1 800 222 6872

Emma Kirkby: The Complete Recitals - Songs & airs by Campion, Dowland, Morley, Lawes, Grandi, Monteerdi, Purcell, Bach, Handel, Mozart [12 CDs]

Album Summary

>Edwards, Richard : Where Griping Grief the Heart Doth Wound
>Campion, Thomas : Come let us sound with melody the praises
>Dowland, John [Composer] : In this trembling shadow cast, sacred song for 4 voices & lute (A Pilgrimes Solace)
>Danyel, John : Like As the Lute Delights
>Dowland, John [Composer] : I saw my lady weep, for 2 voices & lute (Second Book of Song)
>Pilkington, Francis : Rest, Sweet Nymphes
>Campion, Thomas : When to her lute Corrina sings
>Pilkington, Francis : Music dear solace to my thoughts (The First Booke of Ayres)
>Morley, Thomas [Composer] : I saw my ladye weeping, song for voice with lute & bass viol
>Jones, Robert (I) : If In This Flesh
>Pilkington, Francis : Come all ye, for voice & lute
>Bartlet, John : Sweet birdes deprive us never, madrigal for 2 voices
>Jones, Robert (I) : Whither runneth my sweet hart (The Second Book of Songs, 1601), for voice & lute
>Corkine, William : Fly Swift My Thoughts, song for voice & lute
>Corkine, William : We yet agree, for 2 voices & continuo (The Second Booke of Ayres)
>Dowland, John [Composer] : Sorrow, stay, lend true repentant tears, for 2 voices & lute (Second Book of Songs)
>Johnson, Robert (II) : As I walked forth
>Johnson, Robert (II) : 'Tis late and cold
>Johnson, Robert (II) : Charon, oh Charon, for bass voice, treble voice and lute
>Lawes, William [Composer] : Come my Daphne come away
>Lawes, William [Composer] : Venus and Vulcan ("Vulcan, Vulcan, O Vulcan, my Love!"), for 2 voices & continuo (Musicall Aures and
>Foggia, Enrico Radesca di : Non miri il mio bel sole, madrigal for 2 voices & continuo
>Peri, Jacopo : Al fonte, al prato
>Falconieri, Andrea : Perchè piangi, pastore?, for 2 voices & continuo
>d'India, Sigismondo : Le musiche, book 1
>Grandi, Alessandro : Surge, propera
>d'India, Sigismondo : Odi quel rosignuolo, for voice & continuo in 2 parts (Le musiche, Book 4)
>Rovetta, Giovanni : Uccidetemi pur, bella tiranna, for 2 voices & continuo
>Merula, Tarquinio : No, no, ch'io non mi fido, for 2 voices & continuo
>Bartlet, John : Whither runneth my sweetheart
>Ferrabosco (I), Alfonso : Fayre cruell Nimph
>Ferrabosco (I), Alfonso : Tell Me, O Love for 2 voices & lute
>Morley, Thomas [Composer] : Who is it that this darke night, song for voice with lute & bass viol
>Ford, Thomas [Poet] : Shut not, sweet breast
>Lawes, Henry : A Dialogue on a Kiss
>Lawes, Henry : A dialogue betwixt time and a pilgrime
>Gagliano, Marco da : Bel Pastor
>d'India, Sigismondo : Da L'Onde del Mio Pianto for voice solo
>Ferrari, Benedetto : Dialogo a due, Fileno e Lidia
>Ferrari, Benedetto : Amanti, io vo so dire, for voice & continuo
>Fontei, Nicolò : Dio ti salvi pastor
>Monteverdi, Claudio : Dialogo di ninfa e pastore
>Notari, Angelo : Intenerite voi
>d'India, Sigismondo : Alla Guerra d'Amore
>Valentini, Giovanni : Vanne, o carta amorosa, for 2 voices & continuo (Musiche a doi voci)
>Frescobaldi, Girolamo : Arie musicali Bk.1 no 6, A piè della gran croce (Maddalena alla Croce), for solo voice
>Grandi, Alessandro : Spine care e soavi, for 2 voices & continuo (Madrigali concertati a 2, 3 e 4 voci, libro II)
>Fontei, Nicolò : Fortunato cantore, for 2 voices & continuo (Bizzarrie poetiche poste in musica, libro secondo)
>Rovetta, Giovanni : Chi vuol haver felice e lieto il core, for 2 voices & continuo, Op. 2/2 (Madrigali concertati, Libro
>Monteverdi, Claudio : Madrigals, Book 7
>d'India, Sigismondo : Le musiche, book 2
>Rovetta, Giovanni : Io mi sento morir, for 2 voices & continuo, Op. 2/3 (Madrigali concertati, Libro primo)
>d'India, Sigismondo : Le musiche, book 5
>Sabbatini, Galeazzo : Udite, o selve, for 2 voices & continuo (Madrigali concertati, libro IV, Op. 5)
>Sabbatini, Galeazzo : Fulmina da la bocca, for 2 voices & continuo (Il primo libro di madrigali... concertati, Op. 1)
>Purcell, Henry : The Fairy Queen, Z629
>Purcell, Henry : Celebrate this festival, Z321; Birthday Ode for Queen Mary II, 1693
>Purcell, Henry : Fairy Queen, Z 629
>Purcell, Henry : History of King Richard II, Z 581
>Purcell, Henry : The Fairy Queen, Z629, 1693
>Purcell, Henry : The Indian Queen, Z630
>Purcell, Henry : Olinda in the shades unseen, song, Z. 404
>Purcell, Henry : Urge me no more, song, Z. 426
>Purcell, Henry : From silent shades, Z 370 "Bess of Bedlam"
>Purcell, Henry : Lovely Albina's come ashore, song, Z. 394
>Purcell, Henry : Pausanias, Z585
>Purcell, Henry : The Tempest, Z631/10
>Purcell, Henry : When first Amintas sued for a kiss, song, Z. 430
>Purcell, Henry : Timon of Athens, Z632
>Purcell, Henry : An Evening Hymn to the Ground, "Now that the sun hath veiled his light"
>Bach, Johann Sebastian : Cantata no 211, "Schweigt stille, plaudert nicht," (Coffee Cantata), BWV 211 (BC G48)
>Bach, Johann Sebastian : Cantata no 212, "Mer hahn en neue Oberkeet," (Peasant Cantata), BWV 212 (BC G32)
>Bach, Johann Sebastian : Cantata no 202, "Weichet nur, betrübte Schatten" ("Wedding Cantata") BWV 202
>Bach, Johann Sebastian : Bist du bei mir, aria arranged for voice & continuo (after Gottfried Stölzel), BWV 508
>Bach, Johann Sebastian : Gedenke doch, mein Geist, aria for voice & continuo (doubtful), BWV 509
>Bach, Johann Sebastian : Cantata BWV 82 "Ich habe genug"
>Bach, Johann Sebastian : Cantata no 210, "O holder Tag, erwünschte Zeit" BWV 210
>Handel, George Frideric : Alessandro Severo, HWV A13
>Lampe, John Frederick : Britannia
>Lampe, John Frederick : Dione
>Handel, George Frideric : Hornpipe for orchestra in D major, HWV 356
>Arne, Thomas [Composer] : Rosamond
>Handel, George Frideric : Ariodante, HWV 33
>Handel, George Frideric : Alcina, HWV 34
>Handel, George Frideric : March for orchestra in D major, HWV 345
>Handel, George Frideric : Alexander's Feast, HWV 75
>Handel, George Frideric : L'Allegro, il Penseroso ed il Moderato, HWV 55
>Handel, George Frideric : Saul, HWV 53
>Arne, Thomas [Composer] : Comus, masque in 3 acts
>Arne, Thomas [Composer] : The Tempest
>Handel, George Frideric : Tu fedel? Tu constante?, cantata for soprano, 2 violins & continuo, HWV 171
>Handel, George Frideric : Mi palpita il cor, cantata, HWV 132
>Handel, George Frideric : Alpestre Monte, cantata, HWV 81
>Handel, George Frideric : Tra le fiamme, HWV 170
>Handel, George Frideric : Italian Duets
>Handel, George Frideric : Nell' Africaine selve, cantata for bass & continuo, HWV 136
>Handel, George Frideric : No, di voi non vo' fidarmi, duet for 2 sopranos & continuo, HWV 189
>Handel, George Frideric : Nella stagion che di viole e rose, cantata, HWV 137
>Handel, George Frideric : Tacete, ohime, tacete, duet for soprano, bass & continuo, HWV 196
>Handel, George Frideric : Se tu non lasci amore, trio for 2 sopranos, bass & continuo, HWV 201
>Handel, George Frideric : La Resurrezione Oratorio per la Resurrezione di Nostro Signor Gesù Cristo, HWV 47
>Handel, George Frideric : Messiah, HWV 56, Oratorio
>Haydn, Franz Joseph : The Creation Oratorio for solo voices, chorus and orchestra, Hob. XXI
>Mozart, Wolfgang Amadeus : Exsultate jubilate, K 165 (158a)
>Mozart, Wolfgang Amadeus : Regina coeli, antiphon for soprano, chorus & orchestra, K. 108 (K. 74d)
>Mozart, Wolfgang Amadeus : Ergo interest...Quaere superna, recitative and aria for soprano & orchestra, K. 143 (K. 73a)
>Mozart, Wolfgang Amadeus : Regina coeli, antiphon for soprano, chorus & orchestra, K. 127
>Mozart, Wolfgang Amadeus : Il rè pastore, K 208
>Mozart, Wolfgang Amadeus : Voi avete un cor fedele, K 217
>Mozart, Wolfgang Amadeus : Ah, lo previdi...Ah, t'invola agl'occhi miei, recitative and aria for soprano & orchestra, K. 272
>Mozart, Wolfgang Amadeus : Zaide, K 344
>Mozart, Wolfgang Amadeus : Nehmt meinen Dank, ihr holden Gönner, aria for soprano & orchestra. K. 383
>Mozart, Wolfgang Amadeus : Ch'io mi scordi di te...Non temer, amato bene, K 505
Performers Conductors Ensembles Composers

Notes & Reviews:

This 12-CD collection brings together Emma Kirkby's complete L'Oiseau-Lyre recitals in a single set. The world's most popular period-instrument soprano, Kirkby's pure, crystalline sound defined how vocal music of the baroque and earlier eras should sound for a whole generation and beyond. Accompanied mainly by Anthony Rooley, the set features works by Purcell, Handel, Bach and Mozart as well as rarely recorded works by Edwards, Campion, Dowland, Morley, Ferrabosco and many more.


Works:

When grypinge griefes by Richard Edwards
Performer: Emma Kirkby (Soprano), Anthony Rooley (Lute)
Period: Renaissance
Written: 16th Century; England

Come let us sound with melodie the praises by Thomas Campion
Performer: Emma Kirkby (Soprano), Anthony Rooley (Lute)
Period: Renaissance
Written: by 1601; England

In this trembling, trembling shadow, D 96 by John Dowland
Performer: Emma Kirkby (Soprano), Anthony Rooley (Lute)
Period: Renaissance
Written: 1612; England

Second Booke of Songes or Ayres: no 1, I saw my lady weepe by John Dowland
Performer: Emma Kirkby (Soprano), Anthony Rooley (Lute)
Period: Renaissance
Written: by 1600; England

Songs for the Lute, Viol and Voice: Like as the lute delights by John Danyel
Performer: Emma Kirkby (Soprano), Anthony Rooley (Lute)
Period: Renaissance
Written: England

Rest, sweet nymphs by Francis Pilkington
Performer: Emma Kirkby (Soprano), Anthony Rooley (Lute)
Period: Renaissance
Written: by 1605; England

When to her lute Corrina sings by Thomas Campion
Performer: Emma Kirkby (Soprano), Anthony Rooley (Lute)
Period: Renaissance
Written: by 1601; England

Music dear solace to my thoughts by Francis Pilkington
Performer: Emma Kirkby (Soprano), Anthony Rooley (Lute)
Period: Renaissance
Written: by 1605; England

I saw my lady weeping by Thomas Morley
Performer: Emma Kirkby (Soprano), Anthony Rooley (Lute)
Period: Renaissance

If in this flesh by Robert Jones
Performer: Emma Kirkby (Soprano), Anthony Rooley (Lute)
Period: Renaissance
Written: England

Come all ye by Francis Pilkington
Performer: Emma Kirkby (Soprano), Anthony Rooley (Lute)

Sweete birdes deprive us never by John Bartlett
Performer: Emma Kirkby (Soprano), Anthony Rooley (Lute)

