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Schütz: Secular Works / Manfred Cordes, Weser-Renaissance

Album Summary

>Schütz, Heinrich : Freue dich des Weibes deiner Jugend, for soloists, trumpet, cornet, 3 trombones ad lib & continuo, S
>Schütz, Heinrich : Liebster, sagt in süssen Schmerzen, for 2 sopranos, 2 violins & continuo, SWV 441
>Schütz, Heinrich : Nachdem ich lag in meinem öden Bette, madrigal for soprano, bass, 2 violins, 2 instruments & continu
>Schütz, Heinrich : Glück zu dem Helikon, for alto, tenor & continuo, SWV 96
>Schütz, Heinrich : Haus und Güter erbet man von Eltern, for 11 voices & continuo, SWV 21
>Schütz, Heinrich : Tugend ist der beste Freund, for 2 sopranos, 2 violins & continuo, SWV 442
>Schütz, Heinrich : Teutoniam dudum belli, for 2 sopranos, alto, tenor, bass, 2 violins & continuo, SWV 338
>Schütz, Heinrich : Wie wenn der Adler sich aus seiner Klippe schwingt, for soprano & continuo, SWV 434
>Schütz, Heinrich : Siehe, wie fein und lieblich ists (Psalm 133), for 2 sopranos, alto, tenor, bass, instruments & cont
>Schütz, Heinrich : Vier Hirtinnen, gleich jung, gleich schon, for 2 sopranos, alto, tenor & continuo, SWV Anh. 1 (attri
>Schütz, Heinrich : Läßt Salomon sein Bette nicht umgeben, for soprano, bass, 2 violins, 2 instruments & continuo, SWV 5
>Schütz, Heinrich : Die Erde trinkt für sich, for alto, tenor & continuo, SWV 438
>Schütz, Heinrich : Wohl dem, der ein tugendsam Weib hat, for soloists, 3 cornets & organ, SWV 20
>Schütz, Heinrich : Itzt blicken durch des Himmels Saal, madrigal for 2 sopranos, alto, tenor, bass, 2 violins & continu
>Schütz, Heinrich : En novus elysiis, for 3 sopranos, 2 tenors, bass, 3 cornets, 3 bassoons & continuo, SWV 49
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Works Details

>Schütz, Heinrich : Freue dich des Weibes deiner Jugend, for soloists, trumpet, cornet, 3 trombones ad lib & continuo, S
  • Performers: Constanze Backes (Soprano); Joseph Cornwell (Tenor); Harry Geraerts (Tenor); Gotthold Schwarz (Bass); Mona Spagele (Voice)
  • Conductor: Manfred Cordes
  • Ensemble: Weser-Renaissance
  • Notes: DeutschlandRadio, Sendesaal (03/03/1997-03/06/1997)
  • Running Time: 3 min. 53 sec.
  • Period Time: Baroque
  • Written: circa 1640

>Schütz, Heinrich : Liebster, sagt in süssen Schmerzen, for 2 sopranos, 2 violins & continuo, SWV 441
  • Performers: Constanze Backes (Soprano); Mona Spagele (Voice)
  • Conductor: Manfred Cordes
  • Ensemble: Weser-Renaissance
  • Notes: DeutschlandRadio, Sendesaal (03/03/1997-03/06/1997)
  • Running Time: 3 min. 52 sec.
  • Period Time: Baroque
  • Written: 1627-1632

>Schütz, Heinrich : Nachdem ich lag in meinem öden Bette, madrigal for soprano, bass, 2 violins, 2 instruments & continu
  • Performers: Gotthold Schwarz (Bass); Mona Spagele (Voice)
  • Conductor: Manfred Cordes
  • Ensemble: Weser-Renaissance
  • Notes: DeutschlandRadio, Sendesaal (03/03/1997-03/06/1997)
  • Running Time: 4 min. 28 sec.
  • Period Time: Baroque

>Schütz, Heinrich : Glück zu dem Helikon, for alto, tenor & continuo, SWV 96
  • Performers: Joseph Cornwell (Tenor); Harry Geraerts (Tenor)
  • Conductor: Manfred Cordes
  • Ensemble: Weser-Renaissance
  • Notes: DeutschlandRadio, Sendesaal (03/03/1997-03/06/1997)
  • Running Time: 2 min. 7 sec.
  • Period Time: Baroque

>Schütz, Heinrich : Haus und Güter erbet man von Eltern, for 11 voices & continuo, SWV 21
  • Performers: Constanze Backes (Soprano); Joseph Cornwell (Tenor); Harry Geraerts (Tenor); Gotthold Schwarz (Bass); Mona Spagele (Voice)
  • Conductor: Manfred Cordes
  • Ensemble: Weser-Renaissance
  • Notes: DeutschlandRadio, Sendesaal (03/03/1997-03/06/1997)
  • Running Time: 3 min. 51 sec.
  • Period Time: Baroque
  • Written: by 06/15/1618

>Schütz, Heinrich : Tugend ist der beste Freund, for 2 sopranos, 2 violins & continuo, SWV 442
  • Performers: Constanze Backes (Soprano); Mona Spagele (Voice)
  • Conductor: Manfred Cordes
  • Ensemble: Weser-Renaissance
  • Notes: DeutschlandRadio, Sendesaal (03/03/1997-03/06/1997)
  • Running Time: 5 min. 29 sec.
  • Period Time: Baroque
  • Written: 1640-1650

