (Bassoon), Itzhak Perlman (Violin),
Carl Albach (Trumpet)
Conductor: John Nelson
Orchestra/Ensemble: Orchestra of St. Luke's
Period: Baroque
Written: 1723; Leipzig, Germany
Date of Recording: 1989-90
Venue: RCA Studio A, New York City
Length: 5 Minutes 30 Secs.
Language: German

Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": Wenn die Frühlingslüfte streichen by Johann Sebastian Bach

Performer: Itzhak Perlman (Violin), Anthony Newman (Harpsichord), Lewis Paer (Double Bass),
Fred Sherry (Cello), Kathleen Battle (Soprano)
Period: Baroque
Written: circa 1718-1723; Cöthen, Germany
Date of Recording: 1989-90
Venue: RCA Studio A, New York City

Schwingt freudig euch empor, BWV 36: no 7, Auch mit gedämpften by Johann Sebastian Bach

Performer: Itzhak Perlman (Violin), Kathleen Battle (Soprano), Lewis Paer (Double Bass),
Fred Sherry (Cello), Anthony Newman (Organ)
Period: Baroque
Written: 1731; Leipzig, Germany
Date of Recording: 1989-90
Venue: RCA Studio A, New York City
Length: 6 Minutes 46 Secs.
Language: German

Es wartet alles auf dich, dass du ihnen Speise, BWV 187: no 5, Gott versorget alles Lebenby Johann Sebastian Bach

Performer: Anthony Newman (Organ), Kathleen Battle (Soprano), Lewis Paer (Double Bass),
Itzhak Perlman (Violin), Fred Sherry (Cello)
Period: Baroque
Written: 1726; Leipzig, Germany
Date of Recording: 1989-90
Venue: RCA Studio A, New York City
Length: 3 Minutes 24 Secs.
Language: German

Ich bin vergnügt mit meinem Glücke, BWV 84: Ich esse mit Freuden mein weniges Brotby Johann Sebastian Bach

Performer: Stephen Taylor (Oboe), Anthony Newman (Harpsichord), Lewis Paer (Double Bass),
Itzhak Perlman (Violin), Daire Fitzgerald (Cello), Kathleen Battle (Soprano)
Period: Baroque
Written: 1727; Leipzig, Germany
Date of Recording: 1989-90
Venue: RCA Studio A, New York City
Length: 4 Minutes 59 Secs.
Language: German

In allen meinen Taten, BWV 97: no 4, Ich traue seiner Gnaden by Johann Sebastian Bach

Performer: Kathleen Battle (Soprano), Anthony Newman (Harpsichord), Itzhak Perlman (Violin),
Myron Lutzke (Cello), Lewis Paer (Double Bass)
Period: Baroque
Written: 1734; Leipzig, Germany
Date of Recording: 1989-90
Venue: RCA Studio A, New York City
Length: 5 Minutes 21 Secs.
Language: German

Gott ist unser Zuversicht, BWV 197: no 8, Vergnügen und Lust, Gedeihen und Heilby Johann Sebastian Bach

Performer: Kathleen Battle (Soprano), Fred Sherry (Cello), Stephen Taylor (Oboe d'amore),
Anthony Newman (Harpsichord), Melanie Feld (Oboe d'amore), Lewis Paer (Double Bass),
Itzhak Perlman (Violin)
Period: Baroque
Written: 1739-1742; Leipzig, Germany
Date of Recording: 1989-90
Venue: RCA Studio A, New York City
Length: 3 Minutes 16 Secs.
Language: German

Ich bin in mir vergnügt, BWV 204: no 4, Die Schätzbarkeit der weiten Erden by Johann Sebastian Bach

Performer: Kathleen Battle (Soprano), Fred Sherry (Cello), Anthony Newman (Organ),
Lewis Paer (Double Bass), Itzhak Perlman (Violin)
Period: Baroque
Written: 1726-1727; Leipzig, Germany
Date of Recording: 1989-90
Venue: RCA Studio A, New York City
Length: 4 Minutes 6 Secs.
Language: German

Ach Gott, wie manches Herzeleid, BWV 58 by Johann Sebastian Bach

Performer: Anthony Newman (Organ), Kathleen Battle (Soprano), Itzhak Perlman (Violin),
Fred Sherry (Cello), Lewis Paer (Double Bass)
Period: Baroque
Written: 1727; Leipzig, Germany
Date of Recording: 1989-90
Venue: RCA Studio A, New York City
Length: 3 Minutes 46 Secs.
Language: German

Saint Matthew Passion, BWV 244 by Johann Sebastian Bach

Performer: Deborah York (Soprano), Julia Gooding (Soprano), Magdalena Kozená (Mezzo Soprano),
Susan Bickley (Mezzo Soprano), Mark Padmore (Tenor), Peter Harvey (Bass),
James Gilchrist (Tenor), Stephan Loges (Bass)
Conductor: Paul McCreesh
Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players
Period: Baroque
Written: Circa 1727; Leipzig, Germany
Date of Recording: 04/2002
Length: 161 Minutes 32 Secs.
Language: German

