Notes & Reviews:
Dutch minimalist icon Simeon ten Holt, who recently passed away at the age of 89, studied composition with, among others, Honegger and Milhaud. After exploring serialist techniques in the 1960s, he began to focus on more conventional styles of composition from the 70s onwards - concentrating on tone and timbre in particular - and it is from this period (between 1976 and 1998) in Ten Holt's wide-ranging career that the Incantatie IV for three pianos dates. Widely famed for his Canto Ostinato, written in five layers, the composer's Incantatie IV for three pianos stands out for its complexity and is made up of no less than 15 layers for multiple keyboards. Both pieces allow the performers to decide upon the final form of the music, but Incantatie IV leaves much more open; with timbre and pitch, style of play and tempo, number of voices or instruments, and the amount of repetitions all left to the players' discretion, the length of the composition is undetermined and the piece effectively exists in a grey area between composed and improvised music. One of the artists featured on the recording, Jeroen van Veen, describes the sound world as "if looking at the sea for a long time; the waves, the rays of sunshine and the air all influence the glittering and different colours of the sea". Jeroen van Veen is one of Brilliant Classics most prolific artists. Chairman of the Simeon ten Holt Foundation (dedicated to keeping Ten Holt's fascinating music alive) and himself a successful minimalist composer, he is the perfect exponent of this repertoire, championing it on this, his fifth release of the composer's music. In Incantatie IV for three pianos, Jeroen is joined by his wife and habitual collaborator, Sandra van Veen, as well as Tamara Rumiantsev - herself no stranger to minimalist music, having featured on Brilliant Classics' Minimal Piano Collection (BC 9171). Other information: Recorded in 2014. Booklet includes notes on the music and composer, and artist biographies.Notes & Reviews:
Recording information: The K&W COncert Hall, Utrecht Music Conservatory, Holla (10/19/1998).
ReviewsThere are currently no reviews, be the first one!
Zemlinsky: A Ray of Light - Complete Piano Music / Emanuele Torquati, piano
Emmanuel Durlet (1893-1977): Violin Sonata "Illuminated Tales; 'The Refuge of Your Eyes' for cello & piano; piano pieces / Kyotaka Izumi, Eliot Lawson, David Cohen
Ludovico Einaudi (b.1955): Music for solo piano / Jeroen van Veen, piano
Erich Wolfgang Korngold (1897-1957): Violin Concerto & Violin Sonata / Kristóf Baráti, violin; Gábor Farkas, piano; Philharmonie Zuidnederland; Otto Tausk
Jacques Duphly (1715-1789): Complete Pieces de Clavecin / Pieter-Jan Belder, harpsichord; Rie Kimura, violin
Leopold Kozeluch (1747-1818): Complete Keyboard Sonatas, Vol. 1 / Jenny Soonjin Kim, fortepiano
Saint-Saens: Piano Quartets / Quartetto Avos
Les Rois de Versailles - Early & middle Baroque works for lute by Robert de Visée and Germain Pinel / Miguel Yisrael, 11-course Baroque lute
Charles-Valentin Alkan (1813-88): Solo Piano Music: studies, miniatures and character pieces / Costantino Mastroprimiano, piano
Works DetailsHolt, Simeon Ten : Incantatie IV, for keyboards
- Performers: Tamara Rumiantsev (Piano); Jeroen van Veen (Piano); Sandra van Veen (Piano)
- Running Time: 28 min. 32 sec.
- Period Time: Modern
- Written: 1987-1990
- Studio/Live: Live