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L'Oiseau Lyre - Florilegium Series: The Baroque Era / Hogwood, Pickett, Rifkin, Preston, Dantone et al. [50 CD Limited Edition set]

Album Summary

>Arne, Thomas A. : Overtures (8) in Eight Parts, for orchestra
>Boyce, William : Symphonies (8), Op. 2
>Blow, John : Venus and Adonis
>Purcell, Henry : Abdelazer, Z 570 "Moor's Revenge"
>Purcell, Henry : Distressed Innocence, or, the Princess of Persia, incidental music, Z. 577
>Purcell, Henry : The Married Beau, or, the Curious Impertinent, incidental music, Z. 603
>Purcell, Henry : The Gordian Knot Unty'd, incidental music, Z. 597
>Purcell, Henry : Indian Queen, Z 630
>Purcell, Daniel : The Masque of Hymen, incidental music
>Locke, Matthew : My lodging is on the Cold Ground, song (attributed)
>Blow, John : Lovely Salina, innocent and free
>Purcell, Henry : The History of King Richard the Second (The Sicilian Usurper), Z.581
>Draghi, Giovanni Battista : Romulus and Hersilia
>Purcell, Henry : King Arthur, or The British Worthy, Z.628
>Purcell, Henry : Sir Anthony Love or the Rambling Lady, Z.588
>Purcell, Henry : Oedipus, Z.583
>Purcell, Henry : Henry the Second, King of England, Z.580
>Courteville, Ralph : Creep softly, purling streams, for soprano, 2 violins, bass viol & harpsichord
>Purcell, Henry : Rule a Wife and Have a Wife, Z.587
>Purcell, Henry : The Fairy Queen, Z.629
>Purcell, Henry : Timon of Athens, Z.632
>Purcell, Henry : Tyrannic Love or The Royal Martyr, Z.613
>Eccles, John : Find me a lonely cave
>Weldon, John : Dry those eyes which are o'erflowing, song
>Purcell, Henry : The Tempest, Z.631
>Weldon, John : Halcyon Days, for soprano & ensemble (for The Tempest)
>Purcell, Henry : Bonduca, Z.574
>Purcell, Henry : Pausanius, the Betrayer of his Country, Z.585
>Handel, George Frideric : The Water Music
>Handel, George Frideric : Handel - Bourée
>Handel, George Frideric : Concerti Grossi (12), Op. 6, HWV 319-330
>Handel, George Frideric : Alessandro Severo
>Lampe, John Frederick : Britannia
>Lampe, John Frederick : Dione
>Handel, George Frideric : Hornpipe for orchestra in D major, HWV 356
>Arne, Thomas A. : Rosamunde
>Handel, George Frideric : Ariodante, HWV 33
>Handel, George Frideric : Alcina, HWV 34
>Handel, George Frideric : Alexander's Feast, HWV 75
>Handel, George Frideric : L' Allegro, Il Penseroso ed Il Moderato, HWV 55
>Handel, George Frideric : Saul, HWV 53
>Arne, Thomas A. : The Masque of Comus
>Handel, George Frideric : Quel fior ch'all'alba ride, trio for 2 sopranos, bass & continuo, HWV 200
>Handel, George Frideric : Nell'Africaine selve
>Handel, George Frideric : No, di voi non vo' fidarmi, duet for 2 sopranos & continuo, HWV 189
>Handel, George Frideric : Nella stagion che di viole e rose, cantata, HWV 137
>Handel, George Frideric : Tacete, ohime, tacete, duet for soprano, bass & continuo, HWV 196
>Handel, George Frideric : Se tu non lasci amore, trio for 2 sopranos, bass & continuo, HWV 201
>Handel, George Frideric : Alchemist, incidental music, HWV 43
>Handel, George Frideric : English Songs (24), HWV 228
>Handel, George Frideric : Love's But the Frailty of the Mind, song, HWV 218
>Handel, George Frideric : Messiah, HWV 56, Oratorio
>Handel, George Frideric : La Resurrezione di Nostro Signor Gesù Cristo, HWV 47
>Handel, George Frideric : Orlando
>Bach, Johann Sebastian : Goldberg Variations, for keyboard (Clavier-Übung IV), BWV 988 (BC L9)
>Bach, Johann Sebastian : Brandenburg Concerto no 1 in F major, BWV 1046
>Bach, Johann Sebastian : Brandenburg Concerto no 2 in F major, BWV 1047
>Bach, Johann Sebastian : Brandenburg Concerto no 3 in G major, BWV 1048
>Bach, Johann Sebastian : Brandenburg Concerto no 4 in G major, BWV 1049
>Bach, Johann Sebastian : Brandenburg Concerto no 5 in D major, BWV 1050
>Bach, Johann Sebastian : Brandenburg Concerto no 6 in B flat major, BWV 1051
>Bach, Johann Sebastian : Concerto for 3 Violins in D major, BWV 1064
>Bach, Johann Sebastian : Concerto for 3 Harpsichords in C major, BWV 1064
>Bach, Johann Sebastian : Concerto for 3 Harpsichords in D minor, BWV 1063
>Vivaldi, Antonio : Concerto for 4 Violins and Cello in B minor, Op. 3 no 10/RV 580
>Bach, Johann Sebastian : Concerto for 4 Harpsichords in A minor, BWV 1065
>Bach, Johann Sebastian : Cantata no 78 "Jesu, der du meine Seele" BWV 78
>Bach, Johann Sebastian : Cantata no 99, "Was Gott tut, das ist wohlgetan" BWV 99
>Bach, Johann Sebastian : Cantata no 8 "Liebster Gott, wann werd ich sterben" (first version), BWV 8
>Bach, Johann Sebastian : Cantata no 211, "Schweigt stille, plaudert nicht," (Coffee Cantata), BWV 211 (BC G48)
>Bach, Johann Sebastian : Cantata no 212, "Mer hahn en neue Oberkeet," (Peasant Cantata), BWV 212 (BC G32)
>Bach, Carl Philipp Emanuel : Sei sinfonie, symphonies (6) for strings & continuo ("Hamburg"), H. 657-662, Wq. 182
>Bach, Johann Christian : Favorite Overtures (6), for orchestra, Walsh edition (T. 272/2)
>Telemann, Georg Philipp : Concerto for 3 trumpets, timpani, strings & continuo in D major, TWV 54
>Telemann, Georg Philipp : Quartet (Concerto) for 2 violins, viola & continuo in B flat major, TWV 43
>Telemann, Georg Philipp : Concerto for Recorder and Flute in E minor, TV 52 no e 1
>Telemann, Georg Philipp : Concerto alla Polonese, for strings & continuo in G major (a.k.a "Concerto Polonois"), TWV 43
>Telemann, Georg Philipp : Concerto for flute, oboe d'amore, viola d'amore, strings & continuo in E major, TWV 53
>Biber, Heinrich Ignaz : Requiem ex F con terza minore, for solo voices, chorus, orchestra & continuo in F minor, C. 8
>Biber, Heinrich Ignaz : Ballettae à 4, suite for violin, 2 violas & continuo in D major, C. 55
>Biber, Heinrich Ignaz : Battalia for Violin, Strings and Basso Continuo in D major
>Biber, Heinrich Ignaz : Serenada à 5, for 2 violins, 2 violas & continuo (with optional bass voice) in C major ("Nightwatchm
>Biber, Heinrich Ignaz : Sonata à 6 die pauern-Kirchfarth genandt, for 3 violins, 2 violas & continuo in B flat major, C. 110
>Couperin, François : Les Nations
>Couperin, François : Qu'on ne me dise plus, air for tenor & continuo (Recueil d'airs)
>Couperin, François : Doux liens de mon coeur, air sérieux for soprano & continuo (Recueils d'airs)
>Montéc, Michel Pignolet de : Le Triomfe de la Constance, cantata for soprano, solo bass viol & continuo
>Forqueray, Antoine : Suite for viol & continuo no 1
>Leclair, Jean-Marie : Sonata for violin & continuo in D major, Op. 9/6
>Marais, Marin [Composer] : Suite for viola da gamba & continuo in F major (Pièces de viole, Book III, Nos. 26-39 )
>Marais, Marin [Composer] : Tableau de l'operation de la taille, for viola da gamba & continuo in E minor (Pièces de viole, Book
>Montéc, Michel Pignolet de : Pan et Syrinx, cantata for voice & ensemble (No 4 of Second livre de cantates)
