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Alessandro Scarlatti: Carlo Re d'Alemagna, opera / Invernizzi, de Liso, Kielland, Lo Monaco, Pinti, Basso, Allemano, Abbondanza / Fabio Biondi

Album Summary

>Scarlatti, Alessandro : Carlo re d'Allemagna, opera (with intermezzo "Paladrana e Zamberlucco")
Performer Conductor Ensemble Composer

Notes & Reviews:

Fabio Biondi returns with the first recording of Carlo, Re d'Alemagna by Alessandro Scarlatti, first performed in Naples in January 1716. The opera was resurrected in 2003 by Biondi (the leader of the innovative ensemble Europa Galante) who led a concert performance with the Stavanger Symphony Orchestra. It is in many ways a typical example of Neapolitan Baroque opera with action assigned to the recitatives whilst the characters are developed during the arias. The opera deals with the accession to power and its exercise. A mixture of opera seria and opera buffo, a requirement for the contemporary Neapolitan public c1690, is also found here.

American Record Guide, July/August 2014
The Stavanger Symphony plays on modern instruments, but Fabio Biondi imbues their playing with a sensitivity to baroque style and phrasing. Particularly impressive are the supportive and inventive continuo players: Marta Graziolino (harp), Giangiacomo Pinardi (theorbo and guitar), and Salvatore Carchiolo (harpsichord).

Notes & Reviews:

Recording information: Stavanger Konserthus, Bjergsted, Norway (11/30/2009/12/04/2009).


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Works Details

>Scarlatti, Alessandro : Carlo re d'Allemagna, opera (with intermezzo "Paladrana e Zamberlucco")
  • Performer: Fabio Biondi (Violin)
  • Conductor: Fabio Biondi
  • Ensemble: Stavanger Symphony Orchestra
  • Notes: Stavanger Konserthus, Bjergsted, Norway (11/30/2009/12/04/2009)
  • Running Time: 2 min. 51 sec.
  • Period Time: Baroque