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Thomas Hampson Autograph - a portrait encompassing opera, operetta, song, oratorio and Broadway musicals (bonus documentary CD) [10 CDs]

Album Summary

>Mozart, Wolfgang Amadeus : Le Nozze de Figaro
>Mozart, Wolfgang Amadeus : Don Giovanni
>Mozart, Wolfgang Amadeus : Cosi fan tutte, K 588
>Mendelssohn, Felix : Die Erste Walpurgisnacht, Op. 60
>Gounod, Charles : Faust
>Thomas, Ambroise : Hamlet
>Verdi, Giuseppe : Macbeth
>Verdi, Giuseppe : Les Vêpres siciliennes
>Verdi, Giuseppe : La Traviata
>Verdi, Giuseppe : Simon Boccanegra
>Verdi, Giuseppe : Il Trovatore
>Verdi, Giuseppe : Don Carlos
>Wagner, Richard : Tannhäuser
>Wagner, Richard : Die Walküre
>Wagner, Richard : Götterdämmerung
>Wagner, Richard : Mignonne ("Mignonne, allons voir si la rose"), song for voice & piano, WWV 57
>Wagner, Richard : Soupir ("Tout n'est qu'images fugitives"), song for voice & piano, WWV 58
>Wagner, Richard : Les deux grenadiers
>Wagner, Richard : 7 Compositions from Goethe's Faust, WWV 15
>Wagner, Richard : Der Tannenbaum
>Britten, Benjamin : Billy Budd
>Britten, Benjamin : War Requiem
>Schubert, Franz : Winterreise, D 911/Op. 89
>Schumann, Robert : Kurzes Erwachen ("Ich bin im Mai gegangen"), song for voice & piano, WoO 21/4
>Schumann, Robert : Gesänges Erwachen ("Könnt' ich einmal wieder singen"), song for voice & piano, WoO 21/5
>Schumann, Robert : An Anna I ("Lange harrt' ich"), song for voice & piano, WoO 21/6
>Schumann, Robert : An Anna II ("Nicht im Tale"), song for voice & piano, WoO 10/2
>Schumann, Robert : Im Herbste ("Zieh' nur, du Sonne"), song for voice & piano, WoO 10/3
>Schumann, Robert : Niemand ("Ich hab mein Weib allein"), song for voice & piano (Myrthen), Op. 25/22
>Schumann, Robert : Dem roten Röslein gleicht mein Lieb, song for voice & piano, Op. 27/2
>Schumann, Robert : Myrthen, Op. 25
>Schumann, Robert : 12 Gedichte, Op. 35
>Schumann, Robert : Dichterliebe, Op. 48
>Schumann, Robert : Romances and Ballades iii, Op. 53
>Berlioz, Hector : Irlande, Op. 2
>Liszt, Franz : La tombe et la rose, song for voice & piano, S. 285 (LW N26)
>Liszt, Franz : Comment, disaient-ils, S 276 no 2 (2nd version)
>Liszt, Franz : Oh! quand je dors (II), song for voice & piano, S. 282ii (LW N11/2)
>Liszt, Franz : Die Vätergruft, song for voice & piano (3 versions), S. 281 (LW N22a)
>Liszt, Franz : Ihr Auge, S 310
>Liszt, Franz : Über allen gipfeln ist Ruh', song for voice & piano (3 versions), S. 306 (LW N46)
>Strauss, Richard : Himmelsboten zu Liebchens Himmelbett ("Der Mondschein"), song for voice & piano, Op. 32/5 (TrV 174/5
>Mahler, Gustav : Rückert-Lieder
>Mahler, Gustav : Das Lied von der Erde
>Korngold, Erich Wolfgang : Die tote Stadt (The Dead City)
>Copland, Aaron : Old American Songs, Set 1
>Hopkinson, Francis : My days have been so wondrous free
>Bernstein, Leonard : Mass
>Ives, Charles : Songs my mother taught me
>Ives, Charles : Memories
>Ungar, Jay : Ashokan Farewell
>Traditional, American : Shenandoah, folk song
>Warren, Elinor R. : God Be in My Heart
>Carpenter, John Alden : Looking-Glass River
>Duke, John Woods : Miniver Cheevy for voice & piano
>Still, William G. : Grief, for voice & piano (or orchestra)
>Bowles, Paul : Blue Mountain Ballads, songs (4) for voice & piano
>Homer, Sidney : General Booth Enters into Heaven, for voice & piano
>MacDowell, Edward : Old American Songs
>Foster, Stephen : Nelly Was a Lady
>Foster, Stephen : Hard times come again no more
>Lehár, Franz : The Merry Widow
>Lehár, Franz : Der Zarewitsch
>Kálmán, Imre : Gräfin Mariza
>Millöcker, Carl : Der Bettelstudent
>Stolz, Robert : Wien wird bei Nacht erst schön, for voice & orchestra (with chorus ad lib), Op. 216
>Stolz, Robert : Trauminsel
>Tauber, Richard : Der Singende Traum
>Zeller, Carl : Der Obersteiger
>Strauss II (Junior), Johann : Der Zigeunerbaron
>Strauss II (Junior), Johann : Die Fledermaus
>Berlin, Irving : Annie Get Your Gun
>Porter, Cole : Kiss Me, Kate
>Weill, Kurt : Love Life
>Kern, Jerome : Music in the Air
>Bach, Johann Sebastian : Cantata no 140
>Mozart, Wolfgang Amadeus : Grabmusik, K 42/35a
>Brahms, Johannes : German Requiem, Op. 45
>Fauré, Gabriel : Requiem
>Puccini, Giacomo : Messa di Gloria
>Duruflé, Maurice : Requiem
>Word, Spoken : Thomas Hampson, An Interview Portrait
Performers Conductors Ensembles Composers

Notes & Reviews:


Works:

Don Giovanni, K 527: Deh vieni alla finestra [Serenade] by Wolfgang Amadeus Mozart
Performer: Thomas Hampson (Baritone)
Conductor: Nikolaus Harnoncourt
Orchestra/Ensemble: Royal Concertgebouw Orchestra
Period: Classical
Written: 1787; Prague, Czech Republ
Date of Recording: 10/1988
Venue: Concertgebouw, Amsterdam
Length: 2 Minutes 26 Secs.
Language: Italian

Così fan tutte, K 588: Soave sia il vento by Wolfgang Amadeus Mozart
Performer: Charlotte Margiono (Soprano), Delores Ziegler (Mezzo Soprano), Thomas Hampson (Baritone)
Conductor: Nikolaus Harnoncourt
Orchestra/Ensemble: Royal Concertgebouw Orchestra
Period: Classical
Written: 1790; Vienna, Austria
Date of Recording: 01/1991
Venue: Concertgebouw, Amsterdam
Length: 2 Minutes 19 Secs.
Language: Italian

Le nozze di Figaro, K 492: Crudel, perchè finora by Wolfgang Amadeus Mozart
Performer: Barbara Bonney (Soprano), Thomas Hampson (Baritone)
Conductor: Nikolaus Harnoncourt
Orchestra/Ensemble: Royal Concertgebouw Orchestra
Period: Classical
Written: 1786; Vienna, Austria
Date of Recording: 05/1993
Venue: Concertgebouw, Amsterdam
Length: 2 Minutes 49 Secs.
Language: Italian

Le nozze di Figaro, K 492: Hai già vinta la causa!...Vedrò, metr’io sospiroby Wolfgang Amadeus Mozart
Performer: Thomas Hampson (Baritone)
Conductor: Nikolaus Harnoncourt
Orchestra/Ensemble: Royal Concertgebouw Orchestra
Period: Classical
Written: 1786; Vienna, Austria
Date of Recording: 05/1993
Venue: Concertgebouw, Amsterdam
Length: 4 Minutes 23 Secs.
Language: Italian

Don Giovanni, K 527: Don Giovanni, a cenar t’eco m’invinasti by Wolfgang Amadeus Mozart
Performer: László Polgár (Bass), Robert Holl (Bass), Thomas Hampson (Baritone)
Conductor: Nikolaus Harnoncourt
Orchestra/Ensemble: Royal Concertgebouw Orchestra, Netherlands Opera Chorus
Period: Classical
Written: 1787; Prague, Czech Republ
Date of Recording: 10/1988
Venue: Concertgebouw, Amsterdam
Length: 6 Minutes 31 Secs.
Language: Italian

Rivolgete a lui lo sguardo, K 584 by Wolfgang Amadeus Mozart
Performer: Thomas Hampson (Baritone)
Conductor: Nikolaus Harnoncourt
Period: Classical
Written: 1789; Vienna, Austria

Faust: Écoute-moi bien by Charles Gounod
Performer: Nadine Denize (Mezzo Soprano), Thomas Hampson (Baritone), Martine Mahé (Mezzo Soprano)
Conductor: Michel Plasson
Orchestra/Ensemble: Toulouse Capitole Orchestra
Period: Romantic
Written: 1859; France

Faust: Avant de quitter ces lieux by Charles Gounod
Performer: Thomas Hampson (Baritone)
Conductor: Michel Plasson
Orchestra/Ensemble: Toulouse Capitole Orchestra
Period: Romantic
Written: 1859; France

Faust: Que voulez-vous, messieurs? by Charles Gounod
Performer: Thomas Hampson (Baritone), Richard Leech (Tenor)
Conductor: Michel Plasson
Orchestra/Ensemble: Toulouse Capitole Orchestra
Period: Romantic
Written: 1859; France

Faust: Par ici! by Charles Gounod
Performer: Thomas Hampson (Baritone)
Conductor: Michel Plasson
Orchestra/Ensemble: Toulouse Capitole Orchestra, Toulouse Capitole Chorus
Period: Romantic
Written: 1859; France

Faust: : Adieu, Mon Bon Frère! by Charles Gounod
Performer: Thomas Hampson (Baritone), Cheryl Studer (Soprano)
Conductor: Michel Plasson
Orchestra/Ensemble: Toulouse Capitole Orchestra
Period: Romantic
Written: 1859

Faust: De l’enfer qui vient émousser nos armes by Charles Gounod
Performer: Thomas Hampson (Baritone)
Conductor: Michel Plasson
Orchestra/Ensemble: Toulouse Capitole Orchestra, Toulouse Capitole Chorus
Period: Romantic
Written: 1859

Hamlet: Spectre infernal! by Ambroise Thomas
Performer: Thomas Hampson (Baritone), Gérard Garino (Tenor), François Le Roux (Baritone)
Conductor: Antonio de Almeida
Orchestra/Ensemble: London Philharmonic Orchestra
Period: Romantic
Written: 1868; France