>Marais, Marin [Composer] : La Sonnerie de Sainte Geneviève du Mont à Paris, for violin, viola da gamba & continuo in D minor
>Rebel, Jean-Féry : Les Éléments, simphonie nouvelle for 2 violins, 2 flutes & continuo
>Destouches, André Cardinal : Les Éléments, opera-ballet
>Royer, Joseph-Nicolas-Pan : Premier livre de pièces pour clavecin
>Royer, Joseph-Nicolas-Pan : La Chasse de Zaïde, for harpsichord
>Rameau, Jean-Philippe : Les Fêtes de Polymnie
>Rameau, Jean-Philippe : Les Indes galantes
>Rameau, Jean-Philippe : Zaïs
>Rameau, Jean-Philippe : Castor et Pollux
>Rameau, Jean-Philippe : Naïs
>Rameau, Jean-Philippe : Platée [ou Junon jalouse]
>Rameau, Jean-Philippe : Les Fêtes d'Hébé
>Rameau, Jean-Philippe : Zoroastre
>Rameau, Jean-Philippe : Dardanus
>Rameau, Jean-Philippe : Les Paladins
>Rameau, Jean-Philippe : Hippolyte et Aricie
>Rameau, Jean-Philippe : Le Temple de la gloire
>Rameau, Jean-Philippe : Pygmalion
>Rameau, Jean-Philippe : Les Surprises de l'Amour
>Rameau, Jean-Philippe : Les Fêtes de l'Hymne et de l'Amour (ou Les Dieux d'Egypte)
>Rameau, Jean-Philippe : Acante et Céphise, ou La sympathie
>Couperin, François : Leçons de Ténèbres, for treble voice (or 2 treble voices) & continuo
>Couperin, François : Motet pour le jour de Pâques ("Victoria
>Albinoni, Tomaso : Concerti à cinque (12), for 2 oboes, 2 violins, viola, cello & continuo, Op. 9 (T. 9)
>Carissimi, Giacomo : Apritevi inferni
>Carissimi, Giacomo : No, no, mio core, cantata for soprano & continuo
>Carissimi, Giacomo : Deh memoria e che più chieidi?, cantata for soprano & continuo
>Carissimi, Giacomo : Bel tempo per me, cantata for soprano & continuo
>Carissimi, Giacomo : In un mar di pensieri, cantata for soprano & continuo
>Carissimi, Giacomo : V'intendo, occhi, voi mi volete, cantata for soprno or alto & continuo
>Carissimi, Giacomo : Suonerà l'ultima tromba (Del giuditio universale), cantata for soprano & continuo
>Carissimi, Giacomo : Amor mio, che cosa è questa (Amante sdegnato), cantata for soprano & continuo
>Geminiani, Francesco : Concerti Grossi (6), for 2 violins, viola, cello, strings & continuo, Op. 3
>Pergolesi, Giovanni : Stabat Mater
>Pergolesi, Giovanni : Salve Regina
>Scarlatti, Alessandro : Agar et Ismaele esiliati
>Scarlatti, Alessandro : Keyboard Concertos (6) (spurious, incomplete)
>Scarlatti, Alessandro : San Filippo Neri
>Scarlatti, Alessandro : Il Primo omicidio
>Scarlatti, Alessandro : L'Assunzione della Beata Vergine
>Scarlatti, Alessandro : Il trionfo della Vergine assunta in Cielo
>Scarlatti, Alessandro : Il giardino di rose
>Scarlatti, Domenico : Sonata for Harpsichord in A major, K 428/L 131
>Scarlatti, Domenico : Sonata for Harpsichord in A major, K 429/L 132
>Scarlatti, Domenico : Sonata for Harpsichord in E minor, K 147/L 376
>Scarlatti, Domenico : Sonata for Harpsichord in E minor, K 198/L 22
>Scarlatti, Domenico : Sonata for Harpsichord in E minor, K 98/L 325
>Scarlatti, Domenico : Sonata for Harpsichord in C major, K 326/L 201
>Scarlatti, Domenico : Sonata for Harpsichord in C major, K 327/L 152
>Scarlatti, Domenico : Sonata for Harpsichord in F minor, K 466/L 118
>Scarlatti, Domenico : Sonata for Harpsichord in F minor, K 467/L 476
>Scarlatti, Domenico : Sonata for Harpsichord in E flat major, K 123/L 111
>Scarlatti, Domenico : Sonata for Harpsichord in G major, K 454
>Scarlatti, Domenico : Sonata for Harpsichord in G major, K 124/L 232
>Vivaldi, Antonio : Concerto for Violin in E major, Op. 8 no 1/RV 269 "Primavera"
>Vivaldi, Antonio : Amen
>Vivaldi, Antonio : Concerto for strings & continuo in G minor, RV 153
>Vivaldi, Antonio : Nisi Dominus in G minor, RV 608
>Vivaldi, Antonio : Concerto for Cello in D minor, RV 406
>Vivaldi, Antonio : Sonata no 7 in G minor (Preludio - Largo, Allemanda - Andante, Sarabanda - Largo, Gigue - Allegro)
>Vivaldi, Antonio : Concerto for Cello, strings & continuo in C minor, RV 402
>Vivaldi, Antonio : Sonata no 8 in A minor (Largo, Allegro poco, Largo, Allegro)
>Vivaldi, Antonio : Sonata no 9 in E flat (Larghetto, Allegro, Andante, Allegro)
>Vivaldi, Antonio : Concerto for Cello in G major, RV 414
>Vivaldi, Antonio : Concertos (6) for 5 instruments, Op. 6
>Vivaldi, Antonio : Concerto for Violin, strings & continuo in A major ("The Cuckoo" or "Coucou"), RV 335
>Vivaldi, Antonio : Concerto for oboe, strings & continuo in F major, RV 457
>Vivaldi, Antonio : Concerto for Oboe in A minor, RV 461
>Vivaldi, Antonio : Concerto for 2 Oboes in D minor, RV 535
>Vivaldi, Antonio : Concerto for oboe, strings & continuo in A minor, RV 463
>Vivaldi, Antonio : Concerto for oboe, strings & continuo in C major, RV 447
>Vivaldi, Antonio : Concerto for 2 clarinets, 2 oboes, strings & continuo in C major, RV 559
>Vivaldi, Antonio : "Domine Deus" from Gloria RV 589, for Soprano, Trumpet and Continuo
>Bach, Johann Sebastian : Magnificat, for 5 voices, 5-part chorus, orchestra & continuo in E flat major, BWV 243a (BC E14)
>Corelli, Arcangelo : Concerti grossi (12), Op. 6
>Werner, Gregor Joseph : Musikalischer instrumental Kalendar
>Gossec, François-Joseph : Christmas Suite, for chorus & orchestra
>Vejvanovsky, Pavel Josef : Sonata Natalis in C major
>Vejvanovsky, Pavel Josef : Sonata a 7, No 12
>Bach, Johann Sebastian : Christmas Oratorio, BWV 248
>Torelli, Giuseppe : Concerto a 4 in forma di Pastorale per il Santissimo Natale, for 2 violins, cello & continuo in G mi
>Heinichen, Johann David : Concerto à 8 for 4 recorders & strings
>Schickha, Johann Christian : Concerto for 4 recorders & continuo no 2 in D minor
>Telemann, Georg Philipp : Concerto for 2 recorders, strings & continuo in A minor ("Grand Concerto"), TWV 52
>Marcello, Alessandro : Concerto for 7 recorders & strings in G major, SF. 945
>Telemann, Georg Philipp : Concerto for 2 recorders, strings & continuo in B flat major, TWV 52
>Schickha, Johann Christian : Concerto for 4 recorders & continuo no 3 in G major
>Vivaldi, Antonio : Double Orchestra Concerto, for 2 violins, 2 recorders, cello; 2 violins, 2 recorders, cello, organ,
>Vivaldi, Antonio : Sonata à 4 al Santo Sepolcro, for 2 violins, viola & continuo in E flat major, RV 130
>Ferrandini, Giovanni Battista : Il Pianto di Maria, Cantata da cantarsi dinanzi al Santo Sepolcro
>Marini, Biagio : Passacaglia à 4, for chamber instruments & continuo Op. 22
>Monteverdi, Claudio : Pianto della Madonna, sacred song for voice & continuo (from Selva morale e spirituale), SV 288
>Vivaldi, Antonio : Concerto for Violin in D minor
>Vivaldi, Antonio : Sinfonia al Santo Sepolcro, sonata for 2 violins, viola & continuo in B minor, RV 169
>Cont, Francesco Bartolomeo : Il Martirio di San Lorenzo, for voice, chalumeau & strings
>Pisendel, Johann Georg : Sonata da chiesa for strings, 2 oboes & continuo in C minor
Performers Conductors Ensembles Composers

