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Biber: Vespro della beata Vergine; Kerll: Missa in Fletu Solatium / Cantus Colln

Album Summary

>Kerll, Johann Kaspar : Missa In fletu solatium obsidionis Viennensis
>Biber, Heinrich Ignaz : Dixit Dominus, vesper-psalm for solo voices, chorus, orchestra & continuo in G minor (Vesperae Longi
>Kerll, Johann Kaspar : Salve regina, for 5 voices (from Delectus Sacrarum Cantionum, Op. 1)
>Biber, Heinrich Ignaz : Laudate Pueri, vesper-psalm for solo voices, chorus, orchestra & continuo in D major (Vesperae Longi
>Kerll, Johann Kaspar : Exultate corda devota, for 3 voices & continuo (from Delectus Sacrarum Cantionum, Op. 1)
>Biber, Heinrich Ignaz : Laetatus Sum, vesper-psalm for solo voices, chorus, orchestra & continuo in E minor (Vesperae Longio
>Kerll, Johann Kaspar : Ave Regina Coelorum, for 5 voices (from Delectus Sacrarum Cantionum, Op. 1)
>Kerll, Johann Kaspar : Salve Regina, for 2 voices & continuo (from Delectus Sacrarum Cantionum, Op. 1)
>Biber, Heinrich Ignaz : Lauda Jerusalem, vesper-psalm for solo voices, chorus, orchestra & continuo in B flat major (Vespera
>Biber, Heinrich Ignaz : Fidicinium sacroprofanum
>Biber, Heinrich Ignaz : Magnificat, vesper-psalm for solo voices, chorus, orchestra & continuo in G minor (Vesperae Longiore
Conductor Ensembles Composers

Notes & Reviews:

Konrad Junghänel and Cantus Cölln are featured here in a recording of music by Heinrich Ignaz Franz von Biber and Johann Caspar Kerll. Biber's Vespro della Beata Vergine is not a single work, but rather a collection of composition assembled to form a liturgical service. It includes works from Biber's anthology of psalm settings entitled Vesperae Longiores ac Breviores and brief sonatas and solo motets are performed in place of the introductory antiphons. Kerll's Missa in fletu solatium was likely composed in celebration of the victory at the great Battle at Kahlenberg. His somewhat gloomy mass exhibits astonishing compositional artistry.

Expedition Audio Recommended
[Kerll's] mass is short, though vocally, very powerful. Cantus Colln is outstanding in their conception of this rarely performed work... The Biber work is most interesting and well played... The piece ends with a small Magnificat. Again, Cantus Colln is in top voice and the accompanying musicians play well and with spirit. The sonics are very natural and well balanced.... read more ...

American Record Guide, May/June 2014
JunghSnel Paduch added cornetto and trombones to the ripieno chorus. JunghSnel also adds the cornetto and trombones to double the string parts in the opening sinfonia. Both performances are quite good. This new recording is certainly recommended to anyone who has not heard either of these two compositions.

Notes & Reviews:

Recording information: Trinitatiskirche, Cologne (Germany) (03/03/2013-03/04/2013).



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Works Details

>Kerll, Johann Kaspar : Missa In fletu solatium obsidionis Viennensis
  • Conductor: Konrad Junghanel
  • Ensemble: Cantus Colln
  • Notes: Trinitatiskirche, Cologne (Germany) (03/03/2013-03/04/2013)
  • Running Time: 24 min. 24 sec.
  • Period Time: Baroque
  • Form: Choral

>Biber, Heinrich Ignaz : Dixit Dominus, vesper-psalm for solo voices, chorus, orchestra & continuo in G minor (Vesperae Longi
  • Conductor: Konrad Junghanel
  • Notes: Trinitatiskirche, Cologne (Germany) (03/03/2013-03/04/2013)
  • Running Time: 4 min. sec.
  • Period Time: Baroque
  • Written: 1693

>Kerll, Johann Kaspar : Salve regina, for 5 voices (from Delectus Sacrarum Cantionum, Op. 1)
  • Conductor: Konrad Junghanel
  • Notes: Trinitatiskirche, Cologne (Germany) (03/03/2013-03/04/2013)
  • Running Time: 4 min. 3 sec.
  • Period Time: Baroque

>Biber, Heinrich Ignaz : Laudate Pueri, vesper-psalm for solo voices, chorus, orchestra & continuo in D major (Vesperae Longi
  • Conductor: Konrad Junghanel
  • Notes: Trinitatiskirche, Cologne (Germany) (03/03/2013-03/04/2013)
  • Running Time: 2 min. 47 sec.
  • Period Time: Baroque
  • Written: 1693

>Kerll, Johann Kaspar : Exultate corda devota, for 3 voices & continuo (from Delectus Sacrarum Cantionum, Op. 1)
  • Conductor: Konrad Junghanel
  • Notes: Trinitatiskirche, Cologne (Germany) (03/03/2013-03/04/2013)
  • Running Time: 6 min. 23 sec.
  • Period Time: Baroque

>Biber, Heinrich Ignaz : Laetatus Sum, vesper-psalm for solo voices, chorus, orchestra & continuo in E minor (Vesperae Longio
  • Conductor: Konrad Junghanel
  • Notes: Trinitatiskirche, Cologne (Germany) (03/03/2013-03/04/2013)
  • Running Time: 4 min. 50 sec.
  • Period Time: Baroque
  • Written: 1693

>Kerll, Johann Kaspar : Ave Regina Coelorum, for 5 voices (from Delectus Sacrarum Cantionum, Op. 1)
  • Conductor: Konrad Junghanel
  • Notes: Trinitatiskirche, Cologne (Germany) (03/03/2013-03/04/2013)
  • Running Time: 3 min. 1 sec.
  • Period Time: Baroque
  • Written: 1669

>Biber, Heinrich Ignaz : Dixit Dominus, vesper-psalm for solo voices, chorus, orchestra & continuo in G minor (Vesperae Longi
  • Conductor: Konrad Junghanel
  • Notes: Trinitatiskirche, Cologne (Germany) (03/03/2013-03/04/2013)
  • Running Time: 4 min. sec.
  • Period Time: Baroque
  • Written: 1693

>Kerll, Johann Kaspar : Salve Regina, for 2 voices & continuo (from Delectus Sacrarum Cantionum, Op. 1)
  • Conductor: Konrad Junghanel
  • Notes: Trinitatiskirche, Cologne (Germany) (03/03/2013-03/04/2013)
  • Running Time: 5 min. 4 sec.
  • Period Time: Baroque

>Biber, Heinrich Ignaz : Lauda Jerusalem, vesper-psalm for solo voices, chorus, orchestra & continuo in B flat major (Vespera
  • Conductor: Konrad Junghanel
  • Notes: Trinitatiskirche, Cologne (Germany) (03/03/2013-03/04/2013)
  • Running Time: 4 min. 25 sec.
  • Period Time: Baroque
  • Written: 1693

>Biber, Heinrich Ignaz : Fidicinium sacroprofanum
  • Conductor: Konrad Junghanel
  • Notes: Trinitatiskirche, Cologne (Germany) (03/03/2013-03/04/2013)
  • Running Time: 3 min. 2 sec.
  • Period Time: Baroque
  • Written: 1683

>Biber, Heinrich Ignaz : Magnificat, vesper-psalm for solo voices, chorus, orchestra & continuo in G minor (Vesperae Longiore
  • Conductor: Konrad Junghanel
  • Notes: Trinitatiskirche, Cologne (Germany) (03/03/2013-03/04/2013)
  • Running Time: 5 min. 9 sec.
  • Period Time: Baroque
  • Form: Choral
  • Written: 1693