Whither runneth my sweet hart (The Second Book of Songs, 1601), for voice & luteby Robert Jones
Performer: David Thomas (Bass), Emma Kirkby (Soprano), Anthony Rooley (Lute),
Trevor [viola da gamba] Jones (Bass Viola Da Gamba)
Period: Renaissance

Fly Swift My Thoughts, song for voice & lute by William Corkine
Performer: David Thomas (Bass), Emma Kirkby (Soprano), Anthony Rooley (Lute),
Trevor [viola da gamba] Jones (Bass Viola Da Gamba)

We yet agree by William Corkine
Performer: David Thomas (Bass), Emma Kirkby (Soprano), Anthony Rooley (Lute),
Trevor [viola da gamba] Jones (Bass Viola Da Gamba)

Second Booke of Songes or Ayres: no 3, Sorrow sorrow stay, lend true repentant teares by John Dowland
Performer: David Thomas (Bass), Emma Kirkby (Soprano), Anthony Rooley (Lute),
Trevor [viola da gamba] Jones (Bass Viola Da Gamba)
Period: Renaissance
Written: 1600; England

Charon, oh Charon by Robert Johnson
Performer: David Thomas (Bass), Emma Kirkby (Soprano), Anthony Rooley (Lute),
Trevor [viola da gamba] Jones (Bass Viola Da Gamba)
Period: Baroque
Written: 17th Century; England

As I walked forth by Robert Johnson
Performer: David Thomas (Bass), Emma Kirkby (Soprano), Anthony Rooley (Lute),
Trevor [viola da gamba] Jones (Bass Viola Da Gamba)
Period: Baroque
Written: England

‘Tis late and cold by Robert Johnson
Performer: David Thomas (Bass), Emma Kirkby (Soprano), Anthony Rooley (Lute),
Trevor [viola da gamba] Jones (Bass Viola Da Gamba)
Period: Baroque
Written: 1623; England

Come, my Daphne, come away by William Lawes
Performer: David Thomas (Bass), Emma Kirkby (Soprano), Anthony Rooley (Lute),
Trevor [viola da gamba] Jones (Bass Viola Da Gamba)
Period: Renaissance
Written: 1641; England

Vulcan, O Vulcan, my love “Venus and Vulcan” by William Lawes
Performer: David Thomas (Bass), Emma Kirkby (Soprano), Anthony Rooley (Lute),
Trevor [viola da gamba] Jones (Bass Viola Da Gamba)

Non miri il mio bel sole by Enrico Antonio Radesca di Foggia
Performer: David Thomas (Bass), Emma Kirkby (Soprano), Anthony Rooley (Lute),
Trevor [viola da gamba] Jones (Bass Viola Da Gamba)
Period: Baroque

Al fonte, al prato by Jacopo Peri
Performer: David Thomas (Bass), Emma Kirkby (Soprano), Anthony Rooley (Lute),
Trevor [viola da gamba] Jones (Bass Viola Da Gamba)
Period: Baroque
Written: by 1609; Italy

Perchè piangi, pastore by Andrea Falconieri
Performer: David Thomas (Bass), Emma Kirkby (Soprano), Anthony Rooley (Lute),
Trevor [viola da gamba] Jones (Bass Viola Da Gamba)

Le musiche, book 1: Che farai, Meliseo? by Sigismondo D’India
Performer: David Thomas (Bass), Emma Kirkby (Soprano), Anthony Rooley (Lute),
Trevor [viola da gamba] Jones (Bass Viola Da Gamba)
Period: Renaissance
Written: by 1609; Italy

Surge propera amica mea by Alessandro Grandi
Performer: David Thomas (Bass), Emma Kirkby (Soprano), Anthony Rooley (Lute),
Trevor [viola da gamba] Jones (Bass Viola Da Gamba)

Le musiche, book 4: Di quel rosignuolo by Sigismondo D’India
Performer: David Thomas (Bass), Emma Kirkby (Soprano), Anthony Rooley (Lute),
Trevor [viola da gamba] Jones (Bass Viola Da Gamba)
Period: Renaissance
Written: by 1621; Italy

Uccidetemi pur, bella tiranna by Giovanni Rovetta
Performer: David Thomas (Bass), Emma Kirkby (Soprano), Anthony Rooley (Lute),
Trevor [viola da gamba] Jones (Bass Viola Da Gamba)

No, chi’io non mi fido by Tarquinio Merula
Performer: David Thomas (Bass), Emma Kirkby (Soprano), Anthony Rooley (Lute),
Trevor [viola da gamba] Jones (Bass Viola Da Gamba)

Whither runneth my sweetheart? by John Bartlett
Performer: Martyn Hill (Tenor), Trevor [viola da gamba] Jones (Bass Viola Da Gamba), Emma Kirkby (Soprano),
Alison Crum (Bass Viola Da Gamba), Anthony Rooley (Lute)
Orchestra/Ensemble: Consort of Musicke

Fayre cruell Nimph by Alfonso (II) Ferrabosco
Performer: Martyn Hill (Tenor), Trevor [viola da gamba] Jones (Bass Viola Da Gamba), Emma Kirkby (Soprano),
Alison Crum (Bass Viola Da Gamba), Anthony Rooley (Lute)
Orchestra/Ensemble: Consort of Musicke

Tell me, O love by Alfonso (II) Ferrabosco
Performer: Martyn Hill (Tenor), Trevor [viola da gamba] Jones (Bass Viola Da Gamba), Emma Kirkby (Soprano),
Alison Crum (Bass Viola Da Gamba), Anthony Rooley (Lute)
Orchestra/Ensemble: Consort of Musicke

First Booke of Ayres: Who is it that this darke night by Thomas Morley
Performer: Martyn Hill (Tenor), Trevor [viola da gamba] Jones (Bass Viola Da Gamba), Emma Kirkby (Soprano),
Alison Crum (Bass Viola Da Gamba), Anthony Rooley (Lute)
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
Written: by 1600; England

Shut not sweet breast by Thomas Ford
Performer: Martyn Hill (Tenor), Trevor [viola da gamba] Jones (Bass Viola Da Gamba), Emma Kirkby (Soprano),
Alison Crum (Bass Viola Da Gamba), Anthony Rooley (Lute)
Orchestra/Ensemble: Consort of Musicke

A Dialogue on a Kiss “Among thy fancies tell me this” by Henry Lawes
Performer: Martyn Hill (Tenor), Trevor [viola da gamba] Jones (Bass Viola Da Gamba), Emma Kirkby (Soprano),
Alison Crum (Bass Viola Da Gamba), Anthony Rooley (Lute)
Orchestra/Ensemble: Consort of Musicke
Period: Baroque
Written: 17th Century; England

A Dialogue betwixt time and a pilgrim “Aged man that moves these fields”by Henry Lawes
Performer: Martyn Hill (Tenor), Trevor [viola da gamba] Jones (Bass Viola Da Gamba), Emma Kirkby (Soprano),
Alison Crum (Bass Viola Da Gamba), Anthony Rooley (Lute)
Orchestra/Ensemble: Consort of Musicke

Bel Pastor by Marco da Gagliano
Performer: Martyn Hill (Tenor), Trevor [viola da gamba] Jones (Bass Viola Da Gamba), Emma Kirkby (Soprano),
Alison Crum (Bass Viola Da Gamba), Anthony Rooley (Lute)
Orchestra/Ensemble: Consort of Musicke

Le musiche I: Da l’onde del mio pianto by Sigismondo D’India
Performer: Martyn Hill (Tenor), Trevor [viola da gamba] Jones (Bass Viola Da Gamba), Emma Kirkby (Soprano),
Alison Crum (Bass Viola Da Gamba), Anthony Rooley (Lute)
Orchestra/Ensemble: Consort of Musicke
Written: by 1609

Dialogo a due, Fileno e Lidia “Amar io to consiglio” by Benedetto Ferrari
Performer: Martyn Hill (Tenor), Trevor [viola da gamba] Jones (Bass Viola Da Gamba), Emma Kirkby (Soprano),
Alison Crum (Bass Viola Da Gamba), Anthony Rooley (Lute)
Orchestra/Ensemble: Consort of Musicke

Dio ti salvi, pastor by Nicolò Fontei
Performer: Martyn Hill (Tenor), Trevor [viola da gamba] Jones (Bass Viola Da Gamba), Emma Kirkby (Soprano),
Alison Crum (Bass Viola Da Gamba), Anthony Rooley (Lute)
Orchestra/Ensemble: Consort of Musicke

Madrigals, Book 9: Bel pastor dal cui bel guardo by Claudio Monteverdi
Performer: Martyn Hill (Tenor), Trevor [viola da gamba] Jones (Bass Viola Da Gamba), Emma Kirkby (Soprano),
Alison Crum (Bass Viola Da Gamba), Anthony Rooley (Lute)
Orchestra/Ensemble: Consort of Musicke
Period: Baroque
Written: 17th Century; Italy

If music be the food of love, Z 379 by Henry Purcell
Performer: Anthony Rooley (Lute), Emma Kirkby (Soprano), Christopher Hogwood (Organ),
Richard Campbell (Viola Da Gamba), Catherine Mackintosh (Violin)
Period: Baroque
Written: 1692-1695; England

Not all my torments can your pity move, Z 400 by Henry Purcell
Performer: Anthony Rooley (Lute), Emma Kirkby (Soprano), Christopher Hogwood (Organ),
Richard Campbell (Viola Da Gamba), Catherine Mackintosh (Violin)
Period: Baroque
Written: England

Olinda in the shades unseen, Z 404 by Henry Purcell
Performer: Anthony Rooley (Lute), Emma Kirkby (Soprano), Christopher Hogwood (Organ),
Richard Campbell (Viola Da Gamba), Catherine Mackintosh (Violin)
Period: Baroque
Written: England

Urge me no more Z 426 by Henry Purcell
Performer: Anthony Rooley (Lute), Emma Kirkby (Soprano), Christopher Hogwood (Organ),
Richard Campbell (Viola Da Gamba), Catherine Mackintosh (Violin)
Period: Baroque
Written: England

Fairy Queen, Z 629: Hark! hark! how all things by Henry Purcell
Performer: Richard Campbell (Bass Viola da gamba), Christopher Hogwood (Spinet), Christopher Hogwood (Organ),
Richard Campbell (Viola Da Gamba), Emma Kirkby (Soprano), Anthony Rooley (Lute),
Catherine Mackintosh (Violin)
Period: Baroque
Written: 1692; England
Date of Recording: 10/1982
Venue: Forde Abbey, Dorset, England
Language: English

Fairy Queen, Z 629: Oh, oh, let me weep “The Plaint” by Henry Purcell
Performer: Anthony Rooley (Lute), Emma Kirkby (Soprano), Christopher Hogwood (Organ),
Richard Campbell (Viola Da Gamba), Catherine Mackintosh (Violin)
Period: Baroque
Written: 1692; England

Indian Queen, Z 630: I attempt from Love’s sickness to fly by Henry Purcell
Performer: Anthony Rooley (Lute), Emma Kirkby (Soprano), Christopher Hogwood (Organ),
Richard Campbell (Viola Da Gamba), Catherine Mackintosh (Violin)
Period: Baroque
Written: 1695; England

From silent shades, Z 370 “Bess of Bedlam” by Henry Purcell
Performer: Anthony Rooley (Lute), Emma Kirkby (Soprano), Christopher Hogwood (Organ),
Richard Campbell (Viola Da Gamba), Catherine Mackintosh (Violin)
Period: Baroque
Written: by 1683; England

Lovely Albina’s come ashore, Z 394 by Henry Purcell
Performer: Anthony Rooley (Lute), Emma Kirkby (Soprano), Christopher Hogwood (Organ),
Richard Campbell (Viola Da Gamba), Catherine Mackintosh (Violin)
Period: Baroque
Written: England

Sweeter than roses, Z 585 by Henry Purcell
Performer: Anthony Rooley (Lute), Emma Kirkby (Soprano), Christopher Hogwood (Organ),
Richard Campbell (Viola Da Gamba), Catherine Mackintosh (Violin)
Period: Baroque
Written: By 1696; England

When first Amintas sued for a kiss, Z 430 by Henry Purcell
Performer: Anthony Rooley (Lute), Emma Kirkby (Soprano), Christopher Hogwood (Organ),
Richard Campbell (Viola Da Gamba), Catherine Mackintosh (Violin)
Period: Baroque
Written: by 1687; England

