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José van Dam: Autograph - Songs of Berlioz, Saint-Saëns, Gounod, Massenet, Ravel, Ibert, Poulenc, Martin et al. / José van Dam, bass-baritone; Various Artists [10 CD]

Notes & Reviews:

Drawing on the EMI, Erato and Teldec catalogues, each Autograph box focuses on a single artist, providing abiographical panorama of his or her career through a series of thematically programmed CDs and fascinatingdocumentation. Each collection is devised in collaboration with the artist in question, who also features in aspecially-recorded exclusive interview. Illustrated with musical extracts to illuminate the artist's life and work, theinterviews are conducted by the distinguished journalist and broadcaster Jon Tolansky. Celebrating his 75th birthday in 2015 is the Belgian bass-baritone José van Dam, who ranks as one of thegreat singers of the last quarter of the 20th century, renowned for his insight and integrity in French, Italian, AustroGermanand Russian operatic roles - ranging from the Baroque era to contemporary works - and in French andGerman song. With his finely focused voice, notable for its nobility of tone, he could also sing both bass and highbaritone roles with distinction. Overall the range of repertoire in José van Dam's Autograph collection is astonishing. The selection of songsalone embraces Berlioz, Saint-Saëns, Gounod, Massenet, Ravel, Ibert, Ropartz, Poulenc, Fauré and Frank Martin.


Works:

Les contes d’Hoffmann: Voyons by Jacques Offenbach
Performer: José Van Dam (Baritone)
Conductor: Sylvain Cambreling
Orchestra/Ensemble: Brussels Théâtre de la Monnaie Orchestra
Period: Romantic
Written: 1881; Paris, France

Les contes d’Hoffmann: Tu ne chanteras plus by Jacques Offenbach
Performer: José Van Dam (Baritone), Rosalind Plowright (Soprano)
Conductor: Sylvain Cambreling
Orchestra/Ensemble: Brussels Théâtre de la Monnaie Orchestra
Period: Romantic

Les contes d’Hoffmann: Scintille diamant by Jacques Offenbach
Performer: José Van Dam (Baritone)
Conductor: Sylvain Cambreling
Orchestra/Ensemble: Brussels Théâtre de la Monnaie Orchestra
Period: Romantic
Written: 1881; Paris, France

Les contes d’Hoffmann: Tourne, tourne miroir by Jacques Offenbach
Performer: José Van Dam (Baritone)
Conductor: Sylvain Cambreling
Orchestra/Ensemble: Brussels Théâtre de la Monnaie Orchestra
Period: Romantic
Written: 1881; Paris, France

Les contes d’Hoffmann: Pour conjurer le danger by Jacques Offenbach
Performer: José Van Dam (Baritone)
Conductor: Sylvain Cambreling
Orchestra/Ensemble: Brussels Théâtre de la Monnaie Orchestra
Period: Romantic
Written: 1881; Paris, France

Les contes d’Hoffmann: C’est moi, Coppelius by Jacques Offenbach
Performer: José Van Dam (Baritone)
Conductor: Sylvain Cambreling
Orchestra/Ensemble: Brussels Théâtre de la Monnaie Orchestra

Les contes d’Hoffmann: Cher ange! by Jacques Offenbach
Performer: José Van Dam (Baritone)
Conductor: Sylvain Cambreling
Orchestra/Ensemble: Brussels Théâtre de la Monnaie Orchestra
Period: Romantic
Written: 1881; Paris, France

Les nuits d’été, Op. 7 by Hector Berlioz
Performer: José Van Dam (Bass Baritone), Jean-Philippe Collard (Piano)
Period: Romantic
Written: 1840-1841; France

Chansons de Don Quichotte by Jacques Ibert
Performer: José Van Dam (Bass Baritone), Jean-Philippe Collard (Piano)
Period: 20th Century
Written: 1932; Paris, France

Clair de lune, Op. 46 no 2 by Gabriel Fauré
Performer: José Van Dam (Bass Baritone), Jean-Philippe Collard (Piano)
Period: Romantic
Written: 1887; France

