- Bruckner — Symphony No. 9 in D Minor, WAB 109: I. Feierlich, misterioso (Original 1894 Version, Ed. L. Nowak)
- Bruckner — Symphony No. 9 in D Minor, WAB 109: II. Scherzo. Bewegt, lebhaft (Original 1894 Version, Ed. L. Nowak) $0.99 on iTunes
- Bruckner — Symphony No. 9 in D Minor, WAB 109: III. Adagio. Langsam feierlich (Original 1894 Version, Ed. L. Nowak)
Notes & Reviews:
- Anton Bruckner died before completing work on the fourth and final movenment of his 9th symphony.
- Conductor Mario Venzago's ongoing complete Bruckner symphony cycle has provoked vehement pro and contra critical reaction.
- The Bern Symphony's history dates back more than 125 years.
Gramophone Magazine, May 2014
Venzago's vision of a leaner, trimmer Bruckner - with big-boned solemnity discreetly airbrushed away - aims to repoint the composer by balancing his Wagner fixation agtainst his symphonic roots in Schubert.
Recording information: Kultur-Casino Bern, Grosser Saal (2012-09-20_2012-09-21&2012-).
But this recording by Venzago with the Berne Symphony Orchestra tops any other recording of Bruckner that I’ve ever heard. Venzago knows how to deal with each phrase and combine everything into a flow towards a climax. Every detail stands out but becomes part of a vast structure. The brass is absolutely outstanding, and the cellos and basses put a solid fundament to Bruckner’s orchestration. CPO has outdone itself in the audio quality of this CD.
While familiar with all the Bruckner symphonies, especially the scherzos (my favorites!) the scherzo from symphony No.9 has never quite made sense to me. As a matter of fact, in my review of Simon Rattle’s four-movement ninth I comment that his interpretation of the scherzo sounds like second-rate Shostakovich. Venzago takes this movement at such a fast clip that Bruckner’s idea becomes absolutely clear – this is a dance of death, a dance with the devil! Venzago sees the whole symphony as an approach to Bruckner’s imminent death. The third movement confirms this approach, with everything leading up to THAT chord just before the end – and then total acceptance of his fate – transfiguration, if you will. While the scherzo is wild-driven, the final slow movement is a totally moving and enveloping experience.
The sonics are wonderful, the performance powerful, the interpretation breathtaking.
Submitted on 03/31/14 by Catriel
Bruckner: Symphony No. 8 / Konzerthausorchester Berlin, Venzago
Hendrik Andriessen (1892-1981): Symphonic Works, Vol. 2 - Symphony no. 2; Ricercare; Mascherata
Mozart: Piano Concertos No. 20 in D minor & No. 27 in B flat major / Ronald Brautigam, fortepiano
August Klughardt (1847-1902): Symphony No. 5; Overtures / Antony Hermus
John Adams: Harmonielehre; Doctor Atomic Symphony; Short Ride in a Fast Machine / Peter Oundjian
Dora Pejacevic (1885-1923): Violin Sonatas & pieces / Andrej Bielow, violin; Oliver Triendl, piano
Dmitri Kabalevsky: Cello Concertos 1 & 2; Colas Breugnon Suite / Torleif Thedéen, cello
Concertante: Virtuosic Wind Concertos of the 18th & 19th centuries / Sinfonietta Riga
Johann Friedrich Schubert, Peter von Winter: Concertos for clarinet and Bassoon / Dieter Klocker, clarinet; Karl-Otto Hartmann, bassoon
Works DetailsBruckner, Anton : Symphony no 9 in D minor, WAB 109
- Conductor: Mario Venzago
- Ensemble: Berner Symphonieorchester
- Notes: Kultur-Casino Bern, Grosser Saal (2012-09-20_2012-09-21&2012-)
- Running Time: 51 min. 36 sec.
- Period Time: Romantic
- Form: Orchestral
- Written: 1887-1896