1 800 222 6872

Schubert/Reger: Orchestral Songs / Nyland, Mertens, Albert

Album Summary

>Reger, Max [Composer] : Der Erlkönig, transcription for voice & orchestra (after Schubert, D. 328)
>Reger, Max [Composer] : Memmon, transcription for voice & orchestra (after Schubert, D 541)
>Reger, Max [Composer] : An die Musik, transcription for voice & orchestra (after Schubert, D 547)
>Reger, Max [Composer] : An den Mond, transcription for voice & orchestra (after Schubert, D 296)
>Reger, Max [Composer] : Du bist die Ruh', transcription for voice & orchestra (after Schubert, D 776)
>Reger, Max [Composer] : Wer sich der Einsamkeit ergibt, ach der ist bald allein, transcription for voice & orchestra (after
>Reger, Max [Composer] : Wer nie sein Brot mit Tränen aß, transcription for voice & orchestra (after Schubert, D. 478/2)
>Reger, Max [Composer] : An die Türen will ich schleichen, transcription for voice & orchestra (after Schubert, D. 478/3)
>Reger, Max [Composer] : Im Abendrot, transcription for voice & orchestra (after Schubert, D 799)
>Reger, Max [Composer] : Litaney auf das Fest Aller Seelen, transcription for voice & orchestra (after Schubert, D 343)
>Reger, Max [Composer] : Gretchen am Spinnrad, transcription for voice & orchestra (after Schubert, D. 118)
>Reger, Max [Composer] : Nacht und Träume, transcription for voice & orchestra (after Schubert, D 827)
>Reger, Max [Composer] : Greisengesang, transcription for voice & orchestra (after Schubert, D 778)
>Reger, Max [Composer] : Gruppe aus dem Tartarus, transcription for voice & orchestra (after Schubert, D. 583)
>Reger, Max [Composer] : Prometheus, transcription for voice & orchestra (after Schubert, D. 674)
Performers Conductor Ensemble Composer

Notes & Reviews:

"...I assume that prospective buyers of this disc will be attracted by the Reger orchestration rather than by the repertoire...as it happens [Nylund] and [Mertens] are highly accomplished artists...You can enjoy his disc simply as a first-class recital of some wonderful Schubet songs. The Reger instrumentations are merely icing on the cake..." -Johnson, Fanfare



Reviews

There are currently no reviews, be the first one!
Login or Create an Account to write a review
 

Also Purchased

Works Details

>Reger, Max [Composer] : Der Erlkönig, transcription for voice & orchestra (after Schubert, D. 328)
  • Performers: Klaus Mertens (Bass); Camilla Nylund (Soprano)
  • Conductor: Werner Albert
  • Ensemble: Hannover Radio Philharmonic Orchestra
  • Notes: 02/17/1997-02/20/1997
  • Running Time: 4 min. 4 sec.
  • Period Time: Post Romantic
  • Written: 1914

>Reger, Max [Composer] : Memmon, transcription for voice & orchestra (after Schubert, D 541)
  • Performers: Klaus Mertens (Bass); Camilla Nylund (Soprano)
  • Conductor: Werner Albert
  • Ensemble: Hannover Radio Philharmonic Orchestra
  • Notes: 02/17/1997-02/20/1997
  • Running Time: 4 min. 20 sec.
  • Period Time: Post Romantic
  • Written: 1914

>Reger, Max [Composer] : An die Musik, transcription for voice & orchestra (after Schubert, D 547)
  • Performers: Klaus Mertens (Bass); Camilla Nylund (Soprano)
  • Conductor: Werner Albert
  • Ensemble: Hannover Radio Philharmonic Orchestra
  • Notes: 02/17/1997-02/20/1997
  • Running Time: 2 min. 34 sec.
  • Period Time: Post Romantic
  • Written: 1914

>Reger, Max [Composer] : An den Mond, transcription for voice & orchestra (after Schubert, D 296)
  • Performers: Klaus Mertens (Bass); Camilla Nylund (Soprano)
  • Conductor: Werner Albert
  • Ensemble: Hannover Radio Philharmonic Orchestra
  • Notes: 02/17/1997-02/20/1997
  • Running Time: 4 min. 43 sec.
  • Period Time: Post Romantic
  • Written: 1914

>Reger, Max [Composer] : Du bist die Ruh', transcription for voice & orchestra (after Schubert, D 776)
  • Performers: Klaus Mertens (Bass); Camilla Nylund (Soprano)
  • Conductor: Werner Albert
  • Ensemble: Hannover Radio Philharmonic Orchestra
  • Notes: 02/17/1997-02/20/1997
  • Running Time: 4 min. 33 sec.
  • Period Time: Post Romantic
  • Written: 1914