Les berceaux, Op. 23 no 1 by Gabriel Fauré
Performer: José Van Dam (Bass Baritone), Jean-Philippe Collard (Piano)
Period: Romantic
Written: 1879; France

En prière by Gabriel Fauré
Performer: José Van Dam (Bass Baritone), Jean-Philippe Collard (Piano)

Chansons (8) gaillardes by Francis Poulenc
Performer: José Van Dam (Bass Baritone), Jean-Philippe Collard (Piano)
Period: 20th Century

Poèmes (4) de l’intermezzo by Joseph Guy Ropartz
Performer: José Van Dam (Bass Baritone), Jean-Philippe Collard (Piano)
Period: 20th Century
Written: 1899; France

Danse macabre by Camille Saint-Saëns
Performer: José Van Dam (Bass Baritone), Jean-Philippe Collard (Piano)
Period: Romantic
Written: 1872; France

Sonnet by Camille Saint-Saëns
Performer: José Van Dam (Bass Baritone), Jean-Philippe Collard (Piano)
Period: Romantic
Written: 1898; France

Les cloches de la mer by Camille Saint-Saëns
Performer: José Van Dam (Bass Baritone), Jean-Philippe Collard (Piano)
Period: Romantic
Written: 1900; France

Clair de lune by Camille Saint-Saëns
Performer: José Van Dam (Bass Baritone), Jean-Philippe Collard (Piano)
Period: Romantic
Written: circa 1865; France

Extase by Camille Saint-Saëns
Performer: José Van Dam (Bass Baritone), Jean-Philippe Collard (Piano)
Period: Romantic
Written: 1860; France

Rêverie by Camille Saint-Saëns
Performer: José Van Dam (Bass Baritone), Jean-Philippe Collard (Piano)
Period: Romantic
Written: 1851; France

Le pas d’armes du Roi Jean by Camille Saint-Saëns
Performer: José Van Dam (Bass Baritone), Jean-Philippe Collard (Piano)
Period: Romantic
Written: 1852; France

Si vous n’avez rien à me dire by Camille Saint-Saëns
Performer: José Van Dam (Bass Baritone), Jean-Philippe Collard (Piano)
Period: Romantic
Written: 1870; France

Le lever de la lune by Camille Saint-Saëns
Performer: José Van Dam (Bass Baritone), Jean-Philippe Collard (Piano)
Period: Romantic
Written: 1855; France

Elégie by Jules Massenet
Performer: José Van Dam (Bass Baritone), Jean-Philippe Collard (Piano)
Period: Romantic
Written: circa 1869; France

La mort de la cigale by Jules Massenet
Performer: José Van Dam (Bass Baritone), Jean-Philippe Collard (Piano)
Period: Romantic
Written: 1911; France

Berceuse by Jules Massenet
Performer: José Van Dam (Bass Baritone), Jean-Philippe Collard (Piano)
Period: Romantic
Written: 1897; France

Les mains by Jules Massenet
Performer: José Van Dam (Bass Baritone), Jean-Philippe Collard (Piano)
Period: Romantic
Written: 1899; France

Medjé by Charles Gounod
Performer: José Van Dam (Bass Baritone), Jean-Philippe Collard (Piano)
Period: Romantic
Written: 1865; France

Crepuscule by Charles Gounod
Performer: José Van Dam (Bass Baritone), Jean-Philippe Collard (Piano)
Period: Romantic
Written: by 1866; France

Envoi de fleurs by Charles Gounod
Performer: José Van Dam (Bass Baritone), Jean-Philippe Collard (Piano)
Period: Romantic
Written: 1869; France

Stances “Si la morte est le but” by Charles Gounod
Performer: José Van Dam (Bass Baritone), Jean-Philippe Collard (Piano)
Period: Romantic
Written: 1866; France

Hymne À la nuit by Charles Gounod
Performer: José Van Dam (Bass Baritone), Jean-Philippe Collard (Piano)
Period: Romantic
Written: by 1868; France