Hamlet: Etre ou ne pas être by Ambroise Thomas
Performer: Thomas Hampson (Baritone)
Conductor: Antonio de Almeida
Orchestra/Ensemble: London Philharmonic Orchestra
Period: Romantic
Written: 1868; France

Hamlet: Doute de la lumière by Ambroise Thomas
Performer: Thomas Hampson (Baritone), June Anderson (Soprano)
Conductor: Antonio de Almeida
Orchestra/Ensemble: London Philharmonic Orchestra
Period: Romantic
Written: 1868; France

Hamlet: Mon Fils! by Ambroise Thomas
Performer: Thomas Hampson (Baritone)
Conductor: Antonio de Almeida
Orchestra/Ensemble: London Philharmonic Orchestra
Period: Romantic
Written: 1868; France

Hamlet: Pardonne, Hélàs! Ta Voix M’accable! by Ambroise Thomas
Performer: Thomas Hampson (Baritone), Jean-Phillipe Courtis (Bass)
Conductor: Antonio de Almeida
Orchestra/Ensemble: London Philharmonic Orchestra
Period: Romantic
Written: 1868; France

Hamlet: Ah! Que Votre Âme Sans Refuge by Ambroise Thomas
Performer: Thomas Hampson (Baritone), Denyce Graves (Mezzo Soprano)
Conductor: Antonio de Almeida
Orchestra/Ensemble: London Philharmonic Orchestra
Period: Romantic
Written: 1868; France

Hamlet: Ici L’ombre Et Le Deuil by Ambroise Thomas
Performer: Thomas Hampson (Baritone), Gérard Garino (Tenor), François Le Roux (Baritone)
Conductor: Antonio de Almeida
Orchestra/Ensemble: London Philharmonic Orchestra
Period: Romantic
Written: 1868; France

Hamlet: Ecoute Moi by Ambroise Thomas
Performer: Thomas Hampson (Baritone), Jean-Phillipe Courtis (Bass)
Conductor: Antonio de Almeida
Orchestra/Ensemble: London Philharmonic Orchestra
Period: Romantic
Written: 1868; France

La traviata: Di Provenza il mar... No, non udrai rimproveri by Giuseppe Verdi
Performer: Thomas Hampson (Baritone)
Conductor: Richard Armstrong
Orchestra/Ensemble: Orchestra of the Age of Enlightenment
Period: Romantic
Written: 1853

Il trovatore: Udiste? come albeggi, la scure al figlio by Giuseppe Verdi
Performer: Thomas Hampson (Baritone), Angela Gheorghiu (Soprano)
Conductor: Antonio Pappano
Orchestra/Ensemble: London Symphony Orchestra
Period: Romantic
Written: 1853; Italy

Il trovatore: Quel suon...Ah! che la morte “Miserere” by Giuseppe Verdi
Performer: Thomas Hampson (Baritone)
Conductor: Antonio Pappano
Orchestra/Ensemble: London Symphony Orchestra
Period: Romantic
Written: 1853; Italy

Il trovatore: Mira, di acerbe lagrime by Giuseppe Verdi
Performer: Thomas Hampson (Baritone)
Conductor: Antonio Pappano
Orchestra/Ensemble: London Symphony Orchestra
Period: Romantic
Written: 1853; Italy

Il trovatore: Non m’inganna quel fioco lume? by Giuseppe Verdi
Performer: Thomas Hampson (Baritone)
Conductor: Antonio Pappano
Orchestra/Ensemble: London Symphony Orchestra
Period: Romantic
Written: 1853; Italy

Il trovatore: Di geloso amor sprezzato by Giuseppe Verdi
Performer: Thomas Hampson (Baritone), Angela Gheorghiu (Soprano)
Conductor: Antonio Pappano
Orchestra/Ensemble: London Symphony Orchestra
Period: Romantic
Written: 1853; Italy

Il trovatore: Tacea la notte placida...Di tale amor by Giuseppe Verdi
Performer: Thomas Hampson (Baritone)
Conductor: Antonio Pappano
Orchestra/Ensemble: London Symphony Orchestra
Period: Romantic
Written: 1853; Italy

Il trovatore: Per me ora fatale by Giuseppe Verdi
Performer: Thomas Hampson (Baritone), Ildebrando D’Arcangelo (Bass)
Conductor: Antonio Pappano
Orchestra/Ensemble: London Symphony Orchestra
Period: Romantic
Written: 1853; Italy

Il trovatore: Il balen del suo sorriso by Giuseppe Verdi
Performer: Thomas Hampson (Baritone)
Conductor: Antonio Pappano
Orchestra/Ensemble: London Symphony Orchestra
Period: Romantic
Written: 1853; Italy

Il trovatore: Deserto sulla terra by Giuseppe Verdi
Performer: Thomas Hampson (Baritone), Roberto Alagna (Tenor)
Conductor: Antonio Pappano
Orchestra/Ensemble: London Symphony Orchestra
Period: Romantic
Written: 1853; Italy

Don Carlos: Le voilà! C’est l’Infant! by Giuseppe Verdi
Performer: Thomas Hampson (Baritone), Roberto Alagna (Tenor)
Conductor: Antonio Pappano
Orchestra/Ensemble: Paris Orchestra
Written: 1867

Don Carlos: Dio, che nell’ alma infondere by Giuseppe Verdi
Performer: Thomas Hampson (Baritone), Czaba Airizer (Bass)
Conductor: Antonio Pappano
Orchestra/Ensemble: Paris Orchestra
Period: Romantic
Written: 1867/1884; Italy

Don Carlos: Restez! by Giuseppe Verdi
Performer: Thomas Hampson (Baritone), José Van Dam (Bass Baritone)
Conductor: Antonio Pappano
Orchestra/Ensemble: Paris Orchestra
Period: Romantic
Written: 1884

Don Carlos: Per me giunto è il dì supremo by Giuseppe Verdi
Performer: Thomas Hampson (Baritone), Roberto Alagna (Tenor)
Conductor: Antonio Pappano
Orchestra/Ensemble: Paris Orchestra
Period: Romantic
Written: 1867/1884; Italy

Don Carlos: O Carlo, ascolta by Giuseppe Verdi
Performer: Thomas Hampson (Baritone)
Conductor: Antonio Pappano
Orchestra/Ensemble: Paris Orchestra
Period: Romantic
Written: 1867/1884 ; Italy

Tannhäuser: Wohl wusst’ ich hier sie im Gebet zu finden by Richard Wagner
Performer: Thomas Hampson (Baritone)
Conductor: Daniel Barenboim
Orchestra/Ensemble: Berlin Staatskapelle Orchestra
Period: Romantic
Written: 1841/1852; Germany

Tannhäuser: Wie Todesahnung Dämm’rung by Richard Wagner
Performer: Thomas Hampson (Baritone)
Conductor: Daniel Barenboim
Orchestra/Ensemble: Berlin Staatskapelle Orchestra
Period: Romantic
Written: 1845/1861; Germany

Tannhäuser: O, du mein holder Abendstern by Richard Wagner
Performer: Thomas Hampson (Baritone)
Conductor: Fabio Luisi
Orchestra/Ensemble: Munich Radio Symphony Orchestra
Period: Romantic
Written: 1845/1861; Germany

Tannhäuser: Beglückt darf nun dich “Pilgrims’ Chorus” by Richard Wagner
Performer: Thomas Hampson (Baritone)
Conductor: Daniel Barenboim
Orchestra/Ensemble: Berlin Staatskapelle Orchestra
Period: Romantic
Written: 1845/1861; Germany

Die Walküre: Winterstürme wichen dem Wonnemond by Richard Wagner
Performer: Thomas Hampson (Baritone)
Conductor: Fabio Luisi
Orchestra/Ensemble: Munich Radio Symphony Orchestra
Period: Romantic
Written: 1856; Germany

Götterdämmerung: Vergäss’ ich alles by Richard Wagner
Performer: Thomas Hampson (Baritone)
Conductor: Bernard Haitink
Orchestra/Ensemble: Bavarian Radio Symphony Orchestra
Period: Romantic
Written: 1861-1874; Germany

Götterdämmerung: Was nahmst du am Eide nicht teil? by Richard Wagner
Performer: Thomas Hampson (Baritone)
Conductor: Bernard Haitink
Orchestra/Ensemble: Bavarian Radio Symphony Orchestra
Period: Romantic
Written: 1861-1874; Germany

Götterdämmerung: Vom Rhein her tönt das Horn by Richard Wagner
Performer: Thomas Hampson (Baritone)
Conductor: Bernard Haitink
Orchestra/Ensemble: Bavarian Radio Symphony Orchestra
Period: Romantic
Written: 1861-1874; Germany

Götterdämmerung: Nun hör, Hagen by Richard Wagner
Performer: Thomas Hampson (Baritone)
Conductor: Bernard Haitink
Orchestra/Ensemble: Bavarian Radio Symphony Orchestra

Götterdämmerung: Ein Weib weiss ich by Richard Wagner
Performer: Thomas Hampson (Baritone)
Conductor: Bernard Haitink
Orchestra/Ensemble: Bavarian Radio Symphony Orchestra
Period: Romantic
Written: 1861-1874; Germany

Götterdämmerung: Blühenden Lebens labendes Blut by Richard Wagner
Performer: Thomas Hampson (Baritone)
Conductor: Bernard Haitink
Orchestra/Ensemble: Bavarian Radio Symphony Orchestra
Period: Romantic
Written: 1861-1874; Germany

Götterdämmerung: Begrüsse froh, o Held by Richard Wagner
Performer: Thomas Hampson (Baritone)
Conductor: Bernard Haitink
Orchestra/Ensemble: Bavarian Radio Symphony Orchestra
Period: Romantic
Written: 1861-1874; Germany

War Requiem, Op. 66: Libera Me - Excerpt(s) by Benjamin Britten
Performer: Thomas Hampson (Baritone)
Conductor: Kurt Masur
Orchestra/Ensemble: New York Philharmonic

War Requiem, Op. 66: Dies irae - Bugles sang, sadd’ning the evening airby Benjamin Britten
Performer: Thomas Hampson (Baritone)
Conductor: Kurt Masur
Orchestra/Ensemble: New York Philharmonic

War Requiem, Op. 66: Offertorium - Isaac and Abram by Benjamin Britten
Performer: Ian Bostridge (Tenor), Thomas Hampson (Baritone)
Conductor: Antonio Pappano
Orchestra/Ensemble: Santa Cecilia Academy Rome Chorus, Santa Cecilia Academy Rome Orchestra

War Requiem, Op. 66: Requiem Aeternam - What passing-bells for these who die as a cattle?” by Benjamin Britten
Performer: Thomas Hampson (Baritone)
Conductor: Kurt Masur
Orchestra/Ensemble: New York Philharmonic

