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Schütz: Geistliche Chor-Music 1648 / Cordes, et al

Album Summary

>Schütz, Heinrich : Die Himmel erzahlen die Ehre Gottes, motet for 2 sopranos, alto, 2 tenors, bass & continuo, SWV 386
>Schütz, Heinrich : Ich bin eine rufende Stimme, motet for 2 sopranos, alto, 2 tenors, bass & continuo, SWV 383 (Op. 11/
>Schütz, Heinrich : Trostet, trostet mein Volk, motet for 2 sopranos, alto, 2 tenors, bass & continuo, SWV 382 (Op. 11/1
>Schütz, Heinrich : O lieber Herre Gott, wecke uns auf, motet for 2 sopranos, alto, 2 tenors, bass & continuo, SWV 381 (
>Schütz, Heinrich : Sehet an den Feigenbaum und all Baume, motet for soprano, tenor, 5 instruments & continuo, SWV 394 (
>Schütz, Heinrich : Work(s)
>Schütz, Heinrich : Geistliche Chormusik, Op. 11
>Schütz, Heinrich : Es ist erschienen die heilsame Gnade Gottes, motet for 2 sopranos, alto, tenor, bass & continuo, SWV
>Schütz, Heinrich : Der Engel sprach zu den Hirten
>Schütz, Heinrich : Das Wort ward Fleisch und wohnet unter uns, motet for 2 sopranos, alto, 2 tenors, bass & continuo, S
>Schütz, Heinrich : Auf dem Gebirge, motet for 2 altos, 5 instruments & continuo, SWV 396 (Op. 11/28)
>Schütz, Heinrich : Viel werden kommen von Morgen, motet for soprano, alto, 2 tenors, bass & continuo, SWV 375 (Op. 11/7
>Schütz, Heinrich : Sammlet zuvor das Unkraut, motet for soprano, alto, 2 tenors, bass & continuo, SWV 376 (Op. 11/8)
>Schütz, Heinrich : Herr, auf dich traue ich, motet for 2 sopranos, alto, tenor, bass & continuo, SWV 377 (Op. 11/9)
>Schütz, Heinrich : Ich weiá, daá mein Erloser lebt, motet for 3 sopranos, alto, tenor, 2 basses & continuo, SWV 393 (Op
>Schütz, Heinrich : Ich bin ein rechter Weinstock, motet for 2 sopranos, alto, 2 tenors, bass & continuo, SWV 389 (Op. 1
>Schütz, Heinrich : Das ist je gewiálich wahr, motet for 2 sopranos, alto, 2 tenors, bass & continuo, SWV 388 (Op. 11/20
>Schütz, Heinrich : Also hat Gott die Welt geliebt, motet for soprano, alto, 2 tenors, bass & continuo, SWV 380 (Op. 11/
>Schütz, Heinrich : Was mein Gott will, das gscheh allzeit, motet for alto, tenor, 4 instruments & continuo, SWV 392 (Op
>Schütz, Heinrich : Du Schalksknecht, motet for tenor, 6 instruments & continuo, SWV 397 (Op. 11/29)
>Schütz, Heinrich : Herzlich Lieb hab ich, o Herr, motet for 2 sopranos, alto, 2 tenors, bass & continuo, SWV 387 (Op. 1
>Schütz, Heinrich : So fahr ich hin zu Jesu Christ, motet for 2 sopranos, alto, tenor, bass & continuo, SWV 379 (Op. 11/
>Schütz, Heinrich : Die mit Tranen saen, motet for 2 sopranos, alto, tenor, bass & continuo, SWV 378 (Op. 11/10)
>Schütz, Heinrich : Unser keiner lebet ihm selber, motet for 2 sopranos, alto, tenor, bass & continuo, SWV 374 (Op. 11/6
>Schütz, Heinrich : Unser Wandel ist im Himmel, motet for 2 sopranos, alto, 2 tenors, bass & continuo, SWV 390 (Op. 11/2
>Schütz, Heinrich : Selig sind die Toten
>Schütz, Heinrich : Das ist mir lieb (Psalm 116) for 2 sopranos, alto, tenor & bass, SWV 51
>Schütz, Heinrich : Kyrie eleison, Christe eleison, for 2 sopranos, alto, 2 tenros, bass & continuo ("Litania"), SWV 458
Performer Conductor Ensemble Composer

Notes & Reviews:

"...The performances are excellent in all key areas: intonation, ensemble, expression, and the like..." -Althouse, ARG



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Works Details

>Heinrich Schütz (Composer) (1585 - 1672) : Die Himmel erzählen die Ehre Gottes, motet for 2 sopranos, alto, 2 tenors, bass & continuo, SWV 386
  • Performer: Olaf Rothe (Descant)
  • Conductor: Manfred Cordes
  • Ensemble: Weser-Renaissance
  • Notes: Lindenkirche, Berlin, Germany (09/22/1997-09/27/1997)
  • Running Time: 4 min. 29 sec.
  • Period Time: Baroque
  • Form: Choral

