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Pierre Boulez: 20th Century Recordings on DG - works by Bartok, Berg, Birtwistle, Debussy, Ligeti, Messiaen et al. / Krystian Zimerman, Leif Ove Andsnes, Hélène Grimaud [Limited Edition, 44 CDs]

Album Summary

>Bartók, Béla : Pieces (4) for Orchestra, Op. 12/Sz 51
>Bartók, Béla : Concerto for Orchestra, Sz. 116, BB 123
>Bartók, Béla : Dance Suite for Orchestra, Sz 77
>Bartók, Béla : Pictures (2) (Két kép), for orchestra, Sz. 46, BB 59 (Op. 10)
>Bartók, Béla : Hungarian Sketches, for orchestra, Sz. 97
>Bartók, Béla : Divertimento for String Orchestra, Sz 113
>Bartók, Béla : Miraculous Mandarin, Op. 19/Sz 73
>Bartók, Béla : Music for Strings, Percussion and Celesta, Sz 106
>Bartók, Béla : Cantata profana, for tenor, baritone, double chorus & orchestra (or piano) ("The Enchanted Stags"),
>Bartók, Béla : The Wooden Prince (A fából faragott királyfi), ballet in 1 act for orchestra, Sz. 60, BB 74 (Op. 13)
>Bartók, Béla : Concerto for Piano no 1, Sz 83
>Bartók, Béla : Concerto for Piano no 2, Sz 95
>Bartók, Béla : Concerto for Piano no 3, Sz 119
>Bartók, Béla : Concerto for 2 Pianos, Percussion and Orchestra, Sz 115
>Bartók, Béla : Concerto for Violin no 1, Sz 36
>Bartók, Béla : Concerto for Viola, Sz 120
>Bartók, Béla : Concerto for Violin no 2 in B minor, Sz. 112, BB 117
>Bartók, Béla : Rhapsody for Violin and Orchestra no 1, Sz 87
>Bartók, Béla : Rhapsody for Violin and Orchestra no 2, Sz 90
>Bartók, Béla : Bluebeard's Castle, Op. 11/Sz 48
>Berg, Alban : Chamber Concerto for Piano, Violin and 13 Winds
>Berg, Alban : Lulu-Suite, 5 symphonic pieces from the opera for soprano & orchestra ("Lulu-Symphonie")
>Berg, Alban : Lulu, opera
>Birtwistle, Harrison : Theseus Game, for large ensemble & 2 conductors
>Birtwistle, Harrison : Earth Dances, for orchestra
>Birtwistle, Harrison : Tragoedia for chamber ensemble
>Birtwistle, Harrison : Five Distances for 5 instruments
>Birtwistle, Harrison : Nine Settings of Celan, for soprano, 2 clarinets, viola, cello & double bass
>Birtwistle, Harrison : Secret Theatre
>Boulez, Pierre : Notations (12) for Piano
>Boulez, Pierre : Structures, Book II, for 2 pianos
>Boulez, Pierre : ...explosante-fixe..., for flute, chamber ensemble & electronics (various versions)
>Boulez, Pierre : Le marteau sans maître, for alto, alto flute, guitar, vibes, xylorimba, percussion & viola
>Boulez, Pierre : Dérive I, for flute, clarinet, piano, vibes, violin & cello
>Boulez, Pierre : Dérive II, for chamber ensemble
>Boulez, Pierre : Pli selon pli, for soprano & orchestra
>Boulez, Pierre : Rèpons, for 2 pianos, harp, vibes, glock, cimbalon, orchestra & electronics
>Boulez, Pierre : Dialogue de l'ombre double
>Boulez, Pierre : Sur Incises, for 3 pianos, 3 harps, 2 vibes & marimba
>Boulez, Pierre : Messagesquisse, for solo cello & 6 cellos
>Boulez, Pierre : Anthemes II, for violin & electronics
>Debussy, Claude : Prélude à l'après-midi d'un faune (Prelude to the Afternoon of a Faun), for orchestra, L. 86
>Debussy, Claude : Images for Orchestra
>Debussy, Claude : Printemps, symphonic suite for chorus, piano & orchestra, L. 61
>Debussy, Claude : Nocturnes (3) for Orchestra
>Debussy, Claude : Premiere Rhapsodie for Clarinet and Orchestra
>Debussy, Claude : Jeux
>Debussy, Claude : La mer
>Ligeti, György : Chamber Concerto, for 13 instruments
>Ligeti, György : Ramifications, for 12 strings (or string orchestra)
>Ligeti, György : Aventures, for 3 voices & 7 instruments
>Ligeti, György : Nouvelles aventures, for 3 voices & 7 instruments
>Ligeti, György : Piano Concerto
>Ligeti, György : Concerto for Cello
>Ligeti, György : Concerto for Violin
>Messiaen, Olivier : Poèmes pour Mi, song cycle for soprano & piano (or orchestra), I/17b
>Messiaen, Olivier : Réveil des oiseaux, for piano & orchestra, I/40
>Messiaen, Olivier : Sept haïkaï, for piano, 13 winds, 6 percussion & 8 violins, I/45
>Messiaen, Olivier : Chronochromie
>Messiaen, Olivier : La ville d'en haut
>Messiaen, Olivier : Et exspecto resurrectionem mortuorum
>Ravel, Maurice : Ma mère l'oye
>Ravel, Maurice : Une barque sur l'océan, for orchestra
>Ravel, Maurice : Alborada del Gracioso, for orchestra
>Ravel, Maurice : Rapsodie espagnole
>Ravel, Maurice : Boléro
>Ravel, Maurice : Daphnis et Chloé
>Ravel, Maurice : Concerto for Piano in G major
>Ravel, Maurice : Valses nobles et sentimentales
>Ravel, Maurice : Concerto for Piano left hand
>Ravel, Maurice : Shéhérazade, poems (3) for soprano (or tenor) & orchestra (or piano)
>Ravel, Maurice : Le tombeau de Couperin
>Ravel, Maurice : Pavane pour une infante défunte
>Ravel, Maurice : Menuet antique
>Debussy, Claude : Danses sacrée et profane, for chromatic harp & string orchestra, L. 103
>Debussy, Claude : Le jet d'eau ("Tes beaux yeux sont las, pauvre amants"), song for voice & piano, L. 64/3
>Debussy, Claude : Ballades de François Villon (3), song cycle for voice & piano (or orchestra), L.119
>Schoenberg, Arnold : Pelleas und Melisande, symphonic poem, Op. 5
>Schoenberg, Arnold : Piano Concerto, Op. 42
>Schoenberg, Arnold : Pierrot Lunaire, Op. 21
>Schoenberg, Arnold : Herzgewächse, song for soprano, celesta, harp & harmonium, Op. 20
>Schoenberg, Arnold : Ode to Napoleon, Op. 41
>Schoenberg, Arnold : Moses und Aron, biblical drama in 3 acts (unfinished)
>Stravinsky, Igor : Scherzo fantastique, Op. 3
>Stravinsky, Igor : Le roi des étoiles
>Stravinsky, Igor : Chant du rossignol (Song of the Nightingale), symphonic poem for orchestra
>Stravinsky, Igor : L'histoire du soldat (The Soldier's Tale), concert suite for 7 instruments
>Stravinsky, Igor : L'oiseau de feu (The Firebird), ballet in 2 scenes for orchestra
>Stravinsky, Igor : Fireworks, Op. 4
>Stravinsky, Igor : Etudes (4) for orchestra
>Stravinsky, Igor : Petrushka, ballet (burlesque) in 4 scenes for piano, 4 hands (1912 & 1948 reductions)
>Stravinsky, Igor : Le sacre du printemps
>Stravinsky, Igor : Symphonies of Wind Instruments, for 24 wind instruments (1920 version)
>Stravinsky, Igor : Symphony of Psalms
>Stravinsky, Igor : Symphony in Three Movements
>Birtwistle, Harrison : Triumph of Time, for orchestra
>Stravinsky, Igor : Ebony Concerto
>Stravinsky, Igor : Pieces (3) for Clarinet solo
>Stravinsky, Igor : Concertino, for string quartet
>Stravinsky, Igor : Instrumental Miniatures (8), for 15 players
>Stravinsky, Igor : Concerto for chamber orchestra in E flat major ("Dumbarton Oaks")
>Stravinsky, Igor : Elegy, for viola (or violin) solo
>Stravinsky, Igor : Epitaphium für das Grabmal des Prinzen Max Egon zu Fürstenberg, for flute, clarinet & harp
>Stravinsky, Igor : Double Canon for String Quartet
>Stravinsky, Igor : Pastorale for Violin, Oboe, English Horn, Clarinet and Bassoon
>Stravinsky, Igor : Poems of Verlaine (2), song cycle for voice & piano or orchestra, Op. 9
>Stravinsky, Igor : Poems of Balmont (2), for voice & chamber orchestra
>Stravinsky, Igor : Japanese Lyrics (3), song cycle for voice & piano (or chamber orchestra)
>Stravinsky, Igor : Petites Chansons (3), for voice & chamber orchestra ("Souvenir de mon enfance")
>Stravinsky, Igor : Pribaoutki (4), song cycle for voice & 8 instruments or piano
>Stravinsky, Igor : Berceuses du Chat (4), song cycle for voice & 3 clarinets or piano
>Stravinsky, Igor : Songs (4) for voice, flute, harp & guitar
>Stravinsky, Igor : Tilim-bom, transcription for voice & orchestra (after Histoires pour enfants no 1)
>Stravinsky, Igor : Parasha's Aria, transcription for voice & chamber orchestra (after Mavra)
>Stravinsky, Igor : Songs (3) from William Shakespeare, for voice, flute, clarinet & viola
>Stravinsky, Igor : In Memoriam Dylan Thomas, dirge-canons & song for voice, string quartet & 4 trombones
>Stravinsky, Igor : Elegy for J. F. K., for voice & 3 clarinets
>Stravinsky, Igor : Sacred Songs (2), transcription for voice & 9 instruments (after Wolf
>Szymanowski, Karol : Concerto for Violin no 1, Op. 35, M37
>Szymanowski, Karol : Symphony no 3, Op. 27 "Song of the Night"
>Varèse, Edgard : Amériques, for orchestra
>Varèse, Edgard : Arcana
>Varèse, Edgard : Déserts for brass, percussion, piano & tape
>Varèse, Edgard : Ionisation
>Webern, Anton : Passacaglia for orchestra, Op. 1
>Webern, Anton : Movements (5), version for string orchestra, Op. 5
>Webern, Anton : Pieces (6) for orchestra, Op. 6
>Webern, Anton : Fuga a 6 voci from Bach's Musical Offering, BWV 1079
>Schubert, Franz : German Dances (6) for Piano, D 820
>Webern, Anton : Im Sommerwind, idyll for orchestra
>Webern, Anton : Pieces (5) for orchestra, Op. posth.
>Webern, Anton : Songs (3) for soprano & orchestra
>Webern, Anton : Symphony, Op. 21
>Webern, Anton : Das Augenlicht, for chorus & orchestra, Op. 26
>Webern, Anton : Cantata no 1 for soprano, chorus & orchestra, Op. 29
>Webern, Anton : Variations for orchestra, Op. 30
>Webern, Anton : Cantata no 2 for soprano, bass, chorus & orchestra, Op. 31
>Webern, Anton : Piano Quintet (Mässig)
>Webern, Anton : Entflieht auf leichten Kähnen, for chorus, Op. 2
>Webern, Anton : Songs (2) for soprano & ensemble, Op. 8
>Webern, Anton : Pieces (5) for orchestra, Op. 10
>Webern, Anton : Songs (4) for soprano & orchestra (or piano), Op. 13
>Webern, Anton : Songs (6) for soprano & ensemble, Op. 14
>Webern, Anton : Sacred Songs (5) for soprano & ensemble, Op. 15
>Webern, Anton : Canons (5) on Latin Texts, Op. 16
>Webern, Anton : Traditional Rhymes (3) for soprano & ensemble, Op. 17
>Webern, Anton : Songs (3) for soprano, E flat clarinet & guitar, Op. 18
>Webern, Anton : Lieder (2), Op. 19
>Webern, Anton : Quartet for clarinet, saxophone, piano & violin, Op. 22
>Webern, Anton : Concerto for 9 instruments, Op. 24
Performers Conductor Ensembles Composers

Notes & Reviews:

On March 26, 2015 Pierre Boulez reaches his 90th year. This great master of music - composer, conductor and writer - has been an exclusive artist with Deutsche Grammophon for over 20 years; his recording legacy with the label is immense. We celebrate his birthday with a 44-CD box set of his complete DG 20th century music recordings from Bartók to Webern - an aspect of his work that lies at the heart of his achievement.

ITEM DESCRIPTION
A cube with striking images of Boulez taken by French photographer Philippe Gontier

Sleeves featuring photographs of the composers

New booklet text by Wolfgang Stähr
A handsome tribute to one of the most iconic musicians of our time.

On 26 March 2015 Pierre Boulez reaches his ninetieth year. This great master of music composer, conductor and writer has been an exclusive artist with Deutsche Grammophon for over 20 years; his recording legacy with the label is immense. We celebrate his birthday with a 44-CD box set of his complete DG 20th century music recordings an aspect of his work that lies at the heart of his achievement.

COMPOSER OVERVIEW
CD 1 8 Bartók
CD 9 12 Berg
CD 13 14 Birtwistle
CD 15 19 Boulez
CD 20 21 Debussy
CD 22 23 Ligeti
CD 24 25 Messiaen
CD 26 29 Ravel
CD 30 33 Schoenberg
CD 34 39 Stravinsky
CD 40 Szymanowski
CD 41 Varèse
CD 42 44 Webern

Homage to Pierre Boulez: drawing on his three- or even fourfold authority as a composer, conductor, teacher and essayist, the French musician, who was born in 1925, has undertaken far-reaching reforms of international concert life, while exerting an influence on the repertory that has both pointed the way forward for others and proved stylistically determinative and left a lasting mark on programming policies, on orchestral culture and, last but not least, on the way that leading conductors see themselves. There is a whole generation of us who were completely educated by Boulez, Sir Simon Rattle told Nicholas Kenyon, echoing the view of many, if not most, of his contemporaries. His complete lack of the maestro ethic is utterly irresistible. Of course, Boulez has always had to contend with the reproach that he is above all a cool intellectual and a sober analyst, and yet it is a criticism that Boulez himself knows how to refute in a way that is as elegant as it is witty: Analysis is merely a preliminary stage, a preparation, he explains. An interpretation is not a demonstration. I don t demonstrate vacuum cleaners. You first have to have clear ideas. After that you can be spontaneous. True spontaneity comes only after analysis.
Wolfgang Stähr

Review

The aim of music is not to express feelings but to express music. It is not a vessel into which the composer distills his soul drop by drop, but a labyrinth with no beginning and no end, full of new paths to discover, where mystery remains eternal. --Pierre Boulez


Works:

Pieces (4) for Orchestra, Op. 12/Sz 51 by Béla Bartók
Conductor: Pierre Boulez
Orchestra/Ensemble: Chicago Symphony Orchestra
Period: 20th Century
Written: 1912/1921; Budapest, Hungary
Date of Recording: 1992
Venue: Orchestra Hall, Chicago
Length: 22 Minutes 45 Secs.