>Reger, Max [Composer] : Wer sich der Einsamkeit ergibt, ach der ist bald allein, transcription for voice & orchestra (after
  • Performers: Klaus Mertens (Bass); Camilla Nylund (Soprano)
  • Conductor: Werner Albert
  • Ensemble: Hannover Radio Philharmonic Orchestra
  • Notes: 02/17/1997-02/20/1997
  • Running Time: 4 min. 38 sec.
  • Period Time: Post Romantic
  • Written: 1914

>Reger, Max [Composer] : Wer nie sein Brot mit Tränen aß, transcription for voice & orchestra (after Schubert, D. 478/2)
  • Performers: Klaus Mertens (Bass); Camilla Nylund (Soprano)
  • Conductor: Werner Albert
  • Ensemble: Hannover Radio Philharmonic Orchestra
  • Notes: 02/17/1997-02/20/1997
  • Running Time: 5 min. 12 sec.
  • Period Time: Post Romantic
  • Written: 1914

>Reger, Max [Composer] : An die Türen will ich schleichen, transcription for voice & orchestra (after Schubert, D. 478/3)
  • Performers: Klaus Mertens (Bass); Camilla Nylund (Soprano)
  • Conductor: Werner Albert
  • Ensemble: Hannover Radio Philharmonic Orchestra
  • Notes: 02/17/1997-02/20/1997
  • Running Time: 2 min. 24 sec.
  • Period Time: Post Romantic
  • Written: 1914

>Reger, Max [Composer] : Im Abendrot, transcription for voice & orchestra (after Schubert, D 799)
  • Performers: Klaus Mertens (Bass); Camilla Nylund (Soprano)
  • Conductor: Werner Albert
  • Ensemble: Hannover Radio Philharmonic Orchestra
  • Notes: 02/17/1997-02/20/1997
  • Running Time: 3 min. 30 sec.
  • Period Time: Post Romantic
  • Written: 1914

>Reger, Max [Composer] : Litaney auf das Fest Aller Seelen, transcription for voice & orchestra (after Schubert, D 343)
  • Performers: Klaus Mertens (Bass); Camilla Nylund (Soprano)
  • Conductor: Werner Albert
  • Ensemble: Hannover Radio Philharmonic Orchestra
  • Notes: 02/17/1997-02/20/1997
  • Running Time: 3 min. 58 sec.
  • Period Time: Post Romantic
  • Written: 1914

>Reger, Max [Composer] : Gretchen am Spinnrad, transcription for voice & orchestra (after Schubert, D. 118)
  • Performers: Klaus Mertens (Bass); Camilla Nylund (Soprano)
  • Conductor: Werner Albert
  • Ensemble: Hannover Radio Philharmonic Orchestra
  • Notes: 02/17/1997-02/20/1997
  • Running Time: 3 min. 14 sec.
  • Period Time: Post Romantic
  • Written: 1914

>Reger, Max [Composer] : Nacht und Träume, transcription for voice & orchestra (after Schubert, D 827)
  • Performers: Klaus Mertens (Bass); Camilla Nylund (Soprano)
  • Conductor: Werner Albert
  • Ensemble: Hannover Radio Philharmonic Orchestra
  • Notes: 02/17/1997-02/20/1997
  • Running Time: 3 min. 28 sec.
  • Period Time: Post Romantic
  • Written: 1914

>Reger, Max [Composer] : Greisengesang, transcription for voice & orchestra (after Schubert, D 778)
  • Performers: Klaus Mertens (Bass); Camilla Nylund (Soprano)
  • Conductor: Werner Albert
  • Ensemble: Hannover Radio Philharmonic Orchestra
  • Notes: 02/17/1997-02/20/1997
  • Running Time: 5 min. 52 sec.
  • Period Time: Post Romantic
  • Form: Vocal
  • Written: 1914

>Reger, Max [Composer] : Gruppe aus dem Tartarus, transcription for voice & orchestra (after Schubert, D. 583)
  • Performers: Klaus Mertens (Bass); Camilla Nylund (Soprano)
  • Conductor: Werner Albert
  • Ensemble: Hannover Radio Philharmonic Orchestra
  • Notes: 02/17/1997-02/20/1997
  • Running Time: 3 min. 11 sec.
  • Period Time: Post Romantic
  • Written: 1914

>Reger, Max [Composer] : Prometheus, transcription for voice & orchestra (after Schubert, D. 674)
  • Performers: Klaus Mertens (Bass); Camilla Nylund (Soprano)
  • Conductor: Werner Albert
  • Ensemble: Hannover Radio Philharmonic Orchestra
  • Notes: 02/17/1997-02/20/1997
  • Running Time: 5 min. 48 sec.
  • Period Time: Post Romantic
  • Written: 1914