War Requiem, Op. 66: Libera Me - None Said the Other by Benjamin Britten
Performer: Thomas Hampson (Baritone), Ian Bostridge (Tenor)
Conductor: Antonio Pappano
Orchestra/Ensemble: Santa Cecilia Academy Rome Orchestra

Billy Budd, Op. 50: Look! Through the port comes the moonshine astrayby Benjamin Britten
Performer: Thomas Hampson (Baritone)
Conductor: Kent Nagano
Orchestra/Ensemble: Hallé Orchestra
Period: 20th Century
Written: 1951/1960; England

Billy Budd, Op. 50: Dansker, old friend, glad to see you! by Benjamin Britten
Performer: Thomas Hampson (Baritone)
Conductor: Kent Nagano
Orchestra/Ensemble: Hallé Orchestra
Period: 20th Century
Written: 1951/1960; England

Billy Budd, Op. 50: Billy!...Hist! Billy Budd! by Benjamin Britten
Performer: Thomas Hampson (Baritone)
Conductor: Kent Nagano
Orchestra/Ensemble: Hallé Orchestra
Period: 20th Century
Written: 1951/1960; England

Billy Budd, Op. 50: You wanted to see me by Benjamin Britten
Performer: Thomas Hampson (Baritone)
Conductor: Kent Nagano
Orchestra/Ensemble: Hallé Orchestra
Period: 20th Century
Written: 1951/1960; England

Wachet auf, ruft uns die Stimme, BWV 140: no 5, So geh herein zu mir by Johann Sebastian Bach
Performer: Thomas Hampson (Baritone)
Conductor: Nikolaus Harnoncourt
Orchestra/Ensemble: Vienna Concentus Musicus
Period: Baroque
Written: 1731; Leipzig, Germany

Wachet auf, ruft uns die Stimme, BWV 140: no 6, Mein Freund ist mein! by Johann Sebastian Bach
Performer: Thomas Hampson (Baritone)
Conductor: Nikolaus Harnoncourt
Orchestra/Ensemble: Vienna Concentus Musicus
Period: Baroque
Written: 1731; Leipzig, Germany

Grabmusik, K 42 (35a): Wo bin ich, bittrer Schmerz? by Wolfgang Amadeus Mozart
Performer: Thomas Hampson (Baritone)
Conductor: Nikolaus Harnoncourt
Orchestra/Ensemble: Vienna Concentus Musicus
Period: Classical
Written: 1767; Salzburg, Austria

Grabmusik, K 42 (35a): Felsen, spaltet euren Rachen by Wolfgang Amadeus Mozart
Performer: Thomas Hampson (Baritone)
Conductor: Nikolaus Harnoncourt
Orchestra/Ensemble: Vienna Concentus Musicus
Period: Classical
Written: 1767; Salzburg, Austria

German Requiem, Op. 45: Herr, lehre doch mich by Johannes Brahms
Performer: Thomas Hampson (Baritone)
Conductor: Daniel Barenboim
Orchestra/Ensemble: Chicago Symphony Orchestra
Period: Romantic
Written: 1854-1868; Austria

German Requiem, Op. 45: Denn wir haben hie by Johannes Brahms
Performer: Thomas Hampson (Baritone)
Conductor: Daniel Barenboim
Orchestra/Ensemble: Chicago Symphony Orchestra
Period: Romantic
Written: 1854-1868; Austria

Requiem, Op. 48: Offertoire by Gabriel Fauré
Performer: Thomas Hampson (Baritone)
Conductor: Michel Legrand
Orchestra/Ensemble: Philharmonia Orchestra
Period: Romantic
Written: 1887-1899; France

Requiem, Op. 48: Libera me by Gabriel Fauré
Performer: Thomas Hampson (Baritone)
Conductor: Michel Legrand
Orchestra/Ensemble: Philharmonia Orchestra
Period: Romantic
Written: 1877-1890; France

Requiem, Op. 9: Hostias et preces by Maurice Duruflé
Performer: Thomas Hampson (Baritone)
Conductor: Michel Plasson
Orchestra/Ensemble: Toulouse Capitole Orchestra

Requiem, Op. 9: Libera me by Maurice Duruflé
Performer: Thomas Hampson (Baritone)
Conductor: Michel Plasson
Orchestra/Ensemble: Toulouse Capitole Orchestra
Period: 20th Century
Written: 1947; Paris, France

Messa di Gloria: Agnus Dei tollis peccata mundi by Giacomo Puccini
Performer: Thomas Hampson (Baritone)
Conductor: Antonio Pappano
Orchestra/Ensemble: London Symphony Orchestra

Die lustige Witwe: O Vaterland...Da geh’ ich zu Maxim by Franz Lehár
Performer: Thomas Hampson (Baritone)
Conductor: Franz Welser-Möst
Orchestra/Ensemble: London Philharmonic Orchestra
Period: Romantic
Written: 1905; Vienna, Austria

Gräfin Mariza: Komm Zigány by Emmerich Kálmán
Performer: Thomas Hampson (Baritone), Gregory Knowles (Cimbalom)
Conductor: Franz Welser-Möst
Orchestra/Ensemble: London Philharmonic Orchestra
Period: Post-Romantic
Venue: EMI Abbey Road Studio No. 1, London
Length: 6 Minutes 14 Secs.
Language: German

Der Bettelstudent: Ich knüpfte manche zart Bande by Karl Millöcker
Performer: Thomas Hampson (Baritone)
Conductor: Franz Welser-Möst
Orchestra/Ensemble: London Philharmonic Orchestra
Period: Romantic
Written: 1882; Vienna, Austria
Venue: EMI Abbey Road Studio No. 1, London
Length: 3 Minutes 8 Secs.
Language: German

Frühjahrsparade: Wien wird bei Nacht erst Schön by Robert Stolz
Performer: Thomas Hampson (Baritone)
Conductor: Franz Welser-Möst
Orchestra/Ensemble: London Philharmonic Orchestra
Period: 20th Century
Written: by 1964
Venue: EMI Abbey Road Studio No. 1, London
Length: 4 Minutes 14 Secs.
Language: German

Der singende Traum: Du bist die Welt für mich by Richard Tauber
Performer: Thomas Hampson (Baritone)
Conductor: Franz Welser-Möst
Orchestra/Ensemble: London Philharmonic Orchestra
Period: 20th Century
Written: 1934
Venue: EMI Abbey Road Studio No. 1, London
Length: 4 Minutes 26 Secs.
Language: German

Der Obersteiger: Sei nicht bös’ by Carl Zeller
Performer: Thomas Hampson (Baritone)
Conductor: Franz Welser-Möst
Orchestra/Ensemble: London Philharmonic Orchestra, London Voices
Period: Romantic
Venue: EMI Abbey Road Studio No. 1, London
Length: 4 Minutes 22 Secs.
Language: German

Der Zarewitsch: Allein, wieder allein “Wolgalied” by Franz Lehár
Performer: Colin Downs (Guitar), Richard Wright (Mandola), James Ellis (Mandola),
Sue Mossop (Mandolin), Alison Stephens (Mandolin), Thomas Hampson (Baritone)
Conductor: Franz Welser-Möst
Orchestra/Ensemble: London Philharmonic Orchestra
Period: Romantic
Written: 1927; Vienna, Austria
Venue: EMI Abbey Road Studio No. 1, London
Length: 4 Minutes 35 Secs.
Language: German

Trauminsel: Ich hab’ mich tausendmal verliebt by Robert Stolz
Performer: Thomas Hampson (Baritone)
Conductor: Franz Welser-Möst
Orchestra/Ensemble: London Philharmonic Orchestra
Period: 20th Century
Written: by 1962; Austria
Venue: EMI Abbey Road Studio No. 1, London
Length: 4 Minutes 3 Secs.
Language: German

Der Zigeunerbaron: Als flotter Geist by Johann Strauss Jr.
Performer: Thomas Hampson (Baritone)
Conductor: Franz Welser-Möst
Orchestra/Ensemble: London Philharmonic Orchestra, London Voices
Period: Romantic
Written: 1885; Vienna, Austria
Venue: EMI Abbey Road Studio No. 1, London
Length: 3 Minutes 13 Secs.
Language: German

Die Fledermaus: Komm’ mit mir zum Souper by Johann Strauss Jr.
Performer: Thomas Hampson (Baritone)
Conductor: Carlo Rizzi
Written: 1874

Music in the Air: The Song is You by Jerome Kern
Performer: Thomas Hampson (Baritone)
Conductor: John McGlinn
Orchestra/Ensemble: London Sinfonietta
Period: 20th Century
Written: 1932; USA

Love life: Here I’ll Stay by Kurt Weill
Performer: Thomas Hampson (Baritone), Jeanne Lehman (Voice)
Conductor: John McGlinn
Orchestra/Ensemble: London Sinfonietta
Period: 20th Century
Written: 1947; USA

Kiss Me, Kate: So in Love by Cole Porter
Performer: Thomas Hampson (Baritone)
Conductor: John McGlinn
Orchestra/Ensemble: London Sinfonietta
Period: 20th Century
Written: 1948; USA

Annie Get Your Gun: I’m a bad, bad man by Irving Berlin
Performer: Thomas Hampson (Baritone)
Conductor: John McGlinn
Orchestra/Ensemble: London Sinfonietta
Period: 20th Century

Old American Songs, Set 1 by Aaron Copland
Performer: Thomas Hampson (Baritone)
Conductor: Hugh Wolff
Orchestra/Ensemble: St. Paul Chamber Orchestra
Period: 20th Century
Written: 1950; USA
Date of Recording: 09/1992
Venue: Ordway Music Theatre, St Paul, Minnesota
Length: 12 Minutes 31 Secs.
Language: English

Old American Songs, Set 2: The Little Horses by Aaron Copland
Performer: Thomas Hampson (Baritone)
Conductor: Hugh Wolff
Orchestra/Ensemble: St. Paul Chamber Orchestra
Period: 20th Century
Written: 1952; USA
Date of Recording: 09/1992
Venue: Ordway Music Theatre, St Paul, Minnesota
Length: 2 Minutes 52 Secs.

Old American Songs, Set 2: Zion’s Walls by Aaron Copland
Performer: Thomas Hampson (Baritone)
Conductor: Hugh Wolff
Orchestra/Ensemble: St. Paul Chamber Orchestra
Period: 20th Century
Written: 1952; USA
Length: 2 Minutes 1 Secs.

Old American Songs, Set 2: The Golden Willow Tree by Aaron Copland
Performer: Thomas Hampson (Baritone)
Conductor: Hugh Wolff
Orchestra/Ensemble: St. Paul Chamber Orchestra
Period: 20th Century
Written: 1952; USA
Length: 3 Minutes 40 Secs.