Don Quichotte à Dulcinée by Maurice Ravel
Performer: Dalton Baldwin (Piano), José Van Dam (Bass)
Period: 20th Century
Written: 1932-1933; France
Date of Recording: 1981-83
Length: 7 Minutes 1 Secs.
Language: French

Ronsard à son âme by Maurice Ravel
Performer: Dalton Baldwin (Piano), José Van Dam (Bass)
Period: 20th Century
Written: 1924/1935; France
Date of Recording: 1981-83
Length: 2 Minutes 9 Secs.
Language: French

Sainte by Maurice Ravel
Performer: Dalton Baldwin (Piano), José Van Dam (Bass)
Period: 20th Century
Written: 1896; France
Date of Recording: 1981-83
Length: 2 Minutes 18 Secs.
Language: French

Les grands vents venus d’outre-mer by Maurice Ravel
Performer: Dalton Baldwin (Piano), José Van Dam (Bass)
Period: 20th Century
Written: 1907; France
Date of Recording: 1981-83
Length: 2 Minutes 16 Secs.
Language: French

Un grand sommeil noir by Maurice Ravel
Performer: Dalton Baldwin (Piano), José Van Dam (Bass)
Period: 20th Century
Written: 1895; France
Date of Recording: 1981-83
Length: 3 Minutes 35 Secs.
Language: French

Mélodies hébraïques (2) by Maurice Ravel
Performer: Dalton Baldwin (Piano), José Van Dam (Bass)
Period: 20th Century
Written: 1914-1919; France
Date of Recording: 1981-83
Length: 6 Minutes 22 Secs.
Language: French

Don Quichotte à Dulcinée by Maurice Ravel
Performer: José Van Dam (Baritone)
Conductor: Kent Nagano
Orchestra/Ensemble: Lyon Opera Orchestra
Period: 20th Century
Written: 1932-1933; France
Venue: Auditorium Maurice Ravel, Lyon, France
Length: 7 Minutes 19 Secs.
Language: French

Chansons de Don Quichotte by Jacques Ibert
Performer: José Van Dam (Baritone)
Conductor: Kent Nagano
Orchestra/Ensemble: Lyon Opera Orchestra
Period: 20th Century
Written: 1932; Paris, France
Venue: Auditorium Maurice Ravel, Lyon, France
Length: 12 Minutes 29 Secs.
Language: French

Le bal masqué by Francis Poulenc
Performer: José Van Dam (Baritone), Péter Csaba (Violin), Hervé Derrien (Cello),
Jean-Michel Bertelli (Clarinet), Ruth Vissier (Oboe), Carlo Colombo (Bassoon),
Pascal Savignon (Cornet), Eric Sammut (Drum), Alain Planès (Piano)
Conductor: Kent Nagano
Orchestra/Ensemble: Lyon Opera Orchestra
Period: 20th Century
Written: 1932; France
Venue: Auditorium Maurice Ravel, Lyon, France
Length: 18 Minutes 36 Secs.
Language: French

Monologe (6) aus “Jedermann” by Frank Martin
Performer: José Van Dam (Baritone)
Conductor: Kent Nagano
Orchestra/Ensemble: Lyon Opera Orchestra
Period: 20th Century
Written: 1943; Switzerland
Venue: Auditorium Maurice Ravel, Lyon, France
Length: 22 Minutes 10 Secs.
Language: German

Lakmé: Ah! Ce vieillard encor! by Léo Delibes
Performer: José Van Dam (Bass Baritone), Gregory Kunde (Tenor), Natalie Dessay (Soprano)
Conductor: Michel Plasson
Orchestra/Ensemble: Toulouse Capitole Orchestra, Toulouse Capitole Chorus
Period: Romantic
Written: 1883; France

Dialogues des carmélites: Où est Blanche? by Francis Poulenc
Performer: Jean-Luc Viala (Tenor), José Van Dam (Baritone)
Conductor: Kent Nagano
Orchestra/Ensemble: Lyon Opera Orchestra, Lyon Opera Chorus, London Chorus
Period: 20th Century
Written: 1953-1956 ; France