Concerto for Orchestra, Sz 116 by Béla Bartók
Conductor: Pierre Boulez
Orchestra/Ensemble: Chicago Symphony Orchestra
Period: 20th Century
Written: 1943; USA
Date of Recording: 1992
Venue: Orchestra Hall, Chicago
Length: 37 Minutes 14 Secs.

Dance Suite for Orchestra, Sz 77 by Béla Bartók
Conductor: Pierre Boulez
Orchestra/Ensemble: Chicago Symphony Orchestra
Period: 20th Century
Written: 1923; Budapest, Hungary
Date of Recording: 12/1992
Venue: Orchestra Hall, Chicago, Illinois
Length: 16 Minutes 37 Secs.

Pictures (2) for Orchestra, Op. 10/Sz 46 by Béla Bartók
Conductor: Pierre Boulez
Orchestra/Ensemble: Chicago Symphony Orchestra
Period: 20th Century
Written: 1910; Budapest, Hungary
Date of Recording: 12/1992
Venue: Orchestra Hall, Chicago, Illinois
Length: 18 Minutes 28 Secs.

Hungarian Sketches (5), Sz 97 by Béla Bartók
Conductor: Pierre Boulez
Orchestra/Ensemble: Chicago Symphony Orchestra
Period: 20th Century
Written: 1931; Budapest, Hungary
Date of Recording: 12/1993
Venue: Orchestra Hall, Chicago, Illinois
Length: 10 Minutes 51 Secs.

Divertimento for String Orchestra, Sz 113 by Béla Bartók
Conductor: Pierre Boulez
Orchestra/Ensemble: Chicago Symphony Orchestra
Period: 20th Century
Written: 1939; Budapest, Hungary
Date of Recording: 12/1993
Venue: Orchestra Hall, Chicago, Illinois
Length: 26 Minutes 12 Secs.

Miraculous Mandarin, Op. 19/Sz 73 by Béla Bartók
Conductor: Pierre Boulez
Orchestra/Ensemble: Chicago Symphony Orchestra, Chicago Symphony Chorus
Period: 20th Century
Written: 1918-1919; Budapest, Hungary
Date of Recording: 12/1994
Venue: Orchestra Hall, Chicago
Length: 31 Minutes 41 Secs.

Music for Strings, Percussion and Celesta, Sz 106 by Béla Bartók
Conductor: Pierre Boulez
Orchestra/Ensemble: Chicago Symphony Orchestra
Period: 20th Century
Written: 1936; Budapest, Hungary
Date of Recording: 12/1994
Venue: Orchestra Hall, Chicago
Length: 30 Minutes 24 Secs.

Wooden Prince, Op. 13/Sz 60 by Béla Bartók
Conductor: Pierre Boulez
Orchestra/Ensemble: Chicago Symphony Orchestra
Period: 20th Century
Written: 1914-1917; Budapest, Hungary
Date of Recording: 12/1991
Venue: Orchestra Hall, Chicago
Length: 54 Minutes 56 Secs.

Cantata Profana, Sz 94 by Béla Bartók
Performer: John Tomlinson (Bass), John Aler (Tenor)
Conductor: Pierre Boulez
Orchestra/Ensemble: Chicago Symphony Orchestra, Chicago Symphony Chorus
Period: 20th Century
Written: 1930; Budapest, Hungary
Date of Recording: 12/1991
Venue: Orchestra Hall, Chicago
Length: 18 Minutes 4 Secs.
Language: Hungarian

Concerto for Piano no 1, Sz 83 by Béla Bartók
Performer: Krystian Zimerman (Piano)
Conductor: Pierre Boulez
Orchestra/Ensemble: Chicago Symphony Orchestra
Period: 20th Century
Written: 1926; Budapest, Hungary

Concerto for Piano no 2, Sz 95 by Béla Bartók
Performer: Leif Ove Andsnes (Piano)
Conductor: Pierre Boulez
Orchestra/Ensemble: Berlin Philharmonic Orchestra
Period: 20th Century
Written: 1930-1931; Budapest, Hungary

Concerto for Piano no 3, Sz 119 by Béla Bartók
Performer: Hélène Grimaud (Piano)
Conductor: Pierre Boulez
Orchestra/Ensemble: London Symphony Orchestra
Period: 20th Century
Written: 1945; USA

Concerto for Violin no 1, Sz 36 by Béla Bartók
Performer: Gidon Kremer (Violin)
Conductor: Pierre Boulez
Orchestra/Ensemble: Berlin Philharmonic Orchestra
Period: 20th Century
Written: 1907-1908; Budapest, Hungary
Length: 21 Minutes 28 Secs.

Concerto for 2 Pianos, Percussion and Orchestra, Sz 115 by Béla Bartók
Performer: Tamara Stefanovich (Piano), Pierre-Laurent Aimard (Piano), Nigel Thomas (Percussion),
Neil Percy (Percussion)
Conductor: Pierre Boulez
Orchestra/Ensemble: London Symphony Orchestra
Period: 20th Century
Written: 1940; Budapest, Hungary
Length: 25 Minutes 3 Secs.

Concerto for Viola, Sz 120 by Béla Bartók
Performer: Yuri Bashmet (Viola)
Conductor: Pierre Boulez
Orchestra/Ensemble: Berlin Philharmonic Orchestra
Period: 20th Century
Written: 1945; USA
Length: 23 Minutes 22 Secs.

Concerto for Violin no 2, Sz 112 by Béla Bartók
Performer: Gil Shaham (Violin)
Conductor: Pierre Boulez
Orchestra/Ensemble: Chicago Symphony Orchestra
Period: 20th Century
Written: 1937-1938; Budapest, Hungary
Date of Recording: 12/1998
Venue: Orchestra Hall, Chicago, Illinois
Length: 40 Minutes 32 Secs.

Rhapsody for Violin and Orchestra no 1, Sz 87 by Béla Bartók
Performer: Gil Shaham (Violin)
Conductor: Pierre Boulez
Orchestra/Ensemble: Chicago Symphony Orchestra
Period: 20th Century
Written: 1928; Budapest, Hungary
Date of Recording: 12/1998
Venue: Orchestra Hall, Chicago, Illinois
Length: 11 Minutes 16 Secs.

Rhapsody for Violin and Orchestra no 2, Sz 90 by Béla Bartók
Performer: Gil Shaham (Violin)
Conductor: Pierre Boulez
Orchestra/Ensemble: Chicago Symphony Orchestra
Period: 20th Century
Written: 1928; Budapest, Hungary
Date of Recording: 12/1998
Venue: Orchestra Hall, Chicago, Illinois
Length: 11 Minutes 34 Secs.

Bluebeard’s Castle, Op. 11/Sz 48 by Béla Bartók
Performer: Jessye Norman (Soprano), László Polgár (Baritone), Nicholas Simon (Spoken Vocals)
Conductor: Pierre Boulez
Orchestra/Ensemble: Chicago Symphony Orchestra
Period: 20th Century
Written: 1911/1918; Budapest, Hungary
Date of Recording: 12/1993
Venue: Orchestra Hall, Chicago, Illinois
Length: 57 Minutes 57 Secs.
Language: Hungarian

Lulu-Suite by Alban Berg
Performer: Anna Prohaska (Soprano)
Conductor: Pierre Boulez
Orchestra/Ensemble: Vienna Philharmonic Orchestra
Period: 20th Century
Written: 1934; Austria

Chamber Concerto for Piano, Violin and 13 Winds by Alban Berg
Performer: Pinchas Zukerman (Violin), Daniel Barenboim (Piano)
Conductor: Pierre Boulez
Orchestra/Ensemble: Ensemble InterContemporain
Period: 20th Century
Written: 1923-1925; Austria

Lulu by Alban Berg
Performer: Pierre-Yves le Maigat (Bass Baritone), Hanna Schwarz (Mezzo Soprano), Jules Bastin (Bass),
Gerd Nienstedt (Bass), Robert Tear (Tenor), Helmut Pampuch (Tenor),
Toni Blankenheim (Baritone), Franz Mazura (Baritone), Claude Meloni (Bass),
Anna Ringart (Soprano), Ursula Boese (Mezzo Soprano), Jane Manning (Soprano),
Kenneth Riegel (Tenor), Yvonne Minton (Mezzo Soprano), Teresa Stratas (Soprano)
Conductor: Pierre Boulez
Orchestra/Ensemble: Paris Opera Orchestra
Period: 20th Century
Written: 1929-1935; Austria
Date of Recording: 1979
Venue: IRCAM, Paris, France
Length: 171 Minutes 12 Secs.
Language: German

The Triumph of Time by Harrison Birtwistle
Conductor: Pierre Boulez
Orchestra/Ensemble: BBC Symphony Orchestra
Period: 20th Century
Written: 1972; England

Earth Dances by Harrison Birtwistle
Conductor: Pierre Boulez
Orchestra/Ensemble: Ensemble Modern Orchestra
Written: 1986

Tragoedia by Harrison Birtwistle
Conductor: Pierre Boulez
Orchestra/Ensemble: Ensemble InterContemporain
Period: 20th Century
Written: 1965; England
Date of Recording: 06/1993
Venue: IRCAM Studio/ESPRO, Paris, France
Length: 20 Minutes 37 Secs.

Five Distances by Harrison Birtwistle
Conductor: Pierre Boulez
Orchestra/Ensemble: Ensemble InterContemporain
Period: 20th Century
Written: England
Date of Recording: 06/1993
Venue: IRCAM Studio/ESPRO, Paris, France
Length: 13 Minutes 47 Secs.

Three Settings of Celan by Harrison Birtwistle
Performer: Christine Whittlesey (Soprano)
Conductor: Pierre Boulez
Orchestra/Ensemble: Ensemble InterContemporain
Period: 20th Century
Written: England
Date of Recording: 06/1993
Venue: IRCAM Studio/ESPRO, Paris, France
Length: 13 Minutes 32 Secs.

Secret Theatre by Harrison Birtwistle
Conductor: Pierre Boulez
Orchestra/Ensemble: Ensemble InterContemporain
Period: 20th Century
Written: 1984; England
Date of Recording: 06/1993
Venue: IRCAM Studio/ESPRO, Paris, France
Length: 27 Minutes 47 Secs.

Theseus Game by Harrison Birtwistle
Conductor: Martyn Brabbins
Orchestra/Ensemble: Ensemble Modern
Written: 2002-3

...explosante-fixe... by Pierre Boulez
Performer: Sophie Cherrier (MIDI Flute), Pierre-André Valade (Flute), Emmanuelle Ophèle (Flute)
Conductor: Pierre Boulez
Orchestra/Ensemble: Ensemble InterContemporain
Period: 20th Century
Written: 1973; France
Date of Recording: 10/1994
Venue: IRCAM, Paris
Length: 36 Minutes 43 Secs.

Notations (12) for Piano by Pierre Boulez
Performer: Pierre-Laurent Aimard (Piano)
Period: 20th Century
Written: 1945; France
Date of Recording: 06/1993
Venue: IRCAM, Paris
Length: 10 Minutes 43 Secs.

Structures for 2 Pianos, Book 2 by Pierre Boulez
Performer: Pierre-Laurent Aimard (Piano), Florent Boffard (Piano)
Period: 20th Century
Written: 1956-1961
Date of Recording: 06/1993
Venue: IRCAM, Paris
Length: 22 Minutes 6 Secs.

Le marteau sans maître by Pierre Boulez
Conductor: Pierre Boulez
Orchestra/Ensemble: Ensemble InterContemporain
Written: 1953-5, rev 1957
Date of Recording: 09/2002
Venue: IRCAM-Studio/ESPRO, Paris
Length: 38 Minutes 32 Secs.

Dérive 2 by Pierre Boulez
Conductor: Pierre Boulez
Orchestra/Ensemble: Ensemble InterContemporain
Period: 20th Century
Date of Recording: 09/2002
Venue: IRCAM-Studio/ESPRO, Paris
Length: 24 Minutes 33 Secs.

Dérive 1 by Pierre Boulez
Conductor: Pierre Boulez
Orchestra/Ensemble: Ensemble InterContemporain
Period: 20th Century
Written: 1984
Date of Recording: 09/2002
Venue: IRCAM-Studio/ESPRO, Paris
Length: 5 Minutes 47 Secs.

Pli selon pli by Pierre Boulez
Performer: Christine Schäfer (Soprano)
Conductor: Pierre Boulez
Orchestra/Ensemble: Ensemble InterContemporain
Period: 20th Century
Written: 1957-1962
Date of Recording: 2001
Venue: Cit? de la Musique, Paris, France
Length: 69 Minutes 51 Secs.
Language: French

Répons by Pierre Boulez
Performer: Daniel Ciampolini (Glockenspiel), Frédérique Cambreling (Harp), Vincent Bauer (Vibraphone),
Daniel Ciampolini (Xylophone), Michel Cerutti (Cimbalom), Andrew Gerzso (Electronics),
Florent Boffard (Piano), Dmitri Vassilakis (Piano)
Conductor: Pierre Boulez
Orchestra/Ensemble: Ensemble InterContemporain
Period: 20th Century
Written: 1981-1984
Date of Recording: 09/1996
Venue: Concert Hall, Cité de la Musique, Paris
Length: 42 Minutes 31 Secs.

Dialogue de L’ombre Double by Pierre Boulez
Performer: Andrew Gerzso (Electronics), Alain Damiens (Clarinet)
Period: 20th Century
Written: 1982-1985
Date of Recording: 09/1996
Venue: Concert Hall, Cité de la Musique, Paris
Length: 18 Minutes 13 Secs.