Evening Hymn by Henry Purcell
Performer: Anthony Rooley (Lute), Emma Kirkby (Soprano), Christopher Hogwood (Organ),
Richard Campbell (Viola Da Gamba), Catherine Mackintosh (Violin)
Period: Baroque
Written: England

Tempest, Z 631 “Enchanted Island”: Dear pretty youth by Henry Purcell
Performer: Anthony Rooley (Lute), Emma Kirkby (Soprano), Christopher Hogwood (Organ),
Richard Campbell (Viola Da Gamba), Catherine Mackintosh (Violin)
Period: Baroque
Written: circa 1695; England

Fairy Queen, Z 629: Ye gentle spirits of the air by Henry Purcell
Performer: Anthony Rooley (Lute), Emma Kirkby (Soprano), Christopher Hogwood (Organ),
Richard Campbell (Viola Da Gamba), Catherine Mackintosh (Violin)
Period: Baroque
Written: 1692; England

Schweigt stille, plaudert nicht, BWV 211 “Coffee Cantata” by Johann Sebastian Bach
Performer: Rogers Covey-Crump (Tenor), David Thomas (Bass), Emma Kirkby (Soprano)
Conductor: Christopher Hogwood
Orchestra/Ensemble: Academy of Ancient Music
Period: Baroque
Written: circa 1734-1735; Leipzig, Germany
Language: German

Mer Hahn en neue Oberkeet, BWV 212 “Peasant Cantata” by Johann Sebastian Bach
Performer: Emma Kirkby (Soprano), David Thomas (Bass)
Conductor: Christopher Hogwood
Orchestra/Ensemble: Academy of Ancient Music
Period: Baroque
Written: 1742; Leipzig, Germany
Language: German

Weichet nur, betrübte Schatten, BWV 202 “Wedding Cantata” by Johann Sebastian Bach
Performer: Emma Kirkby (Soprano)
Conductor: Christopher Hogwood
Orchestra/Ensemble: Academy of Ancient Music
Period: Baroque
Written: circa 1718-1723; Cöthen, Germany

Clavierbüchlein no 2 for Anna Magdalena Bach: Bist du bei mir, BWV 508by Johann Sebastian Bach
Performer: Emma Kirkby (Soprano)
Conductor: Christopher Hogwood
Period: Baroque

Clavierbüchlein no 2 for Anna Magdalena Bach: Gedenke doch, mein Geist, BWV 509 by Johann Sebastian Bach
Performer: Emma Kirkby (Soprano)
Conductor: Christopher Hogwood
Period: Baroque

Ich habe genug, BWV 82: Excerpt(s) by Johann Sebastian Bach
Performer: Emma Kirkby (Soprano)
Conductor: Christopher Hogwood
Period: Baroque
Written: 1727; Cöthen, Germany

O holder Tag, erwünschte Zeit, BWV 210 by Johann Sebastian Bach
Performer: Emma Kirkby (Soprano)
Conductor: Christopher Hogwood
Period: Baroque
Written: ?1740; Leipzig, Germany

Alessandro Severo, HWV A13: Overture by George Frideric Handel
Performer: Emma Kirkby (Soprano), Anthony Rooley (Lute)
Conductor: Christopher Hogwood
Orchestra/Ensemble: Academy of Ancient Music
Period: Baroque
Written: 1738
Date of Recording: 09/1991
Venue: Walthamstow Assembly Hall, London
Length: 5 Minutes 31 Secs.

Britannia: Welcome Mars by John Frederick Lampe
Performer: Emma Kirkby (Soprano)
Conductor: Christopher Hogwood
Orchestra/Ensemble: Academy of Ancient Music
Period: Baroque
Written: 1732; London, England
Date of Recording: 09/1991
Venue: Walthamstow Assembly Hall, London
Length: 4 Minutes 31 Secs.
Language: English

Dione: Pretty Warblers by John Frederick Lampe
Performer: Emma Kirkby (Soprano)
Conductor: Christopher Hogwood
Orchestra/Ensemble: Academy of Ancient Music
Period: Baroque
Written: 1732; London, England
Date of Recording: 09/1991
Venue: Walthamstow Assembly Hall, London
Length: 7 Minutes 56 Secs.
Language: English

Hornpipe in D major, HWV 356 by George Frideric Handel
Performer: Emma Kirkby (Soprano), Anthony Rooley (Lute)
Conductor: Christopher Hogwood
Orchestra/Ensemble: Academy of Ancient Music
Period: Baroque
Date of Recording: 09/1991
Venue: Walthamstow Assembly Hall, London
Length: 1 Minutes 34 Secs.

Rosemond: Rise, Glory, rise by Thomas Augustine Arne
Performer: Emma Kirkby (Soprano)
Conductor: Christopher Hogwood
Orchestra/Ensemble: Academy of Ancient Music
Period: Baroque
Written: 1733; London, England
Date of Recording: 09/1991
Venue: Walthamstow Assembly Hall, London
Length: 6 Minutes 34 Secs.
Language: English

Ariodante, HWV 33: Neghittosi or voi che fate? by George Frideric Handel
Performer: Emma Kirkby (Soprano)
Conductor: Christopher Hogwood
Orchestra/Ensemble: Academy of Ancient Music
Period: Baroque
Written: 1734-1735; London, England
Date of Recording: 09/1991
Venue: Walthamstow Assembly Hall, London
Length: 3 Minutes 42 Secs.
Language: Italian

Alcina, HWV 34: Credete al mio dolore by George Frideric Handel
Performer: Emma Kirkby (Soprano)
Conductor: Christopher Hogwood
Orchestra/Ensemble: Academy of Ancient Music
Period: Baroque
Written: 1735; London, England
Date of Recording: 09/1991
Venue: Walthamstow Assembly Hall, London
Length: 5 Minutes 37 Secs.
Language: Italian

Alcina, HWV 34: Tornami a vagheggiar by George Frideric Handel
Performer: Emma Kirkby (Soprano)
Conductor: Christopher Hogwood
Orchestra/Ensemble: Academy of Ancient Music
Period: Baroque
Written: 1735; London, England
Date of Recording: 09/1991
Venue: Walthamstow Assembly Hall, London
Length: 4 Minutes 20 Secs.
Language: Italian

March in D major, HWV 345 by George Frideric Handel
Performer: Emma Kirkby (Soprano), Anthony Rooley (Lute)
Conductor: Christopher Hogwood
Orchestra/Ensemble: Academy of Ancient Music
Period: 20th Century
Date of Recording: 09/1991
Venue: Walthamstow Assembly Hall, London
Length: 1 Minutes 23 Secs.

Alexander’s Feast, HWV 75: War, he sung, is toil and trouble by George Frideric Handel
Performer: Emma Kirkby (Soprano)
Conductor: Christopher Hogwood
Orchestra/Ensemble: Academy of Ancient Music
Period: Baroque
Written: 1736; London, England
Date of Recording: 09/1991
Venue: Walthamstow Assembly Hall, London
Length: 5 Minutes 1 Secs.
Language: English

L’Allegro, il Penseroso ed il Moderato, HWV 55: Sweet bird, that shun’st the noise of folly by George Frideric Handel
Performer: Emma Kirkby (Soprano)
Conductor: Christopher Hogwood
Orchestra/Ensemble: Academy of Ancient Music
Period: Baroque
Written: by 1740; London, England
Date of Recording: 09/1991
Venue: Walthamstow Assembly Hall, London
Length: 13 Minutes 0 Secs.
Language: English

Saul, HWV 53: Capricious man by George Frideric Handel
Performer: Emma Kirkby (Soprano)
Conductor: Christopher Hogwood
Orchestra/Ensemble: Academy of Ancient Music
Period: Baroque
Written: 1738-1739; London, England
Date of Recording: 09/1991
Venue: Walthamstow Assembly Hall, London
Length: 3 Minutes 45 Secs.
Language: English

Comus: By the rushy-fringed bank by Thomas Augustine Arne
Performer: Emma Kirkby (Soprano)
Conductor: Christopher Hogwood
Orchestra/Ensemble: Academy of Ancient Music
Period: Baroque
Written: 1738; London, England
Date of Recording: 09/1991
Venue: Walthamstow Assembly Hall, London
Length: 4 Minutes 32 Secs.
Language: English

Comus: Brightest Lady, thrice upon thy finger’s tip by Thomas Augustine Arne
Performer: Emma Kirkby (Soprano)
Conductor: Christopher Hogwood
Orchestra/Ensemble: Academy of Ancient Music
Period: Baroque
Written: 1738; London, England
Date of Recording: 09/1991
Venue: Walthamstow Assembly Hall, London
Length: 1 Minutes 43 Secs.
Language: English

The Tempest: Ariel’s Song “Where the bee sucks” by Thomas Augustine Arne
Performer: Emma Kirkby (Soprano)
Conductor: Christopher Hogwood
Orchestra/Ensemble: Academy of Ancient Music
Period: Baroque
Written: 1746; England
Date of Recording: 09/1991
Venue: Walthamstow Assembly Hall, London
Length: 2 Minutes 21 Secs.
Language: English

Alpestre monte, HWV 81 by George Frideric Handel
Performer: Michel Piquet (Recorder), Rachel Beckett (Recorder), Charles Medlam (Bass Viola da gamba),
Michel Piquet (Oboe), Jane Coe (Cello), Emma Kirkby (Soprano)
Conductor: Christopher Hogwood
Orchestra/Ensemble: Academy of Ancient Music
Period: Baroque
Written: Italy
Language: Italian

Mi palpita il cor, HWV 132 by George Frideric Handel
Performer: Emma Kirkby (Soprano), Rachel Beckett (Recorder), Charles Medlam (Bass Viola da gamba),
Jane Coe (Cello), Michel Piquet (Oboe), Michel Piquet (Recorder)
Conductor: Christopher Hogwood
Orchestra/Ensemble: Academy of St. Martin in the Fields
Period: Baroque
Written: circa 1707-1710; Italy
Language: Italian

Tra le fiamme, HWV 170 by George Frideric Handel
Performer: Jane Coe (Cello), Michel Piquet (Oboe), Emma Kirkby (Soprano),
Michel Piquet (Recorder), Rachel Beckett (Recorder), Charles Medlam (Bass Viola da gamba)
Conductor: Christopher Hogwood
Orchestra/Ensemble: Academy of St. Martin in the Fields
Period: Baroque
Written: Italy
Language: Italian

Tu fedel?, tu constante?, HWV 171 by George Frideric Handel
Performer: Jane Coe (Cello), Rachel Beckett (Recorder), Emma Kirkby (Soprano),
Michel Piquet (Recorder), Charles Medlam (Bass Viola da gamba), Michel Piquet (Oboe)
Conductor: Christopher Hogwood
Orchestra/Ensemble: Academy of St. Martin in the Fields
Period: Baroque
Written: circa 1706-1707; Italy
Language: Italian

Exsultate jubilate, K 165 (158a) by Wolfgang Amadeus Mozart
Performer: Emma Kirkby (Soprano)
Conductor: Christopher Hogwood
Orchestra/Ensemble: Academy of Ancient Music, Westminster Cathedral Boys Choir
Period: Classical
Written: 1773; Milan, Italy
Language: Latin

Regina coeli in C major, K 108 (74d) by Wolfgang Amadeus Mozart
Performer: Emma Kirkby (Soprano)
Conductor: Christopher Hogwood
Orchestra/Ensemble: Academy of Ancient Music, Westminster Cathedral Boys Choir
Period: Classical
Written: 1771; Salzburg, Austria

Ergo interest, K 143 (73a) by Wolfgang Amadeus Mozart
Performer: Emma Kirkby (Soprano)
Conductor: Christopher Hogwood
Orchestra/Ensemble: Academy of Ancient Music, Westminster Cathedral Boys Choir
Period: Classical
Written: 1773; Salzburg, Austria
Language: Latin

Regina coeli in B flat major, K 127 (321b) by Wolfgang Amadeus Mozart
Performer: Emma Kirkby (Soprano)
Conductor: Christopher Hogwood
Orchestra/Ensemble: Academy of Ancient Music, Westminster Cathedral Boys Choir
Period: Classical
Written: 1772; Salzburg, Austria
Language: Latin

Il rè pastore, K 208: Aer tranquillo e dì sereni by Wolfgang Amadeus Mozart
Performer: Emma Kirkby (Soprano)
Conductor: Christopher Hogwood
Orchestra/Ensemble: Academy of Ancient Music
Period: Classical
Written: 1775; Salzburg, Austria

