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Hanns Eisler (1898-1962) Edition / various artists [10 CDs]

Audio Samples

  1. Suite No. 1, Op. 23: I. Präludium in Form einer Passacaglia $0.69 on iTunes
  2. Suite No. 1, Op. 23: II. Intermezzo $0.69 on iTunes
  3. Suite No. 1, Op. 23: III. Potpourri über russische Volkslieder $0.69 on iTunes
  4. Suite No. 1, Op. 23: IV. Allegro energico $0.69 on iTunes
  5. Suite No. 2, Op. 24 "Niemandsland": I. Vorspiel $0.69 on iTunes
  6. Suite No. 2, Op. 24 "Niemandsland": II Capriccio über jüdische Volkslieder $0.69 on iTunes
  7. Suite No. 2, Op. 24 "Niemandsland": III. Andante $0.69 on iTunes
  8. Suite No. 2, Op. 24 "Niemandsland": IV. Marschtempo $0.69 on iTunes
  9. Suite No. 3, Op. 26 "Kuhle Wampe": I. Präludium $0.69 on iTunes
  10. Suite No. 3, Op. 26 "Kuhle Wampe": II. Intermezzo $0.69 on iTunes
  11. Suite No. 3, Op. 26 "Kuhle Wampe": III. Rondo $0.69 on iTunes
  12. Suite No. 3, Op. 26 "Kuhle Wampe": IV. Die Fabriken $0.69 on iTunes
  13. Suite No. 4, Op. 30 "Die Jugend hat das Wort": III. Marsch der Jugend, die das Wort hat $0.69 on iTunes
  14. Suite No. 4, Op. 30 "Die Jugend hat das Wort": IV. Grave – Pesante – Allegro $0.69 on iTunes
  15. Variationen über ein marschartiges Thema "Der lange Marsch" (1938) $0.69 on iTunes
  16. Kammersinfonie, Op. 69: I. Invention $0.69 on iTunes
  17. Kammersinfonie, Op. 69: II. Choralbearbeitung $0.69 on iTunes
  18. Kammersinfonie, Op. 69: III. Scherzo $0.69 on iTunes
  19. Kammersinfonie, Op. 69: IV. Etüde $0.69 on iTunes
  20. Kammersinfonie, Op. 69: V. Finale $0.69 on iTunes
  21. Kleine Sinfonie, Op. 29: I. Thema mit Variationen $0.69 on iTunes
  22. Kleine Sinfonie, Op. 29: II. Allegro assai $0.69 on iTunes
  23. Kleine Sinfonie, Op. 29: III. Invention $0.69 on iTunes
  24. Kleine Sinfonie, Op. 29: IV. Allegro $0.69 on iTunes
  25. 5 Orchesterstücke from the Film 400 Millionen: I. Andante $0.69 on iTunes
  26. 5 Orchesterstücke from the Film 400 Millionen: II. Allegro $0.69 on iTunes
  27. 5 Orchesterstücke from the Film 400 Millionen: III. Kleine Passacaglia $0.69 on iTunes
  28. 5 Orchesterstücke from the Film 400 Millionen: IV. Presto $0.69 on iTunes
  29. 5 Orchesterstücke from the Film 400 Millionen: V. Finale. Improvisation $0.69 on iTunes
  30. Scherzo from the Film 400 Millionen $0.69 on iTunes
  31. Winterschlacht-Suite from the Stage Music: I. Vorspiel. Andante $0.69 on iTunes
  32. Winterschlacht-Suite from the Stage Music: II. Agitato $0.69 on iTunes
  33. Winterschlacht-Suite from the Stage Music: III. Langsam $0.69 on iTunes
  34. Winterschlacht-Suite from the Stage Music: IV. Schnee. Andante $0.69 on iTunes
  35. Winterschlacht-Suite from the Stage Music: V. Melodram. Andante "Ihm trübt Verbitterung den Blick fürs Ganze" $0.69 on iTunes
  36. Winterschlacht-Suite from the Stage Music: VI. Zwischenspiel. Etwas heftig $0.69 on iTunes
  37. Winterschlacht-Suite from the Stage Music: VII. Melodram. Andante "Sie meinen, wenn sie zur Fahne" $0.69 on iTunes
  38. Winterschlacht-Suite from the Stage Music: VIII. Schlußmusik, Der Schrecken des Krieges. Con moto $0.69 on iTunes
  39. Deutsche Sinfonie, Op. 50: I. Präludium $0.69 on iTunes
  40. Deutsche Sinfonie, Op. 50: II. Passacaglia "An die Kämpfer in den Konzentrationslagern" $0.69 on iTunes
  41. Deutsche Sinfonie, Op. 50: III. Etüde 1 für Orchester $0.69 on iTunes
  42. Deutsche Sinfonie, Op. 50: IV. Potsdam $0.69 on iTunes
  43. Deutsche Sinfonie, Op. 50: V. In Sonnenburg $0.69 on iTunes
  44. Deutsche Sinfonie, Op. 50: VI. Etüde 2 für Orchester $0.69 on iTunes
  45. Deutsche Sinfonie, Op. 50: VII. Begräbnis des Hetzers im Zinksar $0.69 on iTunes
  46. Deutsche Sinfonie, Op. 50: VIII. Bauernkantate. Mißernte $0.69 on iTunes
  47. Deutsche Sinfonie, Op. 50: VIII. Bauernkantate. Sicherheit $0.69 on iTunes