Sur Incises by Pierre Boulez
Performer: Florent Boffard (Piano), Dmitri Vassilakis (Piano), Frédérique Cambreling (Harp),
Sandrine Chatron (Harp), Marianne Le Mentec (Harp), Vincent Bauer (Percussion),
Michel Cerutti (Percussion), Daniel Ciampolini (Percussion), Hidéki Nagano (Piano)
Conductor: Pierre Boulez
Orchestra/Ensemble: Ensemble InterContemporain members
Period: 20th Century
Written: 1996/1998
Date of Recording: 12/1999
Venue: IRCAM Projection Room, Paris, France
Length: 37 Minutes 6 Secs.

Messagesquisse by Pierre Boulez
Performer: Claude Giron (Cello), Thomas Durand (Cello), Valérie Aimard (Cello),
Jean-Guihen Queyras (Cello), Raphaël Perraud (Cello), Alexis Descharmes (Cello),
Thierry Amadi (Cello)
Conductor: Pierre Boulez
Orchestra/Ensemble: Ensemble InterContemporain members, Paris Cello Ensemble
Period: 20th Century
Written: 1977
Date of Recording: 10/1999
Venue: Music City Concert Hall, Paris, France
Length: 8 Minutes 35 Secs.

Anthemes 2 by Pierre Boulez
Performer: Kang Hae-Sun (Violin), Andrew Gerzso (Electronics)
Conductor: Pierre Boulez
Orchestra/Ensemble: Ensemble InterContemporain members
Written: 1995-7
Date of Recording: 12/1999
Venue: IRCAM Projection Room, Paris, France
Length: 20 Minutes 27 Secs.

Prélude à l’après-midi d’un faune by Claude Debussy
Conductor: Pierre Boulez
Orchestra/Ensemble: Cleveland Orchestra
Period: 20th Century
Written: 1892-1894; France
Date of Recording: 03/1991
Venue: Masonic Auditorium, Cleveland
Length: 8 Minutes 52 Secs.

Images for Orchestra by Claude Debussy
Conductor: Pierre Boulez
Orchestra/Ensemble: Cleveland Orchestra
Period: 20th Century
Written: 1905-1912; France
Date of Recording: 03/1991
Venue: Masonic Auditorium, Cleveland

Printemps by Claude Debussy
Conductor: Pierre Boulez
Orchestra/Ensemble: Cleveland Orchestra
Period: 20th Century
Written: 1887; France
Date of Recording: 03/1991
Venue: Masonic Auditorium, Cleveland
Length: 16 Minutes 43 Secs.

Nocturnes (3) for Orchestra: no 1, Nuages by Claude Debussy
Conductor: Pierre Boulez
Orchestra/Ensemble: Cleveland Orchestra
Period: 20th Century
Written: 1897-1899; France
Date of Recording: 03/1993
Venue: Masonic Auditorium, Cleveland
Length: 6 Minutes 15 Secs.

Jeux by Claude Debussy
Conductor: Pierre Boulez
Orchestra/Ensemble: Cleveland Orchestra
Period: 20th Century
Written: 1912-1913; France
Date of Recording: 03/1993
Venue: Masonic Auditorium, Cleveland
Length: 16 Minutes 3 Secs.

La mer by Claude Debussy
Conductor: Pierre Boulez
Orchestra/Ensemble: Cleveland Orchestra
Period: 20th Century
Written: 1903-1905; France
Date of Recording: 03/1993
Venue: Masonic Auditorium, Cleveland
Length: 23 Minutes 32 Secs.

Nocturnes (3) for Orchestra: no 2, Fêtes by Claude Debussy
Conductor: Pierre Boulez
Orchestra/Ensemble: Cleveland Orchestra
Period: French Impressionist
Date of Recording: 03/1993
Venue: Masonic Auditorium, Cleveland
Length: 6 Minutes 31 Secs.

Nocturnes (3) for Orchestra: no 3, Sirènes by Claude Debussy
Conductor: Pierre Boulez
Orchestra/Ensemble: Cleveland Orchestra, Cleveland Orchestra Chorus
Period: 20th Century
Written: 1897-1899; France
Date of Recording: 03/1993
Venue: Masonic Auditorium, Cleveland
Length: 9 Minutes 40 Secs.

Première Rhapsodie for Clarinet and Orchestra by Claude Debussy
Performer: Franklin Cohen (Clarinet)
Conductor: Pierre Boulez
Orchestra/Ensemble: Cleveland Orchestra
Period: 20th Century
Written: 1911; France
Date of Recording: 03/1991
Venue: Masonic Auditorium, Cleveland
Length: 8 Minutes 33 Secs.

Shéhérazade by Maurice Ravel
Performer: Anne Sofie von Otter (Mezzo Soprano)
Conductor: Pierre Boulez
Orchestra/Ensemble: Cleveland Orchestra
Period: 20th Century
Written: 1903; France
Date of Recording: 04/1999
Venue: Masonic Auditorium, Cleveland, OH
Length: 17 Minutes 16 Secs.
Language: French

Le tombeau de Couperin by Maurice Ravel
Conductor: Pierre Boulez
Orchestra/Ensemble: Cleveland Orchestra
Period: 20th Century
Written: 1914-1917; orch. 191; France
Date of Recording: 04/1999
Venue: Masonic Auditorium, Cleveland, OH
Length: 17 Minutes 46 Secs.

Pavane pour une infante défunte by Maurice Ravel
Conductor: Pierre Boulez
Orchestra/Ensemble: Cleveland Orchestra
Period: 20th Century
Written: 1899; France
Date of Recording: 04/1999
Venue: Masonic Auditorium, Cleveland, OH
Length: 6 Minutes 38 Secs.

Menuet antique by Maurice Ravel
Conductor: Pierre Boulez
Orchestra/Ensemble: Cleveland Orchestra
Period: 20th Century
Written: 1895; France
Date of Recording: 04/1999
Venue: Masonic Auditorium, Cleveland, OH
Length: 7 Minutes 20 Secs.

Danse sacrée et danse profane by Claude Debussy
Performer: Lisa Wellbaum (Harp)
Conductor: Pierre Boulez
Orchestra/Ensemble: Cleveland Orchestra
Period: 20th Century
Written: 1904; France
Date of Recording: 04/1999
Venue: Masonic Auditorium, Cleveland, OH
Length: 10 Minutes 18 Secs.

Poèmes (5) de Baudelaire: no 3, Le jet d’eau by Claude Debussy
Performer: Alison Hagley (Soprano)
Conductor: Pierre Boulez
Orchestra/Ensemble: Cleveland Orchestra
Period: 20th Century
Written: 1889; France
Date of Recording: 04/1999
Venue: Masonic Auditorium, Cleveland, OH
Length: 5 Minutes 50 Secs.
Language: French

Ballades (3) de François Villon by Claude Debussy
Performer: Alison Hagley (Soprano)
Conductor: Pierre Boulez
Orchestra/Ensemble: Cleveland Orchestra
Period: 20th Century
Written: 1910; France
Date of Recording: 04/1999
Venue: Masonic Auditorium, Cleveland, OH
Length: 10 Minutes 6 Secs.
Language: French

Boléro by Maurice Ravel
Conductor: Pierre Boulez
Orchestra/Ensemble: Berlin Philharmonic Orchestra
Period: 20th Century
Written: 1928; France
Date of Recording: 03/1993
Venue: Jesus-Christus-Kirche, Berlin
Length: 14 Minutes 58 Secs.

Ma mère l’oye by Maurice Ravel
Conductor: Pierre Boulez
Orchestra/Ensemble: Berlin Philharmonic Orchestra
Period: 20th Century
Written: France
Date of Recording: 03/1993
Venue: Jesus-Christus-Kirche, Berlin
Length: 28 Minutes 3 Secs.

Rapsodie espagnole by Maurice Ravel
Conductor: Pierre Boulez
Orchestra/Ensemble: Berlin Philharmonic Orchestra
Period: 20th Century
Written: 1907-1908; France
Date of Recording: 03/1993
Venue: Jesus-Christus-Kirche, Berlin
Length: 16 Minutes 39 Secs.

Miroirs: Une barque sur l’océan by Maurice Ravel
Conductor: Pierre Boulez
Orchestra/Ensemble: Berlin Philharmonic Orchestra
Period: 20th Century
Written: 1904-1905; France
Date of Recording: 03/1993
Venue: Jesus-Christus-Kirche, Berlin
Length: 7 Minutes 59 Secs.

Miroirs: Alborada del gracioso by Maurice Ravel
Conductor: Pierre Boulez
Orchestra/Ensemble: Berlin Philharmonic Orchestra
Period: 20th Century
Written: 1904-1905; France
Date of Recording: 03/1993
Venue: Jesus-Christus-Kirche, Berlin
Length: 7 Minutes 30 Secs.

Daphnis et Chloé by Maurice Ravel
Conductor: Pierre Boulez
Orchestra/Ensemble: Berlin Philharmonic Orchestra, Berlin Radio Chorus
Period: 20th Century
Written: 1909-1912; France
Date of Recording: 05/1994
Venue: Jesus Christ Church, Berlin, Germany
Length: 56 Minutes 50 Secs.

La valse by Maurice Ravel
Conductor: Pierre Boulez
Orchestra/Ensemble: Berlin Philharmonic Orchestra
Period: 20th Century
Written: 1920; France
Date of Recording: 05/1994
Venue: Jesus Christ Church, Berlin, Germany
Length: 13 Minutes 43 Secs.

Concerto for Piano in G major by Maurice Ravel
Performer: Krystian Zimerman (Piano)
Conductor: Pierre Boulez
Orchestra/Ensemble: Cleveland Orchestra
Period: 20th Century
Written: 1929-1931; France
Date of Recording: 11/1994
Venue: Masonic Auditorium, Cleveland, Ohio
Length: 22 Minutes 4 Secs.

Valses nobles et sentimentales by Maurice Ravel
Conductor: Pierre Boulez
Orchestra/Ensemble: Cleveland Orchestra
Period: 20th Century
Written: 1911; France
Date of Recording: 11/1994
Venue: Masonic Auditorium, Cleveland, Ohio
Length: 24 Minutes 17 Secs.

Concerto for Piano left hand in D major by Maurice Ravel
Performer: Krystian Zimerman (Piano)
Conductor: Pierre Boulez
Orchestra/Ensemble: London Symphony Orchestra
Period: 20th Century
Written: 1929-1930; France
Date of Recording: 07/1996
Venue: Main Hall, Colosseum, Watford, England
Length: 18 Minutes 6 Secs.

Chamber Concerto for 13 Instruments by György Ligeti
Conductor: Pierre Boulez
Orchestra/Ensemble: Ensemble InterContemporain
Period: 20th Century
Written: 1969-1970; Berlin, Germany
Date of Recording: 03/1982
Venue: IRCAM, Paris
Length: 18 Minutes 15 Secs.

Ramifications for 12 Strings by György Ligeti
Conductor: Pierre Boulez
Orchestra/Ensemble: Ensemble InterContemporain
Period: 20th Century
Written: 1968-1969; Vienna, Austria
Date of Recording: 03/1982
Venue: IRCAM, Paris
Length: 8 Minutes 29 Secs.

Aventures by György Ligeti
Performer: Jane Manning (Soprano), Mary Thomas (Mezzo Soprano), William Pearson (Bass)
Conductor: Pierre Boulez
Orchestra/Ensemble: Ensemble InterContemporain
Period: 20th Century
Written: 1962; Vienna, Austria
Date of Recording: 03/1981
Venue: IRCAM, Paris
Length: 12 Minutes 1 Secs.

Nouvelles aventures by György Ligeti
Performer: William Pearson (Bass), Mary Thomas (Mezzo Soprano), Jane Manning (Soprano)
Conductor: Pierre Boulez
Orchestra/Ensemble: Ensemble InterContemporain
Period: 20th Century
Written: 1962-1965; Vienna, Austria
Date of Recording: 1981-82
Venue: IRCAM, Paris, France
Length: 11 Minutes 27 Secs.
Language: French

Mysteries of the Macabre by György Ligeti
Performer: Håkan Hardenberger (Trumpet), Roland Pöntinen (Piano)
Period: 20th Century
Written: 1987
Date of Recording: 03/1989
Venue: Chaux-de-Fonds, Switzerland
Length: 6 Minutes 51 Secs.

Concerto for Cello by György Ligeti
Performer: Jean-Guihen Queyras (Cello)
Conductor: Pierre Boulez
Orchestra/Ensemble: Ensemble InterContemporain
Period: 20th Century
Written: 1966; Vienna, Austria
Date of Recording: 10/1992
Venue: IRCAM-Studio, Paris, France
Length: 15 Minutes 8 Secs.

Concerto for Piano by György Ligeti
Performer: Pierre-Laurent Aimard (Piano)
Conductor: Pierre Boulez
Orchestra/Ensemble: Ensemble InterContemporain
Period: 20th Century
Written: 1985-1988
Date of Recording: 10/1992
Venue: IRCAM-Studio, Paris, France
Length: 23 Minutes 22 Secs.

Concerto for Violin by György Ligeti
Performer: Saschko Gawriloff (Violin)
Conductor: Pierre Boulez
Orchestra/Ensemble: Ensemble InterContemporain
Period: 20th Century
Written: 1991-1993
Date of Recording: 06/1993
Venue: IRCAM-Studio, Paris, France
Length: 28 Minutes 25 Secs.

Poèmes pour Mi by Olivier Messiaen
Performer: Françoise Pollet (Soprano)
Conductor: Pierre Boulez
Orchestra/Ensemble: Cleveland Orchestra
Period: 20th Century
Written: 1936; France
Date of Recording: 02/1996
Venue: Masonic Auditorium, Cleveland, Ohio

Réveil des oiseaux by Olivier Messiaen
Performer: Pierre-Laurent Aimard (Piano)
Conductor: Pierre Boulez
Orchestra/Ensemble: Cleveland Orchestra
Period: 20th Century
Written: 1953; France
Date of Recording: 11/1994
Venue: Masonic Auditorium, Cleveland, Ohio

Haïkaï (7) by Olivier Messiaen
Performer: Joela Jones (Piano)
Conductor: Pierre Boulez
Orchestra/Ensemble: Cleveland Orchestra
Written: 1962
Date of Recording: 11/1994
Venue: Masonic Auditorium, Cleveland, Ohio

Chronochromie by Olivier Messiaen
Conductor: Pierre Boulez
Orchestra/Ensemble: Cleveland Orchestra
Period: 20th Century
Written: 1960; France
Date of Recording: 03/1993
Venue: Masonic Auditorium, Cleveland, Ohio
Length: 23 Minutes 47 Secs.