Notes & Reviews:

A 50 CD Original Jackets Collection celebrating the greatest Baroque recordings from Decca's pioneering early music label L'Oiseau-Lyre.

Key Baroque works featuring best-selling albums such as Vivaldi's Four Seasons, Handel's Messiah and Bach's Brandenburg Concertos. Beyond that, a wide array of composers offer a fascinating historical and geographic tour of the era - Scarlatti and Vivaldi from Italy, Rameau and Couperin in France, Biber in Germany, Boyce and Purcell from England.

Not only does the new Baroque collection showcase some of L'Oiseau-Lyre's early triumphs, it also includes more recent releases, such as Il pianto di Maria with Il Giardino Armonico under Giovanni Antonini in 2009.



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Works Details

>Arne, Thomas A. : Overtures (8) in Eight Parts, for orchestra
  • Performers: Christopher Hogwood; Academy Music
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 5 min. 7 sec.
  • Period Time: Classical

>Boyce, William : Symphonies (8), Op. 2
  • Performers: Christopher Hogwood; Academy Music
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 55 min. 14 sec.
  • Period Time: Classical
  • Form: Orchestral

>Blow, John : Venus and Adonis
  • Performers: Philip Pickett (Recorder); New London Consort
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Notes: Composition written: 1681.
  • Running Time: 4 min. 30 sec.
  • Period Time: Baroque
  • Written: 1681

>Purcell, Henry : Abdelazer, Z 570 "Moor's Revenge"
  • Performers: Academy Music; Christopher Hogwood
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 6 min. 55 sec.
  • Period Time: Baroque
  • Written: 1695

>Purcell, Henry : Distressed Innocence, or, the Princess of Persia, incidental music, Z. 577
  • Performers: Academy Music; Christopher Hogwood
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 1 min. 38 sec.
  • Period Time: Baroque
  • Written: 1694

>Purcell, Henry : The Married Beau, or, the Curious Impertinent, incidental music, Z. 603
  • Performers: Christopher Hogwood; Academy Music
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 8 min. 17 sec.
  • Period Time: Baroque
  • Written: 1694

>Purcell, Henry : The Gordian Knot Unty'd, incidental music, Z. 597
  • Performers: Christopher Hogwood; Academy Music
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 2 min. 31 sec.
  • Period Time: Baroque
  • Written: 1691

>Purcell, Henry : Indian Queen, Z 630
  • Performers: Christopher Hogwood; Academy Music
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 39 min. 56 sec.
  • Period Time: Baroque
  • Written: 1695

>Purcell, Daniel : The Masque of Hymen, incidental music
  • Performer: Christopher Hogwood
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Period Time: Baroque

>Locke, Matthew : My lodging is on the Cold Ground, song (attributed)
  • Performers: Catherine Bott; Paula Chateauneuf (Theorbo)
  • Running Time: 2 min. 2 sec.
  • Period Time: Baroque

>Blow, John : Lovely Salina, innocent and free
  • Performers: Paula Chateauneuf (Guitar); Catherine Bott; Mark Levy (Viol)
  • Running Time: 2 min. 12 sec.
  • Period Time: Baroque

>Purcell, Henry : The History of King Richard the Second (The Sicilian Usurper), Z.581 :: Retir'd from any mortal's sigh
  • Performers: Paula Chateauneuf (Theorbo); Catherine Bott; Mark Levy (Viol); Richard Egarr (Harpsichord)
  • Running Time: 2 min. 27 sec.
  • Period Time: Baroque
  • Written: 1681

>Draghi, Giovanni Battista : Romulus and Hersilia :: Where are thou, God of Dreams
  • Performers: Paula Chateauneuf (Theorbo); Richard Egarr (Harpsichord); Mark Levy (Viol); Catherine Bott; Rachel Podger (Violin); Pavlo Beznosiuk (Violin)
  • Running Time: 2 min. 34 sec.
  • Written: 1682

>Purcell, Henry : King Arthur, or The British Worthy, Z.628 :: Act 5. Fairest isle (Venus)
  • Performers: Catherine Bott; Paula Chateauneuf (Theorbo)
  • Running Time: 1 min. 55 sec.
  • Period Time: Baroque
  • Written: 1691

>Purcell, Henry : Sir Anthony Love or the Rambling Lady, Z.588 :: Pursuing beauty
  • Performers: Catherine Bott; Mark Levy (Viol); Richard Egarr (Harpsichord); Paula Chateauneuf (Theorbo); Pavlo Beznosiuk (Violin); Rachel Podger (Violin)
  • Running Time: 3 min. 22 sec.
  • Period Time: Baroque
  • Written: 1690

>Purcell, Henry : Oedipus, Z.583 :: Music for a While
  • Performers: Richard Egarr (Harpsichord); Mark Levy (Viol); Catherine Bott
  • Running Time: 2 min. 56 sec.
  • Period Time: Baroque
  • Written: circa 1692

>Purcell, Henry : Henry the Second, King of England, Z.580 :: In vain, 'gainst love, in vain I strove
  • Performers: Richard Egarr (Harpsichord); Mark Levy (Viol); Catherine Bott
  • Running Time: 1 min. 57 sec.
  • Period Time: Baroque
  • Written: 1692

>Courteville, Ralph : Creep softly, purling streams, for soprano, 2 violins, bass viol & harpsichord
  • Performers: Rachel Podger (Violin); Paula Chateauneuf (Theorbo); Catherine Bott; Mark Levy (Viol)
  • Running Time: 4 min. 8 sec.
  • Period Time: Classical
  • Written: 1687

>Purcell, Henry : Rule a Wife and Have a Wife, Z.587 :: There's not a swain
  • Performers: Paula Chateauneuf (Guitar); Richard Egarr (Harpsichord); Catherine Bott
  • Running Time: 1 min. 2 sec.
  • Period Time: Baroque
  • Written: 1693

>Purcell, Henry : The Fairy Queen, Z.629 :: Act 5. Thrice happy lovers
  • Performers: Catherine Bott; Paula Chateauneuf (Theorbo); Richard Egarr (Harpsichord); Mark Levy (Viol)
  • Running Time: 2 min. 28 sec.
  • Period Time: Baroque
  • Written: 1689

>Purcell, Henry : The Fairy Queen, Z.629 :: Act 5. The plaint
  • Performers: Catherine Bott; Paula Chateauneuf (Theorbo); Mark Levy (Viol); Pamela Thorby (Recorder)
  • Running Time: 6 min. 25 sec.
  • Period Time: Baroque
  • Written: 1689

>Purcell, Henry : The Married Beau, or, the Curious Impertinent, incidental music, Z. 603
  • Performers: Mark Levy (Viol); Catherine Bott; Paula Chateauneuf (Theorbo)
  • Running Time: 8 min. 17 sec.
  • Period Time: Baroque
  • Written: 1694

>Purcell, Henry : Timon of Athens, Z.632 :: The Masque. no 9 Solo. The cares of lovers
  • Performers: Paula Chateauneuf (Theorbo); Catherine Bott
  • Running Time: 1 min. 31 sec.
  • Period Time: Baroque
  • Written: 1694

>Purcell, Henry : Tyrannic Love or The Royal Martyr, Z.613 :: Ah! how sweet it is to love
  • Performers: Richard Egarr (Harpsichord); Catherine Bott
  • Running Time: 1 min. 51 sec.
  • Period Time: Baroque
  • Written: 1694

>Eccles, John : Find me a lonely cave
  • Performers: Catherine Bott; Mark Levy (Viol)
  • Running Time: 2 min. 25 sec.
  • Period Time: Baroque

>Weldon, John : Dry those eyes which are o'erflowing, song
  • Performers: Rachel Podger (Violin); Pavlo Beznosiuk (Violin); Paula Chateauneuf (Theorbo); Richard Egarr (Harpsichord); Mark Levy (Viol); Catherine Bott
  • Running Time: 4 min. 20 sec.
  • Period Time: Baroque
  • Written: 1760s

>Purcell, Henry : The Tempest, Z.631 :: Act 4. Air. Dear pretty youth
  • Performers: Richard Egarr (Harpsichord); Mark Levy (Viol); Catherine Bott
  • Running Time: 1 min. 43 sec.
  • Period Time: Baroque
  • Written: 1695

>Weldon, John : Halcyon Days, for soprano & ensemble (for The Tempest)
  • Performers: Catherine Bott; Anthony Robson (Oboe); Pavlo Beznosiuk (Violin); Richard Egarr (Harpsichord); Mark Levy (Viol); Paula Chateauneuf (Guitar)
  • Running Time: 3 min. 50 sec.
  • Period Time: Baroque
  • Form: Vocal

>Purcell, Henry : Bonduca, Z.574 :: O lead me to some peaceful gloom
  • Performers: Paula Chateauneuf (Theorbo); Mark Levy (Viol); Catherine Bott
  • Running Time: 2 min. 23 sec.
  • Period Time: Baroque
  • Written: 1695

>Purcell, Henry : Pausanius, the Betrayer of his Country, Z.585 :: Sweeter than Roses
  • Performers: Catherine Bott; Paula Chateauneuf (Theorbo); Richard Egarr (Harpsichord); Mark Levy (Viol)
  • Running Time: 2 min. 48 sec.
  • Period Time: Baroque
  • Written: 1695

>Handel, George Frideric : The Water Music
  • Performer: Christopher Hogwood
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Notes: Composition written: 1717.
  • Running Time: 17 min. 6 sec.
  • Period Time: Baroque
  • Written: 1717

>Handel, George Frideric : Handel - Bourée
  • Performer: Christopher Hogwood
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 17 min. 24 sec.
  • Period Time: Baroque
  • Written: 1749

>Handel, George Frideric : Concerti Grossi (12), Op. 6, HWV 319-330
  • Conductor: Christopher Hogwood
  • Ensemble: Handel & Haydn Society
  • Running Time: 140 min. 24 sec.
  • Period Time: Baroque
  • Form: Orchestral
  • Written: 1739

>Handel, George Frideric : Alessandro Severo :: Overture
  • Performer: Christopher Hogwood
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 5 min. 31 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta

>Lampe, John Frederick : Britannia :: Welcome Mars
  • Performer: Emma Kirkby (Soprano)
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 4 min. 31 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1732

>Lampe, John Frederick : Dione :: Pretty Warblers
  • Performer: Emma Kirkby (Soprano)
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 7 min. 55 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1733

>Handel, George Frideric : Hornpipe for orchestra in D major, HWV 356
  • Performer: Christopher Hogwood
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 1 min. 34 sec.
  • Period Time: Baroque
  • Written: 1740

>Arne, Thomas A. : Rosamunde :: Rise, Glory, Rise
  • Performer: Emma Kirkby (Soprano)
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 6 min. 34 sec.
  • Period Time: Classical

>Handel, George Frideric : Ariodante, HWV 33 :: Act 3. Neghittosi, or voi che fate?
  • Performer: Emma Kirkby (Soprano)
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Notes: Composition written: 1734.
  • Running Time: 3 min. 42 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1734

>Handel, George Frideric : Alcina, HWV 34 :: Act 3. Credete al mio dolore
  • Performer: Emma Kirkby (Soprano)
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 5 min. 36 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1735

>Handel, George Frideric : Alcina, HWV 34 :: Act 1. Tornami a vagheggiar
  • Performer: Emma Kirkby (Soprano)
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 4 min. 20 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1735

>Handel, George Frideric : Alcina, HWV 34 :: Act 1. March in D
  • Performer: Christopher Hogwood
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 1 min. 23 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1735