Il rè pastore, K 208: L’amerò, sarò costante by Wolfgang Amadeus Mozart
Performer: Christopher Hirons (Violin), Emma Kirkby (Soprano)
Conductor: Christopher Hogwood
Orchestra/Ensemble: Academy of Ancient Music
Period: Classical
Written: 1775; Salzburg, Austria

Voi avete un cor fedele, K 217 by Wolfgang Amadeus Mozart
Performer: Emma Kirkby (Soprano)
Conductor: Christopher Hogwood
Orchestra/Ensemble: Academy of Ancient Music
Period: Classical
Written: 1775; Salzburg, Austria

Ah, lo previdi...Ah, t’invola agl’occhi miei, K 272 by Wolfgang Amadeus Mozart
Performer: Emma Kirkby (Soprano)
Conductor: Christopher Hogwood
Orchestra/Ensemble: Academy of Ancient Music
Period: Classical
Written: 1777; Salzburg, Austria

Zaide, K 344 (336b): Ruhe sanft, mein holdes Leben by Wolfgang Amadeus Mozart
Performer: Emma Kirkby (Soprano)
Conductor: Christopher Hogwood
Orchestra/Ensemble: Academy of Ancient Music
Period: Classical
Written: 1780; Austria

Zaide, K 344 (336b): Trostlos schmechzet Philomele by Wolfgang Amadeus Mozart
Performer: Emma Kirkby (Soprano)
Conductor: Christopher Hogwood
Orchestra/Ensemble: Academy of Ancient Music

Nehmt meinen Dank, ihr holden Gönner, K 383 by Wolfgang Amadeus Mozart
Performer: Emma Kirkby (Soprano)
Conductor: Christopher Hogwood
Orchestra/Ensemble: Academy of Ancient Music
Period: Classical
Written: 1782; Vienna, Austria

Ch’io mi scordi di te...Non temer, amato bene, K 505 by Wolfgang Amadeus Mozart
Performer: Steven Lubin (Fortepiano), Emma Kirkby (Soprano)
Conductor: Christopher Hogwood
Orchestra/Ensemble: Academy of Ancient Music
Period: Classical
Written: 1786; Vienna, Austria

Italian Duets: no 15, Qual fior che all’ alba ride, HWV 192 by George Frideric Handel
Performer: Judith Nelson (Soprano), Emma Kirkby (Soprano), Patrizia Kwella (Soprano)
Conductor: Christopher Hogwood
Orchestra/Ensemble: Academy of Ancient Music
Period: Baroque
Written: ?1708; Italy
Language: Italian

Nell’ africaine selve, HWV 136 by George Frideric Handel
Performer: David Thomas (Bass)
Conductor: Christopher Hogwood
Orchestra/Ensemble: Academy of Ancient Music
Period: Baroque
Written: by 1708; Italy
Language: Italian

Italian Duets: no 16, Nò, di voi non vo’fidarmi, HWV 189 by George Frideric Handel
Performer: Emma Kirkby (Soprano), Susan Sheppard (Cello), Judith Nelson (Soprano)
Conductor: Christopher Hogwood
Orchestra/Ensemble: Academy of Ancient Music
Period: Baroque
Written: 1741; London, England
Language: Italian

Nella stagion, che di viole et rose, HWV 137 by George Frideric Handel
Performer: Judith Nelson (Soprano)
Conductor: Christopher Hogwood
Orchestra/Ensemble: Academy of Ancient Music
Period: Baroque
Written: Italy
Language: Italian

Italian Duets: no 10, Tacete, ohimè, tacete, HWV 196 by George Frideric Handel
Performer: David Thomas (Bass), Emma Kirkby (Soprano)
Conductor: Christopher Hogwood
Orchestra/Ensemble: Academy of Ancient Music
Period: Baroque
Written: by 1710; London, England
Language: Italian

Italian Duets: no 14, Se tu no lasci amore, HWV 193 by George Frideric Handel
Performer: Emma Kirkby (Soprano), Judith Nelson (Soprano)
Conductor: Christopher Hogwood
Orchestra/Ensemble: Academy of Ancient Music
Period: Baroque
Written: circa 1720-1724; London, England
Language: Italian

The Alchemist, HWV 43 by George Frideric Handel
Performer: Emma Kirkby (Soprano), Anthony Rooley (Lute)
Conductor: Christopher Hogwood
Orchestra/Ensemble: Academy of Ancient Music
Period: Baroque
Written: by 1710; London, England

I like the am’rous youth that’s free, HWV 228 no 11 by George Frideric Handel
Performer: Patrizia Kwella (Soprano)
Conductor: Christopher Hogwood
Orchestra/Ensemble: Academy of Ancient Music
Period: Baroque
Written: circa 1737; London, England
Language: English

‘Twas when the seas were roaring, HWV 228 no 19 by George Frideric Handel
Performer: Patrizia Kwella (Soprano)
Conductor: Christopher Hogwood
Orchestra/Ensemble: Academy of Ancient Music
Period: Baroque
Written: by 1715; England
Language: English

Love’s but the frailty of the mind, HWV 218 by George Frideric Handel
Performer: Patrizia Kwella (Soprano)
Conductor: Christopher Hogwood
Orchestra/Ensemble: Academy of Ancient Music
Period: Baroque
Written: 1740; London, England
Language: English

Intenerite voi by Angelo Notari
Performer: Emma Kirkby (Soprano), Anthony Rooley (Lute), Judith Nelson (Soprano)
Period: Baroque

Madrigals, Book 5, for 5 voices: La Virtù by Sigismondo D’India
Performer: Judith Nelson (Soprano), Anthony Rooley (Lute)
Period: Renaissance
Written: 1616

Le musiche, book 2: La mia Filli crudel by Sigismondo D’India
Performer: Emma Kirkby (Soprano), Anthony Rooley (Lute), Judith Nelson (Soprano)
Period: Renaissance
Written: by 1615; Italy

Alla guerra d’amore by Sigismondo D’India
Performer: Judith Nelson (Soprano), Emma Kirkby (Soprano)

Vanne, O carta amorosa by Giuseppe Valentini
Performer: Emma Kirkby (Soprano), Anthony Rooley (Lute), Judith Nelson (Soprano)

Primo libro d’arie musicali per cantarsi: Maddalena alla Croce by Girolamo Frescobaldi
Performer: Emma Kirkby (Soprano), Anthony Rooley (Lute)
Period: Baroque
Written: by 1630; Florence, Italy

Spine care e soavi by Alessandro Grandi
Performer: Judith Nelson (Soprano), Emma Kirkby (Soprano)

Fortunato cantore by Nicolò Fontei
Performer: Judith Nelson (Soprano), Emma Kirkby (Soprano)

Chi vuol haver felice e lieto il core by Giovanni Rovetta
Performer: Emma Kirkby (Soprano), Judith Nelson (Soprano)
Orchestra/Ensemble: Consort of Musicke

Madrigals, Book 7: O come sei gentil, caro augellino by Claudio Monteverdi
Performer: Emma Kirkby (Soprano), Anthony Rooley (Lute), Judith Nelson (Soprano)
Period: Baroque
Written: by 1619; Italy

Io mi sento morir by Giovanni Rovetta
Performer: Emma Kirkby (Soprano), Anthony Rooley (Lute), Judith Nelson (Soprano)

Udite, o selve by Galeazzo Sabbatini
Performer: Emma Kirkby (Soprano), Anthony Rooley (Lute), Judith Nelson (Soprano)

Fulmina da la bocca by Galeazzo Sabbatini
Performer: Emma Kirkby (Soprano), Judith Nelson (Soprano)
Orchestra/Ensemble: Consort of Musicke

American Record Guide, July/August 2015
The recorded sound all the way through is as fresh as when first made. This boxed set comes with a booklet containing very thorough track lists and recording information.

Notes & Reviews:

Recording information: Decca Studios, West Hampstead, London (02/15/1990-02/23/1990); Forde Abbey, Chard, Somerset, England (02/15/1990-02/23/1990); Henry Wood Hall, London, England (02/15/1990-02/23/1990); Kingsway Hall, London (02/15/1990-02/23/1990); St Jude-on-the-Hill, Hampstead Garden Suburb, London (02/15/1990-02/23/1990); St. Barnabas, North Finchley (02/15/1990-02/23/1990); St. Barnabas, North Finchley, London, England (02/15/1990-02/23/1990); Walthamstow Assembly Hall, London (02/15/1990-02/23/1990); Decca Studios, West Hampstead, London (02/19/1997); Forde Abbey, Chard, Somerset, England (02/19/1997); Henry Wood Hall, London, England (02/19/1997); Kingsway Hall, London (02/19/1997); St Jude-on-the-Hill, Hampstead Garden Suburb, London (02/19/1997); St. Barnabas, North Finchley (02/19/1997); St. Barnabas, North Finchley, London, England (02/19/1997); Walthamstow Assembly Hall, London (02/19/1997); Decca Studios, West Hampstead, London (03/1981); Forde Abbey, Chard, Somerset, England (03/1981); Henry Wood Hall, London, England (03/1981); Kingsway Hall, London (03/1981); St Jude-on-the-Hill, Hampstead Garden Suburb, London (03/1981); St. Barnabas, North Finchley (03/1981); St. Barnabas, North Finchley, London, England (03/1981); Walthamstow Assembly Hall, London (03/1981); Decca Studios, West Hampstead, London (04/25/1979-04/27/1979); Forde Abbey, Chard, Somerset, England (04/25/1979-04/27/1979); Henry Wood Hall, London, England (04/25/1979-04/27/1979); Kingsway Hall, London (04/25/1979-04/27/1979); St Jude-on-the-Hill, Hampstead Garden Suburb, London (04/25/1979-04/27/1979); St. Barnabas, North Finchley (04/25/1979-04/27/1979); St. Barnabas, North Finchley, London, England (04/25/1979-04/27/1979); Walthamstow Assembly Hall, London (04/25/1979-04/27/1979); Decca Studios, West Hampstead, London (06/05/1978/06/06/1978); Forde Abbey, Chard, Somerset, England (06/05/1978/06/06/1978); Henry Wood Hall, London, England (06/05/1978/06/06/1978); Kingsway Hall, London (06/05/1978/06/06/1978); St Jude-on-the-Hill, Hampstead Garden Suburb, London (06/05/1978/06/06/1978); St. Barnabas, North Finchley (06/05/1978/06/06/1978); St. Barnabas, North Finchley, London, England (06/05/1978/06/06/1978); Walthamstow Assembly Hall, London (06/05/1978/06/06/1978); Decca Studios, West Hampstead, London (06/25/1979-06/27/1979); Forde Abbey, Chard, Somerset, England (06/25/1979-06/27/1979); Henry Wood Hall, London, England (06/25/1979-06/27/1979); Kingsway Hall, London (06/25/1979-06/27/1979); St Jude-on-the-Hill, Hampstead Garden Suburb, London (06/25/1979-06/27/1979); St. Barnabas, North Finchley (06/25/1979-06/27/1979); St. Barnabas, North Finchley, London, England (06/25/1979-06/27/1979); Walthamstow Assembly Hall, London (06/25/1979-06/27/1979); Decca Studios, West Hampstead, London (06/27/1979-06/29/1979); Forde Abbey, Chard, Somerset, England (06/27/1979-06/29/1979); Henry Wood Hall, London, England (06/27/1979-06/29/1979); Kingsway Hall, London (06/27/1979-06/29/1979); St Jude-on-the-Hill, Hampstead Garden Suburb, London (06/27/1979-06/29/1979); St. Barnabas, North Finchley (06/27/1979-06/29/1979); St. Barnabas, North Finchley, London, England (06/27/1979-06/29/1979); Walthamstow Assembly Hall, London (06/27/1979-06/29/1979); Decca Studios, West Hampstead, London (07/09/1996-07/13/1996); Forde Abbey, Chard, Somerset, England (07/09/1996-07/13/1996); Henry Wood Hall, London, England (07/09/1996-07/13/1996); Kingsway Hall, London (07/09/1996-07/13/1996); St Jude-on-the-Hill, Hampstead Garden Suburb, London (07/09/1996-07/13/1996); St. Barnabas, North Finchley (07/09/1996-07/13/1996); St. Barnabas, North Finchley, London, England (07/09/1996-07/13/1996); Walthamstow Assembly Hall, London (07/09/1996-07/13/1996); Decca Studios, West Hampstead, London (07/1980); Forde Abbey, Chard, Somerset, England (07/1980); Henry Wood Hall, London, England (07/1980); Kingsway Hall, London (07/1980); St Jude-on-the-Hill, Hampstead Garden Suburb, London (07/1980); St. Barnabas, North Finchley (07/1980); St. Barnabas, North Finchley, London, England (07/1980); Walthamstow Assembly Hall, London (07/1980); Decca Studios, West Hampstead, London (09/09/1986-09/11/1986); Forde Abbey, Chard, Somerset, England (09/09/1986-09/11/1986); Henry Wood Hall, London, England (09/09/1986-09/11/1986); Kingsway Hall, London (09/09/1986-09/11/1986); St Jude-on-the-Hill, Hampstead Garden Suburb, London (09/09/1986-09/11/1986); St. Barnabas, North Finchley (09/09/1986-09/11/1986); St. Barnabas, North Finchley, London, England (09/09/1986-09/11/1986); Walthamstow Assembly Hall, London (09/09/1986-09/11/1986); Decca Studios, West Hampstead, London (09/23/1991-09/25/1991); Forde Abbey, Chard, Somerset, England (09/23/1991-09/25/1991); Henry Wood Hall, London, England (09/23/1991-09/25/1991); Kingsway Hall, London (09/23/1991-09/25/1991); St Jude-on-the-Hill, Hampstead Garden Suburb, London (09/23/1991-09/25/1991); St. Barnabas, North Finchley (09/23/1991-09/25/1991); St. Barnabas, North Finchley, London, England (09/23/1991-09/25/1991); Walthamstow Assembly Hall, London (09/23/1991-09/25/1991); Decca Studios, West Hampstead, London (10/27/1982-10/29/1982); Forde Abbey, Chard, Somerset, England (10/27/1982-10/29/1982); Henry Wood Hall, London, England (10/27/1982-10/29/1982); Kingsway Hall, London (10/27/1982-10/29/1982); St Jude-on-the-Hill, Hampstead Garden Suburb, London (10/27/1982-10/29/1982); St. Barnabas, North Finchley (10/27/1982-10/29/1982); St. Barnabas, North Finchley, London, England (10/27/1982-10/29/1982); Walthamstow Assembly Hall, London (10/27/1982-10/29/1982); Decca Studios, West Hampstead, London (11/01/1988/04/25/1989); Forde Abbey, Chard, Somerset, England (11/01/1988/04/25/1989); Henry Wood Hall, London, England (11/01/1988/04/25/1989).