La ville d’en haut by Olivier Messiaen
Conductor: Pierre Boulez
Orchestra/Ensemble: Cleveland Orchestra members
Period: 20th Century
Written: 1987; France
Date of Recording: 03/1993
Venue: Masonic Auditorium, Cleveland, Ohio
Length: 9 Minutes 17 Secs.

Et exspecto resurrectionem mortuorum by Olivier Messiaen
Conductor: Pierre Boulez
Orchestra/Ensemble: Cleveland Orchestra members
Period: 20th Century
Written: 1964; France
Date of Recording: 03/1993
Venue: Masonic Auditorium, Cleveland, Ohio
Length: 24 Minutes 31 Secs.

Pierrot Lunaire, Op. 21 by Arnold Schoenberg
Performer: Florent Boffard (Piano), Jeanne-Marie Conquer (Violin), Jeanne-Marie Conquer (Viola),
Jean-Guihen Queyras (Cello), Sophie Cherrier (Flute), Sophie Cherrier (Piccolo),
Alain Damiens (Clarinet), Christine Schäfer (Soprano), Alain Damiens (Bass Clarinet)
Conductor: Pierre Boulez
Orchestra/Ensemble: Ensemble InterContemporain
Period: 20th Century
Written: 1912; Vienna, Austria
Date of Recording: 09/1997
Venue: IRCAM, Paris, France
Length: 33 Minutes 11 Secs.
Language: German

Ode to Napoleon, Op. 41 by Arnold Schoenberg
Performer: Jean-Guihen Queyras (Cello), Florent Boffard (Piano), Christophe Desjardins (Viola),
Kang Hae-Sun (Violin), Jeanne-Marie Conquer (Violin), David Pittman-Jennings (Bass Baritone)
Conductor: Pierre Boulez
Orchestra/Ensemble: Ensemble InterContemporain
Period: 20th Century
Written: 1942; USA
Date of Recording: 06/1998
Venue: Grande Salle de la cité, Paris, France
Length: 16 Minutes 15 Secs.
Language: English

Herzgewächse, Op. 20 by Arnold Schoenberg
Performer: Dmitri Vassilakis (Harmonium), Frédérique Cambreling (Harp), Christine Schäfer (Soprano),
Hidéki Nagano (Celesta)
Conductor: Pierre Boulez
Orchestra/Ensemble: Ensemble InterContemporain
Period: 20th Century
Written: 1911; Vienna, Austria
Date of Recording: 09/1997
Venue: IRCAM, Paris, France
Length: 3 Minutes 9 Secs.
Language: German

Pelleas und Melisande, Op. 5 by Arnold Schoenberg
Conductor: Pierre Boulez
Orchestra/Ensemble: Gustav Mahler Youth Orchestra
Period: 20th Century
Written: 1902-1903; Vienna, Austria

Concerto for Piano, Op. 42 by Arnold Schoenberg
Performer: Mitsuko Uchida (Piano)
Conductor: Pierre Boulez
Orchestra/Ensemble: Cleveland Orchestra
Period: 20th Century
Written: 1942; USA
Date of Recording: 2000
Venue: Masonic Hall, Cleveland, Ohio
Length: 19 Minutes 50 Secs.

Moses und Aron by Arnold Schoenberg
Performer: David Pittman-Jennings (Bass Baritone), László Polgár (Bass), Chris Merritt (Tenor),
Gabriele Fontana (Soprano), John Graham-Hall (Tenor), Yvonne Naef (),
Siegfried Lorenz (Baritone), Michael Devlin (Bass), Pår Lindskog ()
Conductor: Pierre Boulez
Orchestra/Ensemble: Royal Concertgebouw Orchestra, Netherlands Opera Chorus
Period: 20th Century
Written: 1930-1932; Berlin, Germany
Language: German

Firebird by Igor Stravinsky
Conductor: Pierre Boulez
Orchestra/Ensemble: Chicago Symphony Orchestra
Period: 20th Century
Written: Russia
Date of Recording: 12/1992
Venue: Orchestra Hall, Chicago
Length: 46 Minutes 9 Secs.

Fireworks, Op. 4 by Igor Stravinsky
Conductor: Pierre Boulez
Orchestra/Ensemble: Chicago Symphony Orchestra
Period: 20th Century
Written: 1908; Russia
Date of Recording: 12/1992
Venue: Orchestra Hall, Chicago
Length: 3 Minutes 54 Secs.

Etudes (4) for Orchestra by Igor Stravinsky
Conductor: Pierre Boulez
Orchestra/Ensemble: Chicago Symphony Orchestra
Period: 20th Century
Written: 1928/1952; France
Date of Recording: 12/1992
Venue: Orchestra Hall, Chicago
Length: 9 Minutes 36 Secs.

Pétrouchka by Igor Stravinsky
Conductor: Pierre Boulez
Orchestra/Ensemble: Cleveland Orchestra
Period: 20th Century
Written: Switzerland
Date of Recording: 03/1991
Venue: Masonic Auditorium, Cleveland
Length: 34 Minutes 58 Secs.

Le sacre du printemps by Igor Stravinsky
Conductor: Pierre Boulez
Orchestra/Ensemble: Cleveland Orchestra
Period: 20th Century
Written: 1911-1913
Date of Recording: 03/1991
Venue: Masonic Auditorium, Cleveland
Length: 33 Minutes 29 Secs.

Chant du rossignol by Igor Stravinsky
Conductor: Pierre Boulez
Orchestra/Ensemble: Cleveland Orchestra
Period: 20th Century
Written: 1917; Switzerland
Date of Recording: 02/1996
Venue: Masonic Auditorium, Cleveland, Ohio
Length: 20 Minutes 32 Secs.

Scherzo fantastique, Op. 3 by Igor Stravinsky
Conductor: Pierre Boulez
Orchestra/Ensemble: Cleveland Orchestra
Period: 20th Century
Written: 1907-1908; Russia
Date of Recording: 11/1994
Venue: Masonic Auditorium, Cleveland, Ohio
Length: 11 Minutes 28 Secs.

Le roi des étoiles by Igor Stravinsky
Conductor: Pierre Boulez
Orchestra/Ensemble: Cleveland Orchestra, Cleveland Orchestra Chorus
Period: 20th Century
Written: 1911-1912; Russia
Date of Recording: 02/1996
Venue: Masonic Auditorium, Cleveland, Ohio
Length: 5 Minutes 30 Secs.
Language: French

L’histoire du soldat: Suite for Chamber Ensemble by Igor Stravinsky
Performer: Christopher Hanulik (Double Bass), Franklin Cohen (Clarinet), David McGill (Bassoon),
Michael Sachs (Cornet), James DeSano (Trombone), Richard Weiner (Percussion),
William Preucil (Violin)
Conductor: Pierre Boulez
Orchestra/Ensemble: Cleveland Orchestra members
Period: 20th Century
Written: 1918; Switzerland
Date of Recording: 02/1996
Venue: Masonic Auditorium, Cleveland, Ohio
Length: 26 Minutes 57 Secs.

Symphony of Psalms by Igor Stravinsky
Conductor: Pierre Boulez
Orchestra/Ensemble: Berlin Philharmonic Orchestra, Berlin Radio Chorus
Period: 20th Century
Written: 1930/1948; France
Date of Recording: 02/1996
Venue: Berlin Philharmonic Hall, Germany
Length: 19 Minutes 59 Secs.
Language: Latin

Symphony in Three Movements by Igor Stravinsky
Conductor: Pierre Boulez
Orchestra/Ensemble: Berlin Philharmonic Orchestra
Period: 20th Century
Written: 1942-1945; USA
Date of Recording: 02/1996
Venue: Berlin Philharmonic Hall, Germany
Length: 22 Minutes 39 Secs.

Symphonies of Wind Instruments by Igor Stravinsky
Conductor: Pierre Boulez
Orchestra/Ensemble: Berlin Philharmonic Orchestra
Period: 20th Century
Written: 1920; France
Date of Recording: 02/1996
Venue: Berlin Philharmonic Hall, Germany
Length: 9 Minutes 16 Secs.

Concerto in E flat major “Dumbarton Oaks” by Igor Stravinsky
Conductor: Pierre Boulez
Orchestra/Ensemble: Ensemble InterContemporain
Period: 20th Century
Written: 1938; France
Date of Recording: 12/1981
Venue: Georges Pompidou Center, IRCAM, Paris
Length: 15 Minutes 19 Secs.

Instrumental Miniatures (8) by Igor Stravinsky
Conductor: Pierre Boulez
Orchestra/Ensemble: Ensemble InterContemporain
Period: 20th Century
Written: 1962; USA
Date of Recording: 11/1980
Venue: Georges Pompidou Center, IRCAM, Paris
Length: 7 Minutes 18 Secs.

Ebony Concerto by Igor Stravinsky
Performer: Michel Arrignon (Clarinet)
Conductor: Pierre Boulez
Orchestra/Ensemble: Ensemble InterContemporain
Period: 20th Century
Written: 1945; USA
Date of Recording: 12/1981
Venue: Georges Pompidou Center, IRCAM, Paris
Length: 8 Minutes 55 Secs.

Pieces (3) for Clarinet solo by Igor Stravinsky
Conductor: Pierre Boulez
Orchestra/Ensemble: Ensemble InterContemporain
Period: 20th Century
Written: 1919; Switzerland

Pastorale for Soprano, Oboe, English Horn, Clarinet and Bassoon by Igor Stravinsky
Performer: Phyllis Bryn-Julson (Soprano)
Conductor: Pierre Boulez
Orchestra/Ensemble: Ensemble InterContemporain
Period: 20th Century
Written: 1923; France

Epitaphium by Igor Stravinsky
Conductor: Pierre Boulez
Orchestra/Ensemble: Ensemble InterContemporain
Period: 20th Century
Written: 1959; USA

Elégie for Viola solo by Igor Stravinsky
Performer: Gérard Caussé (Viola)
Conductor: Pierre Boulez
Orchestra/Ensemble: Ensemble InterContemporain
Period: 20th Century
Written: 1944; USA

Double Canon for String Quartet by Igor Stravinsky
Conductor: Pierre Boulez
Orchestra/Ensemble: Ensemble InterContemporain
Period: 20th Century
Written: 1959; USA

Concertino for String Quartet by Igor Stravinsky
Conductor: Pierre Boulez
Orchestra/Ensemble: Ensemble InterContemporain
Period: 20th Century
Written: 1920; France

Variations for Orchestra “Aldous Huxley in memoriam” by Igor Stravinsky
Performer: Phyllis Bryn-Julson (Soprano)
Conductor: Pierre Boulez
Orchestra/Ensemble: Ensemble InterContemporain
Period: 20th Century
Written: 1963-1964; USA

Three Songs from William Shakespeare by Igor Stravinsky
Performer: Ann Murray (Mezzo Soprano)
Conductor: Pierre Boulez
Orchestra/Ensemble: Ensemble InterContemporain
Period: 20th Century
Written: 1953; USA

Russian Songs (4) by Igor Stravinsky
Performer: Phyllis Bryn-Julson (Soprano)
Conductor: Pierre Boulez
Orchestra/Ensemble: Ensemble InterContemporain
Period: 20th Century
Written: 1918-1919; Switzerland

Pribaoutki by Igor Stravinsky
Performer: John Shirley-Quirk (Baritone)
Conductor: Pierre Boulez
Orchestra/Ensemble: Ensemble InterContemporain
Period: 20th Century
Written: 1914; Switzerland

Poems (2) of Konstantin Bal’mont by Igor Stravinsky
Performer: Phyllis Bryn-Julson (Soprano)
Conductor: Pierre Boulez
Orchestra/Ensemble: Ensemble InterContemporain
Period: 20th Century
Written: 1911/1954; Russia

Poèmes (2) de Paul Verlaine, Op. 9 by Igor Stravinsky
Performer: John Shirley-Quirk (Baritone)
Conductor: Pierre Boulez
Orchestra/Ensemble: Ensemble InterContemporain
Period: 20th Century
Written: 1910/1951; Russia

Little Songs (3) “Recollections of my childhood” by Igor Stravinsky
Performer: Phyllis Bryn-Julson (Soprano)
Conductor: Pierre Boulez
Orchestra/Ensemble: Ensemble InterContemporain
Period: 20th Century
Written: 1906/1913; Russia

Japanese Lyrics (3) by Igor Stravinsky
Performer: Phyllis Bryn-Julson (Soprano)
Conductor: Pierre Boulez
Orchestra/Ensemble: Ensemble InterContemporain
Period: 20th Century
Written: 1912-1913; Switzerland

Elegy for JFK by Igor Stravinsky
Performer: John Shirley-Quirk (Baritone)
Conductor: Pierre Boulez
Orchestra/Ensemble: Ensemble InterContemporain
Period: 20th Century
Written: 1964; USA

Spanisches Liederbuch: no 9, Herr, was trägt der Boden hier by Hugo Wolf
Performer: Ann Murray (Mezzo Soprano)
Conductor: Pierre Boulez
Orchestra/Ensemble: Ensemble InterContemporain
Period: Romantic
Written: 1889; Vienna, Austria

Spanisches Liederbuch: no 10, Wunden trägst du, mein Geliebter by Hugo Wolf
Performer: Ann Murray (Mezzo Soprano)
Conductor: Pierre Boulez
Orchestra/Ensemble: Ensemble InterContemporain
Period: Romantic
Written: 1899; Vienna, Austria

Cat’s Cradle Songs (4) by Igor Stravinsky
Performer: Phyllis Bryn-Julson (Soprano)
Conductor: Pierre Boulez
Orchestra/Ensemble: Ensemble InterContemporain
Period: 20th Century
Written: 1915-1916; Switzerland

In memoriam Dylan Thomas by Igor Stravinsky
Performer: Robert Tear (Tenor)
Conductor: Pierre Boulez
Orchestra/Ensemble: Ensemble InterContemporain
Period: 20th Century
Written: 1954; USA

Concerto for Violin no 1, Op. 35 by Karol Szymanowski
Performer: Christian Tetzlaff (Violin)
Conductor: Pierre Boulez
Orchestra/Ensemble: Vienna Philharmonic Orchestra
Period: 20th Century
Written: 1916; Poland

Symphony no 3, Op. 27 “Song of the Night” by Karol Szymanowski
Conductor: Pierre Boulez
Orchestra/Ensemble: Vienna Philharmonic Orchestra
Period: 20th Century
Written: 1914-1916; Poland

Amériques by Edgard Varèse
Conductor: Pierre Boulez
Orchestra/Ensemble: Chicago Symphony Orchestra
Period: 20th Century
Written: ?1918-21; USA
Date of Recording: 12/1995
Venue: Orchestra Hall, Chicago, Illinois
Length: 25 Minutes 12 Secs.