>Handel, George Frideric : Alexander's Feast, HWV 75 :: Part 1. War, he sung, is toil and trouble
  • Performer: Emma Kirkby (Soprano)
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 5 min. 1 sec.
  • Period Time: Baroque
  • Form: Cantata/Oratorio
  • Written: 1736

>Handel, George Frideric : L' Allegro, Il Penseroso ed Il Moderato, HWV 55 :: Sweet bird, that shun'st the noise of folly
  • Performer: Emma Kirkby (Soprano)
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Notes: Composition written: 1740.
  • Running Time: 12 min. 59 sec.
  • Period Time: Baroque
  • Form: Choral
  • Written: 1740

>Handel, George Frideric : Saul, HWV 53 :: Act 1. 37. Air. Capricious Man
  • Performer: Emma Kirkby (Soprano)
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Notes: Composition written: 1738.
  • Running Time: 3 min. 45 sec.
  • Period Time: Baroque
  • Form: Cantata/Oratorio
  • Written: 1738

>Arne, Thomas A. : The Masque of Comus :: Act 3. By the rushy-fringed bank
  • Performer: Emma Kirkby (Soprano)
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 4 min. 32 sec.
  • Period Time: Classical
  • Form: Opera/Operetta
  • Written: 1738

>Arne, Thomas A. : The Masque of Comus :: Act 3. Thrice upon thy fingers tip
  • Performer: Emma Kirkby (Soprano)
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 1 min. 43 sec.
  • Period Time: Classical
  • Form: Opera/Operetta
  • Written: 1738

>Arne, Thomas A. : The Masque of Comus :: Act 3. Where the bee sucks
  • Performer: Emma Kirkby (Soprano)
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 2 min. 21 sec.
  • Period Time: Classical
  • Form: Opera/Operetta
  • Written: 1738

>Handel, George Frideric : Quel fior ch'all'alba ride, trio for 2 sopranos, bass & continuo, HWV 200
  • Performers: Christopher Hogwood (Harpsichord); Judith Nelson (Soprano); Susan Sheppard (Cello); Emma Kirkby (Soprano)
  • Running Time: 4 min. 51 sec.
  • Period Time: Baroque
  • Form: Chamber Music
  • Written: circa 1708

>Handel, George Frideric : Nell'Africaine selve :: ...Langue trema
  • Performers: Susan Sheppard (Cello); Christopher Hogwood (Harpsichord); David Thomas (Bass)
  • Running Time: 5 min. 45 sec.
  • Period Time: Baroque
  • Form: Cantata/Oratorio
  • Written: 1708

>Handel, George Frideric : Nell'Africaine selve :: Nice, là fra confine....Chiedo amore
  • Performers: Susan Sheppard (Cello); Christopher Hogwood (Harpsichord); David Thomas (Bass)
  • Running Time: 4 min. 48 sec.
  • Period Time: Baroque
  • Form: Cantata/Oratorio
  • Written: 1708

>Handel, George Frideric : No, di voi non vo' fidarmi, duet for 2 sopranos & continuo, HWV 189
  • Performers: Susan Sheppard (Cello); Judith Nelson (Soprano); Christopher Hogwood (Harpsichord); Emma Kirkby (Soprano)
  • Running Time: 5 min. 35 sec.
  • Period Time: Baroque
  • Written: 1741

>Handel, George Frideric : Nella stagion che di viole e rose, cantata, HWV 137
  • Performers: Christopher Hogwood (Harpsichord); Judith Nelson (Soprano); Susan Sheppard (Cello)
  • Running Time: 8 min. 18 sec.
  • Period Time: Baroque
  • Form: Cantata/Oratorio
  • Written: circa 1707

>Handel, George Frideric : Tacete, ohime, tacete, duet for soprano, bass & continuo, HWV 196
  • Performers: David Thomas (Bass); Emma Kirkby (Soprano); Christopher Hogwood (Harpsichord); Susan Sheppard (Cello)
  • Running Time: 6 min. 54 sec.
  • Period Time: Baroque
  • Written: circa 1708

>Handel, George Frideric : Se tu non lasci amore, trio for 2 sopranos, bass & continuo, HWV 201
  • Performers: Emma Kirkby (Soprano); David Thomas (Bass); Christopher Hogwood (Harpsichord); Judith Nelson (Soprano); Susan Sheppard (Cello)
  • Running Time: 5 min. 9 sec.
  • Period Time: Baroque
  • Written: 1708

>Handel, George Frideric : Alchemist, incidental music, HWV 43
  • Performer: Christopher Hogwood
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 4 min. 1 sec.
  • Period Time: Baroque
  • Written: 1710

>Handel, George Frideric : English Songs (24), HWV 228
  • Performer: Patrizia Kwella (Soprano)
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 2 min. 9 sec.
  • Period Time: Baroque
  • Form: Vocal

>Handel, George Frideric : Love's But the Frailty of the Mind, song, HWV 218
  • Performer: Patrizia Kwella (Soprano)
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 4 min. 3 sec.
  • Period Time: Baroque
  • Written: 1740

>Handel, George Frideric : Messiah, HWV 56, Oratorio
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 132 min. 35 sec.
  • Period Time: Baroque
  • Form: Cantata/Oratorio
  • Written: 1741

>Handel, George Frideric : La Resurrezione di Nostro Signor Gesù Cristo, HWV 47
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 103 min. 37 sec.
  • Period Time: Baroque
  • Form: Cantata/Oratorio
  • Written: 1708

>Handel, George Frideric : Orlando
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 141 min. 14 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1732

>Bach, Johann Sebastian : Goldberg Variations, for keyboard (Clavier-Übung IV), BWV 988 (BC L9)
  • Performer: Christophe Rousset (Harpsichord)
  • Running Time: 70 min. 42 sec.
  • Period Time: Baroque
  • Written: 1741

>Bach, Johann Sebastian : Brandenburg Concerto no 1 in F major, BWV 1046
  • Performers: Philip Pickett (Recorder); New London Consort
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 20 min. 1 sec.
  • Period Time: Baroque
  • Form: Orchestral
  • Written: 03/24/1721

>Bach, Johann Sebastian : Brandenburg Concerto no 2 in F major, BWV 1047
  • Performers: New London Consort; Philip Pickett (Recorder)
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 11 min. 18 sec.
  • Period Time: Baroque
  • Form: Orchestral
  • Written: 03/24/1721

>Bach, Johann Sebastian : Brandenburg Concerto no 3 in G major, BWV 1048
  • Performers: Philip Pickett (Recorder); New London Consort
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 10 min. 34 sec.
  • Period Time: Baroque
  • Form: Orchestral
  • Written: 03/24/1721

>Bach, Johann Sebastian : Brandenburg Concerto no 4 in G major, BWV 1049
  • Performers: Philip Pickett (Recorder); New London Consort
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 15 min. 10 sec.
  • Period Time: Baroque
  • Form: Orchestral
  • Written: 03/24/1721

>Bach, Johann Sebastian : Brandenburg Concerto no 5 in D major, BWV 1050
  • Performers: Philip Pickett (Recorder); New London Consort
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 20 min. 38 sec.
  • Period Time: Baroque
  • Form: Orchestral
  • Written: 03/24/1721

>Bach, Johann Sebastian : Brandenburg Concerto no 6 in B flat major, BWV 1051
  • Performers: New London Consort; Philip Pickett (Recorder)
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 15 min. 37 sec.
  • Period Time: Baroque
  • Form: Orchestral
  • Written: 03/24/1721

>Bach, Johann Sebastian : Concerto for 3 Violins in D major, BWV 1064
  • Performers: Catherine Mackintosh (Violin); Monica Huggett (Violin); Christopher Hirons (Violin)
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 5 min. 43 sec.
  • Period Time: Baroque
  • Written: 1978

>Bach, Johann Sebastian : Concerto for 3 Harpsichords in C major, BWV 1064
  • Performers: Davitt Moroney (Harpsichord); Christophe Rousset (Harpsichord); Christopher Hogwood (Harpsichord)
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 15 min. 30 sec.
  • Period Time: Baroque
  • Written: 1730

>Bach, Johann Sebastian : Concerto for 3 Harpsichords in D minor, BWV 1063
  • Performers: Davitt Moroney (Harpsichord); Colin Tilney (Harpsichord); Christophe Rousset (Harpsichord)
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 12 min. 21 sec.
  • Period Time: Baroque
  • Written: 1730

>Vivaldi, Antonio : Concerto for 4 Violins and Cello in B minor, Op. 3 no 10/RV 580
  • Performers: John Holloway (Violin); Monica Huggett (Violin); Elizabeth Wilcock (Violin); Catherine Mackintosh (Violin)
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 9 min. sec.
  • Period Time: Baroque
  • Form: Concerto
  • Written: 1711

>Bach, Johann Sebastian : Concerto for 4 Harpsichords in A minor, BWV 1065
  • Performers: Davitt Moroney (Harpsichord); Christophe Rousset (Harpsichord); Christopher Hogwood (Harpsichord); Colin Tilney (Harpsichord)
  • Ensemble: Academy of Ancient Music (UK)
  • Notes: Composition written: 1730.
  • Running Time: 3 min. 49 sec.
  • Period Time: Baroque
  • Written: 1730

>Bach, Johann Sebastian : Cantata no 78 "Jesu, der du meine Seele" BWV 78
  • Performers: Jan Opalach (Bass Baritone); Julianne Baird (Soprano); Joshua Rifkin (Piano); Bach Ensemble; Frank Kelly; Allan Fast (Countertenor)
  • Conductor: Joshua Rifkin
  • Ensemble: Bach Ensemble
  • Running Time: 5 min. 11 sec.
  • Period Time: Baroque
  • Written: 09/10/1724