Album Summary

>Eisler, Hanns : Suite for orchestra no 1, Op. 23
>Eisler, Hanns : Suite for orchestra no 2, Op. 24 ("Niemandsland")
>Eisler, Hanns : Suite for orchestra no 3, Op. 26 ("Kuhle Wampe")
>Eisler, Hanns : Suite no 4 Op. 30 'Die Jugend hat das Wort'
>Eisler, Hanns : Theme & Variations, for orchestra ("The Long March")
>Eisler, Hanns : Kammersinfonie, Op. 69
>Eisler, Hanns : Kleine Sinfonie, Op. 29
>Eisler, Hanns : Fünf Orchesterstücke
>Eisler, Hanns : Scherzo mit Solovioline, for violin & orchestra
>Eisler, Hanns : Rhapsodie for large orchestra with solo soprano, after words from Goethe's faust
>Eisler, Hanns : Winterschlacht Suite
>Eisler, Hanns : Vorspiel und Gesang "Es lächelt der See" aus der Bühnenmusik zu Schillers "Wilhelm Tell"
>Eisler, Hanns : Deutsche Sinfonie, for soloists, chorus & orchestra, Op. 50
>Eisler, Hanns : Lieder (3) for mid-range voice & chamber orchestra
>Eisler, Hanns : Divertimento for wind quintet, Op. 4
>Eisler, Hanns : Tagebuch des Hanns Eisler, Op. 9
>Eisler, Hanns : Suite for orchestra no 5, Op. 34 ("Dans les rues")
>Eisler, Hanns : Nonet no 1 (32 Variations on a 5 measure theme) for flute, clarinet, bassoon, horn & string quintet
>Eisler, Hanns : Nonet for winds & strings no 2
>Eisler, Hanns : Galgenlieder von Christian Morgenstern, for voice & piano
>Eisler, Hanns : Tempo der Zeit, cantata for alto, bass, speaker, chorus & chamber orchestra, Op. 16
>Eisler, Hanns : Arten den Regen zu beschreiben (14)
>Eisler, Hanns : Sätze für Nonett (Movements for Nonette), opus posthumous
>Eisler, Hanns : Scherzo for string trio
>Eisler, Hanns : Palmström, parody for vocal soloist, flute, clarinet in A, violin & cello, Op. 5
>Eisler, Hanns : Duo for violin & cello, Op. 7
>Eisler, Hanns : Prelude and Fugue on the name of B-A-C-H, for string trio, Op. 46
>Eisler, Hanns : Sonata for flute, oboe & harp, Op. 49
>Eisler, Hanns : Sonata for violin & piano ("Reisesonate", "Journey Sonata")
>Eisler, Hanns : Septet for flute (& piccolo), clarinet, bassoon & string quartet no 2 ("Circus")
>Eisler, Hanns : From the stage work Die Rundköpfe und die Spitzköpfe
>Eisler, Hanns : From the film Kuhle Wampe
>Eisler, Hanns : From the stage work Schweyk im Zweiten Weltkrieg
>Eisler, Hanns : Lieder (2) for voice & piano
>Eisler, Hanns : 6 Lieder Op. 2 for voice and Piano
>Eisler, Hanns : Zeitungausschnitte Op. 11 for voice and piano
>Eisler, Hanns : Die Maßnahme Op. 20
>Eisler, Hanns : Die Rundköpfe und die Spitzköpfe Op. 45
>Eisler, Hanns : Mutter Beimlein
>Eisler, Hanns : Die Wießbrot Kantate
>Eisler, Hanns : Die den Mund aufhatten, cantata for voice, 2 clarinets, viola & cello
>Eisler, Hanns : Die Zuchthaus-Kantate, for voice, 2 clarinets, viola & cello
>Eisler, Hanns : Sonnets (2), for alto, clarinet & bass clarinet, Op. 54
>Eisler, Hanns : Hollywooder Liederbuch
>Eisler, Hanns : Die Gesichte der Simone Machard
>Eisler, Hanns : Anmut sparet nicht noch Mühe, for voice & piano
>Eisler, Hanns : Wienerlied, for voice & piano
>Eisler, Hanns : Der Blumengarten, for voice & piano
>Eisler, Hanns : L'automne prussienne ("Wenn der Mond von den Wolken verdeckt wird"), for voice & piano (Die Buckow-K
>Eisler, Hanns : Die haltbare Graugans (The Grey Goose)
>Eisler, Hanns : Lied von der belebenden Wirkung des Geldes
>Eisler, Hanns : Die Ballade vom Wasserrad, for voice & piano
>Eisler, Hanns : Early pieces (5) for piano
>Eisler, Hanns : Sonata for Piano no 1, Op. 1
>Eisler, Hanns : Pieces (4) for piano, Op. 3
>Eisler, Hanns : Sonata for Piano no 2, Op. 6
>Eisler, Hanns : Pieces (8) for piano, Op. 8
>Eisler, Hanns : Klavierstücke for Kinder, Op. 31
>Eisler, Hanns : Lenin, requiem for alto & baritone solo, choir and Orchestra
>Eisler, Hanns : Glückliche Fahrt
>Eisler, Hanns : Mitte des Jahrhunderts
>Eisler, Hanns : Das Vorbild, for orchestra
>Eisler, Hanns : Die Teppichweber von Kujan-Bulak
>Eisler, Hanns : Bilder aus der Kriegsfibel
>Eisler, Hanns : Ernste Gesänge, for baritone & string orchestra
>Eisler, Hanns : Choruses (3) for male chorus, Op. 10
>Eisler, Hanns : Pieces (4) for mixed choir, Op. 13
>Eisler, Hanns : Choruses (2) for male chorus, Op. 14
>Eisler, Hanns : Auf den Straßen zu singen, Op. 15
>Eisler, Hanns : Choruses (2) for male chorus, Op. 17
>Eisler, Hanns : Choruses (2) for male chorus, Op. 19
>Eisler, Hanns : Pieces (2) for mixed choir, Op. 21
>Eisler, Hanns : Choruses (2) for male chorus, Op. 35
>Eisler, Hanns : Bankenlied Op 48/1
>Eisler, Hanns : Keiner oder alle
>Eisler, Hanns : Friedenslied
>Eisler, Hanns : Song of Light
>Eisler, Hanns : Dictator's Song
>Eisler, Hanns : Einheitsfrontlied
Performers Conductors Ensembles Composer
  • >

Notes & Reviews:

