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Julia Wolfe (b.1958): Steel Hammer / Bang on a Can All-Stars; Trio Mediaeval

Album Summary

>Wolfe, Julia : Steel Hammer, for 3 voices & chamber ensemble
Ensembles Composer

Notes & Reviews:

American Record Guide, July/August 2014
Julia Wolf's newly recorded Steel Hammer, the runner-up for the 2010 Pulitzer Prize, is an exploration and expansion of Appalachian folk music. John Henry and the more than 200 versions of ballads about him are the subject of the 68-minute long work. The trio quickly repeats phrases, segments, and words; and the ballad slowly unfolds. Steel Hammer is an adventurous work that succeeds in its use of eclectic musical components.

Inspired by her love of Appalachia, Julia Wolfe based her text for Steel Hammer on over 200 versions of the "John Henry" ballad. Steel Hammer features the alternately haunting and playful vocalizations of Norway's renowned Trio Mediaeval, and stretches the standard instrumentation of the Bang on a Can All-Stars with wooden bones, mountain dulcimer, banjo, clapping, clogging and more. - "...a musical archaeology of a familiar tale ? one that preserves, even enlarges, its central mystery." - Alex Ross

Notes & Reviews:

Recording information: James L. Dolan Music Recording Studio at New York Unive (11/2011/02/2012).



Reviews

John Henry Redux
The legend of John Henry has grown and changed over the years. Was John Henry real or fictional, black or white, short or tall? Virtually every detail of the story has multiple answers -- and that's the point of Julia Wolfe's work, "Steel Hammer." Wolfe ingeniously presents the multiplicity of the story with layers of sound that simultaneously obscure the text and make transparent its interpretations.

This is high-energy, complex material, and as with many of Wolfe's compositions, the music demands your attention in an insistent and aggressive manner. But it's only when you give "Steel Hammer" your full attention that the music can convey its meaning.

Trio Mediaeval sing with pure, unwavering tones, providing an unemotional narrative to the work. Wolfe incorporates a number of folk instruments and sounds into her ensemble to provide color and context. Hearing the banjo, dulcimer, or the sound of clogging deep in the mix give the listener a hint of Appalachia without being overtly folk-like.

As always, the Bang on a Can All-Stars hold nothing back in their performances. This is difficult, demanding music, but these musicians don't just play the material -- they own it.
Submitted on 05/14/14 by RGraves321 
Some very odd listening that kind of grows on you
Julia Wolfe is a really interesting composer whose music often relies on traditional and folk sources. For example, Wolfe's "Cruel Sister" for string orchestra, was inspired by a traditional English ballad of a love rivalry between sisters. Her frenetic "My Lips from Speaking" for six pianos was inspired by the opening riff of the Aretha Franklin tune Think. Wolfe's music is never dull. Sometimes placid and moody, sometimes overtly confrontational and "in your face" In this case, "Steel Hammer" uses the legends and sounds of folk Appalachia as a starting off point. There is the fairly clearly "train" inspired "The States" that intones names of states against a very locomotive, minimalist vamp that conjures up some Philip Glass. The more folk-driven "Polly Ann" and "the Race" uses the John Henry legend and his mighty hammer to drive home some of the elements of the well-known folk song. I really liked the pounding "Destiny" that tells the John Henry story a bit more theatrically and the musical vocabulary has some bizarre but effective jazz-like moments to it. I also was taken by the closing "Lord, Lord" using the last bits of the John Henry anonymous and indigenous poem (as in "But he hammered his poor heart to death, Lord, Lord .... There lies my steel-driving man, Lord, Lord") to create an odd dirge-like vamp with some really ghostly electric guitar picking. Part of why I think this work succeeds is the combined brilliance of the vocal Trio Mediaeval and the Bang on a Can All-Stars; with whom Julia Wolf has worked before. The overall effect of this series of vocal works (not "songs" really) in the context of the whole is eery, disconnected and a little disturbing. I found it odd to be sure but quite effective. I am not sure everyone will find this an easy listen or their form of "enjoyment" If you approach this fascinating work with an open mind and be prepared for the unusual, you might like it. I know I am motivated to hear more of Julia Wolfe's music.
Submitted on 05/19/14 by Dan Coombs 
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Works Details

>Wolfe, Julia : Steel Hammer, for 3 voices & chamber ensemble
  • Ensemble: Bang on a Can All-Stars
  • Running Time: 67 min. 9 sec.
  • Period Time: Contemporary
  • Written: 2009