Dialogues des carmélites: Les soldats surviennent à temps by Francis Poulenc
Performer: Marie Boyer (Mezzo Soprano), Brigitte Fournier (Soprano), Martine Dupuy (Mezzo Soprano),
Rita Gorr (Mezzo Soprano), François Le Roux (Baritone), José Van Dam (Baritone),
Catherine Dubosc (Soprano), Rachel Yakar (Soprano), Jean-Luc Viala (Tenor),
Michel Sénéchal (Tenor), Georges Gautier (Tenor), Yves Bisson (Baritone),
Eric Freulon (Baritone), Vincent le Texier (Bass Baritone), Emilio Roman (Bass),
Nicole Biondi (Voice), Georges Bouquet (Voice), Mireille Antoine (Voice),
Hélène Perraguin (Soprano)
Conductor: Kent Nagano
Orchestra/Ensemble: Lyon Opera Orchestra, Lyon Opera Chorus, London Chorus
Period: 20th Century
Written: 1953-1956 ; France

Dialogues des carmélites: Blanche, votre frère avait grand’hâte de vous revoirby Francis Poulenc
Performer: Marie Boyer (Mezzo Soprano), Brigitte Fournier (Soprano), Martine Dupuy (Mezzo Soprano),
Rita Gorr (Mezzo Soprano), François Le Roux (Baritone), José Van Dam (Baritone),
Catherine Dubosc (Soprano), Rachel Yakar (Soprano), Jean-Luc Viala (Tenor),
Michel Sénéchal (Tenor), Georges Gautier (Tenor), Yves Bisson (Baritone),
Eric Freulon (Baritone), Vincent le Texier (Bass Baritone), Emilio Roman (Bass),
Nicole Biondi (Voice), Georges Bouquet (Voice), Mireille Antoine (Voice),
Hélène Perraguin (Soprano)
Conductor: Kent Nagano
Orchestra/Ensemble: Lyon Opera Orchestra, Lyon Opera Chorus, London Chorus
Period: 20th Century
Written: 1953-1956 ; France

Dialogues des carmélites: Son imagination va toujours d’un extrême à l’autreby Francis Poulenc
Performer: Marie Boyer (Mezzo Soprano), Brigitte Fournier (Soprano), Martine Dupuy (Mezzo Soprano),
Rita Gorr (Mezzo Soprano), François Le Roux (Baritone), José Van Dam (Baritone),
Catherine Dubosc (Soprano), Rachel Yakar (Soprano), Jean-Luc Viala (Tenor),
Michel Sénéchal (Tenor), Georges Gautier (Tenor), Yves Bisson (Baritone),
Eric Freulon (Baritone), Vincent le Texier (Bass Baritone), Emilio Roman (Bass),
Nicole Biondi (Voice), Georges Bouquet (Voice), Mireille Antoine (Voice),
Hélène Perraguin (Soprano)
Conductor: Kent Nagano
Orchestra/Ensemble: Lyon Opera Orchestra, Lyon Opera Chorus, London Chorus
Period: 20th Century
Written: 1953-1956 ; France

Dialogues des carmélites: Mon enfant chérie by Francis Poulenc
Performer: Marie Boyer (Mezzo Soprano), Brigitte Fournier (Soprano), Martine Dupuy (Mezzo Soprano),
Rita Gorr (Mezzo Soprano), François Le Roux (Baritone), José Van Dam (Baritone),
Catherine Dubosc (Soprano), Rachel Yakar (Soprano), Jean-Luc Viala (Tenor),
Michel Sénéchal (Tenor), Georges Gautier (Tenor), Yves Bisson (Baritone),
Eric Freulon (Baritone), Vincent le Texier (Bass Baritone), Emilio Roman (Bass),
Nicole Biondi (Voice), Georges Bouquet (Voice), Mireille Antoine (Voice),
Hélène Perraguin (Soprano)
Conductor: Kent Nagano
Orchestra/Ensemble: Lyon Opera Orchestra, Lyon Opera Chorus, London Chorus
Period: 20th Century
Written: 1953-1956 ; France