A private pupil of Schoenberg, who described him as one of his most gifted students, Hanns Eisler stands as one of the most fascinating composers of the 20th century - a composer whose left-wing political affiliations saw him forced into exile with the rise of the Nazis, who subsequently settled in the USA and was denounced first by his sister to the FBI and then by Nixon himself as 'the Karl Marx of communism in the musical field' (to which Eisler retorted that he was 'very flattered' by the comparison), leading to deportation back to Europe in 1948. He was one of Bertolt Brecht's chief collaborators in political songs, films and stage works (the two resumed contact in Hollywood after Eisler's move to the US), also working with other notable types such as the singer Ernst Busch and writing politico-intellectual subject matter. After his return to Germany, where he settled in Stalinist East Berlin, he became enormously influential in re-stimulating musical life, teaching at the Berlin College of Music that now bears his name and taking the composition masterclass at the Academy of Arts. This 10 CD box is a tribute to the composer, revealing the enormous amount of music he wrote in a vast variety of styles, from tuneful mass songs to Schoenberg's 12-note method. Believing as he did in the functionality of music, Eisler employed whatever idiom was appropriate to the task in hand, including drawing inspiration from jazz and popular songs and distortions of military music. Though he wrote some very large works (such as the Deutsche Sinfonie - part symphony, part cantata, part 'German Requiem'), he was especially a master of small forms, as we see for instance in his Kleine Sinfonie, largely derived from his film music of 1930-2 (and which adheres to his credo that music can offer a new utilisation when it forges links with other artistic forms of expression). Many of his works are of course political-based, but what becomes apparent throughout listening to his oeuvre is that, while rejecting all the rhetoric of Romanticism, Eisler never lost faith in firm technique and the value of solid contrapuntal work. A wealth of talent is assembled for this album, from the first-rate German ensembles Staatskapelle Dresden and Rundfunk-Sinfonie-Orchester to lauded artists such as the character actress Gisela May and the soprano Irmgard Arnold, who can be heard in rehearsal with the composer himself. Other information: Booklet contains an overview of the composer and his music as well as full tracklists for CDs 4 - 7 & 10. Extensive liner notes available online.

Notes & Reviews:

Recording information: Berlin (01/1977); Christuskirche, Berlin (01/1977); Haus Auensee, Leipzig, Germany (01/1977); Lukaskirche Dresden (01/1977); Lukaskirche, Dresden (01/1977); Paul-Gerhardt-Kirche, Leipzig (01/1977); Schauspielhaus, Berlin (01/1977); SKR Berlin, Germany (01/1977); SRK, Leipzig (01/1977); Studio Reichstagufer, Berlin, Germany (01/1977); Versöhnungskirche, Leipzig (01/1977); Berlin (01/28/1973); Christuskirche, Berlin (01/28/1973); Haus Auensee, Leipzig, Germany (01/28/1973); Lukaskirche Dresden (01/28/1973); Lukaskirche, Dresden (01/28/1973); Paul-Gerhardt-Kirche, Leipzig (01/28/1973); Schauspielhaus, Berlin (01/28/1973); SKR Berlin, Germany (01/28/1973); SRK, Leipzig (01/28/1973); Studio Reichstagufer, Berlin, Germany (01/28/1973); Versöhnungskirche, Leipzig (01/28/1973); Berlin (02/1958); Christuskirche, Berlin (02/1958); Haus Auensee, Leipzig, Germany (02/1958); Lukaskirche Dresden (02/1958); Lukaskirche, Dresden (02/1958); Paul-Gerhardt-Kirche, Leipzig (02/1958); Schauspielhaus, Berlin (02/1958); SKR Berlin, Germany (02/1958); SRK, Leipzig (02/1958); Studio Reichstagufer, Berlin, Germany (02/1958); Versöhnungskirche, Leipzig (02/1958); Berlin (02/1972); Christuskirche, Berlin (02/1972); Haus Auensee, Leipzig, Germany (02/1972); Lukaskirche Dresden (02/1972); Lukaskirche, Dresden (02/1972); Paul-Gerhardt-Kirche, Leipzig (02/1972); Schauspielhaus, Berlin (02/1972); SKR Berlin, Germany (02/1972); SRK, Leipzig (02/1972); Studio Reichstagufer, Berlin, Germany (02/1972); Versöhnungskirche, Leipzig (02/1972); Berlin (02/1977); Christuskirche, Berlin (02/1977); Haus Auensee, Leipzig, Germany (02/1977); Lukaskirche Dresden (02/1977); Lukaskirche, Dresden (02/1977); Paul-Gerhardt-Kirche, Leipzig (02/1977); Schauspielhaus, Berlin (02/1977); SKR Berlin, Germany (02/1977); SRK, Leipzig (02/1977); Studio Reichstagufer, Berlin, Germany (02/1977); Versöhnungskirche, Leipzig (02/1977); Berlin (03/1958); Christuskirche, Berlin (03/1958); Haus Auensee, Leipzig, Germany (03/1958); Lukaskirche Dresden (03/1958); Lukaskirche, Dresden (03/1958); Paul-Gerhardt-Kirche, Leipzig (03/1958); Schauspielhaus, Berlin (03/1958); SKR Berlin, Germany (03/1958); SRK, Leipzig (03/1958); Studio Reichstagufer, Berlin, Germany (03/1958); Versöhnungskirche, Leipzig (03/1958); Berlin (03/1966-05/1966); Christuskirche, Berlin (03/1966-05/1966); Haus Auensee, Leipzig, Germany (03/1966-05/1966); Lukaskirche Dresden (03/1966-05/1966); Lukaskirche, Dresden (03/1966-05/1966); Paul-Gerhardt-Kirche, Leipzig (03/1966-05/1966); Schauspielhaus, Berlin (03/1966-05/1966); SKR Berlin, Germany (03/1966-05/1966); SRK, Leipzig (03/1966-05/1966); Studio Reichstagufer, Berlin, Germany (03/1966-05/1966); Versöhnungskirche, Leipzig (03/1966-05/1966); Berlin (04/1974/06/1974); Christuskirche, Berlin (04/1974/06/1974); Haus Auensee, Leipzig, Germany (04/1974/06/1974); Lukaskirche Dresden (04/1974/06/1974); Lukaskirche, Dresden (04/1974/06/1974); Paul-Gerhardt-Kirche, Leipzig (04/1974/06/1974); Schauspielhaus, Berlin (04/1974/06/1974); SKR Berlin, Germany (04/1974/06/1974); SRK, Leipzig (04/1974/06/1974); Studio Reichstagufer, Berlin, Germany (04/1974/06/1974); Versöhnungskirche, Leipzig (04/1974/06/1974); Berlin (05/1967/10/1967); Christuskirche, Berlin (05/1967/10/1967); Haus Auensee, Leipzig, Germany (05/1967/10/1967); Lukaskirche Dresden (05/1967/10/1967); Lukaskirche, Dresden (05/1967/10/1967); Paul-Gerhardt-Kirche, Leipzig (05/1967/10/1967); Schauspielhaus, Berlin (05/1967/10/1967); SKR Berlin, Germany (05/1967/10/1967); SRK, Leipzig (05/1967/10/1967); Studio Reichstagufer, Berlin, Germany (05/1967/10/1967); Versöhnungskirche, Leipzig (05/1967/10/1967).



