- Jonathan Crow (Violin)
Notes & Reviews:
Gramophone Magazine, Awards Issue 2014
Certainly they play well together as an orchestral team, and the soloists come forwards with well-placed contributions in Rimsky-Korsakov's colourful score...What is so far missing is the capacity for the conductor to entrust more to the players...Nevertheless this is a good performance, scrupulously recorded.
BBC Music Magazine, October 2014
The main hero of this recording is the Toronto Symphony Orchestra's lead violinist, Jonathan Crow. His Sheherazade...is a feisty, fearless and engaging storyteller...Crow's playing is almost enough to make this recording a prime version.
Recording with Chandos for the first time, this disc marks the beginning of a new partnership with the Toronto Symphony Orchestra. To kick off the proceedings, conductor Peter Oundjian, celebrating his 10th anniversary as Music Director, leads this performance of Rimsky-Korsakov's ever-popular symphonic suite Sheherazade. Many composers have drawn inspiration from the collection of folklore known as the Arabian Nights but none has captured the imagination so vividly as Nikolai Rimsky-Korsakov in Sheherazade, which he composed in 1888. Throughout the four movements, Rimsky Korsakov alludes to individual episodes and images from the Arabian Night stories in dazzling and bold orchestral colors. The work is a true feast for the ears and the imagination.
American Record Guide, January/February 2015
The sound is superb. It is just clean, smooth, and balanced, as if you're sitting about onethird of the way back in the auditorium so the orchestra sounds well blended. Technical stuff: on the SACD layer you get a standard stereo track and a 5.0 surround option. And this is a hybrid disc, so it will also play on a standard CD player. It still sounds pretty good. The sound is still very good.
Recording information: Roy Thomson Hall, Toronto, Ontario, Canada (06/2013).
The Toronto Symphony Orchestra (TSO) under Maestro Peter Oundjian offers an excellent performance. The recording quality is superb and TSO programme annotator Don Anderson's programme notes are good albeit limited to a single page. The front cover of the programme-note booklet and the programme notes themselves use the spelling Sheherazade. The back of the album offers the spelling Scheherazade; an error or a deliberate attempt to please everyone?
I hesitate to recommend this disk unreservedly for three reasons: first - a full-priced CD that contains only 45 minutes and 20 seconds of music is frankly poor value for money, especially because the competition is ferocious; second - there are several other full-priced CDs, and most offer a filler or two as well as "Sheherazade"; third - there are (at least) two budget-priced CDs that also offer a filler or two as well as "Sheherazade." If you are looking for a copy of this work, before you purchase this one try the budget-priced version - with excellent sound - by the Seattle Symphony Orchestra under Gerard Schwarz, which contains the suite from the opera "The Tale of Tsar Saltan" as a generous 20-minute filler.
Reluctant conclusion: buy this CD only if you are a devotee of the TSO or Peter Oundjian.
Submitted on 09/09/14 by Ted Wilks
Submitted on 09/11/14 by Allen Cohen
The first movement of this well known piece demonstrates two things: The strength and directed force of the TSO’s horn sections, as well as the dynamic range that Mr. Oundjian feels free to explore in the piece. It also rather effectively shows off the abilities of Mr. Crow in putting forth Sheherazade’s theme in a way that just feels emotionally correct and engaging. In the second movement the oboe engages the ear and captures the attention of the listener just as a captivating story teller does, and the strings and horns do a good job in bringing to life the swells and tribulations to match what one might imaging Sheherazade is conveying to the Sultan. The third movement, which begins with gorgeous sweeping strings, leads into outstanding English horn and flute solo work – this movement is wonderfully performed from start to finish, both playful and moving, fetching and delightful. The fourth movement, of course, is a well orchestrated and fitting conclusion to the piece, and the TSO continues to excel here. It would have been a real treat to hear this in person.
I should also note that the Super Audio CD format really does this CD justice, although it is perfectly delightful in “standard” CD audio play as well. The liner notes, while a bit sparse regarding the musical material, do provide some useful background information about Mr. Oundjian and the TSO as well. This is wonderful music, well performed and highly recommended!
Submitted on 11/10/14 by KlingonOpera
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Brahms, Bruckner, Mendelssohn & Schumann: Music for Brass Septet / Septura
Music for viola & piano by Carl Reinecke, Hans Sitt, Johann Kalliowoda / Brett Deubner, viola; Caroloine Fauchet, piano
Dvorak: Symphony No. 8; Complete Legends, Vol. V. / José Serebrier, Bournemouth SO
The Lighter Side of Mozart - A collection of little-known and rarely performed miniatures / Krika Koth, Peter Schreier, Hermann Prey
York Bowen (1884-1961): String Quartets Nos. 2 and 3; Phantasy Quintet for bass clarinet & strings / Timothy Lines, bass clarinet
Arnold Cooke (1906-2005): Violin Sonata; Viola Sonata; Cello Sonata / Susanne Stanzeleit, violin; Morgan Goff, viola; Raphael Wallfisch, cello; Raphael Terroni, piano
Bechara El-Khoury (b.1957): Violin Concerto No. 1 'On the Borders of Nowhere'; Horn Concerto 'The Dark Mountain'; Clarinet Concerto 'Autumn Pictures' / Sarah Nemtanu, violin; David Guerrier, horn; Patrick Messina, clarinet
Works DetailsRimsky-Korsakov, Nikolai : Scheherazade
- Performer: Jonathan Crow (Violin)
- Conductor: Peter Oundjian
- Ensemble: Toronto Symphony Orchestra
- Running Time: 45 min. 18 sec.
- Period Time: Post Romantic
- Written: 1888
- Studio/Live: Live