Singet Dem Hern, BWV 225 by Johann Sebastian Bach

Conductor: Hanns-Martin Schneidt
Orchestra/Ensemble: Vienna Capella Academica, Regensburg Motet Choir

Der Geist hilft unser Schwachheit auf, BWV 226 by Johann Sebastian Bach

Conductor: Hanns-Martin Schneidt
Orchestra/Ensemble: Vienna Capella Academica, Regensburg Motet Choir
Period: Baroque
Written: 1729; Leipzig, Germany

Jesu, meine Freude, BWV 227 by Johann Sebastian Bach

Conductor: Hanns-Martin Schneidt
Orchestra/Ensemble: Vienna Capella Academica, Regensburg Motet Choir
Period: Baroque
Written: 1723; Leipzig, Germany

Komm, Jesu, komm!, BWV 229 by Johann Sebastian Bach

Conductor: Hanns-Martin Schneidt
Period: Baroque
Written: circa 1725-1749; Leipzig, Germany

Fürchte dich nicht, ich bin bei dir, BWV 228 by Johann Sebastian Bach

Conductor: Hanns-Martin Schneidt
Period: Baroque
Written: 1726; Leipzig, Germany

Was bist du doch, o Seele, so betrübet, BWV 506 by Johann Sebastian Bach

Performer: Karl Richter (Organ), Peter Schreier (Tenor)
Period: Baroque
Written: by 1736; Leipzig, Germany

O wie selig seid ihr doch, ihr Frommen, BWV 495 by Johann Sebastian Bach

Performer: Karl Richter (Organ), Peter Schreier (Tenor)
Period: Baroque
Written: by 1736; Leipzig, Germany

O Jesulein süss, O Jesulein mild, BWV 493 by Johann Sebastian Bach

Performer: Karl Richter (Organ), Peter Schreier (Tenor)
Period: Baroque
Written: by 1736; Leipzig, Germany

Mein Jesu, was für Seelenweh, BWV 487 by Johann Sebastian Bach

Performer: Karl Richter (Organ), Peter Schreier (Tenor)
Period: Baroque
Written: by 1736; Leipzig, Germany

Liebster Herr Jesu! Wo bleibest du so lange?, BWV 484 by Johann Sebastian Bach

Performer: Karl Richter (Organ), Peter Schreier (Tenor)
Period: Baroque
Written: by 1736; Leipzig, Germany

Liebster Gott, wann werd'ich sterben?, BWV 483 by Johann Sebastian Bach

Performer: Karl Richter (Organ), Peter Schreier (Tenor)
Period: Baroque
Written: by 1736; Leipzig, Germany

Kommt wieder aus der finstern Gruft, BWV 480 by Johann Sebastian Bach

Performer: Karl Richter (Organ), Peter Schreier (Tenor)
Period: Baroque
Written: by 1736; Leipzig, Germany

Komm, süsser Tod, komm, sel'ge Ruh'!, BWV 478 by Johann Sebastian Bach

Performer: Karl Richter (Organ), Peter Schreier (Tenor)
Period: Baroque
Written: by 1736; Leipzig, Germany

Jesus, unser Trost und Leben, BWV 475 by Johann Sebastian Bach

Performer: Karl Richter (Organ), Peter Schreier (Tenor)
Period: Baroque
Written: by 1736; Leipzig, Germany

Ich steh' an deiner Krippen hier, BWV 469 by Johann Sebastian Bach

Performer: Karl Richter (Organ), Peter Schreier (Tenor)
Period: Baroque
Written: by 1736; Leipzig, Germany

Gott lebet noch; Seele, was verzagst du doch? BWV 461 by Johann Sebastian Bach

Performer: Karl Richter (Organ), Peter Schreier (Tenor)
Period: Baroque
Written: by 1736; Leipzig, Germany

Gib dich zufrieden und sei stille, BWV 460 by Johann Sebastian Bach

Performer: Karl Richter (Organ), Peter Schreier (Tenor)
Period: Baroque
Written: by 1736; Leipzig, Germany

Eins ist Not! Ach Herr, dies eine lehre mich, BWV 453 by Johann Sebastian Bach

Performer: Karl Richter (Organ), Peter Schreier (Tenor)
Period: Baroque
Written: by 1736; Leipzig, Germany

Die goldne Sonne, voll Freud' und Wonne, BWV 451 by Johann Sebastian Bach

Performer: Karl Richter (Organ), Peter Schreier (Tenor)
Period: Baroque
Written: by 1736; Leipzig, Germany

Die bittre Leidenszeit beginnet abermal, BWV 450 by Johann Sebastian Bach

Performer: Karl Richter (Organ), Peter Schreier (Tenor)
Period: Baroque
Written: by 1736; Leipzig, Germany

Dich bet' ich an, mein höchster Gott, BWV 449 by Johann Sebastian Bach

Performer: Karl Richter (Organ), Peter Schreier (Tenor)
Period: Baroque
Written: by 1736; Leipzig, Germany

Der Tag ist hin, die Sonne gehet nieder, BWV 447 by Johann Sebastian Bach

Performer: Karl Richter (Organ), Peter Schreier (Tenor)
Period: Baroque
Written: by 1736; Leipzig, Germany