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Works Details

>Eisler, Hanns : Suite for orchestra no 1, Op. 23
  • Conductor: Max Pommer
  • Running Time: 15 min. 30 sec.
  • Period Time: Modern
  • Written: 1927-1930

>Eisler, Hanns : Suite for orchestra no 2, Op. 24 ("Niemandsland")
  • Conductor: Heinz Rögner
  • Running Time: 8 min. 27 sec.
  • Period Time: Modern
  • Written: 1931

>Eisler, Hanns : Suite for orchestra no 3, Op. 26 ("Kuhle Wampe")
  • Conductor: Heinz Rögner
  • Running Time: 8 min. 49 sec.
  • Period Time: Modern
  • Written: 1931-1932

>Eisler, Hanns : Suite no 4 Op. 30 'Die Jugend hat das Wort' :: III. Marsch der Jugend, die das Wort hat
  • Conductor: Heinz Rögner
  • Running Time: 1 min. 41 sec.
  • Period Time: Modern
  • Written: 1932

>Eisler, Hanns : Suite no 4 Op. 30 'Die Jugend hat das Wort' :: IV. Grave - Pesante - Allegro
  • Conductor: Heinz Rögner
  • Running Time: 5 min. 4 sec.
  • Period Time: Modern
  • Written: 1932

>Eisler, Hanns : Theme & Variations, for orchestra ("The Long March")
  • Performer: Gerhard Erber (Piano)
  • Conductor: Max Pommer
  • Running Time: 7 min. 41 sec.
  • Period Time: Modern
  • Form: March
  • Written: 1938

>Eisler, Hanns : Kammersinfonie, Op. 69
  • Performer: Gerhard Erber (Piano)
  • Conductor: Max Pommer
  • Running Time: 16 min. 28 sec.
  • Period Time: Modern
  • Written: 1943

>Eisler, Hanns : Kleine Sinfonie, Op. 29
  • Conductor: Heinz Rögner
  • Running Time: 10 min. 43 sec.
  • Period Time: Modern
  • Written: 1932

>Eisler, Hanns : Fünf Orchesterstücke
  • Conductor: Max Pommer
  • Running Time: 14 min. 14 sec.
  • Period Time: Modern

>Eisler, Hanns : Scherzo mit Solovioline, for violin & orchestra
  • Performer: Eberhard Palm (Violin)
  • Conductor: Max Pommer
  • Running Time: 3 min. 2 sec.
  • Period Time: Modern
  • Written: 1938

>Eisler, Hanns : Rhapsodie for large orchestra with solo soprano, after words from Goethe's faust :: Part II
  • Performer: Elisabeth Breul (Soprano)
  • Conductor: Günther Herbig
  • Running Time: 11 min. 47 sec.
  • Period Time: Modern

>Eisler, Hanns : Winterschlacht Suite
  • Conductor: Adolf Guhl
  • Running Time: 2 min. 10 sec.
  • Period Time: Modern

>Eisler, Hanns : Vorspiel und Gesang "Es lächelt der See" aus der Bühnenmusik zu Schillers "Wilhelm Tell"
  • Performers: Elisabeth Breul (Soprano); Günther Leib (Baritone); Gunter Neumann
  • Conductor: Günther Herbig
  • Running Time: 4 min. 22 sec.
  • Period Time: Modern
  • Form: Vocal

>Eisler, Hanns : Deutsche Sinfonie, for soloists, chorus & orchestra, Op. 50
  • Performers: Gisela Burkhardt (Soprano); Tomas Mowes (Baritone); Uta Priew (Voice); Andreas Sommerfeld (Bass)
  • Conductor: Max Pommer
  • Running Time: 6 min. 15 sec.
  • Period Time: Modern
  • Written: 1936-1958

>Eisler, Hanns : Lieder (3) for mid-range voice & chamber orchestra
  • Performer: Roswitha Trexler (Soprano)
  • Conductor: Max Pommer
  • Running Time: 1 min. 8 sec.
  • Period Time: Modern
  • Written: 1919

>Eisler, Hanns : Divertimento for wind quintet, Op. 4
  • Ensemble: Bläservereinigung Berlin
  • Running Time: 7 min. 36 sec.
  • Period Time: Modern
  • Written: 1923

>Eisler, Hanns : Tagebuch des Hanns Eisler, Op. 9
  • Performers: Helga Termer (Soprano); Roswitha Trexler (Soprano)
  • Conductor: Max Pommer
  • Running Time: 1 min. 3 sec.
  • Period Time: Modern
  • Written: 1926

>Eisler, Hanns : Suite for orchestra no 5, Op. 34 ("Dans les rues")
  • Conductor: Adolf Guhl
  • Ensemble: Leipzig Collegium Musicum
  • Running Time: 18 min. 23 sec.
  • Period Time: Modern
  • Written: 1933

>Eisler, Hanns : Nonet no 1 (32 Variations on a 5 measure theme) for flute, clarinet, bassoon, horn & string quintet
  • Performers: Wolfgang Bernhardt (Cello); Friedrich-Carl Erben (Violin); Ralf-Rainer Haase (Violin); Arnim Orlamunde (Viola); Werner Schramm (Horn)
  • Conductor: Friedrich-Carl Erben
  • Ensemble: Berlin State Opera Chamber Music Association
  • Notes: Composition written: 1939.
  • Running Time: 5 min. 28 sec.
  • Period Time: Modern
  • Form: Chamber Music
  • Written: 1939