Arcana by Edgard Varèse
Conductor: Pierre Boulez
Orchestra/Ensemble: Chicago Symphony Orchestra
Period: 20th Century
Written: 1925-1927; USA
Date of Recording: 12/1996
Venue: Orchestra Hall, Chicago, Illinois
Length: 19 Minutes 42 Secs.

Déserts by Edgard Varèse
Conductor: Pierre Boulez
Orchestra/Ensemble: Chicago Symphony Orchestra
Period: 20th Century
Written: ?1950-54; USA
Date of Recording: 12/1996
Venue: Orchestra Hall, Chicago, Illinois
Length: 17 Minutes 11 Secs.

Ionisation by Edgard Varèse
Conductor: Pierre Boulez
Orchestra/Ensemble: Chicago Symphony Orchestra members
Period: 20th Century
Written: 1929-1931; USA
Date of Recording: 12/1995
Venue: Orchestra Hall, Chicago, Illinois
Length: 5 Minutes 51 Secs.

Passacaglia for orchestra, Op. 1 by Anton Webern
Conductor: Pierre Boulez
Orchestra/Ensemble: Berlin Philharmonic Orchestra
Period: Modern
Written: 1908; Austria
Date of Recording: 09/1994
Venue: Philharmonie, Berlin
Length: 10 Minutes 4 Secs.

Pieces (6) for orchestra, Op. 6 by Anton Webern
Conductor: Pierre Boulez
Orchestra/Ensemble: Berlin Philharmonic Orchestra
Period: Modern
Written: 1909; Austria
Date of Recording: 09/1994
Venue: Philharmonie, Berlin
Length: 11 Minutes 48 Secs.

Im Sommerwind by Anton Webern
Conductor: Pierre Boulez
Orchestra/Ensemble: Berlin Philharmonic Orchestra
Period: 20th Century
Written: 1904; Preglhof
Date of Recording: 05/1994
Venue: Jesus Christus Kirche, Berlin
Length: 16 Minutes 0 Secs.

Fuga a 6 voci from Bach’s Musical Offering, BWV 1079 by Anton Webern
Conductor: Pierre Boulez
Orchestra/Ensemble: Berlin Philharmonic Orchestra
Period: 20th Century
Written: 1934-1935; Austria
Date of Recording: 03/1993
Venue: Jesus Christus Kirche, Berlin
Length: 7 Minutes 11 Secs.

German Dances (6) for Piano, D 820 by Franz Schubert
Conductor: Pierre Boulez
Orchestra/Ensemble: Berlin Philharmonic Orchestra
Period: Romantic
Written: 1824; Vienna, Austria
Date of Recording: 03/1993
Venue: Jesus Christus Kirche, Berlin
Length: 10 Minutes 25 Secs.

Sätze (5) for String Quartet, Op. 5 by Anton Webern
Conductor: Pierre Boulez
Orchestra/Ensemble: Berlin Philharmonic Orchestra
Period: 20th Century
Written: 1909; Preglhof
Date of Recording: 09/1994
Venue: Philharmonie, Berlin
Length: 10 Minutes 36 Secs.

Symphony, Op. 21 by Anton Webern
Conductor: Pierre Boulez
Orchestra/Ensemble: Berlin Philharmonic Orchestra
Period: Modern
Written: 1927-1928; Austria

Cantata no 1, Op. 29 by Anton Webern
Performer: Christiane Oelze (Soprano)
Conductor: Pierre Boulez
Orchestra/Ensemble: Berlin Philharmonic Orchestra, BBC Singers
Period: 20th Century
Written: 1938-1939; Austria
Language: German

Cantata no 2, Op. 31 by Anton Webern
Performer: Christiane Oelze (Soprano), Gerald Finley (Bass)
Conductor: Pierre Boulez
Orchestra/Ensemble: Berlin Philharmonic Orchestra, BBC Singers
Period: 20th Century
Written: 1941-1943; Austria
Language: German

Orchestral Songs (3) by Anton Webern
Performer: Christiane Oelze (Soprano)
Conductor: Pierre Boulez
Orchestra/Ensemble: Berlin Philharmonic Orchestra
Period: 20th Century
Written: 1913-1914; Vienna, Austria
Language: German

Das Augenlicht, Op. 26 by Anton Webern
Conductor: Pierre Boulez
Orchestra/Ensemble: Berlin Philharmonic Orchestra, BBC Singers
Period: 20th Century
Written: 1935; Austria
Language: German

Variations for orchestra, Op. 30 by Anton Webern
Conductor: Pierre Boulez
Orchestra/Ensemble: Berlin Philharmonic Orchestra
Period: Modern
Written: 1940-1941; Austria

Pieces (5) for Orchestra by Anton Webern
Conductor: Pierre Boulez
Orchestra/Ensemble: Berlin Philharmonic Orchestra
Period: 20th Century
Written: 1913; Vienna, Austria

Quintet for Piano and Strings, M 118 by Anton Webern
Performer: Pierre-Laurent Aimard (Piano)
Conductor: Pierre Boulez
Orchestra/Ensemble: Ensemble InterContemporain
Period: 20th Century
Written: 1907; Vienna, Austria
Date of Recording: 10/1992
Venue: IRCAM-Studio/ESPRO, Paris
Length: 13 Minutes 11 Secs.

Entflieht auf leichten Kähnen, Op. 2 by Anton Webern
Conductor: Pierre Boulez
Orchestra/Ensemble: BBC Singers
Period: 20th Century
Written: 1908/1914; Vienna, Austria
Date of Recording: 10/1992
Venue: IRCAM-Studio/ESPRO, Paris
Length: 2 Minutes 43 Secs.
Language: German

Rilke Lieder (2), Op. 8 by Anton Webern
Performer: Françoise Pollet (Soprano)
Conductor: Pierre Boulez
Orchestra/Ensemble: Ensemble InterContemporain
Period: 20th Century
Written: 1910; Austria
Date of Recording: 10/1992
Venue: IRCAM-Studio/ESPRO, Paris
Length: 2 Minutes 19 Secs.
Language: German

Canons (5) on Latin Texts, Op. 16 by Anton Webern
Performer: Christiane Oelze (Soprano)
Conductor: Pierre Boulez
Orchestra/Ensemble: Ensemble InterContemporain
Period: 20th Century
Written: 1923-1924; Austria
Date of Recording: 10/1992
Venue: IRCAM-Studio/ESPRO, Paris
Length: 3 Minutes 32 Secs.
Language: Latin

Traditional Rhymes (3), Op. 17 by Anton Webern
Performer: Christiane Oelze (Soprano)
Conductor: Pierre Boulez
Orchestra/Ensemble: Ensemble InterContemporain
Period: 20th Century
Written: 1924-1925; Austria
Date of Recording: 10/1992
Venue: IRCAM-Studio/ESPRO, Paris
Length: 2 Minutes 37 Secs.
Language: German

Lieder (3), Op. 18 by Anton Webern
Performer: Christiane Oelze (Soprano)
Conductor: Pierre Boulez
Orchestra/Ensemble: Ensemble InterContemporain
Period: 20th Century
Written: 1925; Vienna, Austria
Date of Recording: 10/1992
Venue: IRCAM-Studio/ESPRO, Paris
Length: 3 Minutes 28 Secs.
Language: German

Lieder (2), Op. 19 by Anton Webern
Conductor: Pierre Boulez
Orchestra/Ensemble: Ensemble InterContemporain, BBC Singers
Period: 20th Century
Written: 1926; Vienna, Austria
Date of Recording: 10/1992
Venue: IRCAM-Studio/ESPRO, Paris
Length: 2 Minutes 24 Secs.
Language: German

Quartet for Clarinet, Tenor Saxophone, Piano and Violin, Op. 2

Notes & Reviews:

Recording information: Abbey Road Studios (01/2001-02/2001); Concertgebouw, Amsterdam, The Netherlands (01/2001-02/2001); Groáer Saal, Alte Oper, Frankfurt, Germany (01/2001-02/2001); Groáer Saal, Musikverein, Vienna (01/2001-02/2001); Groáer Saal, Philharmonie, Berlin (01/2001-02/2001); Groáes Festspielhaus, Salzburg (01/2001-02/2001); IRCAM Studio, ESPRO, Paris, France (01/2001-02/2001); IRCAM, Paris (01/2001-02/2001); Jesus-Christus-Kirche, Berlin (01/2001-02/2001); Landschaftspark-Nord, Gebläsehalle, Duisburg, Germany (01/2001-02/2001); London, Jerwood Hall (01/2001-02/2001); Masonic Auditorium, Cleveland (01/2001-02/2001); Orchestra Hall, Chicago (01/2001-02/2001); Orchestral Hall, Chicago (01/2001-02/2001); Paris, IRCAM Studio, ESPRO (01/2001-02/2001); Philharmonie, Berlin (01/2001-02/2001); Salle de la Mutualité, Paris (01/2001-02/2001); Salle des concerts, Cité de la musique, Paris (01/2001-02/2001); Suntory Hall, Tokyo (01/2001-02/2001); Abbey Road Studios (02/1996); Concertgebouw, Amsterdam, The Netherlands (02/1996); Groáer Saal, Alte Oper, Frankfurt, Germany (02/1996); Groáer Saal, Musikverein, Vienna (02/1996); Groáer Saal, Philharmonie, Berlin (02/1996); Groáes Festspielhaus, Salzburg (02/1996); IRCAM Studio, ESPRO, Paris, France (02/1996); IRCAM, Paris (02/1996); Jesus-Christus-Kirche, Berlin (02/1996); Landschaftspark-Nord, Gebläsehalle, Duisburg, Germany (02/1996); London, Jerwood Hall (02/1996); Masonic Auditorium, Cleveland (02/1996); Orchestra Hall, Chicago (02/1996); Orchestral Hall, Chicago (02/1996); Paris, IRCAM Studio, ESPRO (02/1996); Philharmonie, Berlin (02/1996); Salle de la Mutualité, Paris (02/1996); Salle des concerts, Cité de la musique, Paris (02/1996); Suntory Hall, Tokyo (02/1996); Abbey Road Studios (02/2003); Concertgebouw, Amsterdam, The Netherlands (02/2003); Groáer Saal, Alte Oper, Frankfurt, Germany (02/2003); Groáer Saal, Musikverein, Vienna (02/2003); Groáer Saal, Philharmonie, Berlin (02/2003); Groáes Festspielhaus, Salzburg (02/2003); IRCAM Studio, ESPRO, Paris, France (02/2003); IRCAM, Paris (02/2003); Jesus-Christus-Kirche, Berlin (02/2003); Landschaftspark-Nord, Gebläsehalle, Duisburg, Germany (02/2003); London, Jerwood Hall (02/2003); Masonic Auditorium, Cleveland (02/2003); Orchestra Hall, Chicago (02/2003); Orchestral Hall, Chicago (02/2003); Paris, IRCAM Studio, ESPRO (02/2003); Philharmonie, Berlin (02/2003); Salle de la Mutualité, Paris (02/2003); Salle des concerts, Cité de la musique, Paris (02/2003); Suntory Hall, Tokyo (02/2003); Abbey Road Studios (03/1979-06/1979); Concertgebouw, Amsterdam, The Netherlands (03/1979-06/1979); Groáer Saal, Alte Oper, Frankfurt, Germany (03/1979-06/1979); Groáer Saal, Musikverein, Vienna (03/1979-06/1979); Groáer Saal, Philharmonie, Berlin (03/1979-06/1979); Groáes Festspielhaus, Salzburg (03/1979-06/1979); IRCAM Studio, ESPRO, Paris, France (03/1979-06/1979); IRCAM, Paris (03/1979-06/1979); Jesus-Christus-Kirche, Berlin (03/1979-06/1979); Landschaftspark-Nord, Gebläsehalle, Duisburg, Germany (03/1979-06/1979); London, Jerwood Hall (03/1979-06/1979); Masonic Auditorium, Cleveland (03/1979-06/1979); Orchestra Hall, Chicago (03/1979-06/1979); Orchestral Hall, Chicago (03/1979-06/1979); Paris, IRCAM Studio, ESPRO (03/1979-06/1979); Philharmonie, Berlin (03/1979-06/1979); Salle de la Mutualité, Paris (03/1979-06/1979); Salle des concerts, Cité de la musique, Paris (03/1979-06/1979); Suntory Hall, Tokyo (03/1979-06/1979); Abbey Road Studios (03/1981); Concertgebouw, Amsterdam, The Netherlands (03/1981); Groáer Saal, Alte Oper, Frankfurt, Germany (03/1981); Groáer Saal, Musikverein, Vienna (03/1981); Groáer Saal, Philharmonie, Berlin (03/1981); Groáes Festspielhaus, Salzburg (03/1981); IRCAM Studio, ESPRO, Paris, France (03/1981); IRCAM, Paris (03/1981); Jesus-Christus-Kirche, Berlin (03/1981); Landschaftspark-Nord, Gebläsehalle, Duisburg, Germany (03/1981); London, Jerwood Hall (03/1981); Masonic Auditorium, Cleveland (03/1981); Orchestra Hall, Chicago (03/1981); Orchestral Hall, Chicago (03/1981); Paris, IRCAM Studio, ESPRO (03/1981); Philharmonie, Berlin (03/1981); Salle de la Mutualité, Paris (03/1981); Salle des concerts, Cité de la musique, Paris (03/1981); Suntory Hall, Tokyo (03/1981); Abbey Road Studios (03/1982); Concertgebouw, Amsterdam, The Netherlands (03/1982); Groáer Saal, Alte Oper, Frankfurt, Germany (03/1982); Groáer Saal, Musikverein, Vienna (03/1982).