Der lieben Sonnen Licht und Pracht, BWV 446 by Johann Sebastian Bach

Performer: Karl Richter (Organ), Peter Schreier (Tenor)
Period: Baroque
Written: by 1736; Leipzig, Germany

Brunnquell aller Güter, Herrscher der Gemüter, BWV 445 by Johann Sebastian Bach

Performer: Karl Richter (Organ), Peter Schreier (Tenor)
Period: Baroque
Written: by 1736; Leipzig, Germany

Beschränkt, ihr Weisen dieser Welt, BWV 443 by Johann Sebastian Bach

Performer: Karl Richter (Organ), Peter Schreier (Tenor)
Period: Baroque
Written: by 1736; Leipzig, Germany

Trio Sonata for Organ no 1 in E flat major, BWV 525 by Johann Sebastian Bach

Performer: Simon Preston (Organ)
Period: Baroque
Written: circa 1727; Leipzig, Germany

Trio Sonata for Organ no 3 in D minor, BWV 527 by Johann Sebastian Bach

Performer: Simon Preston (Organ)
Period: Baroque
Written: circa 1727; Leipzig, Germany

Trio Sonata for Organ no 4 in E minor, BWV 528 by Johann Sebastian Bach

Performer: Simon Preston (Organ)
Period: Baroque
Written: circa 1727; Leipzig, Germany

Trio Sonata for Organ no 5 in C major, BWV 529 by Johann Sebastian Bach

Performer: Simon Preston (Organ)
Period: Baroque
Written: circa 1727; Leipzig, Germany

Trio Sonata for Organ no 6 in G major, BWV 530 by Johann Sebastian Bach

Performer: Simon Preston (Organ)
Period: Baroque
Written: circa 1727; Leipzig, Germany

Trio Sonata for Organ no 2 in C minor, BWV 526 by Johann Sebastian Bach

Performer: Simon Preston (Organ)
Period: Baroque
Written: circa 1727; Leipzig, Germany

Prelude and Fugue in C major, BWV 547 by Johann Sebastian Bach

Period: Baroque
Written: after 1723; ?Leipzig, Germany
Date of Recording: 1996
Venue: St John's, Smith Square, London

Prelude and Fugue in E minor, BWV 548 "Wedge" by Johann Sebastian Bach

Period: Baroque
Written: 1727-1731; Leipzig, Germany
Date of Recording: 1996
Venue: St John's, Smith Square, London

Prelude and Fugue in G major, BWV 550 by Johann Sebastian Bach

Period: Baroque
Written: by 1708
Date of Recording: 1996
Venue: St John's, Smith Square, London

Preludes and Fugues (8), BWV 553-560 by Johann Sebastian Bach

Performer: Simon Preston (Organ)
Period: Baroque
Date of Recording: 1995
Venue: St John's, Smith Square, London

Fantasia in B minor, BWV 563 by Johann Sebastian Bach

Performer: Simon Preston (Organ)
Period: Baroque
Written: by 1707; Arnstadt, Germany
Date of Recording: 1996
Venue: St John's, Smith Square, London

Prelude and Fugue in E major, BWV 566 by Johann Sebastian Bach

Performer: Simon Preston (Organ)
Period: Baroque
Written: by 1708; Mühlhausen, Germany
Date of Recording: 1996
Venue: St John's, Smith Square, London

Fugue in G major, BWV 577 "Gigue" by Johann Sebastian Bach

Performer: Simon Preston (Organ)
Period: Baroque
Date of Recording: 1996
Venue: St John's, Smith Square, London

Canzona in d, BWV 588 by Johann Sebastian Bach

Performer: Simon Preston (Organ)
Period: Baroque
Written: circa 1715; Weimar, Germany
Date of Recording: 1996
Venue: St John's, Smith Square, London

Fantasie in G major, BWV 572 by Johann Sebastian Bach

Performer: Simon Preston (Organ)
Period: Baroque
Written: by 1706; Arnstadt, Germany
Venue: Kreuzberg Church, Bonn

Vom Himmel hoch, da komm' ich her, BWV 769 by Johann Sebastian Bach

Performer: Simon Preston (Organ)
Period: Baroque
Written: 1747; Leipzig, Germany
Venue: Kreuzberg Church, Bonn

Pastorale in F major, BWV 590 by Johann Sebastian Bach

Performer: Simon Preston (Organ)
Period: Baroque
Written: circa 1710; Weimar, Germany
Venue: Kreuzberg Church, Bonn

Toccata and Fugue in D minor, BWV 565 by Johann Sebastian Bach

Performer: Simon Preston (Organ)
Period: Baroque
Written: by 1708; Germany
Venue: Kreuzberg Church, Bonn

Prelude and Fugue in D major, BWV 532 by Johann Sebastian Bach

Performer: Simon Preston (Organ)
Period: Baroque
Written: 1708-1717; Germany
Venue: Kreuzberg Church, Bonn