>Bach, Johann Sebastian : Cantata no 99, "Was Gott tut, das ist wohlgetan" BWV 99
  • Performers: Joshua Rifkin (Piano); Julianne Baird (Soprano); Bach Ensemble; Jan Opalach (Bass Baritone); Allan Fast (Countertenor); Frank Kelly
  • Conductor: Joshua Rifkin
  • Ensemble: Bach Ensemble
  • Running Time: 17 min. 20 sec.
  • Period Time: Baroque
  • Form: Cantata/Oratorio
  • Written: 09/17/1724

>Bach, Johann Sebastian : Cantata no 8 "Liebster Gott, wann werd ich sterben" (first version), BWV 8
  • Performers: Allan Fast (Countertenor); Julianne Baird (Soprano); Joshua Rifkin (Piano); Frank Kelly; Bach Ensemble; Jan Opalach (Bass Baritone)
  • Conductor: Joshua Rifkin
  • Ensemble: Bach Ensemble
  • Running Time: 17 min. 43 sec.
  • Period Time: Baroque
  • Form: Cantata/Oratorio
  • Written: 09/24/1724

>Bach, Johann Sebastian : Cantata no 211, "Schweigt stille, plaudert nicht," (Coffee Cantata), BWV 211 (BC G48)
  • Performers: Rogers Covey-Crump (Tenor); David Thomas (Bass); Emma Kirkby (Soprano)
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 8 min. 32 sec.
  • Period Time: Baroque
  • Form: Cantata/Oratorio
  • Written: 1732-1734

>Bach, Johann Sebastian : Cantata no 212, "Mer hahn en neue Oberkeet," (Peasant Cantata), BWV 212 (BC G32)
  • Performer: Academy Music
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 3 min. 8 sec.
  • Period Time: Baroque
  • Form: Cantata/Oratorio
  • Written: 08/30/1742

>Bach, Carl Philipp Emanuel : Sei sinfonie, symphonies (6) for strings & continuo ("Hamburg"), H. 657-662, Wq. 182
  • Performers: Christopher Hogwood; Academy Music
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 62 min. 26 sec.
  • Period Time: Classical
  • Form: Orchestral
  • Written: 1773

>Bach, Johann Christian : Favorite Overtures (6), for orchestra, Walsh edition (T. 272/2)
  • Performers: Christopher Hogwood; Academy Music
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 3 min. 22 sec.
  • Period Time: Classical
  • Written: 1763

>Telemann, Georg Philipp : Concerto for 3 trumpets, timpani, strings & continuo in D major, TWV 54 :: D4
  • Performers: Michael Laird (Trumpet); Michael Laird (Cornet); Friedemann Immer (Trumpet); Ian Wilson (Trumpet)
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 8 min. 9 sec.
  • Period Time: Baroque
  • Form: Concerto
  • Written: 1716-1721

>Telemann, Georg Philipp : Quartet (Concerto) for 2 violins, viola & continuo in B flat major, TWV 43 :: B2
  • Performers: Catherine Mackintosh (Violin); Timothy Mason (Cello); Christopher Hirons (Violin); Trevor Jones (Viola)
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 5 min. 30 sec.
  • Period Time: Baroque
  • Written: by 1768

>Telemann, Georg Philipp : Concerto for Recorder and Flute in E minor, TV 52 no e 1 :: e1
  • Performers: Stephen Preston (Flute); John Turner (Recorder)
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 13 min. 18 sec.
  • Period Time: Baroque
  • Form: Concerto
  • Written: circa 1712-1721

>Telemann, Georg Philipp : Concerto alla Polonese, for strings & continuo in G major (a.k.a "Concerto Polonois"), TWV 43 :: G7
  • Performers: Christopher Hogwood; Academy Music
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 8 min. 18 sec.
  • Period Time: Baroque
  • Form: Concerto
  • Written: by 1721

>Telemann, Georg Philipp : Concerto for flute, oboe d'amore, viola d'amore, strings & continuo in E major, TWV 53 :: E1
  • Performers: Claire Shanks (Oboe d'amore); Stephen Preston (Flute); Monica Huggett (Violin); Monica Huggett
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 15 min. 44 sec.
  • Period Time: Baroque
  • Form: Concerto
  • Written: 1730-1740

>Biber, Heinrich Ignaz : Requiem ex F con terza minore, for solo voices, chorus, orchestra & continuo in F minor, C. 8
  • Performers: Tessa Bonner (Soprano); Catherine Bott; Michael George; Philip Pickett (Recorder); Christopher Robson; John Ainsley (Tenor); New London Consort
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 15 min. 37 sec.
  • Period Time: Baroque
  • Written: after 1692

>Biber, Heinrich Ignaz : Ballettae à 4, suite for violin, 2 violas & continuo in D major, C. 55
  • Performers: Philip Pickett (Recorder); New London Consort
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 6 min. 58 sec.
  • Period Time: Baroque
  • Written: 1685

>Biber, Heinrich Ignaz : Battalia for Violin, Strings and Basso Continuo in D major
  • Performers: New London Consort; Philip Pickett (Recorder)
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 8 min. 39 sec.
  • Period Time: Baroque
  • Written: 1673

>Biber, Heinrich Ignaz : Serenada à 5, for 2 violins, 2 violas & continuo (with optional bass voice) in C major ("Nightwatchm
  • Performers: New London Consort; Philip Pickett (Recorder)
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 9 min. 29 sec.
  • Period Time: Baroque
  • Written: 1673

>Biber, Heinrich Ignaz : Sonata à 6 die pauern-Kirchfarth genandt, for 3 violins, 2 violas & continuo in B flat major, C. 110
  • Performers: Philip Pickett (Recorder); New London Consort
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 6 min. 4 sec.
  • Period Time: Baroque
  • Written: 1673

>Couperin, François : Les Nations :: La Françoise, sonata
  • Performers: Academy Music; Christopher Hogwood
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Notes: Composition written: Italy.
  • Running Time: 6 min. 19 sec.
  • Period Time: Baroque

>Couperin, François : Qu'on ne me dise plus, air for tenor & continuo (Recueil d'airs)
  • Performer: Judith Nelson (Soprano)
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 2 min. 3 sec.
  • Period Time: Baroque

>Couperin, François : Doux liens de mon coeur, air sérieux for soprano & continuo (Recueils d'airs)
  • Performer: Judith Nelson (Soprano)
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 2 min. 13 sec.
  • Period Time: Baroque

>Montéc, Michel Pignolet de : Le Triomfe de la Constance, cantata for soprano, solo bass viol & continuo
  • Performer: Judith Nelson (Soprano)
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 10 min. 56 sec.
  • Period Time: Baroque
  • Form: Cantata/Oratorio

>Forqueray, Antoine : Suite for viol & continuo no 1
  • Performer: Christophe Coin (Cello)
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 13 min. 48 sec.
  • Period Time: Baroque

>Couperin, François : Les Nations :: Suite de Simphonie en Trio
  • Performers: Christopher Hogwood; Academy Music
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Notes: Composition written: Italy.
  • Running Time: 14 min. 20 sec.
  • Period Time: Baroque

>Leclair, Jean-Marie : Sonata for violin & continuo in D major, Op. 9/6
  • Performers: Monica Huggett; Monica Huggett (Violin)
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 15 min. 5 sec.
  • Period Time: Baroque

>Marais, Marin [Composer] : Suite for viola da gamba & continuo in F major (Pièces de viole, Book III, Nos. 26-39 )
  • Performer: Christophe Coin (Cello)
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 11 min. 25 sec.
  • Period Time: Baroque

>Marais, Marin [Composer] : Tableau de l'operation de la taille, for viola da gamba & continuo in E minor (Pièces de viole, Book
  • Performer: Christophe Coin (Cello)
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 4 min. 9 sec.
  • Period Time: Baroque

>Montéc, Michel Pignolet de : Pan et Syrinx, cantata for voice & ensemble (No 4 of Second livre de cantates)
  • Performers: Christophe Coin (Cello); Monica Huggett (Violin); Judith Nelson (Soprano)
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 17 min. 30 sec.
  • Period Time: Baroque
  • Form: Cantata/Oratorio

>Marais, Marin [Composer] : La Sonnerie de Sainte Geneviève du Mont à Paris, for violin, viola da gamba & continuo in D minor
  • Performers: Monica Huggett (Violin); Monica Huggett; Christophe Coin (Cello)
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 8 min. 9 sec.
  • Period Time: Baroque

>Rebel, Jean-Féry : Les Éléments, simphonie nouvelle for 2 violins, 2 flutes & continuo
  • Performers: Academy Music; Christopher Hogwood
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 20 min. 8 sec.
  • Period Time: Baroque
  • Form: Ballet
  • Written: 1737

>Destouches, André Cardinal : Les Éléments, opera-ballet
  • Performers: Academy Music; Christopher Hogwood
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 3 min. 15 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta

>Royer, Joseph-Nicolas-Pan : Premier livre de pièces pour clavecin
  • Performer: Christophe Rousset (Harpsichord)
  • Running Time: 3 min. 57 sec.
  • Period Time: Baroque
  • Written: 1746

>Royer, Joseph-Nicolas-Pan : La Chasse de Zaïde, for harpsichord
  • Performer: Christophe Rousset (Harpsichord)
  • Running Time: 3 min. 15 sec.
  • Period Time: Baroque