>Eisler, Hanns : Nonet for winds & strings no 2
  • Performers: Friedrich-Carl Erben (Violin); Josef Gass (Trumpet); Ralf-Rainer Haase (Violin); Wolfgang Lowe (Violin); Horst Muller (Percussion); Gerhard Petsch (Percussion)
  • Conductor: Friedrich-Carl Erben
  • Ensemble: Berlin State Opera Chamber Music Association
  • Running Time: 20 min. 28 sec.
  • Period Time: Modern
  • Form: Chamber Music
  • Written: 1940

>Eisler, Hanns : Galgenlieder von Christian Morgenstern, for voice & piano
  • Performers: Jutta Czapski (Piano); Roswitha Trexler (Soprano)
  • Running Time: 12 min. 10 sec.
  • Period Time: Modern
  • Written: circa 1917

>Eisler, Hanns : Tempo der Zeit, cantata for alto, bass, speaker, chorus & chamber orchestra, Op. 16
  • Conductor: Dietrich Knothe
  • Running Time: 2 min. 3 sec.
  • Period Time: Modern
  • Written: 1929

>Eisler, Hanns : Arten den Regen zu beschreiben (14)
  • Conductor: Friedrich-Carl Erben
  • Running Time: 13 min. sec.
  • Period Time: Modern

>Eisler, Hanns : Sätze für Nonett (Movements for Nonette), opus posthumous
  • Conductor: Max Pommer
  • Running Time: 21 min. 19 sec.
  • Period Time: Modern
  • Form: Chamber Music
  • Written: circa 1941

>Eisler, Hanns : Scherzo for string trio
  • Performers: Clemens Dillner (Cello); Rudolf Ulbrich (Violin); Joachim Zindler (Viola)
  • Notes: Composition written: 1920.
  • Running Time: 3 min. 46 sec.
  • Period Time: Modern
  • Written: 1920

>Eisler, Hanns : Palmström, parody for vocal soloist, flute, clarinet in A, violin & cello, Op. 5
  • Performers: Wolfgang Bernhardt (Cello); Friedrich-Carl Erben (Violin); Oskar Michallik (Clarinet); Arnim Orlamunde (Viola); Roswitha Trexler (Soprano); Wilfried Winkelmann (Flute)
  • Conductor: Hans-Jurgen Wenzel
  • Notes: Composition written: 1924.
  • Running Time: 3 min. 8 sec.
  • Period Time: Modern
  • Written: 1924

>Eisler, Hanns : Duo for violin & cello, Op. 7
  • Performers: Clemens Dillner (Cello); Rudolf Ulbrich (Violin)
  • Notes: Composition written: 07/1924.
  • Running Time: 6 min. 58 sec.
  • Period Time: Modern
  • Written: 07/1924

>Eisler, Hanns : Prelude and Fugue on the name of B-A-C-H, for string trio, Op. 46
  • Performers: Clemens Dillner (Cello); Rudolf Ulbrich (Violin); Joachim Zindler (Viola)
  • Notes: Composition written: 1934.
  • Running Time: 4 min. 48 sec.
  • Period Time: Modern
  • Written: 1934

>Eisler, Hanns : Sonata for flute, oboe & harp, Op. 49
  • Performers: Kurt Mahn (Oboe); Johannes Walter (Flute); Jutta Zoff (Harp)
  • Notes: Composition written: 1935.
  • Running Time: 4 min. 10 sec.
  • Period Time: Modern
  • Written: 1935

>Eisler, Hanns : Sonata for violin & piano ("Reisesonate", "Journey Sonata")
  • Performers: Jutta Czapski (Piano); Gustav Schmahl (Violin)
  • Notes: Composition written: 1937.
  • Running Time: 11 min. 16 sec.
  • Period Time: Modern
  • Written: 1937

>Eisler, Hanns : Septet for flute (& piccolo), clarinet, bassoon & string quartet no 2 ("Circus")
  • Performers: Friedrich-Carl Erben (Violin); Manfred Friedrich (Flute); Ralf-Rainer Haase (Violin); Herbert Heilmann (Bassoon); Hans Himmler (Clarinet); Arnim Orlamunde (Viola); Karl-Heinz Schroter (Cello)
  • Notes: Composition written: 1947.
  • Running Time: 17 min. 47 sec.
  • Period Time: Modern
  • Form: Chamber Music
  • Written: 1947

>Eisler, Hanns : From the stage work Die Rundköpfe und die Spitzköpfe :: Lied eines Freudenmädchens
  • Performer: Gisela May (Soprano)
  • Conductor: Henry Krtschil
  • Running Time: 2 min. 14 sec.
  • Period Time: Modern
  • Written: 1934-1936

>Eisler, Hanns : From the stage work Die Rundköpfe und die Spitzköpfe :: Lied von der belebenden Wirkung des Geldes
  • Performer: Gisela May (Soprano)
  • Conductor: Henry Krtschil
  • Running Time: 4 min. 19 sec.
  • Period Time: Modern
  • Written: 1934-1936

>Eisler, Hanns : From the stage work Die Rundköpfe und die Spitzköpfe :: Kuppellied
  • Performer: Gisela May (Soprano)
  • Conductor: Henry Krtschil
  • Running Time: 2 min. 28 sec.
  • Period Time: Modern
  • Written: 1934-1936

>Eisler, Hanns : From the film Kuhle Wampe :: 'Das frühjah'
  • Performer: Gisela May (Soprano)
  • Conductor: Henry Krtschil
  • Running Time: 2 min. 30 sec.
  • Period Time: Modern
  • Written: 1931

>Eisler, Hanns : From the film Kuhle Wampe :: 'Mutter Beimlein'
  • Performer: Gisela May (Soprano)
  • Conductor: Henry Krtschil
  • Running Time: 1 min. 44 sec.
  • Period Time: Modern
  • Written: 1931

>Eisler, Hanns : From the film Kuhle Wampe :: 'O falladah, die du hangest!'
  • Performer: Gisela May (Soprano)
  • Conductor: Henry Krtschil
  • Running Time: 2 min. 50 sec.
  • Period Time: Modern
  • Written: 1931

>Eisler, Hanns : From the film Kuhle Wampe :: Ballade von der 'Judenhure' Marie Sanders
  • Performer: Gisela May (Soprano)
  • Conductor: Henry Krtschil
  • Running Time: 2 min. sec.
  • Period Time: Modern
  • Written: 1931