Prelude and Fugue in E flat major, BWV 552 "St Anne" by Johann Sebastian Bach

Performer: Simon Preston (Organ)
Period: Baroque
Written: by 1739; Leipzig, Germany
Venue: Kreuzberg Church, Bonn

Vom Himmel hoch, da komm' ich her, BWV 769 by Johann Sebastian Bach

Performer: Helmut Walcha (Organ)
Period: Baroque
Written: 1747; Leipzig, Germany

Partite sopra Sei gegrüsset, Jesu gütig, BWV 768 by Johann Sebastian Bach

Performer: Helmut Walcha (Organ)
Period: Baroque
Written: circa 1700; Lüneburg, Germany

Fantasie and Fugue in C minor, BWV 562 by Johann Sebastian Bach

Performer: Helmut Walcha (Organ)
Period: Baroque
Written: 1708-1717; ?Weimar, Germany

Fantasie and Fugue in C minor, BWV 537 by Johann Sebastian Bach

Performer: Helmut Walcha (Organ)
Period: Baroque
Written: 1708 - 1717; ?Weimar, Germany

Fantasia and Fugue in G minor, BWV 542 "Great G minor" by Johann Sebastian Bach

Performer: Helmut Walcha (Organ)
Period: Baroque
Written: 1708-1717; Weimar, Germany

Chorale Preludes (6) BWV 645-650 "Schübler": no 6, Kommst du nun, Jesu, BWV 650by Johann Sebastian Bach

Performer: Helmut Walcha (Organ)
Period: Baroque
Written: circa 1748-1749; Leipzig, Germany

Chorale Preludes (6) BWV 645-650 "Schübler": no 5, Ach bleib' bei uns, BWV 649by Johann Sebastian Bach

Performer: Helmut Walcha (Organ)
Period: Baroque
Written: circa 1748-1749; Leipzig, Germany

Chorale Preludes (6) BWV 645-650 "Schübler": no 4, Meine Seele erhebet den Herren, BWV 648 by Johann Sebastian Bach

Performer: Helmut Walcha (Organ)
Period: Baroque
Written: circa 1748-1749; Leipzig, Germany

Chorale Preludes (6) BWV 645-650 "Schübler": no 3, Wer nur den lieben Gott lässt walten, BWV 647 by Johann Sebastian Bach

Performer: Helmut Walcha (Organ)
Period: Baroque
Written: circa 1748-1749; Leipzig, Germany

Chorale Preludes (6) BWV 645-650 "Schübler": no 2, Wo soll ich fliehen hin?, BWV 646by Johann Sebastian Bach

Performer: Helmut Walcha (Organ)
Period: Baroque
Written: circa 1748-1749; Leipzig, Germany

Chorale Preludes (6) BWV 645-650 "Schübler": no 1, Wachet auf, ruft uns die Stimme, BWV 645 by Johann Sebastian Bach

Performer: Helmut Walcha (Organ)
Period: Baroque
Written: circa 1748-1749; Leipzig, Germany

Well-Tempered Clavier, Book 1, BWV 846-869 by Johann Sebastian Bach

Performer: Maurizio Pollini (Piano)
Period: Baroque
Written: 1722; Cöthen, Germany

Goldberg Variations, BWV 988 by Johann Sebastian Bach

Performer: Trevor Pinnock (Harpsichord)
Period: Baroque
Written: 1741-1742; Nuremberg, Germany

Italian Concerto, BWV 971 by Johann Sebastian Bach

Performer: Trevor Pinnock (Harpsichord)
Period: Baroque
Written: 1735; Leipzig, Germany

English Suite no 3 in G minor, BWV 808 by Johann Sebastian Bach

Performer: Maria-Joao Pires (Piano)
Period: Baroque
Written: circa 1715; Weimar, Germany

French Suite no 2 in C minor, BWV 813 by Johann Sebastian Bach

Performer: Maria-Joao Pires (Piano)
Period: Baroque
Written: circa 1724; Leipzig, Germany

Partita for Keyboard no 1 in B flat major, BWV 825 by Johann Sebastian Bach

Performer: Maria-Joao Pires (Piano)
Period: Baroque
Written: 1726-1731; Leipzig, Germany

English Suite no 2 in A minor, BWV 807 by Johann Sebastian Bach

Performer: Ivo Pogorelich (Piano)
Period: Baroque
Written: circa 1715; Weimar, Germany

English Suite no 3 in G minor, BWV 808 by Johann Sebastian Bach

Performer: Ivo Pogorelich (Piano)
Period: Baroque
Written: circa 1715; Weimar, Germany

100.Partita for Keyboard no 6 in E minor, BWV 830 by Johann Sebastian Bach

Performer: Trevor Pinnock (Harpsichord)
Period: Baroque
Written: 1726-1731; Leipzig, Germany

101.Partita for Keyboard no 5 in G major, BWV 829 by Johann Sebastian Bach

Performer: Trevor Pinnock (Harpsichord)
Period: Baroque
Written: 1726-1731; Leipzig, Germany

102.Partita for Keyboard no 4 in D major, BWV 828 by Johann Sebastian Bach

Performer: Trevor Pinnock (Harpsichord)
Period: Baroque
Written: 1726-1731; Germany