>Heinrich Schütz (Composer) (1585 - 1672) : Ich bin eine rufende Stimme, motet for 2 sopranos, alto, 2 tenors, bass & continuo, SWV 383 (Op. 11/
  • Performer: Olaf Rothe (Descant)
  • Conductor: Manfred Cordes
  • Ensemble: Weser-Renaissance
  • Notes: Lindenkirche, Berlin, Germany (09/22/1997-09/27/1997)
  • Running Time: 3 min. 57 sec.
  • Period Time: Baroque

>Heinrich Schütz (Composer) (1585 - 1672) : Tröstet, tröstet mein Volk, motet for 2 sopranos, alto, 2 tenors, bass & continuo, SWV 382 (Op. 11/1
  • Performer: Olaf Rothe (Descant)
  • Conductor: Manfred Cordes
  • Ensemble: Weser-Renaissance
  • Notes: Lindenkirche, Berlin, Germany (09/22/1997-09/27/1997)
  • Running Time: 3 min. 34 sec.
  • Period Time: Baroque

>Heinrich Schütz (Composer) (1585 - 1672) : O lieber Herre Gott, wecke uns auf, motet for 2 sopranos, alto, 2 tenors, bass & continuo, SWV 381 (
  • Performer: Olaf Rothe (Descant)
  • Conductor: Manfred Cordes
  • Ensemble: Weser-Renaissance
  • Notes: Lindenkirche, Berlin, Germany (09/22/1997-09/27/1997)
  • Running Time: 3 min. 5 sec.
  • Period Time: Baroque
  • Form: Choral

>Heinrich Schütz (Composer) (1585 - 1672) : Sehet an den Feigenbaum und all Bäume, motet for soprano, tenor, 5 instruments & continuo, SWV 394 (
  • Performer: Olaf Rothe (Descant)
  • Conductor: Manfred Cordes
  • Ensemble: Weser-Renaissance
  • Notes: Lindenkirche, Berlin, Germany (09/22/1997-09/27/1997)
  • Running Time: 3 min. 53 sec.
  • Period Time: Baroque

>Heinrich Schütz (Composer) (1585 - 1672) : Work(s) :: Es wird das Szepter von Juda nicht entwendet, SWV 369, (I) à 5 / Er wird sein Kleid in Wein
  • Performer: Olaf Rothe (Descant)
  • Conductor: Manfred Cordes
  • Ensemble: Weser-Renaissance
  • Notes: Lindenkirche, Berlin, Germany (09/22/1997-09/27/1997)
  • Running Time: 5 min. 17 sec.
  • Period Time: Baroque

>Heinrich Schütz (Composer) (1585 - 1672) : Geistliche Chormusik, Op. 11
  • Performer: Olaf Rothe (Descant)
  • Conductor: Manfred Cordes
  • Ensemble: Weser-Renaissance
  • Notes: Lindenkirche, Berlin, Germany (09/22/1997-09/27/1997)
  • Running Time: 3 min. 29 sec.
  • Period Time: Baroque

>Heinrich Schütz (Composer) (1585 - 1672) : Es ist erschienen die heilsame Gnade Gottes, motet for 2 sopranos, alto, tenor, bass & continuo, SWV
  • Performer: Olaf Rothe (Descant)
  • Conductor: Manfred Cordes
  • Ensemble: Weser-Renaissance
  • Notes: Lindenkirche, Berlin, Germany (09/22/1997-09/27/1997)
  • Running Time: 3 min. 46 sec.
  • Period Time: Baroque

>Heinrich Schütz (Composer) (1585 - 1672) : Der Engel sprach zu den Hirten
  • Performer: Olaf Rothe (Descant)
  • Conductor: Manfred Cordes
  • Ensemble: Weser-Renaissance
  • Notes: Lindenkirche, Berlin, Germany (09/22/1997-09/27/1997)
  • Running Time: 2 min. 35 sec.
  • Period Time: Baroque

>Heinrich Schütz (Composer) (1585 - 1672) : Das Wort ward Fleisch und wohnet unter uns, motet for 2 sopranos, alto, 2 tenors, bass & continuo, S
  • Performer: Olaf Rothe (Descant)
  • Conductor: Manfred Cordes
  • Ensemble: Weser-Renaissance
  • Notes: Lindenkirche, Berlin, Germany (09/22/1997-09/27/1997)
  • Running Time: 3 min. 33 sec.
  • Period Time: Baroque

