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Elvis Perkins: I Aubade [Digipak] *

Track List

>On Rotation Moses
>My Kind
>I Came For Fire
>& Eveline
>It's Now or Never Loves
>Passage of the Black Gene, The
>Hogus Pogus
>Accidental Tourist (a White Huayno Melody0
>All Today
>My 2$
>Wheel In the Morning

Album Reviews:

Paste (magazine) - "[A]n album of relaxed arrangements for serenades best performed in the dawn....The idiosyncratic album becomes a welcome entry to his untraditional career."

Album Notes

Personnel: Elvis Perkins (guitar, charango, autoharp, sitar, flute, piano, harpsichord, harmonium, omnichord, mini-Moog synthesizer, vibraphone, xylophone, electric bass, bells, toys, ron roco); Frank Fairfield (fiddle); Pamela Livingston (flute, pennywhistle); Cornelia Livingston (flute, omnichord, xylophone); Johanna Warren (flute); Jocie Adams (clarinet); Dylan Languell (saxophone); Mitchell Robe (piano); John Henry Livingston (mini-Moog synthesizer); Larry Rott (double bass); Nick Kinsey (snare drum, talking drum, pandeiro); John Congleton (snare drum); Mike Seifert (cymbals); Otto Hauser (tambourine, triangle, wood block).

Audio Mixers: Elvis Perkins; Jesse Lauter.

Photographers: Pamela Livingston; Oz Perkins; Cornelia Livingston.

Six years after the release of his second album (2009's Elvis Perkins in Dearland), singer and songwriter Elvis Perkins returns with his long-awaited third full-length effort. Released in 2015, I Aubade finds Perkins taking greater control of his music than ever before -- he produced the album himself, recorded much of it at home, played many of the instruments on his own, and released the final product on his own label, Mir Records. While I Aubade is steeped in the literate yet impressionistic lyrical style that dominated Perkins' previous work, this time he's embraced a spectral, lo-fi sound dominated by layers of found sound, curious electronic buzzing and makeshift noisemaking, a casual approach to the instrumental work, and sound effects that suggest some of the songs were recorded with the windows open in a bustling, big-city community. While lacking the relative polish of Elvis Perkins in Dearland, I Aubade recalls the more fragile and intimate feel of his 2007 debut Ash Wednesday, only with a greater level of experimental daring; this is the work of an artist eager to explore new paths, and if it isn't a complete success, I Aubade confirms Perkins is still a vital and imaginative artist with a singular vision. ~ Mark Deming


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