103.Two-Part Inventions (15), BWV 772-786 by Johann Sebastian Bach

Performer: Kenneth Gilbert (Harpsichord)
Period: Baroque
Written: 1723; Cöthen, Germany

104.Toccata in G major, BWV 916 by Johann Sebastian Bach

Performer: Kenneth Gilbert (Harpsichord)
Period: Baroque
Written: by 1710; ?Weimar, Germany

105.Toccata in E minor, BWV 914 by Johann Sebastian Bach

Performer: Kenneth Gilbert (Harpsichord)
Period: Baroque
Written: by 1708; ?Weimar, Germany

106.Toccata in D minor, BWV 913 by Johann Sebastian Bach

Performer: Kenneth Gilbert (Harpsichord)
Period: Baroque
Written: by 1708; ?Weimar, Germany

107.Toccata in D major, BWV 912 by Johann Sebastian Bach

Performer: Kenneth Gilbert (Harpsichord)
Period: Baroque
Written: circa 1710; Weimar, Germany

108.Three-Part Inventions (15), BWV 787-801 by Johann Sebastian Bach

Performer: Kenneth Gilbert (Harpsichord)
Period: Baroque
Written: 1723; Cöthen, Germany

109.Fantasia and Fugue in C minor, BWV 906 by Johann Sebastian Bach

Performer: Kenneth Gilbert (Harpsichord)
Period: Baroque
Written: circa 1738; Leipzig, Germany

110.Chromatic Fantasia and Fugue in D minor, BWV 903 by Johann Sebastian Bach

Performer: Kenneth Gilbert (Harpsichord)
Period: Baroque
Written: circa 1720; Cöthen, Germany

111.Toccata in C minor, BWV 911 by Johann Sebastian Bach

Performer: Martha Argerich (Piano)
Period: Baroque
Written: circa 1717; Weimar, Germany
Date of Recording: 02/1979
Venue: Lankwitz Studio, Berlin, Germany
Length: 10 Minutes 58 Secs.

112.English Suite no 2 in A minor, BWV 807 by Johann Sebastian Bach

Performer: Martha Argerich (Piano)
Period: Baroque
Written: circa 1715; Weimar, Germany
Date of Recording: 02/1979
Venue: Lankwitz Studio, Berlin, Germany
Length: 20 Minutes 10 Secs.

113.Partita for Keyboard no 2 in C minor, BWV 826 by Johann Sebastian Bach

Performer: Martha Argerich (Piano)
Period: Baroque
Written: 1726-1731; Germany
Date of Recording: 02/1979
Venue: Lankwitz Studio, Berlin, Germany
Length: 18 Minutes 56 Secs.

114.Suite for Lute in G minor, BWV 995 by Johann Sebastian Bach

Performer: Göran Söllscher (Guitar)
Period: Baroque
Written: 1727-1731; Leipzig, Germany

115.Partita for Lute in E major, BWV 1006a by Johann Sebastian Bach

Performer: Göran Söllscher (Guitar)
Period: Baroque
Written: after 1720; Germany

116.Prelude, Fugue and Allegro for Lute in E flat major, BWV 998 by Johann Sebastian Bach

Performer: Göran Söllscher (Guitar)
Period: Baroque
Written: circa 1740; Leipzig, Germany

117.Prelude for Lute in C minor, BWV 999 by Johann Sebastian Bach

Performer: Göran Söllscher (Guitar)
Period: Baroque
Written: circa 1720; Cöthen, Germany

118.Sonata for Violin solo no 1 in G minor, BWV 1001 by Johann Sebastian Bach

Performer: Nathan Milstein (Violin)
Period: Baroque
Written: 1720; Cöthen, Germany
Date of Recording: 1973
Venue: Conway Hall, London, England

119.Partita for Violin solo no 1 in B minor, BWV 1002 by Johann Sebastian Bach

Performer: Nathan Milstein (Violin)
Period: Baroque
Written: 1720; Cöthen, Germany
Date of Recording: 1973
Venue: Conway Hall, London, England

120.Sonata for Violin solo no 2 in A minor, BWV 1003 by Johann Sebastian Bach

Performer: Nathan Milstein (Violin)
Period: Baroque
Written: 1720; Cöthen, Germany
Date of Recording: 1973
Venue: Conway Hall, London, England

121.Sonata for Violin solo no 3 in C major, BWV 1005 by Johann Sebastian Bach

Performer: Nathan Milstein (Violin)
Period: Baroque
Written: 1720; Cöthen, Germany
Date of Recording: 1973
Venue: Conway Hall, London, England

122.Partita for Violin solo no 2 in D minor, BWV 1004 by Johann Sebastian Bach

Performer: Nathan Milstein (Violin)
Period: Baroque
Written: 1720; Cöthen, Germany
Date of Recording: 1973
Venue: Conway Hall, London, England

123.Partita for Violin solo no 3 in E major, BWV 1006 by Johann Sebastian Bach

Performer: Nathan Milstein (Violin)
Period: Baroque
Written: 1720; Cöthen, Germany
Date of Recording: 1973
Venue: Conway Hall, London, England