Old American Songs, Set 2: At the River by Aaron Copland
Performer: Thomas Hampson (Baritone)
Conductor: Hugh Wolff
Orchestra/Ensemble: St. Paul Chamber Orchestra
Period: 20th Century
Length: 2 Minutes 57 Secs.

Old American Songs, Set 2: Ching-a-ring Chaw by Aaron Copland
Performer: Thomas Hampson (Baritone)
Conductor: Hugh Wolff
Orchestra/Ensemble: St. Paul Chamber Orchestra
Period: 20th Century
Length: 1 Minutes 43 Secs.

My days have been so wondrous free by Francis Hopkinson
Performer: Thomas Hampson (Baritone), Wolfram Rieger (Piano)
Period: Classical
Written: 1759; USA
Length: 1 Minutes 28 Secs.

Mass: A Simple Song by Leonard Bernstein
Performer: Thomas Hampson (Baritone), Wolfram Rieger (Piano)
Period: 20th Century
Written: 1971; USA
Length: 4 Minutes 34 Secs.

Songs my mother taught me by Charles Ives
Performer: Thomas Hampson (Baritone), Wolfram Rieger (Piano)
Period: 20th Century
Written: 1895; USA
Length: 2 Minutes 54 Secs.

A Time for Farewell by Jay Ungar
Performer: Thomas Hampson (Baritone), Wolfram Rieger (Piano)
Period: 20th Century
Written: 1982; USA
Length: 2 Minutes 54 Secs.

Shenandoah by Traditional
Performer: Thomas Hampson (Baritone), Wolfram Rieger (Piano)
Written: USA
Length: 2 Minutes 40 Secs.

God Be in My Heart by Elinor Remick Warren
Performer: Thomas Hampson (Baritone), Wolfram Rieger (Piano)
Period: 20th Century
Written: 1950; USA
Length: 2 Minutes 3 Secs.

Miniver Cheevy by John Woods Duke
Performer: Thomas Hampson (Baritone), Craig Rutenberg (Piano)
Period: 20th Century
Written: 1948; USA
Length: 5 Minutes 39 Secs.

Grief by William Grant Still
Performer: Thomas Hampson (Baritone), Wolfram Rieger (Piano)
Period: 20th Century
Written: USA
Length: 2 Minutes 21 Secs.

Blue Mountain Ballads by Paul Bowles
Performer: Thomas Hampson (Baritone), Craig Rutenberg (Piano)
Period: 20th Century
Written: 1946; USA
Length: 7 Minutes 27 Secs.

General Booth Enters into Heaven by Sidney Homer
Performer: Thomas Hampson (Baritone), Craig Rutenberg (Piano)
Period: 20th Century
Written: 1926; USA
Length: 5 Minutes 23 Secs.

Songs (8), Op. 47: no 7, The Sea by Edward MacDowell
Performer: Thomas Hampson (Baritone), Wolfram Rieger (Piano)
Period: Romantic
Written: 1893; USA
Length: 2 Minutes 24 Secs.

Nelly was a lady by Stephen Foster
Performer: Thomas Hampson (Baritone), Craig Rutenberg (Piano)
Period: Romantic
Written: 1849; USA
Length: 3 Minutes 57 Secs.

Hard times come again no more by Stephen Foster
Performer: Thomas Hampson (Baritone), Craig Rutenberg (Piano)
Period: Romantic
Written: 1855; USA
Length: 4 Minutes 37 Secs.

Memories by Charles Ives
Performer: Thomas Hampson (Baritone), Craig Rutenberg (Piano)
Period: 20th Century
Written: 1897; USA
Length: 2 Minutes 36 Secs.



Autograph is a new series of Warner Classics box sets. Drawn from the EMI, Erato and Teldec catalogs, each box focuses on a single artist, providing a biographical panorama of his or her career through a series of thematically programmed CDs and fascinating documentation. Each collection is devised in collaboration with the featured artist and includes a newly-recorded exclusive interview with him/her, discussing the artist's life and work. Illustrated with musical extracts, the interviews are conducted by the distinguished journalist and broadcaster Jon Tolansky. The first artists to feature in the Autograph series are three leading singers of recent decades: soprano Angela Gheorghiu, baritone Thomas Hampson and bass-baritone José van Dam, all of whom have important anniversaries in 2015. One of today's most innovative and insightful singers, Thomas Hampson, who turns 60 this year, is widely admired for his accomplished performances and his commitment to musical research and education. Encompassing opera, operetta, song, oratorio and Broadway musicals, this special collection, whose track listing Hampson has personally overviewed, showcases his remarkable versatility and highlights some of his greatest operatic roles. The set also includes an interview documentary CD by Jon Tolansky, which offers fascinating insights into Hampson's career and achievements.



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Works Details

>Mozart, Wolfgang Amadeus : Le Nozze de Figaro :: Act 1. Ah, son perduto!
  • Performers: Barbara Bonney; Thomas Hampson; Petra Lang (Mezzo-Soprano); Philip Langridge
  • Conductor: Nikolaus Harnoncourt
  • Notes: Concertgebouw, Amsterdam (05/10/1993-05/26/1993)
  • Running Time: 3 min. 41 sec.
  • Period Time: Classical
  • Written: 1786

>Mozart, Wolfgang Amadeus : Le Nozze de Figaro :: Act 1. Cosa sento! Tosto andate
  • Performers: Barbara Bonney; Thomas Hampson; Philip Langridge
  • Conductor: Nikolaus Harnoncourt
  • Notes: Concertgebouw, Amsterdam (05/10/1993-05/26/1993)
  • Running Time: 4 min. 53 sec.
  • Period Time: Classical
  • Written: 1786

>Mozart, Wolfgang Amadeus : Le Nozze de Figaro :: Act 1. Basilio, in traccia tosto
  • Performers: Barbara Bonney; Thomas Hampson; Petra Lang (Mezzo-Soprano); Philip Langridge
  • Conductor: Nikolaus Harnoncourt
  • Notes: Concertgebouw, Amsterdam (05/10/1993-05/26/1993)
  • Running Time: 1 min. 8 sec.
  • Period Time: Classical
  • Written: 1786

>Mozart, Wolfgang Amadeus : Le Nozze de Figaro :: Act 2. Che novità!
  • Performers: Thomas Hampson; Charlotte Margiono (Soprano)
  • Conductor: Nikolaus Harnoncourt
  • Notes: Concertgebouw, Amsterdam (05/10/1993-05/26/1993)
  • Running Time: 1 min. 24 sec.
  • Period Time: Classical
  • Written: 1786

>Mozart, Wolfgang Amadeus : Le Nozze de Figaro :: Act 2. Susanna, or via, sortite
  • Performers: Barbara Bonney; Thomas Hampson; Charlotte Margiono (Soprano)
  • Conductor: Nikolaus Harnoncourt
  • Notes: Concertgebouw, Amsterdam (05/10/1993-05/26/1993)
  • Running Time: 3 min. 29 sec.
  • Period Time: Classical
  • Written: 1786

>Mozart, Wolfgang Amadeus : Le Nozze de Figaro :: Act 2. Dunque, voi non aparite?
  • Performers: Thomas Hampson; Charlotte Margiono (Soprano)
  • Conductor: Nikolaus Harnoncourt
  • Notes: Concertgebouw, Amsterdam (05/10/1993-05/26/1993)
  • Period Time: Classical
  • Written: 1786

>Mozart, Wolfgang Amadeus : Le Nozze de Figaro :: Act 2. Aprite, presto, aprite
  • Performers: Barbara Bonney; Petra Lang (Mezzo-Soprano)
  • Conductor: Nikolaus Harnoncourt
  • Notes: Concertgebouw, Amsterdam (05/10/1993-05/26/1993)
  • Running Time: 1 min. 45 sec.
  • Period Time: Classical
  • Written: 1786

>Mozart, Wolfgang Amadeus : Le Nozze de Figaro :: Act 2. Tutto è come io lascia
  • Performers: Thomas Hampson; Charlotte Margiono (Soprano)
  • Conductor: Nikolaus Harnoncourt
  • Notes: Concertgebouw, Amsterdam (05/10/1993-05/26/1993)
  • Running Time: 1 min. 24 sec.
  • Period Time: Classical
  • Written: 1786

>Mozart, Wolfgang Amadeus : Le Nozze de Figaro :: Act 2. Esci, ormai, garzon malnato
  • Performers: Thomas Hampson; Charlotte Margiono (Soprano)
  • Conductor: Nikolaus Harnoncourt
  • Notes: Concertgebouw, Amsterdam (05/10/1993-05/26/1993)
  • Running Time: 3 min. 41 sec.
  • Period Time: Classical
  • Written: 1786

>Mozart, Wolfgang Amadeus : Le Nozze de Figaro :: Act 2. Signore! Cos'è quel stupore?
  • Performers: Barbara Bonney; Thomas Hampson; Charlotte Margiono (Soprano); Anton Scharinger (Bass Baritone)
  • Conductor: Nikolaus Harnoncourt
  • Notes: Concertgebouw, Amsterdam (05/10/1993-05/26/1993)
  • Running Time: 6 min. sec.
  • Period Time: Classical
  • Written: 1786

>Mozart, Wolfgang Amadeus : Le Nozze de Figaro :: Act 3. Hai già vinta la causa!
  • Performer: Thomas Hampson
  • Conductor: Nikolaus Harnoncourt
  • Notes: Concertgebouw, Amsterdam (05/10/1993-05/26/1993)
  • Running Time: 1 min. 20 sec.
  • Period Time: Classical
  • Written: 1786

>Mozart, Wolfgang Amadeus : Le Nozze de Figaro :: Act 3. Vedrò mentr'io sospiro
  • Performer: Thomas Hampson
  • Conductor: Nikolaus Harnoncourt
  • Notes: Concertgebouw, Amsterdam (05/10/1993-05/26/1993)
  • Running Time: 3 min. 5 sec.
  • Period Time: Classical
  • Written: 1786

>Mozart, Wolfgang Amadeus : Le Nozze de Figaro :: Act 3. Hai già vinta la causa!... Vedrò mentr'io sospiro
  • Performer: Thomas Hampson
  • Conductor: Nikolaus Harnoncourt
  • Notes: Musikverein, Vienna (05/23/2003-05/27/2003)
  • Running Time: 4 min. 27 sec.
  • Period Time: Classical
  • Written: 1786