>Heinrich Schütz (Composer) (1585 - 1672) : Auf dem Gebirge, motet for 2 altos, 5 instruments & continuo, SWV 396 (Op. 11/28)
  • Performer: Olaf Rothe (Descant)
  • Conductor: Manfred Cordes
  • Ensemble: Weser-Renaissance
  • Notes: Lindenkirche, Berlin, Germany (09/22/1997-09/27/1997)
  • Running Time: 4 min. 12 sec.
  • Period Time: Baroque

>Heinrich Schütz (Composer) (1585 - 1672) : Viel werden kommen von Morgen, motet for soprano, alto, 2 tenors, bass & continuo, SWV 375 (Op. 11/7
  • Performer: Olaf Rothe (Descant)
  • Conductor: Manfred Cordes
  • Ensemble: Weser-Renaissance
  • Notes: Lindenkirche, Berlin, Germany (09/22/1997-09/27/1997)
  • Running Time: 2 min. 36 sec.
  • Period Time: Baroque

>Heinrich Schütz (Composer) (1585 - 1672) : Sammlet zuvor das Unkraut, motet for soprano, alto, 2 tenors, bass & continuo, SWV 376 (Op. 11/8)
  • Performer: Olaf Rothe (Descant)
  • Conductor: Manfred Cordes
  • Ensemble: Weser-Renaissance
  • Notes: Lindenkirche, Berlin, Germany (09/22/1997-09/27/1997)
  • Running Time: 1 min. 38 sec.
  • Period Time: Baroque

>Heinrich Schütz (Composer) (1585 - 1672) : Herr, auf dich traue ich, motet for 2 sopranos, alto, tenor, bass & continuo, SWV 377 (Op. 11/9)
  • Performer: Olaf Rothe (Descant)
  • Conductor: Manfred Cordes
  • Ensemble: Weser-Renaissance
  • Notes: Lindenkirche, Berlin, Germany (09/22/1997-09/27/1997)
  • Running Time: 2 min. 53 sec.
  • Period Time: Baroque
  • Form: Choral

>Heinrich Schütz (Composer) (1585 - 1672) : Ich weiá, daá mein Erlöser lebt, motet for 3 sopranos, alto, tenor, 2 basses & continuo, SWV 393 (Op
  • Performer: Olaf Rothe (Descant)
  • Conductor: Manfred Cordes
  • Ensemble: Weser-Renaissance
  • Notes: Lindenkirche, Berlin, Germany (09/22/1997-09/27/1997)
  • Running Time: 2 min. 41 sec.
  • Period Time: Baroque

>Heinrich Schütz (Composer) (1585 - 1672) : Ich bin ein rechter Weinstock, motet for 2 sopranos, alto, 2 tenors, bass & continuo, SWV 389 (Op. 1
  • Performer: Olaf Rothe (Descant)
  • Conductor: Manfred Cordes
  • Ensemble: Weser-Renaissance
  • Notes: Lindenkirche, Berlin, Germany (09/22/1997-09/27/1997)
  • Running Time: 3 min. 19 sec.
  • Period Time: Baroque

>Heinrich Schütz (Composer) (1585 - 1672) : Das ist je gewiálich wahr, motet for 2 sopranos, alto, 2 tenors, bass & continuo, SWV 388 (Op. 11/20
  • Performer: Olaf Rothe (Descant)
  • Conductor: Manfred Cordes
  • Ensemble: Weser-Renaissance
  • Notes: Lindenkirche, Berlin, Germany (09/22/1997-09/27/1997)
  • Running Time: 4 min. 34 sec.
  • Period Time: Baroque

>Heinrich Schütz (Composer) (1585 - 1672) : Also hat Gott die Welt geliebt, motet for soprano, alto, 2 tenors, bass & continuo, SWV 380 (Op. 11/
  • Performer: Olaf Rothe (Descant)
  • Conductor: Manfred Cordes
  • Ensemble: Weser-Renaissance
  • Notes: Lindenkirche, Berlin, Germany (09/22/1997-09/27/1997)
  • Running Time: 2 min. 31 sec.
  • Period Time: Baroque
  • Form: Choral

>Heinrich Schütz (Composer) (1585 - 1672) : Was mein Gott will, das gscheh allzeit, motet for alto, tenor, 4 instruments & continuo, SWV 392 (Op
  • Performer: Olaf Rothe (Descant)
  • Conductor: Manfred Cordes
  • Ensemble: Weser-Renaissance
  • Notes: Lindenkirche, Berlin, Germany (09/22/1997-09/27/1997)
  • Running Time: 3 min. 52 sec.
  • Period Time: Baroque

>Heinrich Schütz (Composer) (1585 - 1672) : Du Schalksknecht, motet for tenor, 6 instruments & continuo, SWV 397 (Op. 11/29)
  • Performer: Olaf Rothe (Descant)
  • Conductor: Manfred Cordes
  • Ensemble: Weser-Renaissance
  • Notes: Lindenkirche, Berlin, Germany (09/22/1997-09/27/1997)
  • Running Time: 3 min. 29 sec.
  • Period Time: Baroque