124.Sonata for Violin and Harpsichord no 1 in B minor, BWV 1014 by Johann Sebastian Bach

Performer: Jaap ter Linden (Bass Viola da gamba), Hendrik Bouman (Harpsichord), Robert Hill (Harpsichord),
Reinhard Goebel (Violin)
Period: Baroque
Written: 1717-1723; Cöthen, Germany

125.Sonata for Violin and Harpsichord no 2 in A major, BWV 1015 by Johann Sebastian Bach

Performer: Reinhard Goebel (Violin), Robert Hill (Harpsichord), Hendrik Bouman (Harpsichord),
Jaap ter Linden (Bass Viola da gamba)
Period: Baroque
Written: 1717-1723; Cöthen, Germany

126.Sonata for Violin and Harpsichord no 3 in E major, BWV 1016 by Johann Sebastian Bach

Performer: Robert Hill (Harpsichord), Jaap ter Linden (Bass Viola da gamba), Hendrik Bouman (Harpsichord),
Reinhard Goebel (Violin)
Period: Baroque
Written: 1717-1723; Cöthen, Germany

127.Sonata for Violin and Harpsichord no 4 in C minor, BWV 1017 by Johann Sebastian Bach

Performer: Hendrik Bouman (Harpsichord), Jaap ter Linden (Bass Viola da gamba), Robert Hill (Harpsichord),
Reinhard Goebel (Violin)
Period: Baroque
Written: 1717-1723; Cöthen, Germany

128.Sonata for Violin and Harpsichord no 5 in F minor, BWV 1018 by Johann Sebastian Bach

Performer: Reinhard Goebel (Violin), Robert Hill (Harpsichord), Jaap ter Linden (Bass Viola da gamba),
Hendrik Bouman (Harpsichord)
Period: Baroque
Written: 1717-1723; Cöthen, Germany

129.Sonata for Violin and Harpsichord no 6 in G major, BWV 1019 by Johann Sebastian Bach

Performer: Hendrik Bouman (Harpsichord), Jaap ter Linden (Bass Viola da gamba), Robert Hill (Harpsichord),
Reinhard Goebel (Violin)
Period: Baroque
Written: 1717-1723; Cöthen, Germany

130.Suite for Cello solo no 4 in E flat major, BWV 1010 by Johann Sebastian Bach

Performer: Pierre Fournier (Cello)
Period: Baroque
Written: circa 1720; Cöthen, Germany
Length: 25 Minutes 28 Secs.

131.Suite for Cello solo no 1 in G major, BWV 1007 by Johann Sebastian Bach

Performer: Pierre Fournier (Cello)
Period: Baroque
Written: circa 1720; Cöthen, Germany
Length: 18 Minutes 45 Secs.

132.Suite for Cello solo no 3 in C major, BWV 1009 by Johann Sebastian Bach

Performer: Pierre Fournier (Cello)
Period: Baroque
Written: circa 1720; Cöthen, Germany
Length: 23 Minutes 4 Secs.

133.Suite for Cello solo no 5 in C minor, BWV 1011 by Johann Sebastian Bach

Performer: Pierre Fournier (Cello)
Period: Baroque
Written: circa 1720; Cöthen, Germany
Length: 24 Minutes 51 Secs.

134.Suite for Cello solo no 6 in D major, BWV 1012 by Johann Sebastian Bach

Performer: Pierre Fournier (Cello)
Period: Baroque
Written: circa 1720; Cöthen, Germany
Length: 27 Minutes 3 Secs.

135.Suite for Cello solo no 2 in D minor, BWV 1008 by Johann Sebastian Bach

Performer: Pierre Fournier (Cello)
Period: Baroque
Written: circa 1720; Cöthen, Germany
Length: 19 Minutes 4 Secs.

136.Sonata for Viola da Gamba and Harpsichord no 1 in G major, BWV 1027 by Johann Sebastian Bach

Performer: Mischa Maisky (Cello), Martha Argerich (Piano)
Period: Baroque
Written: circa 1720; Cöthen, Germany

137.Sonata for Viola da Gamba and Harpsichord no 2 in D major, BWV 1028 by Johann Sebastian Bach

Performer: Mischa Maisky (Cello), Martha Argerich (Piano)
Period: Baroque
Written: circa 1720; Cöthen, Germany

138.Sonata for Viola da Gamba and Harpsichord no 3 in G minor, BWV 1029 by Johann Sebastian Bach

Performer: Mischa Maisky (Cello), Martha Argerich (Piano)
Period: Baroque
Written: circa 1720; Cöthen, Germany

139.Sonata for Flute and Harpsichord in B minor, BWV 1030 by Johann Sebastian Bach

Performer: Aurèle Nicolet (Flute), Karl Richter (Harpsichord)
Period: Baroque
Written: ?1738; Leipzig, Germany

140.Sonata for Flute and Harpsichord in E flat major, BWV 1031 by Johann Sebastian Bach

Performer: Aurèle Nicolet (Flute), Karl Richter (Harpsichord)
Period: Baroque
Written: circa 1734; Leipzig, Germany