Reviews

There are currently no reviews, be the first one!
Login or Create an Account to write a review
 

Also Purchased

Works Details

>Edwards, Richard : Where Griping Grief the Heart Doth Wound
  • Performers: Emma Kirkby (Soprano); Anthony Rooley (Lute)
  • Notes: Decca Studios, West Hampstead, London (06/05/1978/06/06/1978)
  • Running Time: 4 min. 8 sec.
  • Period Time: Renaissance

>Campion, Thomas : Come let us sound with melody the praises
  • Performers: Emma Kirkby (Soprano); Anthony Rooley (Lute)
  • Notes: Decca Studios, West Hampstead, London (06/05/1978/06/06/1978)
  • Running Time: 3 min. 2 sec.
  • Period Time: Renaissance

>Dowland, John [Composer] : In this trembling shadow cast, sacred song for 4 voices & lute (A Pilgrimes Solace)
  • Performers: Emma Kirkby (Soprano); Anthony Rooley (Lute)
  • Notes: Decca Studios, West Hampstead, London (06/05/1978/06/06/1978)
  • Running Time: 8 min. 5 sec.
  • Period Time: Renaissance
  • Written: 1612

>Danyel, John : Like As the Lute Delights
  • Performers: Emma Kirkby (Soprano); Anthony Rooley (Lute)
  • Notes: Decca Studios, West Hampstead, London (06/05/1978/06/06/1978)
  • Running Time: 3 min. 40 sec.
  • Period Time: Renaissance
  • Form: Vocal

>Dowland, John [Composer] : I saw my lady weep, for 2 voices & lute (Second Book of Song)
  • Performers: Emma Kirkby (Soprano); Anthony Rooley (Lute)
  • Notes: Decca Studios, West Hampstead, London (06/05/1978/06/06/1978)
  • Running Time: 5 min. 37 sec.
  • Period Time: Renaissance
  • Written: by 1600

>Pilkington, Francis : Rest, Sweet Nymphes
  • Performers: Emma Kirkby (Soprano); Anthony Rooley (Lute)
  • Notes: Decca Studios, West Hampstead, London (06/05/1978/06/06/1978)
  • Running Time: 3 min. 46 sec.
  • Period Time: Baroque
  • Form: Vocal
  • Written: 1605

>Campion, Thomas : When to her lute Corrina sings
  • Performers: Emma Kirkby (Soprano); Anthony Rooley (Lute)
  • Notes: Decca Studios, West Hampstead, London (06/05/1978/06/06/1978)
  • Running Time: 1 min. 41 sec.
  • Period Time: Renaissance

>Pilkington, Francis : Music dear solace to my thoughts (The First Booke of Ayres)
  • Performers: Emma Kirkby (Soprano); Anthony Rooley (Lute)
  • Notes: Decca Studios, West Hampstead, London (06/05/1978/06/06/1978)
  • Running Time: 5 min. 6 sec.
  • Period Time: Baroque

>Morley, Thomas [Composer] : I saw my ladye weeping, song for voice with lute & bass viol
  • Performers: Emma Kirkby (Soprano); Anthony Rooley (Lute)
  • Notes: Decca Studios, West Hampstead, London (06/05/1978/06/06/1978)
  • Running Time: 3 min. 42 sec.
  • Period Time: Renaissance
  • Written: by 1600

>Jones, Robert (I) : If In This Flesh
  • Performers: Emma Kirkby (Soprano); Anthony Rooley (Lute)
  • Notes: Decca Studios, West Hampstead, London (06/05/1978/06/06/1978)
  • Running Time: 4 min. 8 sec.
  • Period Time: Renaissance

>Pilkington, Francis : Come all ye, for voice & lute
  • Performers: Emma Kirkby (Soprano); Anthony Rooley (Lute)
  • Notes: Decca Studios, West Hampstead, London (06/05/1978/06/06/1978)
  • Running Time: 4 min. 10 sec.
  • Period Time: Baroque

>Bartlet, John : Sweet birdes deprive us never, madrigal for 2 voices
  • Performers: Emma Kirkby (Soprano); Anthony Rooley (Lute)
  • Notes: Decca Studios, West Hampstead, London (06/05/1978/06/06/1978)
  • Running Time: 6 min. 9 sec.
  • Period Time: Renaissance

>Jones, Robert (I) : Whither runneth my sweet hart (The Second Book of Songs, 1601), for voice & lute
  • Performers: Trevor Jones (Bass Viola da gamba); Emma Kirkby (Soprano); Anthony Rooley (Lute); David Thomas (Bass)
  • Notes: Decca Studios, West Hampstead, London (04/25/1979-04/27/1979)
  • Running Time: 2 min. 18 sec.
  • Period Time: Renaissance

>Corkine, William : Fly Swift My Thoughts, song for voice & lute
  • Performers: Emma Kirkby (Soprano); David Thomas (Bass)
  • Notes: Decca Studios, West Hampstead, London (04/25/1979-04/27/1979)
  • Period Time: Renaissance
  • Form: Vocal

>Corkine, William : We yet agree, for 2 voices & continuo (The Second Booke of Ayres)
  • Performers: Trevor Jones (Bass Viola da gamba); Emma Kirkby (Soprano); Anthony Rooley (Lute); David Thomas (Bass)
  • Notes: Decca Studios, West Hampstead, London (04/25/1979-04/27/1979)
  • Running Time: 1 min. 10 sec.
  • Period Time: Renaissance

>Dowland, John [Composer] : Sorrow, stay, lend true repentant tears, for 2 voices & lute (Second Book of Songs)
  • Performers: Trevor Jones (Bass Viola da gamba); Emma Kirkby (Soprano); Anthony Rooley (Lute); David Thomas (Bass)
  • Notes: Decca Studios, West Hampstead, London (04/25/1979-04/27/1979)
  • Running Time: 6 min. 55 sec.
  • Period Time: Renaissance
  • Written: by 1600

>Johnson, Robert (II) : As I walked forth
  • Performers: Emma Kirkby (Soprano); Anthony Rooley (Lute)
  • Notes: Decca Studios, West Hampstead, London (04/25/1979-04/27/1979)
  • Running Time: 3 min. 2 sec.
  • Period Time: Renaissance

>Johnson, Robert (II) : 'Tis late and cold
  • Performers: Trevor Jones (Bass Viola da gamba); Anthony Rooley (Lute); David Thomas (Bass)
  • Notes: Decca Studios, West Hampstead, London (04/25/1979-04/27/1979)
  • Running Time: 1 min. 49 sec.
  • Period Time: Renaissance

>Johnson, Robert (II) : Charon, oh Charon, for bass voice, treble voice and lute
  • Performers: Trevor Jones (Bass Viola da gamba); Emma Kirkby (Soprano); Anthony Rooley (Lute); David Thomas (Bass)
  • Notes: Decca Studios, West Hampstead, London (04/25/1979-04/27/1979)
  • Running Time: 6 min. 13 sec.
  • Period Time: Renaissance
  • Written: 16th Century

>Lawes, William [Composer] : Come my Daphne come away
  • Performers: Trevor Jones (Bass Viola da gamba); Emma Kirkby (Soprano); Anthony Rooley (Lute); David Thomas (Bass)
  • Notes: Decca Studios, West Hampstead, London (04/25/1979-04/27/1979)
  • Running Time: 1 min. 35 sec.
  • Period Time: Renaissance

>Lawes, William [Composer] : Venus and Vulcan ("Vulcan, Vulcan, O Vulcan, my Love!"), for 2 voices & continuo (Musicall Aures and
  • Performers: Trevor Jones (Bass Viola da gamba); Emma Kirkby (Soprano); Anthony Rooley (Lute); David Thomas (Bass)
  • Notes: Decca Studios, West Hampstead, London (04/25/1979-04/27/1979)
  • Running Time: 2 min. 14 sec.
  • Period Time: Baroque

>Foggia, Enrico Radesca di : Non miri il mio bel sole, madrigal for 2 voices & continuo
  • Performers: Trevor Jones (Bass Viola da gamba); Emma Kirkby (Soprano); Anthony Rooley (Lute); David Thomas (Bass)
  • Notes: Decca Studios, West Hampstead, London (04/25/1979-04/27/1979)
  • Running Time: 1 min. 45 sec.
  • Period Time: Renaissance
  • Form: Choral

>Peri, Jacopo : Al fonte, al prato
  • Performers: Trevor Jones (Bass Viola da gamba); Emma Kirkby (Soprano); Anthony Rooley (Lute); David Thomas (Bass)
  • Notes: Decca Studios, West Hampstead, London (04/25/1979-04/27/1979)
  • Running Time: 1 min. 15 sec.
  • Period Time: Renaissance

>Falconieri, Andrea : Perchè piangi, pastore?, for 2 voices & continuo
  • Performers: Trevor Jones (Bass Viola da gamba); Emma Kirkby (Soprano); Anthony Rooley (Lute); David Thomas (Bass)
  • Notes: Decca Studios, West Hampstead, London (04/25/1979-04/27/1979)
  • Running Time: 4 min. 4 sec.
  • Period Time: Baroque
  • Form: Choral

>d'India, Sigismondo : Le musiche, book 1
  • Performers: Trevor Jones (Bass Viola da gamba); Anthony Rooley (Lute); David Thomas (Bass)
  • Notes: Decca Studios, West Hampstead, London (04/25/1979-04/27/1979)
  • Running Time: 8 min. 59 sec.
  • Period Time: Renaissance

>Grandi, Alessandro : Surge, propera
  • Performers: Trevor Jones (Bass Viola da gamba); Emma Kirkby (Soprano); Anthony Rooley (Lute); David Thomas (Bass)
  • Notes: Decca Studios, West Hampstead, London (04/25/1979-04/27/1979)
  • Running Time: 3 min. 29 sec.
  • Period Time: Baroque

>d'India, Sigismondo : Odi quel rosignuolo, for voice & continuo in 2 parts (Le musiche, Book 4)
  • Performers: Trevor Jones (Bass Viola da gamba); Emma Kirkby (Soprano); Anthony Rooley (Lute)
  • Notes: Decca Studios, West Hampstead, London (04/25/1979-04/27/1979)
  • Running Time: 5 min. 15 sec.
  • Period Time: Renaissance
  • Written: 1621