>Rameau, Jean-Philippe : Les Fêtes de Polymnie :: Overture
  • Performer: Les Talens Lyriques
  • Ensemble: Les Talens Lyriques
  • Running Time: 2 min. 41 sec.
  • Period Time: Baroque
  • Form: Ballet
  • Written: 1745

>Rameau, Jean-Philippe : Les Indes galantes :: Overture
  • Performer: Les Talens Lyriques
  • Ensemble: Les Talens Lyriques
  • Running Time: 4 min. 5 sec.
  • Period Time: Baroque
  • Form: Ballet
  • Written: 1735

>Rameau, Jean-Philippe : Zaïs :: Overture
  • Performer: Les Talens Lyriques
  • Ensemble: Les Talens Lyriques
  • Running Time: 5 min. 16 sec.
  • Period Time: Baroque
  • Form: Ballet
  • Written: 1748

>Rameau, Jean-Philippe : Castor et Pollux :: Overture
  • Performer: Les Talens Lyriques
  • Ensemble: Les Talens Lyriques
  • Running Time: 4 min. 17 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1737

>Rameau, Jean-Philippe : Naïs :: Overture
  • Performer: Les Talens Lyriques
  • Ensemble: Les Talens Lyriques
  • Running Time: 3 min. 50 sec.
  • Period Time: Baroque
  • Written: 1749

>Rameau, Jean-Philippe : Platée [ou Junon jalouse] :: Overture
  • Performer: Les Talens Lyriques
  • Ensemble: Les Talens Lyriques
  • Running Time: 3 min. 40 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1745

>Rameau, Jean-Philippe : Les Fêtes d'Hébé :: Overture
  • Performer: Les Talens Lyriques
  • Ensemble: Les Talens Lyriques
  • Running Time: 4 min. 22 sec.
  • Period Time: Baroque
  • Form: Ballet
  • Written: 1739

>Rameau, Jean-Philippe : Zoroastre :: Overture
  • Performer: Les Talens Lyriques
  • Ensemble: Les Talens Lyriques
  • Running Time: 4 min. 5 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1749

>Rameau, Jean-Philippe : Dardanus :: Overture
  • Performer: Les Talens Lyriques
  • Ensemble: Les Talens Lyriques
  • Running Time: 4 min. 8 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1739

>Rameau, Jean-Philippe : Les Paladins :: Overture - Menuet - Air gai
  • Performer: Les Talens Lyriques
  • Ensemble: Les Talens Lyriques
  • Running Time: 3 min. 59 sec.
  • Period Time: Baroque
  • Form: Ballet
  • Written: 1760

>Rameau, Jean-Philippe : Hippolyte et Aricie :: Overture
  • Performer: Les Talens Lyriques
  • Ensemble: Les Talens Lyriques
  • Running Time: 2 min. 54 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1733

>Rameau, Jean-Philippe : Le Temple de la gloire :: Overture
  • Performer: Les Talens Lyriques
  • Ensemble: Les Talens Lyriques
  • Running Time: 3 min. 53 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1745

>Rameau, Jean-Philippe : Pygmalion :: Overture
  • Performer: Les Talens Lyriques
  • Ensemble: Les Talens Lyriques
  • Running Time: 4 min. 36 sec.
  • Period Time: Baroque
  • Form: Ballet
  • Written: 1748

>Rameau, Jean-Philippe : Les Surprises de l'Amour :: Prologue (le Retour d'Astrée)
  • Performer: Les Talens Lyriques
  • Ensemble: Les Talens Lyriques
  • Running Time: 2 min. 29 sec.
  • Period Time: Baroque
  • Form: Ballet
  • Written: circa 1757

>Rameau, Jean-Philippe : Les Fêtes de l'Hymne et de l'Amour (ou Les Dieux d'Egypte) :: Overture
  • Performer: Les Talens Lyriques
  • Ensemble: Les Talens Lyriques
  • Running Time: 4 min. 5 sec.
  • Period Time: Baroque
  • Form: Ballet
  • Written: 1747

>Rameau, Jean-Philippe : Les Surprises de l'Amour :: Act 1 (Enlèvement d'Adonis). 1. Ouverture - II Adagio - III
  • Performer: Les Talens Lyriques
  • Ensemble: Les Talens Lyriques
  • Running Time: 5 min. 20 sec.
  • Period Time: Baroque
  • Form: Ballet
  • Written: circa 1757

>Rameau, Jean-Philippe : Acante et Céphise, ou La sympathie :: Overture
  • Performer: Les Talens Lyriques
  • Ensemble: Les Talens Lyriques
  • Running Time: 5 min. 8 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1751

>Couperin, François : Leçons de Ténèbres, for treble voice (or 2 treble voices) & continuo
  • Performers: Jane Ryan (Bass Viola da gamba); Judith Nelson (Soprano); Christopher Hogwood (Organ)
  • Running Time: 14 min. 37 sec.
  • Period Time: Baroque
  • Written: circa 1712

>Couperin, François : Motet pour le jour de Pâques ("Victoria :: Christo resurgenti"), for 2 soprano & continuo
  • Performers: Emma Kirkby (Soprano); Christopher Hogwood (Organ); Jane Ryan (Bass Viola da gamba); Judith Nelson (Soprano)
  • Running Time: 6 min. 13 sec.
  • Period Time: Baroque
  • Form: Choral
  • Written: circa 1700

>Albinoni, Tomaso : Concerti à cinque (12), for 2 oboes, 2 violins, viola, cello & continuo, Op. 9 (T. 9)
  • Performer: Andrew Manze (Violin)
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 3 min. 24 sec.
  • Period Time: Baroque
  • Form: Concerto
  • Written: 1722

>Carissimi, Giacomo : Apritevi inferni
  • Performers: Trevor Jones (Viola); Martyn Hill; Robert Spencer (Lute)
  • Running Time: 8 min. 12 sec.
  • Period Time: Baroque
  • Written: by 1663

>Carissimi, Giacomo : No, no, mio core, cantata for soprano & continuo
  • Performers: Robert Spencer (Lute); Trevor Jones (Viola); Martyn Hill
  • Running Time: 4 min. 18 sec.
  • Period Time: Baroque

>Carissimi, Giacomo : Deh memoria e che più chieidi?, cantata for soprano & continuo
  • Performers: Robert Spencer (Lute); Martyn Hill; Trevor Jones (Viola)
  • Running Time: 5 min. 33 sec.
  • Period Time: Baroque
  • Form: Cantata/Oratorio
  • Written: 1650

>Carissimi, Giacomo : Bel tempo per me, cantata for soprano & continuo
  • Performers: Robert Spencer (Lute); Martyn Hill; Trevor Jones (Viola)
  • Running Time: 5 min. 32 sec.
  • Period Time: Baroque
  • Form: Cantata/Oratorio
  • Written: circa 1650

>Carissimi, Giacomo : In un mar di pensieri, cantata for soprano & continuo
  • Performers: Trevor Jones (Viola); Martyn Hill; Robert Spencer (Lute)
  • Running Time: 6 min. 34 sec.
  • Period Time: Baroque
  • Form: Cantata/Oratorio

>Carissimi, Giacomo : V'intendo, occhi, voi mi volete, cantata for soprno or alto & continuo
  • Performers: Trevor Jones (Viola); Robert Spencer (Lute); Martyn Hill
  • Running Time: 3 min. 59 sec.
  • Period Time: Baroque

>Carissimi, Giacomo : Suonerà l'ultima tromba (Del giuditio universale), cantata for soprano & continuo
  • Performers: Robert Spencer (Lute); Trevor Jones (Viola); Martyn Hill
  • Running Time: 10 min. 42 sec.
  • Period Time: Baroque
  • Form: Cantata/Oratorio
  • Written: by 1663

>Carissimi, Giacomo : Amor mio, che cosa è questa (Amante sdegnato), cantata for soprano & continuo
  • Performers: Trevor Jones (Viola); Martyn Hill; Robert Spencer (Lute)
  • Running Time: 2 min. 44 sec.
  • Period Time: Baroque
  • Form: Cantata/Oratorio
  • Written: by 1663

>Geminiani, Francesco : Concerti Grossi (6), for 2 violins, viola, cello, strings & continuo, Op. 3
  • Performers: Christopher Hogwood; Academy Music
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 34 min. 26 sec.
  • Period Time: Baroque
  • Form: Orchestral
  • Written: 04/1732

>Pergolesi, Giovanni : Stabat Mater
  • Performers: James Bowman (Countertenor); Emma Kirkby (Soprano)
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 35 min. 17 sec.
  • Period Time: Baroque
  • Written: 1736-1736

>Pergolesi, Giovanni : Salve Regina
  • Performer: Emma Kirkby (Soprano)
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 13 min. 24 sec.
  • Period Time: Baroque
  • Written: 1736-1736

>Scarlatti, Alessandro : Agar et Ismaele esiliati :: Sinfonia (Grave - Presto - Largo - Presto - Presto)
  • Performers: Ottavio Dantone (Harpsichord); Accademia Bizantina
  • Conductor: Ottavio Dantone
  • Ensemble: Accademia Bizantina
  • Running Time: 5 min. 17 sec.
  • Period Time: Baroque
  • Form: Cantata/Oratorio
  • Written: 1683

>Scarlatti, Alessandro : Keyboard Concertos (6) (spurious, incomplete)
  • Performers: Accademia Bizantina; Ottavio Dantone (Harpsichord)
  • Conductor: Ottavio Dantone
  • Ensemble: Accademia Bizantina
  • Running Time: 6 min. 26 sec.
  • Period Time: Baroque
  • Form: Concerto