141.Sonata for Flute and Harpsichord in A major, BWV 1032 by Johann Sebastian Bach

Performer: Aurèle Nicolet (Flute), Karl Richter (Harpsichord)
Period: Baroque
Written: ?1724; Leipzig, Germany

142.Partita for Flute solo in A minor, BWV 1013 by Johann Sebastian Bach

Performer: Aurèle Nicolet (Flute)
Period: Baroque
Written: ?1720s; ?Cöthen, Germany

143.Sonata for Flute and Basso Continuo in E minor, BWV 1034 by Johann Sebastian Bach

Performer: Karl Richter (Harpsichord), Aurèle Nicolet (Flute), Johannes Fink (Cello)
Period: Baroque
Written: circa 1717-1720; ?Cöthen, Germany

144.Sonata for Flute and Basso Continuo in E major, BWV 1035 by Johann Sebastian Bach

Performer: Karl Richter (Harpsichord), Aurèle Nicolet (Flute), Johannes Fink (Cello)
Period: Baroque
Written: 1717-1720; ?Cöthen, Germany

145.Brandenburg Concerto no 1 in F major, BWV 1046 by Johann Sebastian Bach

Performer: Giuliano Carmignola (Violin)
Conductor: Claudio Abbado
Orchestra/Ensemble: Orchestra Mozart
Period: Baroque
Written: 1717; ?Cöthen, Germany

146.Brandenburg Concerto no 2 in F major, BWV 1047 by Johann Sebastian Bach

Performer: Giuliano Carmignola (Violin)
Conductor: Claudio Abbado
Orchestra/Ensemble: Orchestra Mozart
Period: Baroque
Written: 1717-1718; ?Cöthen, Germany

147.Brandenburg Concerto no 3 in G major, BWV 1048 by Johann Sebastian Bach

Performer: Giuliano Carmignola (Violin)
Conductor: Claudio Abbado
Orchestra/Ensemble: Orchestra Mozart
Period: Baroque
Written: 1711-1713; ?Weimar, Germany

148.Brandenburg Concerto no 4 in G major, BWV 1049 by Johann Sebastian Bach

Performer: Giuliano Carmignola (Violin)
Conductor: Claudio Abbado
Orchestra/Ensemble: Orchestra Mozart
Period: Baroque
Written: circa 1720; ?Cöthen, Germany

149.Brandenburg Concerto no 5 in D major, BWV 1050 by Johann Sebastian Bach

Performer: Giuliano Carmignola (Violin)
Conductor: Claudio Abbado
Orchestra/Ensemble: Orchestra Mozart
Period: Baroque
Written: 1720-1721; ?Cöthen, Germany

150.Brandenburg Concerto no 6 in B flat major, BWV 1051 by Johann Sebastian Bach

Performer: Giuliano Carmignola (Violin)
Conductor: Claudio Abbado
Orchestra/Ensemble: Orchestra Mozart
Period: Baroque
Written: 1708-1710; ?Weimar, Germany

151.Suite for Orchestra no 4 in D major, BWV 1069 by Johann Sebastian Bach

Conductor: Trevor Pinnock
Orchestra/Ensemble: English Concert
Period: Baroque
Written: circa 1729-1731; Leipzig, Germany

152.Suite for Orchestra no 1 in C major, BWV 1066 by Johann Sebastian Bach

Conductor: Trevor Pinnock
Orchestra/Ensemble: English Concert
Period: Baroque
Written: circa 1717-1723; Cöthen, Germany

153.Suite for Orchestra no 2 in B minor, BWV 1067 by Johann Sebastian Bach

Conductor: Trevor Pinnock
Orchestra/Ensemble: English Concert
Period: Baroque
Written: 1738-1739; Leipzig, Germany

154.Suite for Orchestra no 3 in D major, BWV 1068 by Johann Sebastian Bach

Conductor: Trevor Pinnock
Orchestra/Ensemble: English Concert
Period: Baroque
Written: circa 1729-1731; Leipzig, Germany

155.Concerto for Violin no 2 in E major, BWV 1042 by Johann Sebastian Bach

Performer: Hilary Hahn (Violin)
Conductor: Jeffrey Kahane
Orchestra/Ensemble: Los Angeles Chamber Orchestra
Period: Baroque
Written: 1717-1723; Cöthen, Germany
Date of Recording: 10/2002
Venue: Colburn School of Performing Arts, CA

156.Concerto for 2 Violins in D minor, BWV 1043 by Johann Sebastian Bach

Performer: Hilary Hahn (Violin), Margaret Batjer (Violin)
Conductor: Jeffrey Kahane
Orchestra/Ensemble: Los Angeles Chamber Orchestra
Period: Baroque
Written: 1717-1723; Cöthen, Germany
Date of Recording: 10/2002
Venue: Colburn School of Performing Arts, CA

157.Concerto for Violin no 1 in A minor, BWV 1041 by Johann Sebastian Bach

Performer: Hilary Hahn (Violin)
Conductor: Jeffrey Kahane
Orchestra/Ensemble: Los Angeles Chamber Orchestra
Period: Baroque
Written: 1717-1723; Cöthen, Germany
Date of Recording: 01/2003
Venue: Colburn School of Performing Arts, CA