>Heinrich Schütz (Composer) (1585 - 1672) : Herzlich Lieb hab ich, o Herr, motet for 2 sopranos, alto, 2 tenors, bass & continuo, SWV 387 (Op. 1
  • Performer: Olaf Rothe (Descant)
  • Conductor: Manfred Cordes
  • Ensemble: Weser-Renaissance
  • Notes: Lindenkirche, Berlin, Germany (09/22/1997-09/27/1997)
  • Running Time: 9 min. sec.
  • Period Time: Baroque

>Heinrich Schütz (Composer) (1585 - 1672) : So fahr ich hin zu Jesu Christ, motet for 2 sopranos, alto, tenor, bass & continuo, SWV 379 (Op. 11/
  • Performer: Olaf Rothe (Descant)
  • Conductor: Manfred Cordes
  • Ensemble: Weser-Renaissance
  • Notes: Lindenkirche, Berlin, Germany (09/22/1997-09/27/1997)
  • Running Time: 3 min. 4 sec.
  • Period Time: Baroque
  • Form: Choral

>Heinrich Schütz (Composer) (1585 - 1672) : Die mit Tränen säen, motet for 2 sopranos, alto, tenor, bass & continuo, SWV 378 (Op. 11/10)
  • Performer: Olaf Rothe (Descant)
  • Conductor: Manfred Cordes
  • Ensemble: Weser-Renaissance
  • Notes: Lindenkirche, Berlin, Germany (09/22/1997-09/27/1997)
  • Running Time: 3 min. 38 sec.
  • Period Time: Baroque

>Heinrich Schütz (Composer) (1585 - 1672) : Unser keiner lebet ihm selber, motet for 2 sopranos, alto, tenor, bass & continuo, SWV 374 (Op. 11/6
  • Performer: Olaf Rothe (Descant)
  • Conductor: Manfred Cordes
  • Ensemble: Weser-Renaissance
  • Notes: Lindenkirche, Berlin, Germany (09/22/1997-09/27/1997)
  • Running Time: 3 min. 18 sec.
  • Period Time: Baroque

>Heinrich Schütz (Composer) (1585 - 1672) : Unser Wandel ist im Himmel, motet for 2 sopranos, alto, 2 tenors, bass & continuo, SWV 390 (Op. 11/2
  • Performer: Olaf Rothe (Descant)
  • Conductor: Manfred Cordes
  • Ensemble: Weser-Renaissance
  • Notes: Lindenkirche, Berlin, Germany (09/22/1997-09/27/1997)
  • Running Time: 3 min. 44 sec.
  • Period Time: Baroque

>Heinrich Schütz (Composer) (1585 - 1672) : Selig sind die Toten
  • Performer: Olaf Rothe (Descant)
  • Conductor: Manfred Cordes
  • Ensemble: Weser-Renaissance
  • Notes: Lindenkirche, Berlin, Germany (09/22/1997-09/27/1997)
  • Running Time: 3 min. 57 sec.
  • Period Time: Baroque
  • Form: Choral

>Heinrich Schütz (Composer) (1585 - 1672) : Work(s) :: Verleih uns Frieden gnädiglich, SWV 372, (IV) à 5 / Gieb unsern Fürsten, SWV 373 (V)
  • Performer: Olaf Rothe (Descant)
  • Conductor: Manfred Cordes
  • Ensemble: Weser-Renaissance
  • Notes: Lindenkirche, Berlin, Germany (09/22/1997-09/27/1997)
  • Running Time: 4 min. 15 sec.
  • Period Time: Baroque

>Heinrich Schütz (Composer) (1585 - 1672) : Das ist mir lieb (Psalm 116) for 2 sopranos, alto, tenor & bass, SWV 51
  • Performer: Olaf Rothe (Descant)
  • Conductor: Manfred Cordes
  • Ensemble: Weser-Renaissance
  • Notes: Lindenkirche, Berlin, Germany (09/22/1997-09/27/1997)
  • Running Time: 12 min. 29 sec.
  • Period Time: Baroque

>Heinrich Schütz (Composer) (1585 - 1672) : Kyrie eleison, Christe eleison, for 2 sopranos, alto, 2 tenros, bass & continuo ("Litania"), SWV 458
  • Performer: Olaf Rothe (Descant)
  • Conductor: Manfred Cordes
  • Ensemble: Weser-Renaissance
  • Notes: Lindenkirche, Berlin, Germany (09/22/1997-09/27/1997)
  • Running Time: 10 min. 11 sec.
  • Period Time: Baroque
  • Written: by 1657