>Mozart, Wolfgang Amadeus : Don Giovanni :: Act 1. Non sperar, se non m'uccidi... Leoporello, ove sei?
  • Performers: Edita Gruberova (Soprano); Thomas Hampson; Robert Holl (Bass Baritone); László Polgár (Bass)
  • Conductor: Nikolaus Harnoncourt
  • Notes: Concertgebouw, Amsterdam (10/17/1988-10/25/1988)
  • Running Time: 4 min. 12 sec.
  • Period Time: Classical
  • Form: Opera/Operetta
  • Written: 1787

>Mozart, Wolfgang Amadeus : Don Giovanni :: Act 1. Alfin siam liberati, Zerlinetta gentil
  • Performers: Barbara Bonney; Thomas Hampson
  • Conductor: Nikolaus Harnoncourt
  • Notes: Concertgebouw, Amsterdam (10/17/1988-10/25/1988)
  • Running Time: 2 min. 9 sec.
  • Period Time: Classical
  • Form: Opera/Operetta
  • Written: 1787

>Mozart, Wolfgang Amadeus : Don Giovanni :: Act 1. Scene 9. Là ci darem la mano
  • Performers: Barbara Bonney; Thomas Hampson
  • Conductor: Nikolaus Harnoncourt
  • Notes: Concertgebouw, Amsterdam (10/17/1988-10/25/1988)
  • Running Time: 3 min. 44 sec.
  • Period Time: Classical
  • Form: Opera/Operetta
  • Written: 1787

>Mozart, Wolfgang Amadeus : Don Giovanni :: Act 2. Ah taci, ingiusto core
  • Performers: Roberta Alexander; Thomas Hampson; László Polgár (Bass)
  • Conductor: Nikolaus Harnoncourt
  • Notes: Concertgebouw, Amsterdam (10/17/1988-10/25/1988)
  • Running Time: 5 min. 46 sec.
  • Period Time: Classical
  • Form: Opera/Operetta
  • Written: 1787

>Mozart, Wolfgang Amadeus : Don Giovanni :: Act 2. Amico, che ti par?... Eccomi a voi
  • Performers: Roberta Alexander; Thomas Hampson; László Polgár (Bass)
  • Conductor: Nikolaus Harnoncourt
  • Notes: Concertgebouw, Amsterdam (10/17/1988-10/25/1988)
  • Running Time: 2 min. 13 sec.
  • Period Time: Classical
  • Form: Opera/Operetta
  • Written: 1787

>Mozart, Wolfgang Amadeus : Don Giovanni :: Act 2. Serenade
  • Performer: Thomas Hampson
  • Conductor: Nikolaus Harnoncourt
  • Notes: Concertgebouw, Amsterdam (10/17/1988-10/25/1988)
  • Running Time: 2 min. 28 sec.
  • Period Time: Classical
  • Form: Opera/Operetta
  • Written: 1787

>Mozart, Wolfgang Amadeus : Don Giovanni :: Act 2. Metà di voi qua vadano
  • Performer: Thomas Hampson
  • Conductor: Nikolaus Harnoncourt
  • Notes: Concertgebouw, Amsterdam (10/17/1988-10/25/1988)
  • Running Time: 3 min. 2 sec.
  • Period Time: Classical
  • Form: Opera/Operetta
  • Written: 1787

>Mozart, Wolfgang Amadeus : Don Giovanni :: Act 2. Ah, signor... per carità!
  • Performers: Thomas Hampson; László Polgár (Bass)
  • Conductor: Nikolaus Harnoncourt
  • Notes: Concertgebouw, Amsterdam (10/17/1988-10/25/1988)
  • Running Time: 1 min. sec.
  • Period Time: Classical
  • Form: Opera/Operetta
  • Written: 1787

>Mozart, Wolfgang Amadeus : Don Giovanni :: Act 2. , a cenar teco
  • Performers: Thomas Hampson; László Polgár (Bass)
  • Conductor: Nikolaus Harnoncourt
  • Notes: Concertgebouw, Amsterdam (10/17/1988-10/25/1988)
  • Running Time: 5 min. 14 sec.
  • Period Time: Classical
  • Form: Opera/Operetta
  • Written: 1787

>Mozart, Wolfgang Amadeus : Don Giovanni :: Act 2. Da qual tremor insolito
  • Performer: Thomas Hampson
  • Conductor: Nikolaus Harnoncourt
  • Notes: Concertgebouw, Amsterdam (10/17/1988-10/25/1988)
  • Running Time: 1 min. 12 sec.
  • Period Time: Classical
  • Form: Opera/Operetta
  • Written: 1787

>Mozart, Wolfgang Amadeus : Così fan tutte, K 588 :: Act 1. Soave sia il vento
  • Performers: Thomas Hampson; Charlotte Margiono (Soprano); Delores Ziegler (Mezzo Soprano)
  • Conductor: Nikolaus Harnoncourt
  • Notes: Concertgebouw, Amsterdam (01/12/1991-01/22/1991)
  • Running Time: 2 min. 22 sec.
  • Period Time: Classical
  • Written: 1790

>Mozart, Wolfgang Amadeus : Così fan tutte, K 588 :: Rivolgete a lou lo sguardo (alternative aria)
  • Performer: Thomas Hampson
  • Conductor: Nikolaus Harnoncourt
  • Notes: Musikverein, Vienna (05/23/2003-05/27/2003)
  • Running Time: 5 min. 46 sec.
  • Period Time: Classical
  • Written: 1790

>Mendelssohn, Felix : Die Erste Walpurgisnacht, Op. 60 :: Act 1. So weit gebracht, daß wir bei Nacht Allvater heimlich singe
  • Performer: Thomas Hampson
  • Conductor: Nikolaus Harnoncourt
  • Notes: Stevaniensaal, Graz, Austria (07/18/1992-07/20/1992)
  • Running Time: 4 min. 10 sec.
  • Period Time: Romantic
  • Form: Cantata/Oratorio
  • Written: 02/13/1832

>Gounod, Charles : Faust :: Act 2. O sainte médaille
  • Performers: Marc Barrard (Baritone); Thomas Hampson; Martine Mahe (Voice)
  • Conductor: Michel Plasson
  • Notes: Halle-aux-grains, Toulouse (02/15/1991-02/28/1991)
  • Running Time: 1 min. 41 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1856-1859

>Gounod, Charles : Faust :: Act 2. Avant de quitter ces lieux
  • Performer: Thomas Hampson
  • Conductor: Michel Plasson
  • Notes: Halle-aux-grains, Toulouse (02/15/1991-02/28/1991)
  • Running Time: 3 min. 43 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1856-1859

>Gounod, Charles : Faust :: Act 2. Merci de to chanson
  • Performers: Marc Barrard (Baritone); Thomas Hampson; Martine Mahe (Voice); José Van Dam (Bass Baritone)
  • Conductor: Michel Plasson
  • Notes: Halle-aux-grains, Toulouse (02/15/1991-02/28/1991)
  • Running Time: 2 min. 37 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1856-1859

>Gounod, Charles : Faust :: Act 2. De l'enfer qui vient émousser nos armes
  • Performer: Thomas Hampson
  • Conductor: Michel Plasson
  • Notes: Halle-aux-grains, Toulouse (02/15/1991-02/28/1991)
  • Running Time: 2 min. 29 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1856-1859

>Gounod, Charles : Faust :: Act 4. Que voulez-vous, messieurs?
  • Performers: Thomas Hampson; Richard Leech (Tenor); José Van Dam (Bass Baritone)
  • Conductor: Michel Plasson
  • Notes: Halle-aux-grains, Toulouse (02/15/1991-02/28/1991)
  • Running Time: 3 min. 48 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1856-1859

>Gounod, Charles : Faust :: Act 4. Par ici, par ici, mes amis
  • Performers: Thomas Hampson; Martine Mahe (Voice); Cheryl Studer (Soprano)
  • Conductor: Michel Plasson
  • Notes: Halle-aux-grains, Toulouse (02/15/1991-02/28/1991)
  • Running Time: 1 min. 42 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1856-1859

>Gounod, Charles : Faust :: Act 4. Écoute-moi bien, Marguerite
  • Performers: Nadine Denize (Mezzo Soprano); Thomas Hampson; Martine Mahe (Voice)
  • Conductor: Michel Plasson
  • Notes: Halle-aux-grains, Toulouse (02/15/1991-02/28/1991)
  • Running Time: 4 min. 54 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1856-1859

>Gounod, Charles : Faust :: Appendex. Adieu, mon bon frère
  • Performers: Thomas Hampson; Cheryl Studer (Soprano)
  • Conductor: Michel Plasson
  • Notes: Halle-aux-grains, Toulouse (02/15/1991-02/28/1991)
  • Running Time: 4 min. 52 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1856-1859

>Thomas, Ambroise : Hamlet :: Act 1. Doute de la lumière
  • Performers: June Anderson (Soprano); Thomas Hampson
  • Conductor: Antonio Almeida
  • Notes: St. Augustine's Church, Kilburn, London (02/08/1993-02/19/1993)
  • Running Time: 4 min. 14 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1868

>Thomas, Ambroise : Hamlet :: Act 1. Viendra-t-il?
  • Performers: Gérard Garino (Tenor); Thomas Hampson; Francois Roux
  • Conductor: Antonio Almeida
  • Notes: St. Augustine's Church, Kilburn, London (02/08/1993-02/19/1993)
  • Running Time: 3 min. 37 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1868

>Thomas, Ambroise : Hamlet :: Act 1. Ici, l'ombre et le deuil
  • Performers: Gérard Garino (Tenor); Thomas Hampson; Francois Roux
  • Conductor: Antonio Almeida
  • Notes: St. Augustine's Church, Kilburn, London (02/08/1993-02/19/1993)
  • Running Time: 1 min. 16 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1868

>Thomas, Ambroise : Hamlet :: Act 1. Invocation
  • Performers: Gérard Garino (Tenor); Thomas Hampson; Francois Roux
  • Conductor: Antonio Almeida
  • Notes: St. Augustine's Church, Kilburn, London (02/08/1993-02/19/1993)
  • Running Time: 3 min. 35 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1868

>Thomas, Ambroise : Hamlet :: Act 1. Écoute-moi!
  • Performers: Jean-Philippe Courtis (Bass Baritone); Thomas Hampson
  • Conductor: Antonio Almeida
  • Notes: St. Augustine's Church, Kilburn, London (02/08/1993-02/19/1993)
  • Running Time: 6 min. 12 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1868

>Thomas, Ambroise : Hamlet :: Act 3. J'ai pu frapper le misérable
  • Performer: Thomas Hampson
  • Conductor: Antonio Almeida
  • Notes: St. Augustine's Church, Kilburn, London (02/08/1993-02/19/1993)
  • Running Time: 2 min. 51 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1868

>Thomas, Ambroise : Hamlet :: Act 3. Etre ou ne pas être
  • Performer: Thomas Hampson
  • Conductor: Antonio Almeida
  • Notes: St. Augustine's Church, Kilburn, London (02/08/1993-02/19/1993)
  • Running Time: 3 min. 14 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1868