>Schütz, Heinrich : Teutoniam dudum belli, for 2 sopranos, alto, tenor, bass, 2 violins & continuo, SWV 338
  • Performers: Constanze Backes (Soprano); Joseph Cornwell (Tenor); Harry Geraerts (Tenor); Gotthold Schwarz (Bass); Mona Spagele (Voice)
  • Conductor: Manfred Cordes
  • Ensemble: Weser-Renaissance
  • Notes: DeutschlandRadio, Sendesaal (03/03/1997-03/06/1997)
  • Running Time: 5 min. 16 sec.
  • Period Time: Baroque

>Schütz, Heinrich : Wie wenn der Adler sich aus seiner Klippe schwingt, for soprano & continuo, SWV 434
  • Performer: Mona Spagele (Voice)
  • Conductor: Manfred Cordes
  • Ensemble: Weser-Renaissance
  • Notes: DeutschlandRadio, Sendesaal (03/03/1997-03/06/1997)
  • Running Time: 1 min. 58 sec.
  • Period Time: Baroque

>Schütz, Heinrich : Siehe, wie fein und lieblich ists (Psalm 133), for 2 sopranos, alto, tenor, bass, instruments & cont
  • Performers: Constanze Backes (Soprano); Joseph Cornwell (Tenor); Harry Geraerts (Tenor); Gotthold Schwarz (Bass); Mona Spagele (Voice)
  • Conductor: Manfred Cordes
  • Ensemble: Weser-Renaissance
  • Notes: DeutschlandRadio, Sendesaal (03/03/1997-03/06/1997)
  • Running Time: 6 min. 42 sec.
  • Period Time: Baroque

>Schütz, Heinrich : Vier Hirtinnen, gleich jung, gleich schon, for 2 sopranos, alto, tenor & continuo, SWV Anh. 1 (attri
  • Performers: Constanze Backes (Soprano); Joseph Cornwell (Tenor); Harry Geraerts (Tenor); Mona Spagele (Voice)
  • Conductor: Manfred Cordes
  • Ensemble: Weser-Renaissance
  • Notes: DeutschlandRadio, Sendesaal (03/03/1997-03/06/1997)
  • Running Time: 5 min. 5 sec.
  • Period Time: Baroque
  • Written: 1615-1620

>Schütz, Heinrich : Läßt Salomon sein Bette nicht umgeben, for soprano, bass, 2 violins, 2 instruments & continuo, SWV 5
  • Performers: Gotthold Schwarz (Bass); Mona Spagele (Voice)
  • Conductor: Manfred Cordes
  • Ensemble: Weser-Renaissance
  • Notes: DeutschlandRadio, Sendesaal (03/03/1997-03/06/1997)
  • Running Time: 5 min. 18 sec.
  • Period Time: Baroque

>Schütz, Heinrich : Die Erde trinkt für sich, for alto, tenor & continuo, SWV 438
  • Performers: Joseph Cornwell (Tenor); Harry Geraerts (Tenor)
  • Conductor: Manfred Cordes
  • Ensemble: Weser-Renaissance
  • Notes: DeutschlandRadio, Sendesaal (03/03/1997-03/06/1997)
  • Running Time: 2 min. 6 sec.
  • Period Time: Baroque
  • Written: 1640-1650

>Schütz, Heinrich : Wohl dem, der ein tugendsam Weib hat, for soloists, 3 cornets & organ, SWV 20
  • Performers: Constanze Backes (Soprano); Joseph Cornwell (Tenor); Harry Geraerts (Tenor); Gotthold Schwarz (Bass); Mona Spagele (Voice)
  • Conductor: Manfred Cordes
  • Ensemble: Weser-Renaissance
  • Notes: DeutschlandRadio, Sendesaal (03/03/1997-03/06/1997)
  • Running Time: 6 min. 59 sec.
  • Period Time: Baroque
  • Written: by 04/21/1618

>Schütz, Heinrich : Itzt blicken durch des Himmels Saal, madrigal for 2 sopranos, alto, tenor, bass, 2 violins & continu
  • Performers: Constanze Backes (Soprano); Joseph Cornwell (Tenor); Harry Geraerts (Tenor); Gotthold Schwarz (Bass); Mona Spagele (Voice)
  • Conductor: Manfred Cordes
  • Ensemble: Weser-Renaissance
  • Notes: DeutschlandRadio, Sendesaal (03/03/1997-03/06/1997)
  • Running Time: 8 min. 32 sec.
  • Period Time: Baroque
  • Written: 1635

>Schütz, Heinrich : En novus elysiis, for 3 sopranos, 2 tenors, bass, 3 cornets, 3 bassoons & continuo, SWV 49
  • Performers: Joseph Cornwell (Tenor); Harry Geraerts (Tenor); Gotthold Schwarz (Bass); Mona Spagele (Voice)
  • Conductor: Manfred Cordes
  • Ensemble: Weser-Renaissance
  • Notes: DeutschlandRadio, Sendesaal (03/03/1997-03/06/1997)
  • Running Time: 5 min. 8 sec.
  • Period Time: Baroque
  • Form: Vocal
  • Written: by 11/03/1621