158.Concerto for Oboe and Violin in C minor, BWV 1060 by Johann Sebastian Bach

Performer: Allan Vogel (Oboe), Hilary Hahn (Violin)
Conductor: Jeffrey Kahane
Orchestra/Ensemble: Los Angeles Chamber Orchestra
Period: Baroque
Date of Recording: 01/2003
Venue: Colburn School of Performing Arts, CA

159.Concerto for Harpsichord in D minor, BWV 1052 by Johann Sebastian Bach

Performer: Trevor Pinnock (Harpsichord)
Conductor: Trevor Pinnock
Orchestra/Ensemble: English Concert
Period: Baroque
Written: circa 1738-1739; Leipzig, Germany
Date of Recording: 08/1979
Venue: Hercules Hall, Munich, West Germany
Length: 21 Minutes 28 Secs.

160.Concerto for Harpsichord in E major, BWV 1053 by Johann Sebastian Bach

Performer: Trevor Pinnock (Harpsichord)
Conductor: Trevor Pinnock
Orchestra/Ensemble: English Concert
Period: Baroque
Written: circa 1738-1739; Leipzig, Germany
Date of Recording: 02/1980
Venue: Henry Wood Hall, London, England
Length: 18 Minutes 51 Secs.

161.Concerto for Harpsichord in D major, BWV 1054 by Johann Sebastian Bach

Performer: Trevor Pinnock (Harpsichord)
Conductor: Trevor Pinnock
Orchestra/Ensemble: English Concert
Period: Baroque
Written: circa 1738-1739; Leipzig, Germany
Date of Recording: 02/1980
Venue: Henry Wood Hall, London, England
Length: 17 Minutes 1 Secs.

162.Concerto for Harpsichord in A major, BWV 1055 by Johann Sebastian Bach

Performer: Trevor Pinnock (Harpsichord)
Conductor: Trevor Pinnock
Orchestra/Ensemble: English Concert
Period: Baroque
Written: circa 1738-1739; Leipzig, Germany
Date of Recording: 02/1980
Venue: Henry Wood Hall, London, England
Length: 13 Minutes 31 Secs.

163.Concerto for Harpsichord in G minor, BWV 1058 by Johann Sebastian Bach

Performer: Trevor Pinnock (Harpsichord)
Conductor: Trevor Pinnock
Orchestra/Ensemble: English Concert
Period: Baroque
Written: circa 1738-1739; Leipzig, Germany
Date of Recording: 02/1980
Venue: Henry Wood Hall, London, England
Length: 13 Minutes 48 Secs.

164.Concerto for Harpsichord in F minor, BWV 1056 by Johann Sebastian Bach

Performer: Trevor Pinnock (Harpsichord)
Conductor: Trevor Pinnock
Orchestra/Ensemble: English Concert
Period: Baroque
Written: circa 1738-1739; Leipzig, Germany
Date of Recording: 11/1980
Venue: Henry Wood Hall, London, England
Length: 9 Minutes 31 Secs.

165.Concerto for Harpsichord and 2 Recorders in F major, BWV 1057 by Johann Sebastian Bach

Performer: Trevor Pinnock (Harpsichord), Rachel Beckett (Recorder), Philip Pickett (Recorder)
Conductor: Trevor Pinnock
Orchestra/Ensemble: English Concert
Period: Baroque
Written: circa 1738-1739; Leipzig, Germany
Date of Recording: 11/1980
Venue: Henry Wood Hall, London, England
Length: 16 Minutes 31 Secs.

166.Concerto for 3 Harpsichords in D minor, BWV 1063 by Johann Sebastian Bach

Performer: Kenneth Gilbert (Harpsichord), Lars Ulrik Mortensen (Harpsichord), Trevor Pinnock (Harpsichord)
Conductor: Trevor Pinnock
Orchestra/Ensemble: English Concert
Period: Baroque
Written: circa 1738-1739; Leipzig, Germany
Date of Recording: 02/1981
Venue: Henry Wood Hall, London, England
Length: 13 Minutes 51 Secs.

167.Concerto for 3 Harpsichords in C major, BWV 1064 by Johann Sebastian Bach

Performer: Kenneth Gilbert (Harpsichord), Lars Ulrik Mortensen (Harpsichord), Trevor Pinnock (Harpsichord)
Conductor: Trevor Pinnock
Orchestra/Ensemble: English Concert
Period: Baroque
Written: circa 1738-1739; Leipzig, Germany
Date of Recording: 02/1981
Venue: Henry Wood Hall, London, England
Length: 16 Minutes 27 Secs.

168.Concerto for 4 Harpsichords in A minor, BWV 1065 by Johann Sebastian Bach

Performer: Nicholas Kraemer (Harpsichord), Trevor Pinnock (Harpsichord), Kenneth Gilbert (Harpsichord),
Lars Ulrik Mortensen (Harpsichord)
Conductor: Trevor Pinnock
Orchestra/En



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