>Eisler, Hanns : From the stage work Schweyk im Zweiten Weltkrieg :: Das Lied von der Moldau
  • Performers: Gisela May (Soprano); Walter Olbertz (Piano); Siegfried Stöckigt (Piano)
  • Running Time: 1 min. 24 sec.
  • Period Time: Modern
  • Written: 1943-1959

>Eisler, Hanns : From the stage work Schweyk im Zweiten Weltkrieg :: Das lied vom kleinen Wind
  • Performers: Gisela May (Soprano); Walter Olbertz (Piano); Siegfried Stöckigt (Piano)
  • Running Time: 2 min. 4 sec.
  • Period Time: Modern
  • Written: 1943-1959

>Eisler, Hanns : From the stage work Schweyk im Zweiten Weltkrieg :: Das Lied vom Kelch
  • Performers: Gisela May (Soprano); Walter Olbertz (Piano); Siegfried Stöckigt (Piano)
  • Running Time: 2 min. sec.
  • Period Time: Modern
  • Written: 1943-1959

>Eisler, Hanns : From the stage work Schweyk im Zweiten Weltkrieg :: 'Und was bekam des Soldaten Weib'
  • Performers: Gisela May (Soprano); Walter Olbertz (Piano); Siegfried Stöckigt (Piano)
  • Running Time: 2 min. 26 sec.
  • Period Time: Modern
  • Written: 1943-1959

>Eisler, Hanns : From the stage work Schweyk im Zweiten Weltkrieg :: Ballade vom Weib und dem Soldaten
  • Performer: Gisela May (Soprano)
  • Conductor: Henry Krtschil
  • Running Time: 3 min. 38 sec.
  • Period Time: Modern
  • Written: 1943-1959

>Eisler, Hanns : From the stage work Schweyk im Zweiten Weltkrieg :: Lied einer deutschen Mutter
  • Performer: Gisela May (Soprano)
  • Conductor: Henry Krtschil
  • Running Time: 1 min. 45 sec.
  • Period Time: Modern
  • Written: 1943-1959

>Eisler, Hanns : Lieder (2) for voice & piano
  • Performers: Irmgard Arnold (Soprano); Volker Rohde (Piano)
  • Running Time: 1 min. 34 sec.
  • Period Time: Modern
  • Written: 1920

>Eisler, Hanns : 6 Lieder Op. 2 for voice and Piano :: no 2 An den Tod 'Ach, es ist so dunkel'
  • Performers: Irmgard Arnold (Soprano); Andre Asriel (Piano)
  • Period Time: Modern
  • Written: 1922

>Eisler, Hanns : 6 Lieder Op. 2 for voice and Piano :: no 3 Das Alter 'Wenn ich erführe'
  • Performers: Irmgard Arnold (Soprano); Andre Asriel (Piano)
  • Period Time: Modern
  • Written: 1922

>Eisler, Hanns : Zeitungausschnitte Op. 11 for voice and piano :: no 1 Mariechen (Kinderreim) 'Mariechen, du dummes Vi
  • Performers: Irmgard Arnold (Soprano); Andre Asriel (Piano)
  • Notes: Composition written: 1925-27.
  • Running Time: 1 min. 17 sec.
  • Period Time: Modern
  • Written: 1925-1927

>Eisler, Hanns : Zeitungausschnitte Op. 11 for voice and piano :: no 3 Heiratsannonce (Liebeslied eines Kleinbügermädc
  • Performers: Irmgard Arnold (Soprano); Andre Asriel (Piano)
  • Notes: Composition written: 1925-27.
  • Running Time: 1 min. 2 sec.
  • Period Time: Modern
  • Written: 1925-1927

>Eisler, Hanns : Zeitungausschnitte Op. 11 for voice and piano :: no 4 Kriegslied eines Kindes (Kinderreim) 'Meine Mut
  • Performers: Irmgard Arnold (Soprano); Andre Asriel (Piano)
  • Notes: Composition written: 1925-27.
  • Running Time: 1 min. 43 sec.
  • Period Time: Modern
  • Written: 1925-1927

>Eisler, Hanns : Die Maßnahme Op. 20 :: no 9 Ändere die Welt, sie braucht es 'Mit wem säße der' Rechtliche nicht
  • Performers: Irmgard Arnold (Soprano); Andre Asriel (Piano)
  • Running Time: 2 min. 12 sec.
  • Period Time: Modern
  • Written: 1930

>Eisler, Hanns : Die Rundköpfe und die Spitzköpfe Op. 45 :: no 9 Lied von der belebenden Wirkung des Geldes 'Niedrig g
  • Performers: Irmgard Arnold (Soprano); Andre Asriel (Piano)
  • Running Time: 4 min. 10 sec.
  • Period Time: Modern
  • Written: 1934-1936

>Eisler, Hanns : Die Rundköpfe und die Spitzköpfe Op. 45 :: no 11 Die Ballade vom Wasserrad 'Von den Großen diesen Erd
  • Performers: Irmgard Arnold (Soprano); Andre Asriel (Piano)
  • Running Time: 3 min. 10 sec.
  • Period Time: Modern
  • Written: 1934-1936

>Eisler, Hanns : Mutter Beimlein
  • Performers: Irmgard Arnold (Soprano); Andre Asriel (Piano)
  • Period Time: Modern

>Eisler, Hanns : Die Wießbrot Kantate
  • Performers: Irmgard Arnold (Soprano); Andre Asriel (Piano)
  • Running Time: 2 min. 18 sec.
  • Period Time: Modern
  • Form: Cantata/Oratorio

>Eisler, Hanns : Die den Mund aufhatten, cantata for voice, 2 clarinets, viola & cello
  • Performers: Irmgard Arnold (Soprano); Hartmut Friedrich (Cello); Ewald Koch (Clarinet); Gerald Schleicher (Clarinet); Peter Seydel (Viola)
  • Period Time: Modern
  • Form: Cantata/Oratorio

>Eisler, Hanns : Die Zuchthaus-Kantate, for voice, 2 clarinets, viola & cello
  • Performers: Irmgard Arnold (Soprano); Andre Asriel (Piano)
  • Period Time: Modern
  • Form: Cantata/Oratorio