>Rovetta, Giovanni : Uccidetemi pur, bella tiranna, for 2 voices & continuo
  • Performers: Trevor Jones (Bass Viola da gamba); Emma Kirkby (Soprano); Anthony Rooley (Lute); David Thomas (Bass)
  • Notes: Decca Studios, West Hampstead, London (04/25/1979-04/27/1979)
  • Running Time: 3 min. 8 sec.
  • Period Time: Baroque
  • Form: Choral

>Merula, Tarquinio : No, no, ch'io non mi fido, for 2 voices & continuo
  • Performers: Trevor Jones (Bass Viola da gamba); Emma Kirkby (Soprano); Anthony Rooley (Lute); David Thomas (Bass)
  • Notes: Decca Studios, West Hampstead, London (04/25/1979-04/27/1979)
  • Running Time: 3 min. 56 sec.
  • Period Time: Baroque
  • Form: Choral

>Bartlet, John : Whither runneth my sweetheart
  • Performers: Martyn Hill; Emma Kirkby (Soprano); Anthony Rooley (Lute)
  • Notes: Decca Studios, West Hampstead, London (06/25/1979-06/27/1979)
  • Running Time: 2 min. 4 sec.
  • Period Time: Renaissance

>Ferrabosco (I), Alfonso : Fayre cruell Nimph
  • Performers: Martyn Hill; Trevor Jones (Bass Viola da gamba); Emma Kirkby (Soprano); Anthony Rooley (Lute)
  • Notes: Decca Studios, West Hampstead, London (06/25/1979-06/27/1979)
  • Running Time: 2 min. 15 sec.
  • Period Time: Baroque

>Ferrabosco (I), Alfonso : Tell Me, O Love for 2 voices & lute
  • Performers: Martyn Hill; Trevor Jones (Bass Viola da gamba); Emma Kirkby (Soprano); Anthony Rooley (Lute)
  • Notes: Decca Studios, West Hampstead, London (06/25/1979-06/27/1979)
  • Running Time: 2 min. 58 sec.
  • Period Time: Baroque

>Morley, Thomas [Composer] : Who is it that this darke night, song for voice with lute & bass viol
  • Performers: Martyn Hill; Trevor Jones (Bass Viola da gamba); Emma Kirkby (Soprano); Anthony Rooley (Lute)
  • Notes: Decca Studios, West Hampstead, London (06/25/1979-06/27/1979)
  • Running Time: 7 min. 53 sec.
  • Period Time: Renaissance
  • Written: by 1600

>Ford, Thomas [Poet] : Shut not, sweet breast
  • Performers: Alison Crum (Bass Viola da gamba); Martyn Hill; Trevor Jones (Bass Viola da gamba); Emma Kirkby (Soprano); Anthony Rooley (Lute)
  • Notes: Decca Studios, West Hampstead, London (06/25/1979-06/27/1979)
  • Running Time: 2 min. 54 sec.
  • Period Time: Baroque

>Lawes, Henry : A Dialogue on a Kiss
  • Performers: Martyn Hill; Trevor Jones (Bass Viola da gamba); Emma Kirkby (Soprano); Anthony Rooley (Lute)
  • Notes: Decca Studios, West Hampstead, London (06/25/1979-06/27/1979)
  • Running Time: 3 min. 28 sec.
  • Period Time: Baroque
  • Written: 16th Century

>Lawes, Henry : A dialogue betwixt time and a pilgrime :: Aged man that moves these fields
  • Performers: Martyn Hill; Trevor Jones (Bass Viola da gamba); Emma Kirkby (Soprano); Anthony Rooley (Lute)
  • Notes: Decca Studios, West Hampstead, London (06/25/1979-06/27/1979)
  • Running Time: 2 min. 18 sec.
  • Period Time: Baroque

>Gagliano, Marco da : Bel Pastor
  • Performers: Martyn Hill; Trevor Jones (Bass Viola da gamba); Emma Kirkby (Soprano); Anthony Rooley (Lute)
  • Notes: Decca Studios, West Hampstead, London (06/25/1979-06/27/1979)
  • Running Time: 3 min. 11 sec.
  • Period Time: Baroque

>d'India, Sigismondo : Da L'Onde del Mio Pianto for voice solo
  • Performers: Martyn Hill; Anthony Rooley (Lute)
  • Notes: Decca Studios, West Hampstead, London (06/25/1979-06/27/1979)
  • Running Time: 4 min. 38 sec.
  • Period Time: Renaissance

>Ferrari, Benedetto : Dialogo a due, Fileno e Lidia :: Amar io to consiglio
  • Performers: Martyn Hill; Trevor Jones (Bass Viola da gamba); Emma Kirkby (Soprano); Anthony Rooley (Lute)
  • Notes: Decca Studios, West Hampstead, London (06/25/1979-06/27/1979)
  • Running Time: 9 min. 52 sec.
  • Period Time: Baroque

>Ferrari, Benedetto : Amanti, io vo so dire, for voice & continuo
  • Performers: Emma Kirkby (Soprano); Anthony Rooley (Lute)
  • Notes: Decca Studios, West Hampstead, London (06/25/1979-06/27/1979)
  • Running Time: 4 min. 35 sec.
  • Period Time: Baroque

>Fontei, Nicolò : Dio ti salvi pastor
  • Performers: Martyn Hill; Emma Kirkby (Soprano); Anthony Rooley (Lute)
  • Notes: Decca Studios, West Hampstead, London (06/25/1979-06/27/1979)
  • Running Time: 2 min. 53 sec.
  • Period Time: Baroque

>Monteverdi, Claudio : Dialogo di ninfa e pastore
  • Performers: Martyn Hill; Trevor Jones (Bass Viola da gamba); Emma Kirkby (Soprano); Anthony Rooley (Lute)
  • Notes: Decca Studios, West Hampstead, London (06/25/1979-06/27/1979)
  • Running Time: 4 min. 48 sec.
  • Period Time: Baroque
  • Form: Choral
  • Written: circa 1651

>Notari, Angelo : Intenerite voi
  • Performers: Emma Kirkby (Soprano); Judith Nelson (Soprano); Anthony Rooley (Lute)
  • Notes: Decca Studios, West Hampstead, London (06/27/1979-06/29/1979)
  • Running Time: 3 min. 53 sec.
  • Period Time: Baroque

>d'India, Sigismondo : Alla Guerra d'Amore
  • Performers: Emma Kirkby (Soprano); Judith Nelson (Soprano)
  • Conductor: Anthony Rooley
  • Notes: Decca Studios, West Hampstead, London (06/27/1979-06/29/1979)
  • Running Time: 2 min. 53 sec.
  • Period Time: Renaissance

>Valentini, Giovanni : Vanne, o carta amorosa, for 2 voices & continuo (Musiche a doi voci)
  • Performers: Emma Kirkby (Soprano); Judith Nelson (Soprano); Anthony Rooley (Lute)
  • Notes: Decca Studios, West Hampstead, London (06/27/1979-06/29/1979)
  • Running Time: 3 min. 45 sec.
  • Period Time: Baroque
  • Form: Choral

>Frescobaldi, Girolamo : Arie musicali Bk.1 no 6, A piè della gran croce (Maddalena alla Croce), for solo voice
  • Performers: Emma Kirkby (Soprano); Anthony Rooley (Lute)
  • Notes: Decca Studios, West Hampstead, London (06/27/1979-06/29/1979)
  • Running Time: 2 min. 57 sec.
  • Period Time: Renaissance

>Grandi, Alessandro : Spine care e soavi, for 2 voices & continuo (Madrigali concertati a 2, 3 e 4 voci, libro II)
  • Performers: Emma Kirkby (Soprano); Judith Nelson (Soprano)
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Notes: Decca Studios, West Hampstead, London (06/27/1979-06/29/1979)
  • Running Time: 2 min. 25 sec.
  • Period Time: Baroque
  • Form: Choral

>Fontei, Nicolò : Fortunato cantore, for 2 voices & continuo (Bizzarrie poetiche poste in musica, libro secondo)
  • Performers: Emma Kirkby (Soprano); Judith Nelson (Soprano)
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Notes: Decca Studios, West Hampstead, London (06/27/1979-06/29/1979)
  • Running Time: 6 min. 18 sec.
  • Period Time: Baroque
  • Form: Choral

>Rovetta, Giovanni : Chi vuol haver felice e lieto il core, for 2 voices & continuo, Op. 2/2 (Madrigali concertati, Libro
  • Performers: Emma Kirkby (Soprano); Judith Nelson (Soprano)
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Notes: Decca Studios, West Hampstead, London (06/27/1979-06/29/1979)
  • Running Time: 2 min. 50 sec.
  • Period Time: Baroque
  • Form: Choral

>Monteverdi, Claudio : Madrigals, Book 7
  • Performers: Emma Kirkby (Soprano); Judith Nelson (Soprano); Anthony Rooley (Lute)
  • Notes: Decca Studios, West Hampstead, London (06/27/1979-06/29/1979)
  • Running Time: 4 min. 19 sec.
  • Period Time: Baroque
  • Written: circa 1619

>d'India, Sigismondo : Le musiche, book 2
  • Performers: Emma Kirkby (Soprano); Judith Nelson (Soprano); Anthony Rooley (Lute)
  • Notes: Decca Studios, West Hampstead, London (06/27/1979-06/29/1979)
  • Running Time: 4 min. 20 sec.
  • Period Time: Renaissance
  • Written: 1615

>Rovetta, Giovanni : Io mi sento morir, for 2 voices & continuo, Op. 2/3 (Madrigali concertati, Libro primo)
  • Performers: Emma Kirkby (Soprano); Judith Nelson (Soprano); Anthony Rooley (Lute)
  • Notes: Decca Studios, West Hampstead, London (06/27/1979-06/29/1979)
  • Running Time: 3 min. 40 sec.
  • Period Time: Baroque
  • Form: Choral

>d'India, Sigismondo : Le musiche, book 5
  • Performers: Judith Nelson (Soprano); Anthony Rooley (Lute)
  • Notes: Decca Studios, West Hampstead, London (06/27/1979-06/29/1979)
  • Running Time: 3 min. 41 sec.
  • Period Time: Renaissance
  • Written: 1623

>Sabbatini, Galeazzo : Udite, o selve, for 2 voices & continuo (Madrigali concertati, libro IV, Op. 5)
  • Performers: Emma Kirkby (Soprano); Judith Nelson (Soprano); Anthony Rooley (Lute)
  • Notes: Decca Studios, West Hampstead, London (06/27/1979-06/29/1979)
  • Running Time: 5 min. 13 sec.
  • Period Time: Renaissance
  • Form: Choral

>Sabbatini, Galeazzo : Fulmina da la bocca, for 2 voices & continuo (Il primo libro di madrigali... concertati, Op. 1)
  • Performers: Emma Kirkby (Soprano); Judith Nelson (Soprano)
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Notes: Decca Studios, West Hampstead, London (06/27/1979-06/29/1979)
  • Running Time: 4 min. 3 sec.
  • Period Time: Renaissance
  • Form: Choral

>Purcell, Henry : The Fairy Queen, Z629 :: Hark! Hark! How all things
  • Performers: Richard Campbell (Viola da gamba); Christopher Hogwood (Spinet); Emma Kirkby (Soprano)
  • Notes: Forde Abbey, Chard, Somerset, England (10/27/1982-10/29/1982)
  • Running Time: 1 min. 46 sec.
  • Period Time: Baroque
  • Written: 1689

>Purcell, Henry : Celebrate this festival, Z321; Birthday Ode for Queen Mary II, 1693 :: Crown the altar, deck the shrin
  • Performers: Emma Kirkby (Soprano); Anthony Rooley (Lute)
  • Notes: Forde Abbey, Chard, Somerset, England (10/27/1982-10/29/1982)
  • Running Time: 2 min. 29 sec.
  • Period Time: Baroque
  • Written: 1693

>Purcell, Henry : Fairy Queen, Z 629
  • Performers: Richard Campbell (Viola da gamba); Christopher Hogwood (Spinet); Emma Kirkby (Soprano)
  • Notes: Forde Abbey, Chard, Somerset, England (10/27/1982-10/29/1982)
  • Running Time: 3 min. 26 sec.
  • Period Time: Baroque
  • Written: 1692-1775

>Purcell, Henry : History of King Richard II, Z 581
  • Performers: Christopher Hogwood (Spinet); Emma Kirkby (Soprano)
  • Notes: Forde Abbey, Chard, Somerset, England (10/27/1982-10/29/1982)
  • Running Time: 2 min. 2 sec.
  • Period Time: Baroque
  • Form: Vocal
  • Written: 1693