>Thomas, Ambroise : Hamlet :: Act 3. , ma douleur est immense!
  • Performers: Denyce Graves (Mezzo Soprano); Thomas Hampson
  • Conductor: Antonio Almeida
  • Notes: St. Augustine's Church, Kilburn, London (02/08/1993-02/19/1993)
  • Running Time: 4 min. 3 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1868

>Thomas, Ambroise : Hamlet :: Act 3. Ah! que votre âme sans refuge
  • Performers: Denyce Graves (Mezzo Soprano); Thomas Hampson
  • Conductor: Antonio Almeida
  • Notes: St. Augustine's Church, Kilburn, London (02/08/1993-02/19/1993)
  • Running Time: 3 min. 41 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1868

>Thomas, Ambroise : Hamlet :: Act 3. Pardonne, hélas! to voix m'accable!
  • Performers: Denyce Graves (Mezzo Soprano); Thomas Hampson
  • Conductor: Antonio Almeida
  • Notes: St. Augustine's Church, Kilburn, London (02/08/1993-02/19/1993)
  • Running Time: 1 min. 39 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1868

>Thomas, Ambroise : Hamlet :: Act 3. Mon fils!
  • Performers: Jean-Philippe Courtis (Bass Baritone); Denyce Graves (Mezzo Soprano); Thomas Hampson
  • Conductor: Antonio Almeida
  • Notes: St. Augustine's Church, Kilburn, London (02/08/1993-02/19/1993)
  • Running Time: 5 min. 30 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1868

>Verdi, Giuseppe : Macbeth :: Act 3. Ove son io?... Vada in firmme
  • Performer: Thomas Hampson
  • Conductor: Richard Armstrong
  • Notes: No. 1 Studio, Abbey Road, London (2000-04-01_2000-04-03&2000-)
  • Running Time: 3 min. 13 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1847

>Verdi, Giuseppe : Macbeth :: Act 4. Perfidi! All'anglo contro me v'unite... Pietà, rispetto, amore
  • Performer: Thomas Hampson
  • Conductor: Richard Armstrong
  • Notes: No. 1 Studio, Abbey Road, London (2000-04-01_2000-04-03&2000-)
  • Running Time: 5 min. 12 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1847

>Verdi, Giuseppe : Les Vêpres siciliennes :: Act 3. Oui, je fus bien coupable... Au sein de la puissance
  • Performer: Thomas Hampson
  • Running Time: 8 min. 45 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1855

>Verdi, Giuseppe : La Traviata :: Act 2. Di Provenza il mar... Né rispondi... No, non udrai rimproveri
  • Performers: Thomas Hampson; Daniil Shtoda (Tenor)
  • Notes: Composition written: 1853.
  • Running Time: 8 min. 21 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1853

>Verdi, Giuseppe : Simon Boccanegra :: Prologue. Suona ogni labbro il mio nome... Del mar sul lido fra gente ostile
  • Performers: Thomas Hampson; Samuel Ramey
  • Conductor: Miguel Martin
  • Notes: Studio 1, Bavarian Radio, Munich (07/22/1997-07/26/1997)
  • Running Time: 7 min. 23 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1857

>Verdi, Giuseppe : Il Trovatore :: Act 1. Tace la notte!
  • Performer: Thomas Hampson
  • Conductor: Antonio Pappano
  • Notes: No. 1 Studio, Abbey Road, London (08/28/2001-09/09/2001)
  • Running Time: 1 min. 51 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1853

>Verdi, Giuseppe : Il Trovatore :: Act 1. Scene 2. Il Trovator! Io fremo!... Deserto sulla terra
  • Performers: Roberto Alagna (Tenor); Thomas Hampson
  • Conductor: Antonio Pappano
  • Notes: No. 1 Studio, Abbey Road, London (08/28/2001-09/09/2001)
  • Running Time: 1 min. 45 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1853

>Verdi, Giuseppe : Il Trovatore :: Act 1. Non m'inganno... Elle scende!
  • Performers: Roberto Alagna (Tenor); Angela Gheorghiu (Soprano); Thomas Hampson
  • Conductor: Antonio Pappano
  • Notes: No. 1 Studio, Abbey Road, London (08/28/2001-09/09/2001)
  • Running Time: 2 min. 2 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1853

>Verdi, Giuseppe : Il Trovatore :: Act 1. Di gelosa amor sprezzato
  • Performers: Roberto Alagna (Tenor); Angela Gheorghiu (Soprano); Thomas Hampson
  • Conductor: Antonio Pappano
  • Notes: No. 1 Studio, Abbey Road, London (08/28/2001-09/09/2001)
  • Running Time: 2 min. 26 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1853

>Verdi, Giuseppe : Il Trovatore :: Act 2. Tutto è deserto
  • Performers: Ildebrando D'Arcangelo (Bass Baritone); Thomas Hampson
  • Conductor: Antonio Pappano
  • Notes: No. 1 Studio, Abbey Road, London (08/28/2001-09/09/2001)
  • Running Time: 1 min. 32 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1853

>Verdi, Giuseppe : Il Trovatore :: Act 2. Il balen del suo sorriso
  • Performer: Thomas Hampson
  • Conductor: Antonio Pappano
  • Notes: No. 1 Studio, Abbey Road, London (08/28/2001-09/09/2001)
  • Running Time: 3 min. 6 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1853

>Verdi, Giuseppe : Il Trovatore :: Act 2. Qual suono! Oh ciel!
  • Performers: Ildebrando D'Arcangelo (Bass Baritone); Thomas Hampson
  • Conductor: Antonio Pappano
  • Notes: No. 1 Studio, Abbey Road, London (08/28/2001-09/09/2001)
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1853

>Verdi, Giuseppe : Il Trovatore :: Act 2. Ardir! andiam, celimoci fra l'ombre... Per me, ora fatale
  • Performers: Ildebrando D'Arcangelo (Bass Baritone); Thomas Hampson
  • Conductor: Antonio Pappano
  • Notes: No. 1 Studio, Abbey Road, London (08/28/2001-09/09/2001)
  • Running Time: 3 min. 6 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1853

>Verdi, Giuseppe : Il Trovatore :: Act 4. Udiste? Come albeggi, la scure al figlio
  • Performers: Angela Gheorghiu (Soprano); Thomas Hampson
  • Conductor: Antonio Pappano
  • Notes: No. 1 Studio, Abbey Road, London (08/28/2001-09/09/2001)
  • Running Time: 1 min. 40 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1853

>Verdi, Giuseppe : Il Trovatore :: Act 4. Mira, di acergbe lagrime
  • Performers: Angela Gheorghiu (Soprano); Thomas Hampson
  • Conductor: Antonio Pappano
  • Notes: No. 1 Studio, Abbey Road, London (08/28/2001-09/09/2001)
  • Running Time: 2 min. sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1853

>Verdi, Giuseppe : Il Trovatore :: Act 4. Conte!... N'è cessi?
  • Performers: Angela Gheorghiu (Soprano); Thomas Hampson
  • Conductor: Antonio Pappano
  • Notes: No. 1 Studio, Abbey Road, London (08/28/2001-09/09/2001)
  • Running Time: 1 min. 4 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1853

>Verdi, Giuseppe : Il Trovatore :: Act 4. Colui vivrà... Vivrà! Contende il giubilo
  • Performers: Angela Gheorghiu (Soprano); Thomas Hampson
  • Conductor: Antonio Pappano
  • Notes: No. 1 Studio, Abbey Road, London (08/28/2001-09/09/2001)
  • Running Time: 2 min. 20 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1853

>Verdi, Giuseppe : Don Carlos :: Act 2. Le voilà! C'est l'infant!
  • Performers: Roberto Alagna (Tenor); Thomas Hampson
  • Conductor: Antonio Pappano
  • Notes: Théâtre Du Châtelet, Paris (1996-03-10&1996-03-13&1996-)
  • Running Time: 5 min. 24 sec.
  • Period Time: Romantic
  • Written: 1884
  • Studio/Live: Live

>Verdi, Giuseppe : Don Carlos :: Act 2. Dieu, tu semas dans nos âmes
  • Performers: Csaba Airizer (Baritone); Roberto Alagna (Tenor); Thomas Hampson
  • Conductor: Antonio Pappano
  • Notes: Théâtre Du Châtelet, Paris (1996-03-10&1996-03-13&1996-)
  • Running Time: 4 min. 28 sec.
  • Period Time: Romantic
  • Written: 1884
  • Studio/Live: Live

>Verdi, Giuseppe : Don Carlos :: Act 2. Restez!
  • Performer: Thomas Hampson
  • Conductor: Antonio Pappano
  • Notes: Théâtre Du Châtelet, Paris (1996-03-10&1996-03-13&1996-)
  • Running Time: 2 min. 22 sec.
  • Period Time: Romantic
  • Written: 1884
  • Studio/Live: Live

>Verdi, Giuseppe : Don Carlos :: Act 2. O Roi! J'arrive de Flandre
  • Performers: Thomas Hampson; José Van Dam (Bass Baritone)
  • Conductor: Antonio Pappano
  • Notes: Théâtre Du Châtelet, Paris (1996-03-10&1996-03-13&1996-)
  • Running Time: 4 min. 45 sec.
  • Period Time: Romantic
  • Written: 1884
  • Studio/Live: Live

>Verdi, Giuseppe : Don Carlos :: Act 2. Votre regard hardi s'est levé sur mon trône
  • Performers: Thomas Hampson; José Van Dam (Bass Baritone)
  • Conductor: Antonio Pappano
  • Notes: Théâtre Du Châtelet, Paris (1996-03-10&1996-03-13&1996-)
  • Running Time: 3 min. 35 sec.
  • Period Time: Romantic
  • Written: 1884
  • Studio/Live: Live

>Verdi, Giuseppe : Don Carlos :: Act 4. Oui, Carlos! C'est mon jour suprême
  • Performers: Roberto Alagna (Tenor); Thomas Hampson
  • Conductor: Antonio Pappano
  • Notes: Théâtre Du Châtelet, Paris (1996-03-10&1996-03-13&1996-)
  • Running Time: 4 min. 22 sec.
  • Period Time: Romantic
  • Written: 1884
  • Studio/Live: Live

>Verdi, Giuseppe : Don Carlos :: Act 4. Carlos, écoute
  • Performer: Thomas Hampson
  • Conductor: Antonio Pappano
  • Notes: Théâtre Du Châtelet, Paris (1996-03-10&1996-03-13&1996-)
  • Running Time: 4 min. 3 sec.
  • Period Time: Romantic
  • Written: 1884
  • Studio/Live: Live

