Notes & Reviews:
The divertissements of the French court, renowned throughout Europe, were at their height during the reign of Louis XIV (1638-1715). Earlier genres, especially the air de cour and the air de ballet, were transformed in the tragédie lyrique, introduced by Jean-Baptiste Lully. Within a few decades the combined talents of Moliere and Lully, then Moliere and Charpentier, produced the comedie-ballet (a fine example is Le Bourgeois Gentilhomme, the 'Turkish March' from which has remained famous to this day), while the brilliant duo formed by Quinault and Lully worked on tragédies lyriques. These genres were to leave their mark on French music for the next hundred years and influence European music as well.
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Leopold Wallner (1847-1913): Music for viola & harp / Rachel Talitman, harp; Pierre-Henri Xuereb, viola
Eduard Franck: Violin Sonatas / Christiane Edinger, James Tocco
L'Astrèe - Musiques d'apres le roman d'Honore d'Urfe / Horvat, Ensemble Faenza
Un Italien a Paris - Donizetti / Les Demoiselles de...
Charpentier: Tristes déserts, Les Stances du Cid, etc
Grieg: Works for Violoncello and Piano / Jaffe, Froligh
Shakespeare at the Opera - Verdi: Otello, etc [14 CDs]
Gemini - Bruch: Symphony no 1, 2 & 3, Concerto for 2 Pianos / Nathan Twining, Martin Berkovsky, James Conlon, Antal Dorati, et al
George Onslow: Duos pour piano et violon