Salome, Op. 54: Wo ist er, dessen Sündenbecher jetzt voll ist? by Richard Strauss
Performer: Hildegard Behrens (Soprano), José Van Dam (Bass Baritone), Wieslaw Ochman (Tenor)
Conductor: Herbert von Karajan
Orchestra/Ensemble: Vienna Philharmonic Orchestra
Period: Post-Romantic
Written: 1903-1905; Germany

Salome, Op. 54: Jochanaan! Ich bin verliebt in deinen Leib by Richard Strauss
Performer: Hildegard Behrens (Soprano), José Van Dam (Bass Baritone), Wieslaw Ochman (Tenor)
Conductor: Herbert von Karajan
Orchestra/Ensemble: Vienna Philharmonic Orchestra
Period: Romantic
Written: 1903-1905; Germany

Salome, Op. 54: Wird dir nicht bange, Tochter der Herodias? by Richard Strauss
Performer: José Van Dam (Bass Baritone), Hildegard Behrens (Soprano)
Conductor: Herbert von Karajan
Orchestra/Ensemble: Vienna Philharmonic Orchestra
Period: Romantic
Written: 1903-1905; Germany

Salome, Op. 54: Du wirst das für mich tun by Richard Strauss
Performer: Wieslaw Ochman (Tenor), Hildegard Behrens (Soprano)
Conductor: Herbert von Karajan
Orchestra/Ensemble: Vienna Philharmonic Orchestra
Period: Romantic
Written: 1903-1905; Germany

Salome, Op. 54: Jauchze nicht, du Land Palästina by Richard Strauss
Performer: José Van Dam (Bass Baritone), Gerd Nienstedt (Bass), Heljä Angervo (Alto),
Kurt Rydl (Bass), Hildegard Behrens (Soprano)
Conductor: Herbert von Karajan
Orchestra/Ensemble: Vienna Philharmonic Orchestra
Period: Romantic
Written: 1903-1905; Germany

Salome, Op. 54: Siehe, der Herr ist gekommen by Richard Strauss
Performer: Kurt Rydl (Bass), Wieslaw Ochman (Tenor), José Van Dam (Bass Baritone),
Hildegard Behrens (Soprano), Gerd Nienstedt (Bass), Horst Nitsche (Tenor)
Conductor: Herbert von Karajan
Orchestra/Ensemble: Vienna Philharmonic Orchestra
Period: Romantic
Written: 1903-1905; Germany

Salome, Op. 54: Ich will nicht bleiben by Richard Strauss
Performer: Hildegard Behrens (Soprano), José Van Dam (Bass Baritone), Heljä Angervo (Alto)
Conductor: Herbert von Karajan
Orchestra/Ensemble: Vienna Philharmonic Orchestra
Period: Romantic
Written: 1903-1905; Germany

Salome, Op. 54: Nach mir wird einer kommen by Richard Strauss
Performer: Kurt Rydl (Bass), Heljä Angervo (Alto), Wieslaw Ochman (Tenor),
José Van Dam (Bass Baritone), Gerd Nienstedt (Bass), Helge Von Bömches (Bass)
Conductor: Herbert von Karajan
Orchestra/Ensemble: Vienna Philharmonic Orchestra
Period: Romantic
Written: 1903-1905; Germany

Salome, Op. 54: Wie schön ist die Prinzessin Salome heute Nacht! by Richard Strauss
Performer: Gerd Nienstedt (Bass), José Van Dam (Bass Baritone), Wieslaw Ochman (Tenor),
Heljä Angervo (Alto), Kurt Rydl (Bass)
Conductor: Herbert von Karajan
Orchestra/Ensemble: Vienna Philharmonic Orchestra
Period: Romantic
Written: 1903-1905; Germany

