- On Rotation Moses $1.29 on iTunes
- My Kind $1.29 on iTunes
- I Came for Fire $1.29 on iTunes
- & Eveline $1.29 on iTunes
- It’s Now or Never Loves $1.29 on iTunes
- The Passage of the Black Gene $1.29 on iTunes
- Am $1.29 on iTunes
- Hogus Pogus $1.29 on iTunes
- Gasolina $1.29 on iTunes
- Accidental Tourist (A white Huayno melody) $1.29 on iTunes
- All Today $1.29 on iTunes
- My 2$ $1.29 on iTunes
- Wheel in the Morning $1.29 on iTunes
Paste (magazine) - "[A]n album of relaxed arrangements for serenades best performed in the dawn....The idiosyncratic album becomes a welcome entry to his untraditional career."
Personnel: Elvis Perkins (guitar, charango, autoharp, sitar, flute, piano, harpsichord, harmonium, omnichord, mini-Moog synthesizer, vibraphone, xylophone, electric bass, bells, toys, ron roco); Frank Fairfield (fiddle); Pamela Livingston (flute, pennywhistle); Cornelia Livingston (flute, omnichord, xylophone); Johanna Warren (flute); Jocie Adams (clarinet); Dylan Languell (saxophone); Mitchell Robe (piano); John Henry Livingston (mini-Moog synthesizer); Larry Rott (double bass); Nick Kinsey (snare drum, talking drum, pandeiro); John Congleton (snare drum); Mike Seifert (cymbals); Otto Hauser (tambourine, triangle, wood block).
Audio Mixers: Elvis Perkins; Jesse Lauter.
Photographers: Pamela Livingston; Oz Perkins; Cornelia Livingston.
Six years after the release of his second album (2009's Elvis Perkins in Dearland), singer and songwriter Elvis Perkins returns with his long-awaited third full-length effort. Released in 2015, I Aubade finds Perkins taking greater control of his music than ever before -- he produced the album himself, recorded much of it at home, played many of the instruments on his own, and released the final product on his own label, Mir Records. While I Aubade is steeped in the literate yet impressionistic lyrical style that dominated Perkins' previous work, this time he's embraced a spectral, lo-fi sound dominated by layers of found sound, curious electronic buzzing and makeshift noisemaking, a casual approach to the instrumental work, and sound effects that suggest some of the songs were recorded with the windows open in a bustling, big-city community. While lacking the relative polish of Elvis Perkins in Dearland, I Aubade recalls the more fragile and intimate feel of his 2007 debut Ash Wednesday, only with a greater level of experimental daring; this is the work of an artist eager to explore new paths, and if it isn't a complete success, I Aubade confirms Perkins is still a vital and imaginative artist with a singular vision. ~ Mark Deming