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Anthony Phillips: Geese & The Ghost [Definitive Edition] [Box]

Track List

>Wind - Tales
>Which Way the Wind Blows
>Henry: Portraits From Tudor Times - Fanfare/Lute's Chorus/Misty Battlements/Lute's Chorus (Reprise)/Henry Goes to War/Death of a Knight/Triumphant Return
>God If I Saw Her Now
>Chinese Mushroom Cloud
>Geese and the Ghost, The
>Sleepfall: The Geese Fly West
>Master of Time [Demo]
>Title Inspiration
>Goose and the Ghost, Pt. 1 [Basic Track], The
>Collections Link
>Which Way the Wind Blows [Basic Track]
>Silver Song [Geese Sessions Version]
>Henry: Portraits From Tudor Times [Basic Version]: Fanfare/Lute's Chorus/Lute's Chorus (Reprise)/Misty Battlements
>Collections [Demo]
>Geese and the Ghost, Pt. 2 [Basic Track], The
>God If I Saw Her Now [Basic Track]
>Sleepfall [Basic Track]
>Silver Song [1973 Unreleased Single Version] - (previously unreleased)
>Only Your Love [Previously Unreleased] - (previously unreleased)
>5.1 Surround Sound Mix, The

Album Notes

Personnel: Anthony Phillips (guitar), Mike Rutherford (bass), and Phil Collins (drums, vocals).

Audio Remasterer: Simon Heyworth.

Liner Note Authors: Alan Hewitt; Anthony Phillips.

Recording information: Send Barns (08/1973).

Anthony Phillips' first post-Genesis solo album was an extension of the pseudo-medieval folk elements found on Trespass, the last of his Genesis albums. Much of this recording sounds like a lost Genesis album, understandable since Phil Collins does a lot of the singing, and Michael Rutherford is present on guitar, bass, and keyboards, and also shares composer credits with him on major parts of this album. Portions of the material here, in fact, seem to have been derived from pieces they composed together in Genesis' early days that proved unsuitable for performance on-stage. Thus, The Geese & the Ghost comes off as a sort of throwback, picking up stylistically where Trespass or Nursery Cryme (check out the second part of the title track) left off nearly six years earlier. "Henry: Portraits from Tudor Times" can still hold the patient listener's attention, as it moves from bold synthesizer-generated fanfares to intimate classical guitar passages into soaring movements for electric guitar, flute, and oboe no less (there are three flutists here, plus one violinist, two cellists, and a pair of oboists, Bob Phillips and Laza Momulovich, who often get placed very prominently in the mix, probably a first on a rock album). The 15-minute two-part title track is very arty in an early-'70s manner, midway between early Genesis and Amazing Blondel (note that neither of those groups still existed in their progressive rock incarnations in 1977), and although it lacks the vibrancy that the former could generate or the impressive musical language or vocalizing of the latter, it is pretty. The CD reissue (which is devoid of instrumental credits) has a demo, "Master of Time," as a bonus. That song, a fey mix of sci-fi and faux-medieval sensibilities, is played -- on acoustic and electric guitars, with piano and no classical musicians added -- with some effort at excitement and vibrancy. ~ Bruce Eder


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