Salome, Op. 54: Excerpt(s) by Richard Strauss
Performer: Jean Dupouy (Tenor), Hélène Jossoud (Mezzo Soprano), Hélène Perraguin (Soprano),
Vincent le Texier (Bass Baritone), Fernand Dumont (Baritone), Yves Bisson (Baritone),
Christopher Goldsack (Boy Soprano), Georges Gautier (Tenor), Leonard Pezzino (Tenor),
Guy Fletcher (Tenor), Roger Pujol (Tenor), Antoine Garcin (Bass),
Jules Bastin (Bass), Jean-Luc Viala (Tenor), José Van Dam (Baritone),
Karen Huffstodt (Soprano), Alain Gabriel (Tenor)
Conductor: Kent Nagano
Orchestra/Ensemble: Lyon Opera Orchestra, Lyon Opera Chorus
Period: Romantic
Written: 1903-1905; Germany

Guercoeur, Op. 12: Où suis-je? Quel murmure me charme by Albéric Magnard
Performer: José Van Dam (Bass Baritone)
Conductor: Michel Plasson

Pelléas et Mélisande: Une grande innocence by Claude Debussy
Performer: Frederica Von Stade (Mezzo Soprano), José Van Dam (Bass Baritone), Ruggero Raimondi (Bass)
Conductor: Herbert von Karajan
Orchestra/Ensemble: Berlin Philharmonic Orchestra, Berlin Deutsche Oper Chorus
Period: 20th Century
Written: 1893-1902; France

Pelléas et Mélisande: Je ne pourrai plus sortir de cette... by Claude Debussy
Performer: José Van Dam (Bass Baritone), Frederica Von Stade (Mezzo Soprano)
Conductor: Herbert von Karajan
Orchestra/Ensemble: Berlin Philharmonic Orchestra, Berlin Deutsche Oper Chorus
Period: 20th Century
Written: 1893-1902; France

Pelléas et Mélisande: Ah! Tout va bien by Claude Debussy
Performer: José Van Dam (Bass Baritone), Frederica Von Stade (Mezzo Soprano)
Conductor: Herbert von Karajan
Orchestra/Ensemble: Berlin Philharmonic Orchestra, Berlin Deutsche Oper Chorus
Period: 20th Century
Written: 1893-1902; France

Pelléas et Mélisande: Excerpt(s) by Claude Debussy
Performer: Frederica Von Stade (Mezzo Soprano), José Van Dam (Bass Baritone), Ruggero Raimondi (Bass)
Conductor: Herbert von Karajan
Orchestra/Ensemble: Berlin Philharmonic Orchestra, Berlin Deutsche Oper Chorus
Period: 20th Century
Written: 1893-1902; France

Pelléas et Mélisande: Pelléas part ce soir by Claude Debussy
Performer: Frederica Von Stade (Mezzo Soprano), José Van Dam (Bass Baritone), Ruggero Raimondi (Bass)
Conductor: Herbert von Karajan
Orchestra/Ensemble: Berlin Philharmonic Orchestra, Berlin Deutsche Oper Chorus
Period: Modern
Written: 1893-1902; France

Pelléas et Mélisande: Ah! Petite mère a allumé sa lampe by Claude Debussy
Performer: José Van Dam (Bass Baritone), Christine Barbaux (Soprano)
Conductor: Herbert von Karajan
Orchestra/Ensemble: Berlin Philharmonic Orchestra, Berlin Deutsche Oper Chorus
Period: 20th Century
Written: 1893-1902; France

Pelléas et Mélisande: Viens, nous allons nous asseoir ici, Yniold by Claude Debussy
Performer: José Van Dam (Bass Baritone), Christine Barbaux (Soprano)
Conductor: Herbert von Karajan
Orchestra/Ensemble: Berlin Philharmonic Orchestra, Berlin Deutsche Oper Chorus
Period: 20th Century
Written: 1893-1902; France