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Works Details

>Bartók, Béla : Pieces (4) for Orchestra, Op. 12/Sz 51
  • Conductor: Pierre Boulez
  • Ensemble: Chicago Symphony Orchestra
  • Running Time: 22 min. 51 sec.
  • Period Time: Modern
  • Written: 1912-1921

>Bartók, Béla : Concerto for Orchestra, Sz. 116, BB 123
  • Conductor: Pierre Boulez
  • Ensemble: Berlin Philharmonic
  • Running Time: 36 min. 20 sec.
  • Period Time: Modern
  • Form: Concerto
  • Written: 1943-1945

>Bartók, Béla : Dance Suite for Orchestra, Sz 77
  • Conductor: Pierre Boulez
  • Ensemble: London Symphony Orchestra
  • Running Time: 16 min. 2 sec.
  • Period Time: Modern
  • Written: 11/19/1923

>Bartók, Béla : Pictures (2) (Két kép), for orchestra, Sz. 46, BB 59 (Op. 10)
  • Conductor: Pierre Boulez
  • Running Time: 18 min. 33 sec.
  • Period Time: Modern
  • Written: 1910

>Bartók, Béla : Hungarian Sketches, for orchestra, Sz. 97
  • Conductor: Pierre Boulez
  • Running Time: 10 min. 14 sec.
  • Period Time: Modern
  • Written: 1931

>Bartók, Béla : Divertimento for String Orchestra, Sz 113
  • Conductor: Pierre Boulez
  • Running Time: 26 min. 9 sec.
  • Period Time: Modern
  • Written: 1939

>Bartók, Béla : Miraculous Mandarin, Op. 19/Sz 73
  • Conductor: Pierre Boulez
  • Running Time: 3 min. 2 sec.
  • Period Time: Modern
  • Form: Ballet
  • Written: 1918-1919

>Bartók, Béla : Music for Strings, Percussion and Celesta, Sz 106
  • Conductor: Pierre Boulez
  • Running Time: 29 min. 40 sec.
  • Period Time: Modern
  • Written: 1936

>Bartók, Béla : Cantata profana, for tenor, baritone, double chorus & orchestra (or piano) ("The Enchanted Stags"),
  • Performers: John Aler (Tenor); John Tomlinson (Bass)
  • Conductor: Pierre Boulez
  • Running Time: 18 min. 16 sec.
  • Period Time: Modern
  • Form: Cantata/Oratorio
  • Written: 1930

>Bartók, Béla : The Wooden Prince (A fából faragott királyfi), ballet in 1 act for orchestra, Sz. 60, BB 74 (Op. 13)
  • Conductor: Pierre Boulez
  • Running Time: 5 min. 13 sec.
  • Period Time: Modern
  • Form: Ballet
  • Written: 1914-1917

>Bartók, Béla : Concerto for Piano no 1, Sz 83
  • Performer: Krystian Zimerman (Piano)
  • Conductor: Pierre Boulez
  • Running Time: 22 min. 43 sec.
  • Period Time: Modern
  • Form: Concerto
  • Written: 1926-1929

>Bartók, Béla : Concerto for Piano no 2, Sz 95
  • Performer: Leif Andsnes (Piano)
  • Conductor: Pierre Boulez
  • Running Time: 27 min. 9 sec.
  • Period Time: Modern
  • Form: Concerto
  • Written: 1930-1931

>Bartók, Béla : Concerto for Piano no 3, Sz 119
  • Performer: Hélène Grimaud (Piano)
  • Conductor: Pierre Boulez
  • Running Time: 25 min. 46 sec.
  • Period Time: Modern
  • Form: Concerto
  • Written: 1945

>Bartók, Béla : Concerto for 2 Pianos, Percussion and Orchestra, Sz 115
  • Performers: Pierre-Laurent Aimard (Piano); Neil Percy (Percussion); Tamara Stefanovich (Piano); Nigel Thomas (Percussion)
  • Conductor: Pierre Boulez
  • Running Time: 25 min. 3 sec.
  • Period Time: Modern
  • Form: Concerto
  • Written: 1940

>Bartók, Béla : Concerto for Violin no 1, Sz 36
  • Performer: Gidon Kremer (Violin)
  • Conductor: Pierre Boulez
  • Running Time: 21 min. 28 sec.
  • Period Time: Modern
  • Form: Concerto
  • Written: 1907-1908

>Bartók, Béla : Concerto for Viola, Sz 120
  • Performer: Yuri Bashmet (Viola)
  • Conductor: Pierre Boulez
  • Running Time: 23 min. 22 sec.
  • Period Time: Modern
  • Form: Concerto
  • Written: 1945

>Bartók, Béla : Concerto for Violin no 2 in B minor, Sz. 112, BB 117
  • Performer: Gil Shaham (Violin)
  • Conductor: Pierre Boulez
  • Running Time: 40 min. 32 sec.
  • Period Time: Modern
  • Form: Concerto
  • Written: 1937-1938

>Bartók, Béla : Rhapsody for Violin and Orchestra no 1, Sz 87
  • Performer: Gil Shaham (Violin)
  • Conductor: Pierre Boulez
  • Running Time: 11 min. 15 sec.
  • Period Time: Modern
  • Written: 1928

>Bartók, Béla : Rhapsody for Violin and Orchestra no 2, Sz 90
  • Performer: Gil Shaham (Violin)
  • Conductor: Pierre Boulez
  • Running Time: 11 min. 35 sec.
  • Period Time: Modern
  • Written: 1928

>Bartók, Béla : Bluebeard's Castle, Op. 11/Sz 48
  • Performers: László Polgár (Bass); Nicholas Simon (Spoken Vocals)
  • Conductor: Pierre Boulez
  • Running Time: 56 min. 32 sec.
  • Period Time: Modern
  • Form: Opera/Operetta
  • Written: 1911

>Berg, Alban : Chamber Concerto for Piano, Violin and 13 Winds
  • Performers: Daniel Barenboim (Piano); Pinchas Zukerman (Violin)
  • Conductor: Pierre Boulez
  • Ensemble: Ensemble InterContemporain
  • Notes: Composition written: 1923-25.
  • Running Time: 30 min. 12 sec.
  • Period Time: Modern
  • Form: Concerto
  • Written: 1923-1925

>Berg, Alban : Lulu-Suite, 5 symphonic pieces from the opera for soprano & orchestra ("Lulu-Symphonie")
  • Performer: Anna Prohaska (Soprano)
  • Conductor: Pierre Boulez
  • Running Time: 28 min. 18 sec.
  • Period Time: Modern
  • Written: 1934

>Berg, Alban : Lulu, opera
  • Performers: Pierre Doukan (Violin); Georges Pludermacher (Piano)
  • Conductor: Pierre Boulez
  • Notes: Composition written: 1929-35.
  • Running Time: 4 min. 30 sec.
  • Period Time: Modern
  • Form: Opera/Operetta
  • Written: 1929-1935

>Birtwistle, Harrison : Theseus Game, for large ensemble & 2 conductors
  • Performers: Martyn Brabbins (Voice); Pierre-Andre Valade [Conductor/Flute] (Flute)
  • Conductor: Pierre Boulez
  • Ensemble: Ensemble Modern (Frankfurt)
  • Running Time: 33 min. 19 sec.
  • Period Time: Contemporary
  • Written: 2002
  • Studio/Live: Live

>Birtwistle, Harrison : Earth Dances, for orchestra
  • Conductor: Pierre Boulez
  • Running Time: 33 min. 21 sec.
  • Period Time: Contemporary
  • Written: 1986
  • Studio/Live: Live

>Birtwistle, Harrison : Tragoedia for chamber ensemble
  • Conductor: Pierre Boulez
  • Running Time: 19 min. 14 sec.
  • Period Time: Contemporary
  • Written: 1965

>Birtwistle, Harrison : Five Distances for 5 instruments
  • Conductor: Pierre Boulez
  • Running Time: 13 min. 55 sec.
  • Period Time: Contemporary
  • Written: 1992

>Birtwistle, Harrison : Nine Settings of Celan, for soprano, 2 clarinets, viola, cello & double bass
  • Performer: Christine Whittlesey (Soprano)
  • Conductor: Pierre Boulez
  • Running Time: 13 min. 36 sec.
  • Period Time: Contemporary
  • Written: 1989-1996

>Birtwistle, Harrison : Secret Theatre
  • Performer: Christine Whittlesey (Soprano)
  • Conductor: Pierre Boulez
  • Ensemble: Ensemble InterContemporain
  • Running Time: 27 min. 46 sec.
  • Period Time: Contemporary
  • Written: 1984

>Boulez, Pierre : Notations (12) for Piano
  • Performer: Pierre-Laurent Aimard (Piano)
  • Conductor: Pierre Boulez
  • Running Time: 8 min. 7 sec.
  • Period Time: Modern
  • Written: 1945

>Boulez, Pierre : Structures, Book II, for 2 pianos
  • Performers: Pierre-Laurent Aimard (Piano); Florent Boffard (Piano)
  • Conductor: Pierre Boulez
  • Running Time: 8 min. 59 sec.
  • Period Time: Modern
  • Written: 1956-1961

>Boulez, Pierre : ...explosante-fixe..., for flute, chamber ensemble & electronics (various versions)
  • Performers: Sophie Cherrier (MIDI Flute); Emmanuelle Ophèle (Flute); Pierre-Andre Valade [Conductor/Flute] (Flute)
  • Conductor: Pierre Boulez
  • Ensemble: Ensemble InterContemporain
  • Running Time: 36 min. 42 sec.
  • Period Time: Modern
  • Written: 1972-1993

>Boulez, Pierre : Le marteau sans maître, for alto, alto flute, guitar, vibes, xylorimba, percussion & viola
  • Performer: Hilary Summers (Alto)
  • Conductor: Pierre Boulez
  • Ensemble: Ensemble InterContemporain
  • Running Time: 37 min. 14 sec.
  • Period Time: Modern
  • Written: 1953-1955

>Boulez, Pierre : Dérive I, for flute, clarinet, piano, vibes, violin & cello
  • Conductor: Pierre Boulez
  • Ensemble: Ensemble InterContemporain
  • Running Time: 5 min. 53 sec.
  • Period Time: Modern
  • Written: 1984

>Boulez, Pierre : Dérive II, for chamber ensemble
  • Conductor: Pierre Boulez
  • Ensemble: Ensemble InterContemporain
  • Running Time: 24 min. 33 sec.
  • Period Time: Modern
  • Written: 1988-1990

>Boulez, Pierre : Pli selon pli, for soprano & orchestra
  • Performer: Christine Schäfer (Soprano)
  • Conductor: Pierre Boulez
  • Ensemble: Ensemble InterContemporain
  • Running Time: 69 min. 37 sec.
  • Period Time: Modern
  • Form: Vocal
  • Written: 1957-1962

>Boulez, Pierre : Rèpons, for 2 pianos, harp, vibes, glock, cimbalon, orchestra & electronics
  • Performers: Vincent Bauer (Vibraphone); Florent Boffard (Piano); Frederique Cambreling (Harp); Michel Cerutti (Cimbalom); Daniel Ciampolini (Glockenspiel); Daniel Ciampolini (Xylophone); Dimitri Vassilakis (Piano)
  • Conductor: Pierre Boulez
  • Ensemble: Ensemble InterContemporain
  • Running Time: 6 min. 25 sec.
  • Period Time: Modern
  • Written: 1980-1984

>Boulez, Pierre : Dialogue de l'ombre double
  • Performer: Alain Damiens (Clarinet)
  • Conductor: Pierre Boulez
  • Running Time: 1 min. 5 sec.
  • Period Time: Modern
  • Written: 1982-1995

>Boulez, Pierre : Sur Incises, for 3 pianos, 3 harps, 2 vibes & marimba
  • Performers: Vincent Bauer (Percussion); Florent Boffard (Piano); Frederique Cambreling (Harp); Michel Cerutti (Percussion); Sandrine Chatron (Harp); Daniel Ciampolini (Percussion); Marianne Mentec (Harp); Hideki Nagano (Piano); Dimitri Vassilakis (Piano)
  • Conductor: Pierre Boulez
  • Running Time: 37 min. 16 sec.
  • Period Time: Modern
  • Written: 1995-1998

>Boulez, Pierre : Messagesquisse, for solo cello & 6 cellos
  • Performer: Jean-Guihen Queyras (Cello)
  • Conductor: Pierre Boulez
  • Ensemble: Ensemble de Violoncelles de l'Orchestre de Paris
  • Running Time: 7 min. 58 sec.
  • Period Time: Modern
  • Written: 1977

>Boulez, Pierre : Anthemes II, for violin & electronics
  • Performer: Hae Kang (Violin)
  • Conductor: Pierre Boulez
  • Running Time: 19 min. 2 sec.
  • Period Time: Modern
  • Written: 1997

>Debussy, Claude : Prélude à l'après-midi d'un faune (Prelude to the Afternoon of a Faun), for orchestra, L. 86
  • Conductor: Pierre Boulez
  • Running Time: 8 min. 55 sec.
  • Period Time: Post Romantic
  • Written: 1894

>Debussy, Claude : Images for Orchestra
  • Conductor: Pierre Boulez
  • Running Time: 33 min. 20 sec.
  • Period Time: Post Romantic
  • Written: 1905-1912

>Debussy, Claude : Printemps, symphonic suite for chorus, piano & orchestra, L. 61
  • Conductor: Pierre Boulez
  • Running Time: 16 min. 41 sec.
  • Period Time: Post Romantic
  • Written: 1887

>Debussy, Claude : Nocturnes (3) for Orchestra
  • Conductor: Pierre Boulez
  • Running Time: 22 min. 31 sec.
  • Period Time: Post Romantic
  • Form: Orchestral
  • Written: 1897-1899

>Debussy, Claude : Première Rhapsodie for Clarinet and Orchestra
  • Performer: Franklin Cohen (Clarinet)
  • Conductor: Pierre Boulez
  • Running Time: 8 min. 41 sec.
  • Period Time: Post Romantic
  • Written: 1909-1910

>Debussy, Claude : Jeux
  • Conductor: Pierre Boulez
  • Running Time: 16 min. 5 sec.
  • Period Time: Post Romantic
  • Form: Ballet
  • Written: 1912-1913

