Notes & Reviews:
Richard Hickox directs a stunning line-up of soloists in the premiere recording of this new edition of Ottone in villa. Gramophone Magazine states that Hickox's Vivaldi Gloria recording..."is perhaps to be preferred to any other currently available..."
Gramophone Classical Music Guide
This, Vivaldi's very first opera, was premièred in Vicenza in 1713 and was an instant hit. The story is a relatively uncomplicated one by the standards of Baroque opera, of amatory pretences and misunderstandings: it has been admirably summarised by Eric Cross (who has edited the work) as a 'light-weight, amoral entertainment in which the flirtatious Cleonilla consistently has the upper hand, and gullible Emperor Ottone (a far from heroic figure) never discovers the truth about the way he has been deceived'. The score proceeds in a succession of secco recitatives (with just a very occasional accompagnato) and da capo arias - which the present cast ornament very stylishly.
There are no duets or ensembles except for a perfunctory final chorus in which the characters merely sing in unison; but there's an abundance of tuneful arias, and when Vivaldi can be bothered to write proper accompaniments to them - he often merely has violins doubling the voice, plus a bass line - he can provide interesting imitative counterpoint. Several arias employ only the upper strings without cello and bass except in ritornellos. The small Vicenza theatre couldn't afford star singers, so only limited opportunities were provided for vocal virtuosity; but the present cast makes the most of its opportunities, both in display and in meditative mood. It isn't always easy to tell the three sopranos apart, but Susan Gritton well suggests the scheming minx Cleonilla; Nancy Argenta with her bright voice has the castrato role that includes several fine arias, and displays a messa di voce in an echo aria; and Sophie Daneman, in a breeches role, produces a wide range of colour. Monica Groop slightly undercharacterises Ottone except when roused to dismiss Rome's anxiety at his dalliance. It's quite a relief to ear one male voice, and Mark Padmore is excellent. Richard Hickox keeps a firm rhythmic hand on everything and delivers quite the best and neatest Vivaldi operatic recording yet.
ReviewsThere are currently no reviews, be the first one!
From Maine To Oregon - Sousa: Marches / Williams Fairey Band
Arne: Overtures / Standage, Collegium Musicum 90
Vivaldi: Tito Manlio / Sardelli, Modo Antiquo
Bach: Cantatas Vol 20 / Ton Koopman, et al
J.S. Bach: Cantatas Vol 19 / Ton Koopman, et al
Bach: Cantatas Vol 18 / Ton Koopman, et al
Buxtehude: Sacred Cantatas Vol 2 / Kirkby, et al
Couperin: Pièces de clavecin / Sophie Yates
Hasse: Sonatas / Epoca Barocca
Works DetailsVivaldi, Antonio : Ottone in Villa, RV 729
- Performers: Nancy Argenta (Soprano); Sophie Daneman (Soprano); Susan Gritton (Soprano); Monica Groop; Mark Padmore
- Conductor: Richard Hickox
- Ensemble: Collegium Musicum 90
- Notes: Blackheath Concert Hall, London, England (02/10/1997-02/14/1997)
- Running Time: 4 min. 44 sec.
- Period Time: Baroque
- Form: Opera/Operetta
- Written: 04/21/1713