Pelléas et Mélisande: Tiens, où est l’anneau que je t’avais donné? by Claude Debussy
Performer: José Van Dam (Bass Baritone), Frederica Von Stade (Mezzo Soprano)
Conductor: Herbert von Karajan
Orchestra/Ensemble: Berlin Philharmonic Orchestra, Berlin Deutsche Oper Chorus
Period: 20th Century
Written: 1893-1902; France

Pelléas et Mélisande: Prenez garde; par ici, par ici by Claude Debussy
Performer: José Van Dam (Bass Baritone), Richard Stilwell (Baritone)
Conductor: Herbert von Karajan
Orchestra/Ensemble: Berlin Philharmonic Orchestra, Berlin Deutsche Oper Chorus
Period: 20th Century
Written: 1893-1902; France

Pelléas et Mélisande: Il est vrai que by Claude Debussy
Performer: José Van Dam (Bass Baritone), Frederica Von Stade (Mezzo Soprano)
Conductor: Herbert von Karajan
Orchestra/Ensemble: Berlin Philharmonic Orchestra, Berlin Deutsche Oper Chorus
Period: 20th Century
Written: 1893-1902; France

Gianni Schicchi: Era eguale la voce?... Ah!... Che zucconi! by Giacomo Puccini
Performer: Elena Zilio (Mezzo Soprano), Roberto Scaltriti (Baritone), Carlos Chausson (Bass),
José Van Dam (Bass), Patrizia Ciofi (Soprano), Felicity Palmer (Mezzo Soprano),
Paolo Barbacini (Tenor), Roberto Alagna (Tenor), Luigi Roni (Bass)
Conductor: Antonio Pappano
Orchestra/Ensemble: London Symphony Orchestra
Period: Romantic
Written: 1918; Italy

Gianni Schicchi: In testa la capellina! by Giacomo Puccini
Performer: Elena Zilio (Mezzo Soprano), Roberto Scaltriti (Baritone), Carlos Chausson (Bass),
José Van Dam (Bass), Patrizia Ciofi (Soprano), Felicity Palmer (Mezzo Soprano),
Paolo Barbacini (Tenor), Roberto Alagna (Tenor), Luigi Roni (Bass)
Conductor: Antonio Pappano
Orchestra/Ensemble: London Symphony Orchestra
Period: Romantic
Written: 1918; Italy

Gianni Schicchi, opera: Prima un avvertimento! by Giacomo Puccini
Performer: Elena Zilio (Mezzo Soprano), Roberto Scaltriti (Baritone), Carlos Chausson (Bass),
José Van Dam (Bass), Patrizia Ciofi (Soprano), Felicity Palmer (Mezzo Soprano),
Paolo Barbacini (Tenor), Roberto Alagna (Tenor), Luigi Roni (Bass)
Conductor: Antonio Pappano
Orchestra/Ensemble: London Symphony Orchestra
Period: Romantic
Written: 1918; Italy

Gianni Schicchi: Addio, Firenze by Giacomo Puccini
Performer: Elena Zilio (Mezzo Soprano), Roberto Scaltriti (Baritone), Carlos Chausson (Bass),
José Van Dam (Bass), Patrizia Ciofi (Soprano), Felicity Palmer (Mezzo Soprano),
Paolo Barbacini (Tenor), Roberto Alagna (Tenor), Luigi Roni (Bass)
Conductor: Antonio Pappano
Orchestra/Ensemble: London Symphony Orchestra
Period: Romantic
Written: 1918; Italy

Ciboulette: Bien des jeunes gens by Reynaldo Hahn
Performer: José Van Dam (Bass Baritone)
Conductor: Cyril Diederich
Orchestra/Ensemble: Monte Carlo Philharmonic Orchestra
Period: 20th Century
Written: 1923

Ciboulette: C’est tout ce qui me reste d’elle by Reynaldo Hahn
Performer: José Van Dam (Bass Baritone)
Conductor: Cyril Diederich
Orchestra/Ensemble: Monte Carlo Philharmonic Orchestra
Period: 20th Century
Written: 1923



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