>Wagner, Richard : Tannhäuser :: Act 2. Blick' ich umher in diesem edlen Kreise
  • Performers: Thomas Hampson; Peter Seiffert (Tenor)
  • Conductor: Daniel Barenboim
  • Notes: NLG GmbH, Berlin (06/11/2001-06/17/2001)
  • Running Time: 5 min. 17 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1843-1865

>Wagner, Richard : Tannhäuser :: Act 3. Wohl wußt' ich hier sie im Gebet zu finden
  • Performers: Jane Eaglen (Soprano); Thomas Hampson
  • Conductor: Daniel Barenboim
  • Notes: NLG GmbH, Berlin (06/11/2001-06/17/2001)
  • Running Time: 3 min. 19 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1843-1865

>Wagner, Richard : Tannhäuser :: Act 3. Beglückt darf nun dich, o Heimat, ich schauen
  • Performers: Jane Eaglen (Soprano); Thomas Hampson
  • Conductor: Daniel Barenboim
  • Notes: NLG GmbH, Berlin (06/11/2001-06/17/2001)
  • Running Time: 5 min. 4 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1843-1865

>Wagner, Richard : Tannhäuser :: Act 3. Wie Todesahnung, Dämmerung deckt die Lande
  • Performer: Thomas Hampson
  • Conductor: Daniel Barenboim
  • Notes: NLG GmbH, Berlin (06/11/2001-06/17/2001)
  • Running Time: 2 min. sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1843-1865

>Wagner, Richard : Tannhäuser :: Act 3. O, du mein holder Abendstern
  • Performer: Thomas Hampson
  • Conductor: Daniel Barenboim
  • Notes: NLG GmbH, Berlin (06/11/2001-06/17/2001)
  • Running Time: 3 min. 14 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1843-1865

>Wagner, Richard : Tannhäuser :: Act 3. Wie Todesahnung... O du, mein holder Abendstern
  • Performer: Thomas Hampson
  • Conductor: Fabio Luisi
  • Notes: Herkulessaal der Residenz, München (1994-03-22_1994-03-25&1994-)
  • Running Time: 4 min. 49 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1843-1865

>Wagner, Richard : Die Walküre :: Act 1. Winterstürme wichen dem Wonnemond
  • Performer: Thomas Hampson
  • Conductor: Fabio Luisi
  • Notes: Herkulessaal der Residenz, München (1994-03-22_1994-03-25&1994-)
  • Running Time: 2 min. 56 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1854-1856

>Wagner, Richard : Götterdämmerung :: Act 1. Nun hör, Hagen
  • Performers: Thomas Hampson; John Tomlinson (Bass)
  • Conductor: Bernard Haitink
  • Notes: Herkulessaal der Residenz, München (06/12/1991-06/29/1991)
  • Running Time: 2 min. 38 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1869-1874

>Wagner, Richard : Götterdämmerung :: Act 1. Ein Weib weiß ich
  • Performers: Eva-Maria Bundschuh (Soprano); Thomas Hampson; John Tomlinson (Bass)
  • Conductor: Bernard Haitink
  • Notes: Herkulessaal der Residenz, München (06/12/1991-06/29/1991)
  • Running Time: 7 min. 40 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1869-1874

>Wagner, Richard : Götterdämmerung :: Act 1. Vom Rhein her tönt das Horn
  • Performers: Thomas Hampson; Siegfried Jerusalem (Tenor); John Tomlinson (Bass)
  • Conductor: Bernard Haitink
  • Notes: Herkulessaal der Residenz, München (06/12/1991-06/29/1991)
  • Running Time: 2 min. 57 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1869-1874

>Wagner, Richard : Götterdämmerung :: Act 1. Wer ist Gibichs Sohn?
  • Performers: Thomas Hampson; Siegfried Jerusalem (Tenor); John Tomlinson (Bass)
  • Conductor: Bernard Haitink
  • Notes: Herkulessaal der Residenz, München (06/12/1991-06/29/1991)
  • Running Time: 2 min. 18 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1869-1874

>Wagner, Richard : Götterdämmerung :: Act 1. Begrüße froh, o Held
  • Performers: Eva-Maria Bundschuh (Soprano); Thomas Hampson; Siegfried Jerusalem (Tenor); John Tomlinson (Bass)
  • Conductor: Bernard Haitink
  • Notes: Herkulessaal der Residenz, München (06/12/1991-06/29/1991)
  • Running Time: 4 min. 30 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1869-1874

>Wagner, Richard : Götterdämmerung :: Act 1. Vergäß' ich alles
  • Performers: Thomas Hampson; Siegfried Jerusalem (Tenor)
  • Conductor: Bernard Haitink
  • Notes: Herkulessaal der Residenz, München (06/12/1991-06/29/1991)
  • Running Time: 2 min. 22 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1869-1874

>Wagner, Richard : Götterdämmerung :: Act 1. Gutrune
  • Performers: Thomas Hampson; Siegfried Jerusalem (Tenor)
  • Conductor: Bernard Haitink
  • Notes: Herkulessaal der Residenz, München (06/12/1991-06/29/1991)
  • Running Time: 4 min. 46 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1869-1874

>Wagner, Richard : Götterdämmerung :: Act 1. Blühenden Lebens
  • Performers: Thomas Hampson; Siegfried Jerusalem (Tenor)
  • Conductor: Bernard Haitink
  • Notes: Herkulessaal der Residenz, München (06/12/1991-06/29/1991)
  • Running Time: 2 min. 8 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1869-1874

>Wagner, Richard : Götterdämmerung :: Act 1. Was nahmst du am Eide nicht teil?
  • Performers: Eva-Maria Bundschuh (Soprano); Thomas Hampson; Siegfried Jerusalem (Tenor); John Tomlinson (Bass)
  • Conductor: Bernard Haitink
  • Notes: Herkulessaal der Residenz, München (06/12/1991-06/29/1991)
  • Running Time: 2 min. 21 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1869-1874

>Wagner, Richard : Mignonne ("Mignonne, allons voir si la rose"), song for voice & piano, WWV 57
  • Performers: Thomas Hampson; Geoffrey Parsons (Piano)
  • Notes: Henry Wood Hall, London (1993-02-24_1993-02-26&1003-)
  • Running Time: 2 min. 50 sec.
  • Period Time: Romantic
  • Written: 1840

>Wagner, Richard : Soupir ("Tout n'est qu'images fugitives"), song for voice & piano, WWV 58
  • Performers: Thomas Hampson; Geoffrey Parsons (Piano)
  • Notes: Henry Wood Hall, London (1993-02-24_1993-02-26&1003-)
  • Running Time: 1 min. 45 sec.
  • Period Time: Romantic
  • Written: 1839

>Wagner, Richard : Les deux grenadiers
  • Performers: Thomas Hampson; Geoffrey Parsons (Piano)
  • Notes: Henry Wood Hall, London (1993-02-24_1993-02-26&1003-)
  • Running Time: 6 min. 57 sec.
  • Period Time: Romantic
  • Written: 1840

>Wagner, Richard : 7 Compositions from Goethe's Faust, WWV 15 :: no 4 Lied des Mephistopheles
  • Performers: Thomas Hampson; Geoffrey Parsons (Piano)
  • Notes: Henry Wood Hall, London (1993-02-24_1993-02-26&1003-)
  • Running Time: 1 min. 29 sec.
  • Period Time: Romantic
  • Written: 1832

>Wagner, Richard : 7 Compositions from Goethe's Faust, WWV 15 :: no 5 Lied des Mephistopheles
  • Performers: Thomas Hampson; Geoffrey Parsons (Piano)
  • Notes: Henry Wood Hall, London (1993-02-24_1993-02-26&1003-)
  • Running Time: 1 min. 6 sec.
  • Period Time: Romantic
  • Written: 1832

>Wagner, Richard : Der Tannenbaum
  • Performers: Thomas Hampson; Geoffrey Parsons (Piano)
  • Notes: Henry Wood Hall, London (1993-02-24_1993-02-26&1003-)
  • Running Time: 3 min. 36 sec.
  • Period Time: Romantic
  • Written: 1838

>Britten, Benjamin : Billy Budd :: Act 1. Next man forward... Your name? , sir!... , king of the birds
  • Performers: Eric Halfvarson (Bass); Thomas Hampson; Gidon Saks (Bass Baritone); Russell Smythe (Baritone)
  • Conductor: Kent Nagano
  • Notes: Bridgewater Hall, Manchester (05/25/1997-05/31/1997)
  • Running Time: 4 min. 3 sec.
  • Period Time: Modern
  • Form: Opera/Operetta
  • Written: 1951
  • Studio/Live: Live

>Britten, Benjamin : Billy Budd :: Act 2. Billy! Hist, ... Dansker, old friend
  • Performers: Andrew Burden (Tenor); Thomas Hampson; Richard van Allan (Bass Baritone)
  • Conductor: Kent Nagano
  • Notes: Bridgewater Hall, Manchester (05/25/1997-05/31/1997)
  • Running Time: 3 min. 46 sec.
  • Period Time: Modern
  • Form: Opera/Operetta
  • Written: 1951
  • Studio/Live: Live

>Britten, Benjamin : Billy Budd :: Act 2. And Dansker, old friend, I've heard a tale
  • Performers: Thomas Hampson; Richard van Allan (Bass Baritone)
  • Conductor: Kent Nagano
  • Notes: Bridgewater Hall, Manchester (05/25/1997-05/31/1997)
  • Running Time: 4 min. 22 sec.
  • Period Time: Modern
  • Form: Opera/Operetta
  • Written: 1951
  • Studio/Live: Live

>Britten, Benjamin : Billy Budd :: Act 3. You wanted to see me
  • Performers: Eric Halfvarson (Bass); Thomas Hampson; Anthony Rolfe Johnson
  • Conductor: Kent Nagano
  • Notes: Bridgewater Hall, Manchester (05/25/1997-05/31/1997)
  • Running Time: 5 min. 30 sec.
  • Period Time: Modern
  • Form: Opera/Operetta
  • Written: 1951
  • Studio/Live: Live

>Britten, Benjamin : Billy Budd :: Act 4. Look! Through the port comes the moonshine astray...
  • Performers: Thomas Hampson; Richard van Allan (Bass Baritone)
  • Conductor: Kent Nagano
  • Notes: Bridgewater Hall, Manchester (05/25/1997-05/31/1997)
  • Running Time: 8 min. 51 sec.
  • Period Time: Modern
  • Form: Opera/Operetta
  • Written: 1951
  • Studio/Live: Live