>Debussy, Claude : La mer
  • Conductor: Pierre Boulez
  • Running Time: 23 min. 35 sec.
  • Period Time: Post Romantic
  • Written: 1903-1905

>Ligeti, György : Chamber Concerto, for 13 instruments
  • Conductor: Pierre Boulez
  • Ensemble: Ensemble InterContemporain
  • Running Time: 18 min. sec.
  • Period Time: Modern
  • Form: Concerto
  • Written: 1969-1970

>Ligeti, György : Ramifications, for 12 strings (or string orchestra)
  • Conductor: Pierre Boulez
  • Ensemble: Ensemble InterContemporain
  • Running Time: 8 min. 37 sec.
  • Period Time: Modern
  • Written: 1968-1969

>Ligeti, György : Aventures, for 3 voices & 7 instruments
  • Performers: Jane Manning (Soprano); William Pearson (Baritone); Mary Thomas
  • Conductor: Pierre Boulez
  • Ensemble: Ensemble InterContemporain
  • Running Time: 12 min. 9 sec.
  • Period Time: Modern
  • Written: 1963

>Ligeti, György : Nouvelles aventures, for 3 voices & 7 instruments
  • Performers: Jane Manning (Soprano); William Pearson (Baritone); Mary Thomas
  • Conductor: Pierre Boulez
  • Ensemble: Ensemble InterContemporain
  • Running Time: 11 min. 30 sec.
  • Period Time: Modern
  • Written: 1962-1965

>Ligeti, György : Piano Concerto
  • Performer: Pierre-Laurent Aimard (Piano)
  • Conductor: Pierre Boulez
  • Ensemble: Ensemble InterContemporain
  • Notes: Composition written: 1985-88.
  • Running Time: 22 min. 48 sec.
  • Period Time: Modern
  • Form: Concerto
  • Written: 1985-1988

>Ligeti, György : Concerto for Cello
  • Performer: Jean-Guihen Queyras (Cello)
  • Conductor: Pierre Boulez
  • Ensemble: Ensemble InterContemporain
  • Running Time: 15 min. 11 sec.
  • Period Time: Modern
  • Form: Concerto
  • Written: 1966

>Ligeti, György : Concerto for Violin
  • Performer: Saschko Gawriloff (Violin)
  • Conductor: Pierre Boulez
  • Ensemble: Ensemble InterContemporain
  • Running Time: 27 min. 40 sec.
  • Period Time: Modern
  • Form: Concerto
  • Written: 1989-1993

>Messiaen, Olivier : Poèmes pour Mi, song cycle for soprano & piano (or orchestra), I/17b
  • Performer: Francoise Pollet (Voice)
  • Conductor: Pierre Boulez
  • Running Time: 26 min. 44 sec.
  • Period Time: Modern
  • Form: Vocal
  • Written: 1936-1937

>Messiaen, Olivier : Réveil des oiseaux, for piano & orchestra, I/40
  • Performer: Pierre-Laurent Aimard (Piano)
  • Conductor: Pierre Boulez
  • Running Time: 20 min. 20 sec.
  • Period Time: Modern
  • Written: 1953

>Messiaen, Olivier : Sept haïkaï, for piano, 13 winds, 6 percussion & 8 violins, I/45
  • Performer: Joela Jones (Piano)
  • Conductor: Pierre Boulez
  • Notes: Composition written: 1962.
  • Running Time: 22 min. 3 sec.
  • Period Time: Modern
  • Written: 1962

>Messiaen, Olivier : Chronochromie
  • Conductor: Pierre Boulez
  • Running Time: 22 min. 35 sec.
  • Period Time: Modern
  • Written: 1959-1960

>Messiaen, Olivier : La ville d'en haut
  • Conductor: Pierre Boulez
  • Running Time: 9 min. 20 sec.
  • Period Time: Modern
  • Written: 1987

>Messiaen, Olivier : Et exspecto resurrectionem mortuorum
  • Conductor: Pierre Boulez
  • Running Time: 23 min. 46 sec.
  • Period Time: Modern
  • Written: 1963-1964

>Ravel, Maurice : Ma mère l'oye
  • Conductor: Pierre Boulez
  • Running Time: 22 min. 10 sec.
  • Period Time: Modern
  • Form: Ballet
  • Written: 1911-1912

>Ravel, Maurice : Une barque sur l'océan, for orchestra
  • Conductor: Pierre Boulez
  • Running Time: 8 min. 4 sec.
  • Period Time: Modern
  • Form: Orchestral
  • Written: 1906

>Ravel, Maurice : Alborada del Gracioso, for orchestra
  • Conductor: Pierre Boulez
  • Running Time: 7 min. 35 sec.
  • Period Time: Modern
  • Written: 1918

>Ravel, Maurice : Rapsodie espagnole
  • Conductor: Pierre Boulez
  • Running Time: 16 min. sec.
  • Period Time: Modern
  • Written: 1907

>Ravel, Maurice : Boléro
  • Conductor: Pierre Boulez
  • Running Time: 14 min. 57 sec.
  • Period Time: Modern
  • Written: 1928

>Ravel, Maurice : Daphnis et Chloé
  • Conductor: Pierre Boulez
  • Notes: Jesus-Christus-Kirche, Berlin (03/1993); Jesus-Christus-Kirche, Berlin (05/1994)
  • Running Time: 19 min. 27 sec.
  • Period Time: Modern
  • Form: Ballet
  • Written: 1909-1912

>Ravel, Maurice : Concerto for Piano in G major
  • Performer: Krystian Zimerman (Piano)
  • Conductor: Pierre Boulez
  • Running Time: 22 min. 11 sec.
  • Period Time: Modern
  • Form: Concerto
  • Written: 1929-1931

>Ravel, Maurice : Valses nobles et sentimentales
  • Conductor: Pierre Boulez
  • Running Time: 14 min. sec.
  • Period Time: Modern
  • Form: Waltz
  • Written: 1911

>Ravel, Maurice : Concerto for Piano left hand
  • Performer: Krystian Zimerman (Piano)
  • Conductor: Pierre Boulez
  • Running Time: 18 min. 6 sec.
  • Period Time: Modern
  • Form: Concerto
  • Written: 1929-1931

>Ravel, Maurice : Shéhérazade, poems (3) for soprano (or tenor) & orchestra (or piano)
  • Performer: Anne von Otter (Mezzo Soprano)
  • Conductor: Pierre Boulez
  • Notes: Composition written: 1903.
  • Running Time: 17 min. 23 sec.
  • Period Time: Modern
  • Written: 1903

>Ravel, Maurice : Le tombeau de Couperin
  • Conductor: Pierre Boulez
  • Running Time: 17 min. 11 sec.
  • Period Time: Modern
  • Written: 1919

>Ravel, Maurice : Pavane pour une infante défunte
  • Conductor: Pierre Boulez
  • Running Time: 6 min. 48 sec.
  • Period Time: Modern
  • Written: 1899

>Ravel, Maurice : Menuet antique
  • Conductor: Pierre Boulez
  • Running Time: 7 min. 25 sec.
  • Period Time: Modern
  • Written: 1895

>Debussy, Claude : Danses sacrée et profane, for chromatic harp & string orchestra, L. 103
  • Performer: Lisa Wellbaum (Harp)
  • Conductor: Pierre Boulez
  • Notes: Composition written: 1904.
  • Running Time: 10 min. 25 sec.
  • Period Time: Post Romantic
  • Written: 1904

>Debussy, Claude : Le jet d'eau ("Tes beaux yeux sont las, pauvre amants"), song for voice & piano, L. 64/3
  • Conductor: Pierre Boulez
  • Running Time: 5 min. 58 sec.
  • Period Time: Post Romantic
  • Written: 1889

>Debussy, Claude : Ballades de François Villon (3), song cycle for voice & piano (or orchestra), L.119
  • Performer: Alison Hagley (Voice)
  • Conductor: Pierre Boulez
  • Running Time: 9 min. 23 sec.
  • Period Time: Post Romantic
  • Form: Vocal
  • Written: 1910

>Schoenberg, Arnold : Pelleas und Melisande, symphonic poem, Op. 5
  • Conductor: Pierre Boulez
  • Notes: Composition written: 1902-03.
  • Running Time: 38 min. 18 sec.
  • Period Time: Post Romantic
  • Form: Orchestral
  • Written: 1902-1903
  • Studio/Live: Live

>Schoenberg, Arnold : Piano Concerto, Op. 42
  • Performer: Mitsuko Uchida (Piano)
  • Conductor: Pierre Boulez
  • Notes: Composition written: 1942.
  • Running Time: 19 min. 9 sec.
  • Period Time: Post Romantic
  • Form: Concerto
  • Written: 1942

>Schoenberg, Arnold : Pierrot Lunaire, Op. 21
  • Conductor: Pierre Boulez
  • Ensemble: Members of the Ensemble InterContemporain
  • Running Time: 29 min. 33 sec.
  • Period Time: Post Romantic
  • Written: 1912

>Schoenberg, Arnold : Herzgewächse, song for soprano, celesta, harp & harmonium, Op. 20
  • Performer: Christine Schäfer (Soprano)
  • Conductor: Pierre Boulez
  • Ensemble: Members of the Ensemble InterContemporain
  • Running Time: 3 min. 15 sec.
  • Period Time: Post Romantic
  • Written: 12/1911

>Schoenberg, Arnold : Ode to Napoleon, Op. 41
  • Conductor: Pierre Boulez
  • Ensemble: Members of the Ensemble InterContemporain
  • Running Time: 16 min. 14 sec.
  • Period Time: Post Romantic
  • Form: Choral
  • Written: 1942

>Schoenberg, Arnold : Moses und Aron, biblical drama in 3 acts (unfinished)
  • Conductor: Pierre Boulez
  • Notes: Composition written: 05/1930-03/1932.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 05/1930-03/1932

>Stravinsky, Igor : Scherzo fantastique, Op. 3
  • Conductor: Pierre Boulez
  • Running Time: 11 min. 32 sec.
  • Period Time: Modern
  • Written: 1908

>Stravinsky, Igor : Le roi des étoiles
  • Conductor: Pierre Boulez
  • Running Time: 5 min. 34 sec.
  • Period Time: Modern
  • Form: Cantata/Oratorio
  • Written: 1911-1912

>Stravinsky, Igor : Chant du rossignol (Song of the Nightingale), symphonic poem for orchestra
  • Conductor: Pierre Boulez
  • Notes: Composition written: 1917.
  • Running Time: 20 min. 37 sec.
  • Period Time: Modern
  • Form: Orchestral
  • Written: 1917

>Stravinsky, Igor : L'histoire du soldat (The Soldier's Tale), concert suite for 7 instruments
  • Conductor: Pierre Boulez
  • Running Time: 13 min. 20 sec.
  • Period Time: Modern
  • Written: 1920

>Stravinsky, Igor : L'oiseau de feu (The Firebird), ballet in 2 scenes for orchestra
  • Conductor: Pierre Boulez
  • Running Time: 34 min. 52 sec.
  • Period Time: Modern
  • Form: Ballet
  • Written: 1910

>Stravinsky, Igor : Fireworks, Op. 4
  • Conductor: Pierre Boulez
  • Running Time: 4 min. 1 sec.
  • Period Time: Modern
  • Written: 1908

>Stravinsky, Igor : Etudes (4) for orchestra
  • Conductor: Pierre Boulez
  • Running Time: 8 min. 52 sec.
  • Period Time: Modern
  • Written: 1914-1929

>Stravinsky, Igor : Petrushka, ballet (burlesque) in 4 scenes for piano, 4 hands (1912 & 1948 reductions)
  • Conductor: Pierre Boulez
  • Running Time: 34 min. 21 sec.
  • Period Time: Modern
  • Written: 1912

>Stravinsky, Igor : Le sacre du printemps
  • Conductor: Pierre Boulez
  • Running Time: 16 min. 1 sec.
  • Period Time: Modern
  • Form: Ballet
  • Written: 1911-1913

>Stravinsky, Igor : Symphonies of Wind Instruments, for 24 wind instruments (1920 version)
  • Conductor: Pierre Boulez
  • Notes: Composition written: 1920.
  • Running Time: 9 min. 15 sec.
  • Period Time: Modern
  • Written: 1920

>Stravinsky, Igor : Symphony of Psalms
  • Conductor: Pierre Boulez
  • Running Time: 20 min. 7 sec.
  • Period Time: Modern
  • Written: 1930

>Stravinsky, Igor : Symphony in Three Movements
  • Conductor: Pierre Boulez
  • Running Time: 22 min. 3 sec.
  • Period Time: Modern
  • Form: Orchestral
  • Written: 1945

>Birtwistle, Harrison : Triumph of Time, for orchestra
  • Conductor: Pierre Boulez
  • Running Time: 27 min. 46 sec.
  • Period Time: Contemporary
  • Written: 1972

>Stravinsky, Igor : Ebony Concerto
  • Performer: Michel Arrignon (Clarinet)
  • Conductor: Pierre Boulez
  • Ensemble: Ensemble InterContemporain
  • Running Time: 8 min. 55 sec.
  • Period Time: Modern
  • Form: Concerto
  • Written: 1945

>Stravinsky, Igor : Pieces (3) for Clarinet solo
  • Performer: Alain Damiens (Clarinet)
  • Conductor: Pierre Boulez
  • Ensemble: Ensemble InterContemporain
  • Running Time: 4 min. 6 sec.
  • Period Time: Modern
  • Written: 1919

>Stravinsky, Igor : Concertino, for string quartet
  • Conductor: Pierre Boulez
  • Ensemble: Ensemble InterContemporain
  • Running Time: 6 min. 37 sec.
  • Period Time: Modern
  • Form: Chamber Music
  • Written: 1920

>Stravinsky, Igor : Instrumental Miniatures (8), for 15 players
  • Conductor: Pierre Boulez
  • Ensemble: Ensemble InterContemporain
  • Running Time: 7 min. 19 sec.
  • Period Time: Modern
  • Written: 1962

>Stravinsky, Igor : Concerto for chamber orchestra in E flat major ("Dumbarton Oaks")
  • Conductor: Pierre Boulez
  • Ensemble: Ensemble InterContemporain
  • Running Time: 15 min. 16 sec.
  • Period Time: Modern
  • Form: Concerto
  • Written: 1938