>Purcell, Henry : The Fairy Queen, Z629, 1693 :: O let me weep (The Plaint)
  • Performers: Richard Campbell (Viola da gamba); Emma Kirkby (Soprano); Catherine Mackintosh (Violin); Anthony Rooley (Lute)
  • Notes: Forde Abbey, Chard, Somerset, England (10/27/1982-10/29/1982)
  • Running Time: 6 min. 35 sec.
  • Period Time: Baroque
  • Written: 1689

>Purcell, Henry : The Indian Queen, Z630 :: I attempt from love's sickness to fly in vain (Rondo)
  • Performers: Richard Campbell (Viola da gamba); Christopher Hogwood (Spinet); Emma Kirkby (Soprano)
  • Notes: Forde Abbey, Chard, Somerset, England (10/27/1982-10/29/1982)
  • Running Time: 1 min. 24 sec.
  • Period Time: Baroque
  • Written: 1695

>Purcell, Henry : Olinda in the shades unseen, song, Z. 404
  • Performers: Emma Kirkby (Soprano); Anthony Rooley (Lute)
  • Notes: Forde Abbey, Chard, Somerset, England (10/27/1982-10/29/1982)
  • Running Time: 1 min. 2 sec.
  • Period Time: Baroque

>Purcell, Henry : Urge me no more, song, Z. 426
  • Performers: Emma Kirkby (Soprano); Anthony Rooley (Lute)
  • Notes: Forde Abbey, Chard, Somerset, England (10/27/1982-10/29/1982)
  • Running Time: 3 min. 19 sec.
  • Period Time: Baroque

>Purcell, Henry : From silent shades, Z 370 "Bess of Bedlam"
  • Performers: Richard Campbell (Viola da gamba); Christopher Hogwood (Organ); Emma Kirkby (Soprano); Anthony Rooley (Lute)
  • Notes: Forde Abbey, Chard, Somerset, England (10/27/1982-10/29/1982)
  • Running Time: 3 min. 42 sec.
  • Period Time: Baroque
  • Written: 1683

>Purcell, Henry : Lovely Albina's come ashore, song, Z. 394
  • Performers: Richard Campbell (Viola da gamba); Christopher Hogwood (Spinet); Emma Kirkby (Soprano)
  • Notes: Forde Abbey, Chard, Somerset, England (10/27/1982-10/29/1982)
  • Running Time: 2 min. 13 sec.
  • Period Time: Baroque

>Purcell, Henry : Pausanias, Z585 :: Sweeter than roses
  • Performers: Emma Kirkby (Soprano); Anthony Rooley (Lute)
  • Notes: Forde Abbey, Chard, Somerset, England (10/27/1982-10/29/1982)
  • Running Time: 3 min. 12 sec.
  • Period Time: Baroque
  • Written: 1695

>Purcell, Henry : The Tempest, Z631/10 :: Dear pretty youth
  • Performers: Richard Campbell (Viola da gamba); Christopher Hogwood (Spinet); Emma Kirkby (Soprano)
  • Notes: Forde Abbey, Chard, Somerset, England (10/27/1982-10/29/1982)
  • Running Time: 1 min. 56 sec.
  • Period Time: Baroque
  • Written: 1695

>Purcell, Henry : When first Amintas sued for a kiss, song, Z. 430
  • Performers: Emma Kirkby (Soprano); Anthony Rooley (Lute)
  • Notes: Forde Abbey, Chard, Somerset, England (10/27/1982-10/29/1982)
  • Running Time: 1 min. 58 sec.
  • Period Time: Baroque
  • Written: 1687

>Purcell, Henry : Timon of Athens, Z632 :: The cares of lovers
  • Performers: Emma Kirkby (Soprano); Anthony Rooley (Lute)
  • Notes: Forde Abbey, Chard, Somerset, England (10/27/1982-10/29/1982)
  • Running Time: 1 min. 46 sec.
  • Period Time: Baroque
  • Written: 1694

>Purcell, Henry : The Fairy Queen, Z629, 1693 :: Ye gentle spirits of the air
  • Performers: Emma Kirkby (Soprano); Anthony Rooley (Lute)
  • Notes: Forde Abbey, Chard, Somerset, England (10/27/1982-10/29/1982)
  • Running Time: 4 min. 54 sec.
  • Period Time: Baroque
  • Written: 1689

>Purcell, Henry : An Evening Hymn to the Ground, "Now that the sun hath veiled his light"
  • Performers: Christopher Hogwood (Organ); Emma Kirkby (Soprano); Anthony Rooley (Lute)
  • Notes: Forde Abbey, Chard, Somerset, England (10/27/1982-10/29/1982)
  • Running Time: 4 min. 16 sec.
  • Period Time: Baroque
  • Form: Choral
  • Written: circa 1687

>Bach, Johann Sebastian : Cantata no 211, "Schweigt stille, plaudert nicht," (Coffee Cantata), BWV 211 (BC G48)
  • Performers: Rogers Covey-Crump (Tenor); Emma Kirkby (Soprano); David Thomas (Bass)
  • Conductor: Christopher Hogwood
  • Notes: St. Barnabas, North Finchley, London, England (09/09/1986-09/11/1986)
  • Running Time: 8 min. 38 sec.
  • Period Time: Baroque
  • Form: Cantata/Oratorio
  • Written: 1732-1734

>Bach, Johann Sebastian : Cantata no 212, "Mer hahn en neue Oberkeet," (Peasant Cantata), BWV 212 (BC G32)
  • Conductor: Christopher Hogwood
  • Notes: St. Barnabas, North Finchley, London, England (09/09/1986-09/11/1986)
  • Running Time: 3 min. 6 sec.
  • Period Time: Baroque
  • Form: Cantata/Oratorio
  • Written: 08/30/1742

>Bach, Johann Sebastian : Cantata no 202, "Weichet nur, betrübte Schatten" ("Wedding Cantata") BWV 202
  • Performer: Emma Kirkby (Soprano)
  • Conductor: Christopher Hogwood
  • Notes: Henry Wood Hall, London, England (07/09/1996-07/13/1996)
  • Running Time: 18 min. 23 sec.
  • Period Time: Baroque
  • Written: by 1730

>Bach, Johann Sebastian : Bist du bei mir, aria arranged for voice & continuo (after Gottfried Stölzel), BWV 508
  • Performer: Emma Kirkby (Soprano)
  • Conductor: Christopher Hogwood
  • Running Time: 2 min. 23 sec.
  • Period Time: Baroque
  • Form: Vocal
  • Written: 1722-1725

>Bach, Johann Sebastian : Gedenke doch, mein Geist, aria for voice & continuo (doubtful), BWV 509
  • Performer: Emma Kirkby (Soprano)
  • Conductor: Christopher Hogwood
  • Running Time: 1 min. 7 sec.
  • Period Time: Baroque
  • Form: Vocal
  • Written: 1725

>Bach, Johann Sebastian : Cantata BWV 82 "Ich habe genug" :: II. Ich habe genug!
  • Performer: Emma Kirkby (Soprano)
  • Conductor: Christopher Hogwood
  • Period Time: Baroque
  • Form: Cantata/Oratorio
  • Written: 02/02/1727

>Bach, Johann Sebastian : Cantata BWV 82 "Ich habe genug" :: III. Schlummert ein, ihr matten Augen
  • Performer: Emma Kirkby (Soprano)
  • Conductor: Christopher Hogwood
  • Running Time: 7 min. 40 sec.
  • Period Time: Baroque
  • Form: Cantata/Oratorio
  • Written: 02/02/1727

>Bach, Johann Sebastian : Cantata no 210, "O holder Tag, erwünschte Zeit" BWV 210
  • Performer: Emma Kirkby (Soprano)
  • Conductor: Christopher Hogwood
  • Notes: Henry Wood Hall, London, England (07/09/1996-07/13/1996)
  • Running Time: 30 min. 36 sec.
  • Period Time: Baroque
  • Form: Cantata/Oratorio
  • Written: 09/19/1741

>Handel, George Frideric : Alessandro Severo, HWV A13 :: Overture
  • Performer: Emma Kirkby (Soprano)
  • Conductor: Christopher Hogwood
  • Notes: Walthamstow Assembly Hall, London (09/23/1991-09/25/1991)
  • Running Time: 5 min. 32 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta

>Lampe, John Frederick : Britannia :: Welcome Mars
  • Performer: Emma Kirkby (Soprano)
  • Conductor: Christopher Hogwood
  • Notes: Walthamstow Assembly Hall, London (09/23/1991-09/25/1991)
  • Running Time: 4 min. 32 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1732

>Lampe, John Frederick : Dione :: Pretty warblers
  • Performer: Emma Kirkby (Soprano)
  • Conductor: Christopher Hogwood
  • Notes: Walthamstow Assembly Hall, London (09/23/1991-09/25/1991)
  • Running Time: 7 min. 57 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1733

>Handel, George Frideric : Hornpipe for orchestra in D major, HWV 356
  • Performer: Emma Kirkby (Soprano)
  • Conductor: Christopher Hogwood
  • Notes: Walthamstow Assembly Hall, London (09/23/1991-09/25/1991)
  • Running Time: 1 min. 35 sec.
  • Period Time: Baroque
  • Written: 1740

>Arne, Thomas [Composer] : Rosamond :: Rise, Glory, rise
  • Performer: Emma Kirkby (Soprano)
  • Conductor: Christopher Hogwood
  • Notes: Walthamstow Assembly Hall, London (09/23/1991-09/25/1991)
  • Running Time: 6 min. 35 sec.
  • Period Time: Baroque

>Handel, George Frideric : Ariodante, HWV 33 :: 41b. Neghittosi or voi che fate?
  • Performer: Emma Kirkby (Soprano)
  • Conductor: Christopher Hogwood
  • Notes: Walthamstow Assembly Hall, London (09/23/1991-09/25/1991)
  • Running Time: 3 min. 44 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1734

>Handel, George Frideric : Alcina, HWV 34 :: 30. Credete al mio dolore
  • Performer: Emma Kirkby (Soprano)
  • Conductor: Christopher Hogwood
  • Notes: Walthamstow Assembly Hall, London (09/23/1991-09/25/1991)
  • Running Time: 5 min. 39 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1735

>Handel, George Frideric : Alcina, HWV 34 :: 15. Tornami a vagheggiar
  • Performer: Emma Kirkby (Soprano)
  • Conductor: Christopher Hogwood
  • Notes: Walthamstow Assembly Hall, London (09/23/1991-09/25/1991)
  • Running Time: 4 min. 21 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1735

>Handel, George Frideric : March for orchestra in D major, HWV 345
  • Performer: Emma Kirkby (Soprano)
  • Conductor: Christopher Hogwood
  • Notes: Walthamstow Assembly Hall, London (09/23/1991-09/25/1991)
  • Running Time: 1 min. 24 sec.
  • Period Time: Baroque
  • Form: March
  • Written: circa 1737

>Handel, George Frideric : Alexander's Feast, HWV 75 :: 11. War, he sung, is toil and trouble
  • Performer: Emma Kirkby (Soprano)
  • Conductor: Christopher Hogwood
  • Notes: Walthamstow Assembly Hall, London (09/23/1991-09/25/1991)
  • Running Time: 5 min. 3 sec.
  • Period Time: Baroque
  • Form: Cantata/Oratorio
  • Written: 1736

>Handel, George Frideric : L'Allegro, il Penseroso ed il Moderato, HWV 55 :: 11-12. Sweet bird
  • Performer: Emma Kirkby (Soprano)
  • Conductor: Christopher Hogwood
  • Notes: Walthamstow Assembly Hall, London (09/23/1991-09/25/1991)
  • Running Time: 13 min. 2 sec.
  • Period Time: Baroque
  • Form: Choral
  • Written: 1740

>Handel, George Frideric : Saul, HWV 53 :: 37. Capricious Man
  • Performer: Emma Kirkby (Soprano)
  • Conductor: Christopher Hogwood
  • Notes: Walthamstow Assembly Hall, London (09/23/1991-09/25/1991)
  • Running Time: 3 min. 46 sec.
  • Period Time: Baroque
  • Form: Cantata/Oratorio
  • Written: 1738

>Arne, Thomas [Composer] : Comus, masque in 3 acts
  • Performer: Emma Kirkby (Soprano)
  • Conductor: Christopher Hogwood
  • Notes: Walthamstow Assembly Hall, London (09/23/1991-09/25/1991)
  • Running Time: 4 min. 31 sec.
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1738