>Scarlatti, Alessandro : San Filippo Neri :: Introduttione (Allegro - Adagio e staccato)
  • Performers: Accademia Bizantina; Ottavio Dantone (Harpsichord)
  • Conductor: Ottavio Dantone
  • Ensemble: Accademia Bizantina
  • Running Time: 1 min. 41 sec.
  • Period Time: Baroque
  • Form: Cantata/Oratorio

>Scarlatti, Alessandro : Keyboard Concertos (6) (spurious, incomplete)
  • Performers: Accademia Bizantina; Ottavio Dantone (Harpsichord)
  • Conductor: Ottavio Dantone
  • Ensemble: Accademia Bizantina
  • Running Time: 6 min. 26 sec.
  • Period Time: Baroque
  • Form: Concerto

>Scarlatti, Alessandro : Il Primo omicidio :: Sinfonia (Spiritoso - Adagio - Allegro)
  • Performers: Accademia Bizantina; Ottavio Dantone (Harpsichord)
  • Conductor: Ottavio Dantone
  • Ensemble: Accademia Bizantina
  • Running Time: 3 min. 49 sec.
  • Period Time: Baroque
  • Form: Cantata/Oratorio

>Scarlatti, Alessandro : Keyboard Concertos (6) (spurious, incomplete)
  • Performers: Ottavio Dantone (Harpsichord); Accademia Bizantina
  • Conductor: Ottavio Dantone
  • Ensemble: Accademia Bizantina
  • Running Time: 6 min. 26 sec.
  • Period Time: Baroque
  • Form: Concerto

>Scarlatti, Alessandro : L'Assunzione della Beata Vergine :: Sinfonia (Largo - Presto - (Largo) - (Presto) - Allegro)
  • Performers: Ottavio Dantone (Harpsichord); Accademia Bizantina
  • Conductor: Ottavio Dantone
  • Ensemble: Accademia Bizantina
  • Running Time: 2 min. 16 sec.
  • Period Time: Baroque

>Scarlatti, Alessandro : Keyboard Concertos (6) (spurious, incomplete)
  • Performers: Ottavio Dantone (Harpsichord); Accademia Bizantina
  • Conductor: Ottavio Dantone
  • Ensemble: Accademia Bizantina
  • Running Time: 6 min. 26 sec.
  • Period Time: Baroque
  • Form: Concerto

>Scarlatti, Alessandro : Il trionfo della Vergine assunta in Cielo :: Sinfonia (Presto - Allegro)
  • Performers: Ottavio Dantone (Harpsichord); Accademia Bizantina
  • Conductor: Ottavio Dantone
  • Ensemble: Accademia Bizantina
  • Running Time: 3 min. 39 sec.
  • Period Time: Baroque

>Scarlatti, Alessandro : Keyboard Concertos (6) (spurious, incomplete)
  • Performers: Ottavio Dantone (Harpsichord); Accademia Bizantina
  • Conductor: Ottavio Dantone
  • Ensemble: Accademia Bizantina
  • Running Time: 6 min. 26 sec.
  • Period Time: Baroque
  • Form: Concerto

>Scarlatti, Alessandro : Il giardino di rose :: Sinfonia (Adagio - Presto - Largo e piano - Allegro)
  • Performers: Accademia Bizantina; Ottavio Dantone (Harpsichord)
  • Conductor: Ottavio Dantone
  • Ensemble: Accademia Bizantina
  • Running Time: 4 min. 44 sec.
  • Period Time: Baroque
  • Form: Cantata/Oratorio

>Scarlatti, Alessandro : Keyboard Concertos (6) (spurious, incomplete)
  • Performers: Ottavio Dantone (Harpsichord); Accademia Bizantina
  • Conductor: Ottavio Dantone
  • Ensemble: Accademia Bizantina
  • Running Time: 6 min. 26 sec.
  • Period Time: Baroque
  • Form: Concerto

>Scarlatti, Domenico : Sonata for Harpsichord in A major, K 428/L 131
  • Performer: Colin Tilney (Harpsichord)
  • Running Time: 2 min. 50 sec.
  • Period Time: Baroque

>Scarlatti, Domenico : Sonata for Harpsichord in A major, K 429/L 132
  • Performer: Colin Tilney (Harpsichord)
  • Running Time: 2 min. 57 sec.
  • Period Time: Baroque

>Scarlatti, Domenico : Sonata for Harpsichord in E minor, K 147/L 376
  • Performer: Colin Tilney (Harpsichord)
  • Running Time: 10 min. 14 sec.
  • Period Time: Baroque

>Scarlatti, Domenico : Sonata for Harpsichord in E minor, K 198/L 22
  • Performer: Colin Tilney (Harpsichord)
  • Running Time: 3 min. 41 sec.
  • Period Time: Baroque

>Scarlatti, Domenico : Sonata for Harpsichord in E minor, K 98/L 325
  • Performer: Colin Tilney (Harpsichord)
  • Running Time: 3 min. 20 sec.
  • Period Time: Baroque

>Scarlatti, Domenico : Sonata for Harpsichord in C major, K 326/L 201
  • Performer: Colin Tilney (Harpsichord)
  • Running Time: 3 min. 29 sec.
  • Period Time: Baroque

>Scarlatti, Domenico : Sonata for Harpsichord in C major, K 327/L 152
  • Performer: Colin Tilney (Harpsichord)
  • Running Time: 3 min. 11 sec.
  • Period Time: Baroque

>Scarlatti, Domenico : Sonata for Harpsichord in F minor, K 466/L 118
  • Performer: Colin Tilney (Harpsichord)
  • Running Time: 7 min. 29 sec.
  • Period Time: Baroque
  • Written: 1756-1757

>Scarlatti, Domenico : Sonata for Harpsichord in F minor, K 467/L 476
  • Performer: Colin Tilney (Harpsichord)
  • Running Time: 3 min. 25 sec.
  • Period Time: Baroque

>Scarlatti, Domenico : Sonata for Harpsichord in E flat major, K 123/L 111
  • Performer: Colin Tilney (Harpsichord)
  • Running Time: 5 min. 24 sec.
  • Period Time: Baroque

>Scarlatti, Domenico : Sonata for Harpsichord in G major, K 454
  • Performer: Colin Tilney (Harpsichord)
  • Running Time: 6 min. 55 sec.
  • Period Time: Baroque

>Scarlatti, Domenico : Sonata for Harpsichord in G major, K 124/L 232
  • Performer: Colin Tilney (Harpsichord)
  • Running Time: 5 min. 8 sec.
  • Period Time: Baroque

>Vivaldi, Antonio : Concerto for Violin in E major, Op. 8 no 1/RV 269 "Primavera"
  • Performers: Nigel North (Archlute); Christopher Hirons (Violin)
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 37 min. 26 sec.
  • Period Time: Baroque
  • Form: Concerto
  • Written: 1725

>Vivaldi, Antonio : Amen
  • Performer: James Bowman (Countertenor)
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 6 min. 36 sec.
  • Period Time: Baroque
  • Form: Choral
  • Written: by 1742

>Vivaldi, Antonio : Concerto for strings & continuo in G minor, RV 153
  • Performers: Academy Music; Christopher Hogwood
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 6 min. 17 sec.
  • Period Time: Baroque
  • Form: Concerto
  • Written: 1729-1730

>Vivaldi, Antonio : Nisi Dominus in G minor, RV 608
  • Performer: James Bowman (Countertenor)
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 9 min. 37 sec.
  • Period Time: Baroque
  • Written: by 1742

>Vivaldi, Antonio : Concerto for Cello in D minor, RV 406
  • Performer: Christophe Coin (Cello)
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 2 min. 46 sec.
  • Period Time: Baroque
  • Form: Concerto
  • Written: by 1742

>Vivaldi, Antonio : Sonata no 7 in G minor (Preludio - Largo, Allemanda - Andante, Sarabanda - Largo, Gigue - Allegro)
  • Performers: Christophe Coin (Cello); Ageet Zweistra (Cello); Christopher Hogwood (Harpsichord)
  • Running Time: 10 min. 38 sec.
  • Period Time: Baroque
  • Written: by 1742

>Vivaldi, Antonio : Concerto for Cello, strings & continuo in C minor, RV 402
  • Performer: Christophe Coin (Cello)
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 9 min. 23 sec.
  • Period Time: Baroque
  • Form: Concerto
  • Written: by 1742

>Vivaldi, Antonio : Sonata no 8 in A minor (Largo, Allegro poco, Largo, Allegro)
  • Performers: Christophe Coin (Cello); Christopher Hogwood (Harpsichord); Ageet Zweistra (Cello)
  • Running Time: 13 min. 13 sec.
  • Period Time: Baroque
  • Written: by 1742

>Vivaldi, Antonio : Sonata no 9 in E flat (Larghetto, Allegro, Andante, Allegro)
  • Performers: Christopher Hogwood (Harpsichord); Christophe Coin (Cello); Ageet Zweistra (Cello)
  • Running Time: 13 min. 33 sec.
  • Period Time: Baroque
  • Written: by 1742

>Vivaldi, Antonio : Concerto for Cello in G major, RV 414
  • Performer: Christophe Coin (Cello)
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 9 min. 47 sec.
  • Period Time: Baroque
  • Form: Concerto
  • Written: by 1742

>Vivaldi, Antonio : Concertos (6) for 5 instruments, Op. 6
  • Performer: Andrew Manze (Violin)
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 44 min. 39 sec.
  • Period Time: Baroque
  • Form: Concerto
  • Written: 1719