>Eisler, Hanns : Sonnets (2), for alto, clarinet & bass clarinet, Op. 54
  • Performers: Irmgard Arnold (Soprano); Georg Laube; Gerald Schleicher (Clarinet)
  • Running Time: 4 min. 56 sec.
  • Period Time: Modern
  • Written: 1937

>Eisler, Hanns : Hollywooder Liederbuch :: Der Sohn
  • Performers: Irmgard Arnold (Soprano); Andre Asriel (Piano)
  • Notes: Composition written: 1942.
  • Period Time: Modern
  • Form: Vocal
  • Written: 1942

>Eisler, Hanns : Hollywooder Liederbuch :: Der Sohn
  • Performers: Irmgard Arnold (Soprano); Kurt Scharmacher (Piano)
  • Notes: Composition written: 1942.
  • Running Time: 1 min. 20 sec.
  • Period Time: Modern
  • Form: Vocal
  • Written: 1942

>Eisler, Hanns : Hollywooder Liederbuch :: Der Sohn
  • Performers: Irmgard Arnold (Soprano); Andre Asriel (Piano)
  • Notes: Composition written: 1942.
  • Running Time: 1 min. 58 sec.
  • Period Time: Modern
  • Form: Vocal
  • Written: 1942

>Eisler, Hanns : Hollywooder Liederbuch :: Fünf Elegien 'Hollwood-Elegien'
  • Performers: Irmgard Arnold (Soprano); Andre Asriel (Piano)
  • Notes: Composition written: 1942.
  • Period Time: Modern
  • Form: Vocal
  • Written: 1942

>Eisler, Hanns : Hollywooder Liederbuch :: Fünf Elegien 'Hollwood-Elegien'
  • Performers: Irmgard Arnold (Soprano); Andre Asriel (Piano)
  • Notes: Composition written: 1942.
  • Running Time: 1 min. 27 sec.
  • Period Time: Modern
  • Form: Vocal
  • Written: 1942

>Eisler, Hanns : Hollywooder Liederbuch :: Fünf Elegien 'Hollwood-Elegien'
  • Performers: Irmgard Arnold (Soprano); Andre Asriel (Piano)
  • Notes: Composition written: 1942.
  • Period Time: Modern
  • Form: Vocal
  • Written: 1942

>Eisler, Hanns : Hollywooder Liederbuch :: Fünf Elegien 'Hollwood-Elegien'
  • Performers: Irmgard Arnold (Soprano); Andre Asriel (Piano)
  • Notes: Composition written: 1942.
  • Running Time: 1 min. 4 sec.
  • Period Time: Modern
  • Form: Vocal
  • Written: 1942

>Eisler, Hanns : Hollywooder Liederbuch :: Fünf Elegien 'Hollwood-Elegien'
  • Performers: Irmgard Arnold (Soprano); Andre Asriel (Piano)
  • Notes: Composition written: 1942.
  • Period Time: Modern
  • Form: Vocal
  • Written: 1942

>Eisler, Hanns : Hollywooder Liederbuch :: Anakreontische Fragmente
  • Performers: Irmgard Arnold (Soprano); Kurt Scharmacher (Piano)
  • Notes: Composition written: 1942.
  • Running Time: 2 min. 6 sec.
  • Period Time: Modern
  • Form: Vocal
  • Written: 1942

>Eisler, Hanns : Hollywooder Liederbuch :: Hölderlin-Fragmente
  • Performers: Irmgard Arnold (Soprano); Andre Asriel (Piano)
  • Notes: Composition written: 1942.
  • Running Time: 1 min. 34 sec.
  • Period Time: Modern
  • Form: Vocal
  • Written: 1942

>Eisler, Hanns : Hollywooder Liederbuch :: Hölderlin-Fragmente
  • Performers: Irmgard Arnold (Soprano); Andre Asriel (Piano)
  • Notes: Composition written: 1942.
  • Running Time: 3 min. 15 sec.
  • Period Time: Modern
  • Form: Vocal
  • Written: 1942

>Eisler, Hanns : Hollywooder Liederbuch :: Hölderlin-Fragmente
  • Performers: Irmgard Arnold (Soprano); Andre Asriel (Piano)
  • Notes: Composition written: 1942.
  • Running Time: 1 min. 1 sec.
  • Period Time: Modern
  • Form: Vocal
  • Written: 1942

>Eisler, Hanns : Die Gesichte der Simone Machard :: no 2 der zweite Traum 'Wo hast du dein Schwert Johanna'
  • Performers: Irmgard Arnold (Soprano); Hanns Eisler (Piano)
  • Running Time: 3 min. 47 sec.
  • Period Time: Modern

>Eisler, Hanns : Die Gesichte der Simone Machard :: no 4 Lied der Simone und Marsch 'A;s ich ging nach St. Nazaire'
  • Performers: Irmgard Arnold (Soprano); Hanns Eisler (Piano)
  • Running Time: 1 min. 51 sec.
  • Period Time: Modern

>Eisler, Hanns : Anmut sparet nicht noch Mühe, for voice & piano
  • Performers: Irmgard Arnold (Soprano); Andre Asriel (Piano)
  • Running Time: 1 min. 40 sec.
  • Period Time: Modern

>Eisler, Hanns : Wienerlied, for voice & piano
  • Performers: Irmgard Arnold (Soprano); Andre Asriel (Piano)
  • Running Time: 1 min. 27 sec.
  • Period Time: Modern
  • Written: 1955

>Eisler, Hanns : Der Blumengarten, for voice & piano
  • Performers: Irmgard Arnold (Soprano); Andre Asriel (Piano)
  • Running Time: 1 min. 29 sec.
  • Period Time: Modern
  • Written: 1955-1956

>Eisler, Hanns : L'automne prussienne ("Wenn der Mond von den Wolken verdeckt wird"), for voice & piano (Die Buckow-K
  • Performers: Irmgard Arnold (Soprano); Andre Asriel (Piano)
  • Running Time: 1 min. 23 sec.
  • Period Time: Modern
  • Written: 1955-1956

>Eisler, Hanns : Die haltbare Graugans (The Grey Goose)
  • Performers: Irmgard Arnold (Soprano); Andre Asriel (Piano)
  • Running Time: 1 min. 9 sec.
  • Period Time: Modern