>Stravinsky, Igor : Elegy, for viola (or violin) solo
  • Performer: Gérard Caussé (Viola)
  • Conductor: Pierre Boulez
  • Ensemble: Ensemble InterContemporain
  • Running Time: 5 min. 12 sec.
  • Period Time: Modern
  • Written: 1944

>Stravinsky, Igor : Epitaphium für das Grabmal des Prinzen Max Egon zu Fürstenberg, for flute, clarinet & harp
  • Conductor: Pierre Boulez
  • Ensemble: Ensemble InterContemporain
  • Running Time: 1 min. 40 sec.
  • Period Time: Modern
  • Written: 1959

>Stravinsky, Igor : Double Canon for String Quartet
  • Conductor: Pierre Boulez
  • Ensemble: Ensemble InterContemporain
  • Running Time: 1 min. 40 sec.
  • Period Time: Modern
  • Written: 1959

>Stravinsky, Igor : Pastorale for Violin, Oboe, English Horn, Clarinet and Bassoon
  • Performer: Phyllis Bryn-Julson
  • Conductor: Pierre Boulez
  • Running Time: 1 min. 59 sec.
  • Period Time: Modern
  • Form: Vocal
  • Written: 1933

>Stravinsky, Igor : Poems of Verlaine (2), song cycle for voice & piano or orchestra, Op. 9
  • Performer: John Shirley-Quirk (Baritone)
  • Conductor: Pierre Boulez
  • Ensemble: Ensemble InterContemporain
  • Running Time: 5 min. 1 sec.
  • Period Time: Modern
  • Written: 1910

>Stravinsky, Igor : Poems of Balmont (2), for voice & chamber orchestra
  • Performer: Phyllis Bryn-Julson
  • Conductor: Pierre Boulez
  • Ensemble: Ensemble InterContemporain
  • Running Time: 2 min. 56 sec.
  • Period Time: Modern
  • Written: 1954

>Stravinsky, Igor : Japanese Lyrics (3), song cycle for voice & piano (or chamber orchestra)
  • Performer: Phyllis Bryn-Julson
  • Conductor: Pierre Boulez
  • Ensemble: Ensemble InterContemporain
  • Running Time: 3 min. 23 sec.
  • Period Time: Modern
  • Form: Vocal
  • Written: 1913

>Stravinsky, Igor : Petites Chansons (3), for voice & chamber orchestra ("Souvenir de mon enfance")
  • Performer: Phyllis Bryn-Julson
  • Conductor: Pierre Boulez
  • Ensemble: Ensemble InterContemporain
  • Running Time: 3 min. 10 sec.
  • Period Time: Modern
  • Written: 1929-1930

>Stravinsky, Igor : Pribaoutki (4), song cycle for voice & 8 instruments or piano
  • Performer: John Shirley-Quirk (Baritone)
  • Conductor: Pierre Boulez
  • Ensemble: Ensemble InterContemporain
  • Running Time: 3 min. 44 sec.
  • Period Time: Modern
  • Written: 1914

>Stravinsky, Igor : Berceuses du Chat (4), song cycle for voice & 3 clarinets or piano
  • Performer: Ann Murray (Mezzo Soprano)
  • Conductor: Pierre Boulez
  • Ensemble: Ensemble InterContemporain
  • Running Time: 3 min. 10 sec.
  • Period Time: Modern
  • Written: 1915-1916

>Stravinsky, Igor : Songs (4) for voice, flute, harp & guitar
  • Performer: Phyllis Bryn-Julson
  • Conductor: Pierre Boulez
  • Ensemble: Ensemble InterContemporain
  • Running Time: 5 min. 5 sec.
  • Period Time: Modern
  • Written: 1954

>Stravinsky, Igor : Tilim-bom, transcription for voice & orchestra (after Histoires pour enfants no 1)
  • Performer: Phyllis Bryn-Julson
  • Conductor: Pierre Boulez
  • Ensemble: Ensemble InterContemporain
  • Running Time: 1 min. 15 sec.
  • Period Time: Modern
  • Written: 1923

>Stravinsky, Igor : Parasha's Aria, transcription for voice & chamber orchestra (after Mavra)
  • Performer: Phyllis Bryn-Julson
  • Conductor: Pierre Boulez
  • Ensemble: Ensemble InterContemporain
  • Running Time: 2 min. 13 sec.
  • Period Time: Modern
  • Form: Choral
  • Written: 1922-1923

>Stravinsky, Igor : Songs (3) from William Shakespeare, for voice, flute, clarinet & viola
  • Performer: Ann Murray (Mezzo Soprano)
  • Conductor: Pierre Boulez
  • Ensemble: Ensemble InterContemporain
  • Running Time: 6 min. 33 sec.
  • Period Time: Modern
  • Written: 1953

>Stravinsky, Igor : In Memoriam Dylan Thomas, dirge-canons & song for voice, string quartet & 4 trombones
  • Performer: Robert Tear (Tenor)
  • Conductor: Pierre Boulez
  • Ensemble: Ensemble InterContemporain
  • Running Time: 7 min. 53 sec.
  • Period Time: Modern
  • Written: 1954

>Stravinsky, Igor : Elegy for J. F. K., for voice & 3 clarinets
  • Performer: John Shirley-Quirk (Baritone)
  • Conductor: Pierre Boulez
  • Running Time: 1 min. 49 sec.
  • Period Time: Modern
  • Written: 1964

>Stravinsky, Igor : Sacred Songs (2), transcription for voice & 9 instruments (after Wolf :: Spanisches Liederbuch)
  • Performer: Ann Murray (Mezzo Soprano)
  • Conductor: Pierre Boulez
  • Running Time: 7 min. 37 sec.
  • Period Time: Modern
  • Form: Vocal
  • Written: 1968

>Szymanowski, Karol : Concerto for Violin no 1, Op. 35, M37
  • Performer: Christian Tetzlaff (Violin)
  • Conductor: Pierre Boulez
  • Running Time: 23 min. 15 sec.
  • Period Time: Post Romantic
  • Form: Concerto
  • Written: 1916

>Szymanowski, Karol : Symphony no 3, Op. 27 "Song of the Night"
  • Performer: Steve Davislim (Tenor)
  • Conductor: Pierre Boulez
  • Running Time: 24 min. 46 sec.
  • Period Time: Post Romantic
  • Form: Orchestral
  • Written: 1914-1916

>Varèse, Edgard : Amériques, for orchestra
  • Conductor: Pierre Boulez
  • Notes: Composition written: 1918-21.
  • Running Time: 25 min. 20 sec.
  • Period Time: Modern
  • Form: Orchestral
  • Written: 1918-1921

>Varèse, Edgard : Arcana
  • Conductor: Pierre Boulez
  • Running Time: 19 min. 52 sec.
  • Period Time: Modern
  • Written: 1925-1927

>Varèse, Edgard : Déserts for brass, percussion, piano & tape
  • Conductor: Pierre Boulez
  • Running Time: 17 min. 17 sec.
  • Period Time: Modern
  • Form: Orchestral
  • Written: 1950-1954

>Varèse, Edgard : Ionisation
  • Conductor: Pierre Boulez
  • Notes: Composition written: 1929-31.
  • Running Time: 5 min. 50 sec.
  • Period Time: Modern
  • Written: 1929-1931

>Webern, Anton : Passacaglia for orchestra, Op. 1
  • Conductor: Pierre Boulez
  • Running Time: 10 min. 12 sec.
  • Period Time: Post Romantic
  • Written: 1908

>Webern, Anton : Movements (5), version for string orchestra, Op. 5
  • Conductor: Pierre Boulez
  • Running Time: 10 min. sec.
  • Period Time: Post Romantic
  • Written: 1929

>Webern, Anton : Pieces (6) for orchestra, Op. 6
  • Conductor: Pierre Boulez
  • Running Time: 11 min. 12 sec.
  • Period Time: Post Romantic
  • Written: 1909

>Webern, Anton : Fuga a 6 voci from Bach's Musical Offering, BWV 1079
  • Conductor: Pierre Boulez
  • Running Time: 7 min. 17 sec.
  • Period Time: Post Romantic
  • Written: 1935

>Schubert, Franz : German Dances (6) for Piano, D 820
  • Conductor: Pierre Boulez
  • Running Time: 4 min. 27 sec.
  • Period Time: Romantic
  • Written: 10/1824

>Webern, Anton : Im Sommerwind, idyll for orchestra
  • Conductor: Pierre Boulez
  • Running Time: 15 min. 59 sec.
  • Period Time: Post Romantic
  • Written: 1904

>Webern, Anton : Pieces (5) for orchestra, Op. posth.
  • Conductor: Pierre Boulez
  • Running Time: 5 min. 15 sec.
  • Period Time: Post Romantic
  • Written: 1913

>Webern, Anton : Songs (3) for soprano & orchestra
  • Performer: Christiane Oelze (Soprano)
  • Conductor: Pierre Boulez
  • Running Time: 4 min. 39 sec.
  • Period Time: Post Romantic
  • Written: 1913-1914

>Webern, Anton : Symphony, Op. 21
  • Conductor: Pierre Boulez
  • Running Time: 9 min. 42 sec.
  • Period Time: Post Romantic
  • Form: Orchestral
  • Written: 1927-1928

>Webern, Anton : Das Augenlicht, for chorus & orchestra, Op. 26
  • Conductor: Pierre Boulez
  • Running Time: 5 min. 44 sec.
  • Period Time: Post Romantic
  • Form: Cantata/Oratorio
  • Written: 1935

>Webern, Anton : Cantata no 1 for soprano, chorus & orchestra, Op. 29
  • Performer: Christiane Oelze (Soprano)
  • Conductor: Pierre Boulez
  • Running Time: 8 min. 44 sec.
  • Period Time: Post Romantic
  • Form: Cantata/Oratorio
  • Written: 1938-1939

>Webern, Anton : Variations for orchestra, Op. 30
  • Conductor: Pierre Boulez
  • Running Time: 7 min. 42 sec.
  • Period Time: Post Romantic
  • Written: 1940-1941

>Webern, Anton : Cantata no 2 for soprano, bass, chorus & orchestra, Op. 31
  • Performer: Christiane Oelze (Soprano)
  • Conductor: Pierre Boulez
  • Running Time: 14 min. 41 sec.
  • Period Time: Post Romantic
  • Form: Cantata/Oratorio
  • Written: 1941-1943

>Webern, Anton : Piano Quintet (Mässig)
  • Conductor: Pierre Boulez
  • Ensemble: Ensemble InterContemporain
  • Running Time: 13 min. 14 sec.
  • Period Time: Post Romantic
  • Form: Chamber Music
  • Written: 1907

>Webern, Anton : Entflieht auf leichten Kähnen, for chorus, Op. 2
  • Conductor: Pierre Boulez
  • Ensemble: Ensemble InterContemporain
  • Running Time: 2 min. 47 sec.
  • Period Time: Post Romantic
  • Written: 1908

>Webern, Anton : Songs (2) for soprano & ensemble, Op. 8
  • Performer: Francoise Pollet (Voice)
  • Conductor: Pierre Boulez
  • Ensemble: Ensemble InterContemporain
  • Running Time: 2 min. 19 sec.
  • Period Time: Post Romantic
  • Written: 1910

>Webern, Anton : Pieces (5) for orchestra, Op. 10
  • Conductor: Pierre Boulez
  • Ensemble: Ensemble InterContemporain
  • Running Time: 3 min. 56 sec.
  • Period Time: Post Romantic
  • Written: 1911-1913

>Webern, Anton : Songs (4) for soprano & orchestra (or piano), Op. 13
  • Performer: Francoise Pollet (Voice)
  • Conductor: Pierre Boulez
  • Ensemble: Ensemble InterContemporain
  • Running Time: 7 min. sec.
  • Period Time: Post Romantic
  • Written: 1914-1918

>Webern, Anton : Songs (6) for soprano & ensemble, Op. 14
  • Performer: Francoise Pollet (Voice)
  • Conductor: Pierre Boulez
  • Ensemble: Ensemble InterContemporain
  • Running Time: 7 min. 30 sec.
  • Period Time: Post Romantic
  • Written: 1917-1922

>Webern, Anton : Sacred Songs (5) for soprano & ensemble, Op. 15
  • Performer: Christiane Oelze (Soprano)
  • Conductor: Pierre Boulez
  • Ensemble: Ensemble InterContemporain
  • Running Time: 4 min. 2 sec.
  • Period Time: Post Romantic
  • Form: Vocal
  • Written: 1917-1922

>Webern, Anton : Canons (5) on Latin Texts, Op. 16
  • Conductor: Pierre Boulez
  • Ensemble: Ensemble InterContemporain
  • Running Time: 2 min. 49 sec.
  • Period Time: Post Romantic
  • Written: 1923-1924

>Webern, Anton : Traditional Rhymes (3) for soprano & ensemble, Op. 17
  • Conductor: Pierre Boulez
  • Ensemble: Ensemble InterContemporain
  • Running Time: 2 min. 38 sec.
  • Period Time: Post Romantic
  • Written: 1924-1925

>Webern, Anton : Songs (3) for soprano, E flat clarinet & guitar, Op. 18
  • Performer: Christiane Oelze (Soprano)
  • Conductor: Pierre Boulez
  • Ensemble: Ensemble InterContemporain
  • Running Time: 3 min. 33 sec.
  • Period Time: Post Romantic
  • Written: 1925

>Webern, Anton : Lieder (2), Op. 19
  • Conductor: Pierre Boulez
  • Ensemble: Ensemble InterContemporain
  • Running Time: 2 min. 34 sec.
  • Period Time: Post Romantic
  • Written: 1926

>Webern, Anton : Quartet for clarinet, saxophone, piano & violin, Op. 22
  • Performer: Pierre-Laurent Aimard (Piano)
  • Conductor: Pierre Boulez
  • Ensemble: Ensemble InterContemporain
  • Running Time: 6 min. 27 sec.
  • Period Time: Post Romantic
  • Form: Chamber Music
  • Written: 1928-1930

>Webern, Anton : Concerto for 9 instruments, Op. 24
  • Performer: Pierre-Laurent Aimard (Piano)
  • Conductor: Pierre Boulez
  • Ensemble: Ensemble InterContemporain
  • Running Time: 6 min. 34 sec.
  • Period Time: Post Romantic
  • Form: Concerto
  • Written: 1934