>Vivaldi, Antonio : Concerto for Violin, strings & continuo in A major ("The Cuckoo" or "Coucou"), RV 335
  • Performer: Andrew Manze (Violin)
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 10 min. 47 sec.
  • Period Time: Baroque
  • Form: Concerto
  • Written: 1717

>Vivaldi, Antonio : Concerto for oboe, strings & continuo in F major, RV 457
  • Performer: Stephen Hammer (Oboe)
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 8 min. 10 sec.
  • Period Time: Baroque
  • Form: Concerto
  • Written: by 1742

>Vivaldi, Antonio : Concerto for Oboe in A minor, RV 461
  • Performer: Stephen Hammer (Oboe)
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 9 min. 41 sec.
  • Period Time: Baroque
  • Form: Concerto
  • Written: by 1742

>Vivaldi, Antonio : Concerto for 2 Oboes in D minor, RV 535
  • Performers: Stephen Hammer (Oboe); Frank Bruine (Oboe)
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 8 min. 33 sec.
  • Period Time: Baroque
  • Written: by 1742

>Vivaldi, Antonio : Concerto for oboe, strings & continuo in A minor, RV 463
  • Performer: Frank Bruine (Oboe)
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 8 min. 57 sec.
  • Period Time: Baroque
  • Form: Concerto
  • Written: by 1742

>Vivaldi, Antonio : Concerto for oboe, strings & continuo in C major, RV 447
  • Performer: Frank Bruine (Oboe)
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 12 min. 31 sec.
  • Period Time: Baroque
  • Form: Concerto
  • Written: by 1742

>Vivaldi, Antonio : Concerto for 2 clarinets, 2 oboes, strings & continuo in C major, RV 559
  • Performers: Eric Hoeprich (Clarinet); Antony Pay (Clarinet); Stephen Hammer (Oboe); Frank Bruine (Oboe)
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 10 min. 8 sec.
  • Period Time: Baroque
  • Form: Concerto
  • Written: by 1742

>Vivaldi, Antonio : "Domine Deus" from Gloria RV 589, for Soprano, Trumpet and Continuo
  • Performer: Oxford Christ Church Cathedral Choir
  • Conductor: Simon Preston
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 27 min. 13 sec.
  • Period Time: Baroque
  • Form: Choral
  • Written: 1715

>Bach, Johann Sebastian : Magnificat, for 5 voices, 5-part chorus, orchestra & continuo in E flat major, BWV 243a (BC E14)
  • Performer: Oxford Christ Church Cathedral Choir
  • Conductor: Simon Preston
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 33 min. 2 sec.
  • Period Time: Baroque
  • Form: Choral
  • Written: 12/1723

>Corelli, Arcangelo : Concerti grossi (12), Op. 6
  • Performers: Christopher Hogwood; Academy Music
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 4 min. 51 sec.
  • Period Time: Baroque
  • Form: Orchestral

>Werner, Gregor Joseph : Musikalischer instrumental Kalendar :: Christmas Pastorella
  • Performers: Christopher Hogwood; Academy Music
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 4 min. 46 sec.
  • Period Time: Baroque
  • Form: Christmas

>Gossec, François-Joseph : Christmas Suite, for chorus & orchestra
  • Performers: Christopher Hogwood; Academy Music
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 5 min. 50 sec.
  • Period Time: Classical
  • Form: Christmas

>Handel, George Frideric : Messiah, HWV 56, Oratorio
  • Performers: Christopher Hogwood; Academy Music
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 132 min. 35 sec.
  • Period Time: Baroque
  • Form: Cantata/Oratorio
  • Written: 1741

>Vejvanovsky, Pavel Josef : Sonata Natalis in C major
  • Performers: Academy Music; Christopher Hogwood
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 4 min. 41 sec.
  • Period Time: Baroque

>Vejvanovsky, Pavel Josef : Sonata a 7, No 12
  • Performers: Academy Music; Christopher Hogwood
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 2 min. 53 sec.
  • Period Time: Baroque

>Bach, Johann Sebastian : Christmas Oratorio, BWV 248 :: Part 2 For the second day of Christmas. no 10 Sinfonia
  • Performers: Academy Music; Christopher Hogwood
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 5 min. 12 sec.
  • Period Time: Baroque
  • Form: Christmas
  • Written: 1734

>Torelli, Giuseppe : Concerto a 4 in forma di Pastorale per il Santissimo Natale, for 2 violins, cello & continuo in G mi
  • Performers: Christopher Hogwood; Academy Music
  • Conductor: Christopher Hogwood
  • Ensemble: Academy of Ancient Music (UK)
  • Running Time: 5 min. 45 sec.
  • Period Time: Baroque

>Heinichen, Johann David : Concerto à 8 for 4 recorders & strings
  • Performer: Amsterdam Loeki Stardust Quartet
  • Conductor: Christopher Hogwood
  • Ensemble: Amsterdam Loeki Stardust Quartet
  • Running Time: 2 min. 19 sec.
  • Period Time: Baroque
  • Form: Concerto

>Schickha, Johann Christian : Concerto for 4 recorders & continuo no 2 in D minor
  • Performer: Amsterdam Loeki Stardust Quartet
  • Conductor: Christopher Hogwood
  • Ensemble: Amsterdam Loeki Stardust Quartet
  • Running Time: 9 min. 18 sec.
  • Period Time: Baroque
  • Form: Concerto

>Telemann, Georg Philipp : Concerto for 2 recorders, strings & continuo in A minor ("Grand Concerto"), TWV 52 :: a2
  • Performer: Amsterdam Loeki Stardust Quartet
  • Conductor: Christopher Hogwood
  • Ensemble: Amsterdam Loeki Stardust Quartet
  • Running Time: 8 min. 6 sec.
  • Period Time: Baroque
  • Form: Concerto
  • Written: 1712-1721

>Marcello, Alessandro : Concerto for 7 recorders & strings in G major, SF. 945
  • Performer: Amsterdam Loeki Stardust Quartet
  • Conductor: Christopher Hogwood
  • Ensemble: Amsterdam Loeki Stardust Quartet
  • Running Time: 4 min. 42 sec.
  • Period Time: Baroque
  • Form: Concerto

>Telemann, Georg Philipp : Concerto for 2 recorders, strings & continuo in B flat major, TWV 52 :: B1
  • Performer: Amsterdam Loeki Stardust Quartet
  • Conductor: Christopher Hogwood
  • Ensemble: Amsterdam Loeki Stardust Quartet
  • Running Time: 8 min. 24 sec.
  • Period Time: Baroque
  • Form: Concerto
  • Written: 1712-1721

>Schickha, Johann Christian : Concerto for 4 recorders & continuo no 3 in G major
  • Performer: Amsterdam Loeki Stardust Quartet
  • Conductor: Christopher Hogwood
  • Ensemble: Amsterdam Loeki Stardust Quartet
  • Running Time: 7 min. 23 sec.
  • Period Time: Baroque
  • Form: Concerto

>Vivaldi, Antonio : Double Orchestra Concerto, for 2 violins, 2 recorders, cello; 2 violins, 2 recorders, cello, organ,
  • Performer: Amsterdam Loeki Stardust Quartet
  • Conductor: Christopher Hogwood
  • Ensemble: Amsterdam Loeki Stardust Quartet
  • Running Time: 9 min. 23 sec.
  • Period Time: Baroque
  • Form: Concerto
  • Written: by 1742

>Vivaldi, Antonio : Sonata à 4 al Santo Sepolcro, for 2 violins, viola & continuo in E flat major, RV 130
  • Performer: Il Armonico
  • Ensemble: Il Giardino Armonico
  • Running Time: 4 min. 49 sec.
  • Period Time: Baroque
  • Written: 1728

>Ferrandini, Giovanni Battista : Il Pianto di Maria, Cantata da cantarsi dinanzi al Santo Sepolcro
  • Performer: Bernarda Fink
  • Ensemble: Il Giardino Armonico
  • Running Time: 24 min. 9 sec.
  • Period Time: Classical

>Marini, Biagio : Passacaglia à 4, for chamber instruments & continuo Op. 22
  • Performer: Il Armonico
  • Ensemble: Il Giardino Armonico
  • Running Time: 3 min. 48 sec.
  • Period Time: Baroque

>Monteverdi, Claudio : Pianto della Madonna, sacred song for voice & continuo (from Selva morale e spirituale), SV 288
  • Performer: Bernarda Fink
  • Ensemble: Il Giardino Armonico
  • Running Time: 7 min. 16 sec.
  • Period Time: Baroque
  • Written: 1641

>Vivaldi, Antonio : Concerto for Violin in D minor
  • Performer: Il Armonico
  • Ensemble: Il Giardino Armonico
  • Running Time: 4 min. 9 sec.
  • Period Time: Baroque
  • Form: Choral
  • Written: 1729-1730

>Vivaldi, Antonio : Sinfonia al Santo Sepolcro, sonata for 2 violins, viola & continuo in B minor, RV 169
  • Performer: Il Armonico
  • Ensemble: Il Giardino Armonico
  • Running Time: 4 min. 32 sec.
  • Period Time: Baroque
  • Form: Orchestral
  • Written: 1728

>Cont, Francesco Bartolomeo : Il Martirio di San Lorenzo, for voice, chalumeau & strings
  • Performer: Bernarda Fink
  • Ensemble: Il Giardino Armonico
  • Running Time: 5 min. 59 sec.
  • Period Time: Baroque

>Pisendel, Johann Georg : Sonata da chiesa for strings, 2 oboes & continuo in C minor
  • Performer: Il Armonico
  • Ensemble: Il Giardino Armonico
  • Running Time: 4 min. 9 sec.
  • Period Time: Baroque