- Gala Hadidi (Voice)
- Nadja McHantaf (Voice)
- Rachel Sorensen (Voice)
- Nadine Secunde (Soprano)
- Constance Heller (Voice)
- Simone Schröder (Voice)
Notes & Reviews:
In the Strauss anniversary year, this is Deutsche Grammophon's new key audio release: a truly electrifying once in a lifetime performance of Strauss' Elektra in the Berlin Philharmonie from January 2014
The recording features today's dream cast for Elektra: Evelyn Herlitzius, Anne Schwanewilms, Waltraud Meier and René Pape, all under the expert baton of Strauss master Christian Thielemann.
Released on Strauss' 150th birthday (11.06.), it's just in time for Strauss celebrations at opera festivals in Europe.
This is a historic release since the opera was premiered in Dresden in 1909, with the Staatskapelle - and the orchestra recorded it only once before (in 1960: also for DG with Karl Böhm).
New York Times
... with this production the soprano Evelyn Herlitzius confirms her status as perhaps the finest Elektra of her generation.
Sunday Times, 27th July 2014
A must-hear for [Thielemann's] glorious Dresdeners.
The Guardian, 31st July 2014
It may be the most expressionist of all Strauss's scores, but the overriding impression of this recording is the sheer tonal beauty of the Dresden Staatskapelle under Thielemann: the singers often seem to surf on wave after wave of orchestral sumptuousness.
Gramophone Magazine, September 2014
[Thielemann] conducts with flexibility and clarity. There are no major surprises but, paradoxically, his reading never feels predictable either...This is Strauss-playing of the highest quality...Against this background, Herlitzius's vocal performance maybe sounds a little rougher than it might otherwise...but it remains dramatically compelling.
BBC Music Magazine, October 2014
[Herlitzius] isn't afraid to push [her voice] to its limit...Generally, though, she does convey Elektra's switchback emotions with some power...Pape, an equally recurrent Orestes, is sonorous but restrained. So is Waltraud Meier's light-voiced Klytaemnestra...Thielemann seems to favour Teutonically rich sonorities over dramatic thrust.
Recording information: Berlin Philharmonie (01/28/2014).
ReviewsThere are currently no reviews, be the first one!
Richard Wagner: Parsifal / Regine Crespin, Jerome Hines, Fritz Uhl, Eberhard Waechter, Hans Beirer, Donald Bell, Toni Blankenheim (Bayreuth, 1958)
Maurice Ravel: Miroirs; Gaspard de la Nuit; Pavane pour une infante défunte; Trois Poemes for Piano / Carlo Grante, piano
Richard Strauss: Intermezzo Op. 72 / Simone Schneider, Brigitte Fassbaender, Markus Eiche. Ulf Schirmer
Handel: 'Terpsicore' & Ballet Scenes from 'Ariodante' / Ava Pine, soprano; Kirsten Sollek, mezzo-soprano. Richman
Wagner: Die Meistersinger von Nurnberg / Elisabeth Grummer, Elisabeth Schartel, Josef Traxel, Gerhard Stolze, Hans Hotter. Andre Cluytens, Bayreuth, 1958 (24 Bit / 96 KHZ remastering)
Johann Strauss II: Wiener Blut / Annelises Rothenberger, Nicolai Gedda, Klaus Hirte, Renate Holm (rec. 1976)
Strauss: Elektra / Birgit Nilsson, Wolfgang Windgassen, Leonie Rysanek, Gundula Janowitz, Regina Resnik, Eberhard Waechter. Karl Böhm (Vienna, 1965)
Lassus: Lagrime di San Pietro / Ens. Vocal Européen, Herreweghe
The Romantic Voice of Cesare Siepi: Songs of Italy by Nicolardi, Cesarini, de Curtis, Brogi, Denza, Marini, Giacomo, Tosti, Mozart, Gomes et al. (24-bit/192 kHz transfer)
Works DetailsStrauss, Richard : Elektra, Op. 58
- Performers: Gala Hadidi (Voice); Nadja McHantaf (Voice); Rachel Sorensen (Voice); Simone Schröder (Voice); Nadine Secunde (Soprano); Constance Heller (Voice)
- Conductor: Christian Thielemann
- Ensemble: Staatskapelle Dresden
- Notes: Composition written: 1906-08.
- Running Time: 99 min. 16 sec.
- Period Time: Post Romantic
- Form: Opera/Operetta
- Written: 1906-1908