>Eisler, Hanns : Lied von der belebenden Wirkung des Geldes
  • Performer: Irmgard Arnold (Soprano)
  • Running Time: 4 min. 12 sec.
  • Period Time: Modern
  • Form: Vocal

>Eisler, Hanns : Die Ballade vom Wasserrad, for voice & piano
  • Performer: Irmgard Arnold (Soprano)
  • Running Time: 3 min. 8 sec.
  • Period Time: Modern
  • Written: 1934

>Eisler, Hanns : Anmut sparet nicht noch Mühe, for voice & piano
  • Performer: Irmgard Arnold (Soprano)
  • Running Time: 1 min. 40 sec.
  • Period Time: Modern

>Eisler, Hanns : Early pieces (5) for piano
  • Performer: Siegfried Stöckigt (Piano)
  • Period Time: Modern

>Eisler, Hanns : Sonata for Piano no 1, Op. 1
  • Performer: Walter Olbertz (Piano)
  • Running Time: 13 min. 11 sec.
  • Period Time: Modern
  • Written: 1923

>Eisler, Hanns : Pieces (4) for piano, Op. 3
  • Performer: Siegfried Stöckigt (Piano)
  • Running Time: 9 min. 14 sec.
  • Period Time: Modern
  • Written: 1923

>Eisler, Hanns : Sonata for Piano no 2, Op. 6
  • Performer: Walter Olbertz (Piano)
  • Running Time: 8 min. 47 sec.
  • Period Time: Modern
  • Written: 1924

>Eisler, Hanns : Pieces (8) for piano, Op. 8
  • Performer: Siegfried Stöckigt (Piano)
  • Running Time: 12 min. 55 sec.
  • Period Time: Modern
  • Written: 1925

>Eisler, Hanns : Klavierstücke for Kinder, Op. 31
  • Performer: Gerhard Erber (Piano)
  • Running Time: 3 min. 58 sec.
  • Period Time: Modern
  • Written: 1932

>Eisler, Hanns : Lenin, requiem for alto & baritone solo, choir and Orchestra
  • Performer: Hermann Hahnel (Voice)
  • Conductor: Adolf Guhl
  • Running Time: 1 min. 49 sec.
  • Period Time: Modern
  • Form: Choral
  • Written: 1937

>Eisler, Hanns : Glückliche Fahrt
  • Performer: Elisabeth Breul (Soprano)
  • Conductor: Günther Herbig
  • Period Time: Modern

>Eisler, Hanns : Mitte des Jahrhunderts
  • Performer: Carola Nossek (Soprano)
  • Conductor: Dietrich Knothe
  • Running Time: 2 min. 2 sec.
  • Period Time: Modern

>Eisler, Hanns : Das Vorbild, for orchestra
  • Conductor: Günther Herbig
  • Running Time: 3 min. 34 sec.
  • Period Time: Modern
  • Written: 1952

>Eisler, Hanns : Die Teppichweber von Kujan-Bulak
  • Performer: Roswitha Trexler (Soprano)
  • Conductor: Adolf Guhl
  • Period Time: Modern

>Eisler, Hanns : Bilder aus der Kriegsfibel
  • Conductor: Dietrich Knothe
  • Period Time: Modern

>Eisler, Hanns : Ernste Gesänge, for baritone & string orchestra
  • Performer: Günther Leib (Baritone)
  • Conductor: Günther Herbig
  • Running Time: 1 min. 21 sec.
  • Period Time: Modern
  • Form: Vocal

>Eisler, Hanns : Choruses (3) for male chorus, Op. 10
  • Running Time: 1 min. 42 sec.
  • Period Time: Modern
  • Written: 1925

>Eisler, Hanns : Pieces (4) for mixed choir, Op. 13
  • Performers: Rudi Liebetrau (Percussion); Ekkehard Wagner (Tenor)
  • Running Time: 4 min. 9 sec.
  • Period Time: Modern
  • Written: 1928-1929

>Eisler, Hanns : Choruses (2) for male chorus, Op. 14
  • Running Time: 3 min. 41 sec.
  • Period Time: Modern
  • Written: 1928

>Eisler, Hanns : Auf den Straßen zu singen, Op. 15
  • Performer: Rudi Liebetrau (Percussion)
  • Running Time: 4 min. 54 sec.
  • Period Time: Modern
  • Written: 1928

>Eisler, Hanns : Choruses (2) for male chorus, Op. 17
  • Running Time: 3 min. 56 sec.
  • Period Time: Modern
  • Written: 1929

>Eisler, Hanns : Choruses (2) for male chorus, Op. 19
  • Running Time: 1 min. 50 sec.
  • Period Time: Modern
  • Written: 1929

>Eisler, Hanns : Pieces (2) for mixed choir, Op. 21
  • Running Time: 5 min. 32 sec.
  • Period Time: Modern
  • Written: 1930

>Eisler, Hanns : Choruses (2) for male chorus, Op. 35
  • Running Time: 2 min. 22 sec.
  • Period Time: Modern
  • Written: 1928

>Eisler, Hanns : Bankenlied Op 48/1
  • Running Time: 3 min. 24 sec.
  • Period Time: Modern
  • Written: 1931

>Eisler, Hanns : Keiner oder alle
  • Performer: Hermann Hahnel (Voice)
  • Conductor: Dietrich Knothe
  • Running Time: 2 min. 57 sec.
  • Period Time: Modern
  • Written: 1934

>Eisler, Hanns : Friedenslied
  • Conductor: Dietrich Knothe
  • Running Time: 1 min. 4 sec.
  • Period Time: Modern

>Eisler, Hanns : Song of Light
  • Performers: Hermann Hahnel (Voice); Harri Heinze (Piano); Inge Kochan (Piano)
  • Running Time: 2 min. 15 sec.
  • Period Time: Modern
  • Written: 1936

>Eisler, Hanns : Dictator's Song
  • Performers: Harri Heinze (Piano); Inge Kochan (Piano)
  • Running Time: 2 min. 34 sec.
  • Period Time: Modern
  • Written: 1936

>Eisler, Hanns : Einheitsfrontlied
  • Conductor: Dietrich Knothe
  • Running Time: 3 min. 15 sec.
  • Period Time: Modern
  • Written: 1934