>Arne, Thomas [Composer] : The Tempest :: Where the Bee sucks there lurk I (Ariel's Song)
  • Performer: Emma Kirkby (Soprano)
  • Conductor: Christopher Hogwood
  • Notes: Walthamstow Assembly Hall, London (09/23/1991-09/25/1991)
  • Running Time: 2 min. 20 sec.
  • Period Time: Baroque
  • Written: 1740

>Handel, George Frideric : Tu fedel? Tu constante?, cantata for soprano, 2 violins & continuo, HWV 171
  • Performers: Jane Coe (Cello); Christopher Hogwood (Harpsichord); Emma Kirkby (Soprano)
  • Conductor: Christopher Hogwood
  • Notes: St. Barnabas, North Finchley (12/12/1984-12/14/1984)
  • Running Time: 10 min. 57 sec.
  • Period Time: Baroque
  • Form: Cantata/Oratorio

>Handel, George Frideric : Mi palpita il cor, cantata, HWV 132
  • Performers: Jane Coe (Cello); Christopher Hogwood (Harpsichord); Emma Kirkby (Soprano)
  • Conductor: Christopher Hogwood
  • Notes: St. Barnabas, North Finchley (12/12/1984-12/14/1984)
  • Running Time: 10 min. 19 sec.
  • Period Time: Baroque
  • Written: circa 1710

>Handel, George Frideric : Alpestre Monte, cantata, HWV 81
  • Performers: Jane Coe (Cello); Christopher Hogwood (Harpsichord); Emma Kirkby (Soprano)
  • Conductor: Christopher Hogwood
  • Notes: St. Barnabas, North Finchley (12/12/1984-12/14/1984)
  • Running Time: 9 min. 37 sec.
  • Period Time: Baroque
  • Form: Cantata/Oratorio
  • Written: 1707-1709

>Handel, George Frideric : Tra le fiamme, HWV 170
  • Performers: Rachel Beckett (Recorder); Jane Coe (Cello); Christopher Hogwood (Harpsichord); Emma Kirkby (Soprano); Charles Medlam (Cello); Michel Piguet (Recorder)
  • Conductor: Christopher Hogwood
  • Notes: St. Barnabas, North Finchley (12/12/1984-12/14/1984)
  • Running Time: 16 min. 30 sec.
  • Period Time: Baroque
  • Written: circa 1708

>Handel, George Frideric : Italian Duets
  • Performers: Christopher Hogwood (Harpsichord); Emma Kirkby (Soprano); Judith Nelson (Soprano); Susan Sheppard (Cello)
  • Running Time: 4 min. 56 sec.
  • Period Time: Baroque
  • Written: 1741

>Handel, George Frideric : Nell' Africaine selve, cantata for bass & continuo, HWV 136
  • Performers: Christopher Hogwood (Harpsichord); Susan Sheppard (Cello); David Thomas (Bass)
  • Running Time: 5 min. 44 sec.
  • Period Time: Baroque
  • Form: Cantata/Oratorio
  • Written: 1708

>Handel, George Frideric : No, di voi non vo' fidarmi, duet for 2 sopranos & continuo, HWV 189
  • Performers: Christopher Hogwood (Harpsichord); Emma Kirkby (Soprano); Judith Nelson (Soprano); Susan Sheppard (Cello)
  • Running Time: 5 min. 42 sec.
  • Period Time: Baroque
  • Written: 1741

>Handel, George Frideric : Nella stagion che di viole e rose, cantata, HWV 137
  • Performers: Christopher Hogwood (Harpsichord); Judith Nelson (Soprano); Susan Sheppard (Cello)
  • Running Time: 4 min. 53 sec.
  • Period Time: Baroque
  • Form: Cantata/Oratorio
  • Written: circa 1707

>Handel, George Frideric : Tacete, ohime, tacete, duet for soprano, bass & continuo, HWV 196
  • Performers: Christopher Hogwood (Harpsichord); Susan Sheppard (Cello); David Thomas (Bass)
  • Running Time: 6 min. 58 sec.
  • Period Time: Baroque
  • Written: circa 1708

>Handel, George Frideric : Se tu non lasci amore, trio for 2 sopranos, bass & continuo, HWV 201
  • Performers: Christopher Hogwood (Harpsichord); Emma Kirkby (Soprano); Judith Nelson (Soprano); Susan Sheppard (Cello); David Thomas (Bass)
  • Running Time: 5 min. 12 sec.
  • Period Time: Baroque
  • Written: 1708

>Handel, George Frideric : La Resurrezione Oratorio per la Resurrezione di Nostro Signor Gesù Cristo, HWV 47 :: Parte I
  • Performer: Emma Kirkby (Soprano)
  • Conductor: Christopher Hogwood
  • Running Time: 5 min. 39 sec.
  • Period Time: Baroque
  • Form: Cantata/Oratorio
  • Written: 1708

>Handel, George Frideric : Messiah, HWV 56, Oratorio :: Part I
  • Performer: Emma Kirkby (Soprano)
  • Conductor: Christopher Hogwood
  • Running Time: 4 min. 18 sec.
  • Period Time: Baroque
  • Form: Cantata/Oratorio
  • Written: 1741

>Handel, George Frideric : Messiah, HWV 56, Oratorio :: Part II
  • Performer: Emma Kirkby (Soprano)
  • Conductor: Christopher Hogwood
  • Running Time: 2 min. 59 sec.
  • Period Time: Baroque
  • Form: Cantata/Oratorio
  • Written: 1741

>Handel, George Frideric : Messiah, HWV 56, Oratorio :: Part III
  • Performer: Emma Kirkby (Soprano)
  • Conductor: Christopher Hogwood
  • Running Time: 4 min. 27 sec.
  • Period Time: Baroque
  • Form: Cantata/Oratorio
  • Written: 1741

>Haydn, Franz Joseph : The Creation Oratorio for solo voices, chorus and orchestra, Hob. XXI :: 2
  • Performer: Emma Kirkby (Soprano)
  • Conductor: Christopher Hogwood
  • Notes: Walthamstow Assembly Hall, London (02/15/1990-02/23/1990)
  • Running Time: 4 min. 59 sec.
  • Period Time: Classical
  • Form: Cantata/Oratorio
  • Written: 1798

>Haydn, Franz Joseph : The Creation Oratorio for solo voices, chorus and orchestra, Hob. XXI :: 2
  • Performer: Emma Kirkby (Soprano)
  • Conductor: Christopher Hogwood
  • Notes: Walthamstow Assembly Hall, London (02/15/1990-02/23/1990)
  • Period Time: Classical
  • Form: Cantata/Oratorio
  • Written: 1798

>Haydn, Franz Joseph : The Creation Oratorio for solo voices, chorus and orchestra, Hob. XXI :: 2
  • Performer: Emma Kirkby (Soprano)
  • Conductor: Christopher Hogwood
  • Notes: Walthamstow Assembly Hall, London (02/15/1990-02/23/1990)
  • Running Time: 7 min. 16 sec.
  • Period Time: Classical
  • Form: Cantata/Oratorio
  • Written: 1798

>Haydn, Franz Joseph : The Creation Oratorio for solo voices, chorus and orchestra, Hob. XXI :: 2
  • Performers: Michel George; Emma Kirkby (Soprano)
  • Conductor: Christopher Hogwood
  • Notes: Walthamstow Assembly Hall, London (02/15/1990-02/23/1990)
  • Running Time: 8 min. 2 sec.
  • Period Time: Classical
  • Form: Cantata/Oratorio
  • Written: 1798

>Mozart, Wolfgang Amadeus : Exsultate jubilate, K 165 (158a)
  • Performers: Emma Kirkby (Soprano); Alastair Ross (Organ)
  • Conductor: Christopher Hogwood
  • Notes: Kingsway Hall, London (11/25/1983/11/26/1983)
  • Running Time: 12 min. 50 sec.
  • Period Time: Classical
  • Form: Choral
  • Written: 1773

>Mozart, Wolfgang Amadeus : Regina coeli, antiphon for soprano, chorus & orchestra, K. 108 (K. 74d)
  • Performers: Emma Kirkby (Soprano); Alastair Ross (Organ)
  • Conductor: Christopher Hogwood
  • Notes: Kingsway Hall, London (11/25/1983/11/26/1983)
  • Running Time: 13 min. 35 sec.
  • Period Time: Classical
  • Written: 1771

>Mozart, Wolfgang Amadeus : Ergo interest...Quaere superna, recitative and aria for soprano & orchestra, K. 143 (K. 73a)
  • Performers: Emma Kirkby (Soprano); Alastair Ross (Organ)
  • Conductor: Christopher Hogwood
  • Notes: Kingsway Hall, London (11/25/1983/11/26/1983)
  • Running Time: 5 min. 20 sec.
  • Period Time: Classical
  • Form: Vocal
  • Written: 1770

>Mozart, Wolfgang Amadeus : Regina coeli, antiphon for soprano, chorus & orchestra, K. 127
  • Performers: Emma Kirkby (Soprano); Alastair Ross (Organ)
  • Conductor: Christopher Hogwood
  • Notes: Kingsway Hall, London (11/25/1983/11/26/1983)
  • Running Time: 14 min. 41 sec.
  • Period Time: Classical
  • Written: 1772

>Mozart, Wolfgang Amadeus : Il rè pastore, K 208 :: Aer tranquillo e di sereni
  • Performer: Emma Kirkby (Soprano)
  • Conductor: Christopher Hogwood
  • Notes: Walthamstow Assembly Hall, London (11/01/1988/04/25/1989)
  • Running Time: 6 min. 17 sec.
  • Period Time: Classical
  • Form: Opera/Operetta
  • Written: 1775

>Mozart, Wolfgang Amadeus : Il rè pastore, K 208 :: L'amerò, sarò costante
  • Performers: Christopher Hirons (Violin); Emma Kirkby (Soprano)
  • Conductor: Christopher Hogwood
  • Notes: Walthamstow Assembly Hall, London (11/01/1988/04/25/1989)
  • Running Time: 6 min. 8 sec.
  • Period Time: Classical
  • Form: Opera/Operetta
  • Written: 1775

>Mozart, Wolfgang Amadeus : Voi avete un cor fedele, K 217
  • Performer: Emma Kirkby (Soprano)
  • Conductor: Christopher Hogwood
  • Notes: Walthamstow Assembly Hall, London (11/01/1988/04/25/1989)
  • Running Time: 6 min. 21 sec.
  • Period Time: Classical
  • Written: 1775

>Mozart, Wolfgang Amadeus : Ah, lo previdi...Ah, t'invola agl'occhi miei, recitative and aria for soprano & orchestra, K. 272
  • Performer: Emma Kirkby (Soprano)
  • Conductor: Christopher Hogwood
  • Notes: Walthamstow Assembly Hall, London (11/01/1988/04/25/1989)
  • Running Time: 11 min. 24 sec.
  • Period Time: Classical
  • Form: Vocal
  • Written: 1777

>Mozart, Wolfgang Amadeus : Zaide, K 344 :: Ruhe sanft, mein holdes Leben
  • Performer: Emma Kirkby (Soprano)
  • Conductor: Christopher Hogwood
  • Notes: Walthamstow Assembly Hall, London (11/01/1988/04/25/1989)
  • Running Time: 5 min. 29 sec.
  • Period Time: Classical
  • Form: Opera/Operetta
  • Written: 1780

>Mozart, Wolfgang Amadeus : Zaide, K 344 :: Trostlos schluchzet Philomele
  • Performer: Emma Kirkby (Soprano)
  • Conductor: Christopher Hogwood
  • Notes: Walthamstow Assembly Hall, London (11/01/1988/04/25/1989)
  • Running Time: 5 min. 27 sec.
  • Period Time: Classical
  • Form: Opera/Operetta
  • Written: 1780

>Mozart, Wolfgang Amadeus : Nehmt meinen Dank, ihr holden Gönner, aria for soprano & orchestra. K. 383
  • Performer: Emma Kirkby (Soprano)
  • Conductor: Christopher Hogwood
  • Notes: Walthamstow Assembly Hall, London (11/01/1988/04/25/1989)
  • Running Time: 3 min. 39 sec.
  • Period Time: Classical
  • Form: Vocal
  • Written: 1782

>Mozart, Wolfgang Amadeus : Ch'io mi scordi di te...Non temer, amato bene, K 505
  • Performers: Emma Kirkby (Soprano); Steven Lubin (Piano)
  • Conductor: Christopher Hogwood
  • Notes: Walthamstow Assembly Hall, London (11/01/1988/04/25/1989)
  • Running Time: 10 min. 19 sec.
  • Period Time: Classical
  • Form: Vocal
  • Written: 1786