>Britten, Benjamin : Billy Budd :: Act 4. And farewell to ye, old Rights o' Man!
  • Performer: Thomas Hampson
  • Conductor: Kent Nagano
  • Notes: Bridgewater Hall, Manchester (05/25/1997-05/31/1997)
  • Running Time: 2 min. 22 sec.
  • Period Time: Modern
  • Form: Opera/Operetta
  • Written: 1951
  • Studio/Live: Live

>Britten, Benjamin : War Requiem :: Bugles sang, saddening the evening air
  • Performer: Thomas Hampson
  • Conductor: Kurt Masur
  • Notes: Avery Fisher Hall, New York (02/05/1997-02/08/1997)
  • Running Time: 2 min. 42 sec.
  • Period Time: Modern
  • Form: Choral
  • Written: 1961
  • Studio/Live: Live

>Britten, Benjamin : War Requiem :: Out there, we've walked quite friendly up to Death
  • Performer: Thomas Hampson
  • Conductor: Kurt Masur
  • Notes: Avery Fisher Hall, New York (02/05/1997-02/08/1997)
  • Running Time: 1 min. 49 sec.
  • Period Time: Modern
  • Form: Choral
  • Written: 1961
  • Studio/Live: Live

>Britten, Benjamin : War Requiem :: Be slowly lifted up, thou long black arm
  • Performer: Thomas Hampson
  • Conductor: Kurt Masur
  • Notes: Avery Fisher Hall, New York (02/05/1997-02/08/1997)
  • Running Time: 3 min. 25 sec.
  • Period Time: Modern
  • Form: Choral
  • Written: 1961
  • Studio/Live: Live

>Britten, Benjamin : War Requiem :: So Abram rose, and clave the wood and went - Hostias et preces tibi
  • Performers: Jerry Hadley (Tenor); Thomas Hampson
  • Conductor: Kurt Masur
  • Notes: Avery Fisher Hall, New York (02/05/1997-02/08/1997)
  • Running Time: 6 min. 10 sec.
  • Period Time: Modern
  • Form: Choral
  • Written: 1961
  • Studio/Live: Live

>Britten, Benjamin : War Requiem :: After the blast of lightning from the East
  • Performer: Thomas Hampson
  • Conductor: Kurt Masur
  • Notes: Avery Fisher Hall, New York (02/05/1997-02/08/1997)
  • Running Time: 3 min. 47 sec.
  • Period Time: Modern
  • Form: Choral
  • Written: 1961
  • Studio/Live: Live

>Britten, Benjamin : War Requiem :: "None" said the other "save the undone years"
  • Performer: Thomas Hampson
  • Conductor: Kurt Masur
  • Notes: Avery Fisher Hall, New York (02/05/1997-02/08/1997)
  • Running Time: 5 min. 48 sec.
  • Period Time: Modern
  • Form: Choral
  • Written: 1961
  • Studio/Live: Live

>Britten, Benjamin : War Requiem :: Bugles sang, saddening the evening air
  • Performer: Thomas Hampson
  • Conductor: Antonio Pappano
  • Notes: Sala Santa Cecilia, Auditorium Parco della Musica, Rome (2013-06-25_2013-06-26&2013-)
  • Running Time: 2 min. 29 sec.
  • Period Time: Modern
  • Form: Choral
  • Written: 1961
  • Studio/Live: Live

>Britten, Benjamin : War Requiem :: Out there, we've walked quite friendly up to Death
  • Performer: Thomas Hampson
  • Conductor: Antonio Pappano
  • Notes: Sala Santa Cecilia, Auditorium Parco della Musica, Rome (2013-06-25_2013-06-26&2013-)
  • Running Time: 1 min. 53 sec.
  • Period Time: Modern
  • Form: Choral
  • Written: 1961
  • Studio/Live: Live

>Britten, Benjamin : War Requiem :: Be slowly lifted up, thou long black arm - Dies irae, dies illa
  • Performer: Thomas Hampson
  • Conductor: Antonio Pappano
  • Notes: Sala Santa Cecilia, Auditorium Parco della Musica, Rome (2013-06-25_2013-06-26&2013-)
  • Running Time: 2 min. 58 sec.
  • Period Time: Modern
  • Form: Choral
  • Written: 1961
  • Studio/Live: Live

>Britten, Benjamin : War Requiem :: So Abram rose, and clave the wood and went - Hostias et preces tibi
  • Performers: Ian Bostridge; Thomas Hampson
  • Conductor: Antonio Pappano
  • Notes: Sala Santa Cecilia, Auditorium Parco della Musica, Rome (2013-06-25_2013-06-26&2013-)
  • Running Time: 6 min. sec.
  • Period Time: Modern
  • Form: Choral
  • Written: 1961
  • Studio/Live: Live

>Britten, Benjamin : War Requiem :: After the blast of lightning from the East
  • Performer: Thomas Hampson
  • Conductor: Antonio Pappano
  • Notes: Sala Santa Cecilia, Auditorium Parco della Musica, Rome (2013-06-25_2013-06-26&2013-)
  • Running Time: 3 min. 39 sec.
  • Period Time: Modern
  • Form: Choral
  • Written: 1961
  • Studio/Live: Live

>Britten, Benjamin : War Requiem :: "None" said the other "save the undone years"
  • Performer: Thomas Hampson
  • Conductor: Antonio Pappano
  • Notes: Sala Santa Cecilia, Auditorium Parco della Musica, Rome (2013-06-25_2013-06-26&2013-)
  • Running Time: 6 min. 14 sec.
  • Period Time: Modern
  • Form: Choral
  • Written: 1961
  • Studio/Live: Live

>Schubert, Franz : Winterreise, D 911/Op. 89
  • Performers: Thomas Hampson; Wolfgang Sawallisch (Piano)
  • Notes: Bavaria Musik Studio, Munich (03/18/1997-03/21/1997)
  • Running Time: 65 min. 25 sec.
  • Period Time: Romantic
  • Form: Vocal
  • Written: 1827

>Schumann, Robert : Kurzes Erwachen ("Ich bin im Mai gegangen"), song for voice & piano, WoO 21/4
  • Performers: Thomas Hampson; Geoffrey Parsons (Piano)
  • Running Time: 2 min. 43 sec.
  • Period Time: Romantic
  • Written: 1828

>Schumann, Robert : Gesänges Erwachen ("Könnt' ich einmal wieder singen"), song for voice & piano, WoO 21/5
  • Performers: Thomas Hampson; Geoffrey Parsons (Piano)
  • Running Time: 2 min. 51 sec.
  • Period Time: Romantic
  • Written: 1828

>Schumann, Robert : An Anna I ("Lange harrt' ich"), song for voice & piano, WoO 21/6
  • Performers: Thomas Hampson; Geoffrey Parsons (Piano)
  • Running Time: 4 min. 30 sec.
  • Period Time: Romantic
  • Written: 1828

>Schumann, Robert : An Anna II ("Nicht im Tale"), song for voice & piano, WoO 10/2
  • Performers: Thomas Hampson; Geoffrey Parsons (Piano)
  • Running Time: 2 min. 51 sec.
  • Period Time: Romantic
  • Written: 1828

>Schumann, Robert : Im Herbste ("Zieh' nur, du Sonne"), song for voice & piano, WoO 10/3
  • Performers: Thomas Hampson; Geoffrey Parsons (Piano)
  • Running Time: 1 min. 17 sec.
  • Period Time: Romantic
  • Written: 1828

>Schumann, Robert : Niemand ("Ich hab mein Weib allein"), song for voice & piano (Myrthen), Op. 25/22
  • Performer: Thomas Hampson
  • Notes: Usher Hall, Edinburgh (08/20/1993-08/21/1993)
  • Running Time: 1 min. 3 sec.
  • Period Time: Romantic
  • Written: 1840
  • Studio/Live: Live

>Schumann, Robert : Dem roten Röslein gleicht mein Lieb, song for voice & piano, Op. 27/2
  • Performer: Thomas Hampson
  • Notes: Usher Hall, Edinburgh (08/20/1993-08/21/1993)
  • Running Time: 1 min. 35 sec.
  • Period Time: Romantic
  • Written: 1840
  • Studio/Live: Live

>Schumann, Robert : Myrthen, Op. 25
  • Performer: Thomas Hampson
  • Notes: Usher Hall, Edinburgh (08/20/1993-08/21/1993)
  • Running Time: 1 min. 41 sec.
  • Period Time: Romantic
  • Written: 1840
  • Studio/Live: Live

>Schumann, Robert : 12 Gedichte, Op. 35 :: 2. Stirb. Lieb' und Freud!
  • Performers: Thomas Hampson; Geoffrey Parsons (Piano)
  • Running Time: 6 min. 20 sec.
  • Period Time: Romantic
  • Form: Vocal
  • Written: 1840

>Schumann, Robert : 12 Gedichte, Op. 35 :: 3. Wanderlied
  • Performers: Thomas Hampson; Geoffrey Parsons (Piano)
  • Running Time: 3 min. 12 sec.
  • Period Time: Romantic
  • Form: Vocal
  • Written: 1840

>Schumann, Robert : 12 Gedichte, Op. 35 :: 5. Sehnsucht nach der Waldgegend
  • Performers: Thomas Hampson; Geoffrey Parsons (Piano)
  • Running Time: 2 min. 33 sec.
  • Period Time: Romantic
  • Form: Vocal
  • Written: 1840

>Schumann, Robert : 12 Gedichte, Op. 35 :: 6. Auf das Trinkglas eines verstrobenen Freundes
  • Performers: Thomas Hampson; Geoffrey Parsons (Piano)
  • Running Time: 4 min. 46 sec.
  • Period Time: Romantic
  • Form: Vocal
  • Written: 1840

>Schumann, Robert : 12 Gedichte, Op. 35 :: 7. Wanderung
  • Performers: Thomas Hampson; Geoffrey Parsons (Piano)
  • Running Time: 1 min. 13 sec.
  • Period Time: Romantic
  • Form: Vocal
  • Written: 1840

>Schumann, Robert : 12 Gedichte, Op. 35 :: 10. Stille Tränen
  • Performers: Thomas Hampson; Geoffrey Parsons (Piano)
  • Running Time: 4 min. 17 sec.
  • Period Time: Romantic
  • Form: Vocal
  • Written: 1840

>Schumann, Robert : 12 Gedichte, Op. 35 :: 12. Alte Laute
  • Performers: Thomas Hampson; Geoffrey Parsons (Piano)
  • Running Time: 2 min. 36 sec.
  • Period Time: Romantic
  • Form: Vocal
  • Written: 1840

>Schumann, Robert : Dichterliebe, Op. 48
  • Performers: Thomas Hampson; Geoffrey Parsons (Piano)
  • Notes: Usher Hall, Edinburgh (08/20/1998-08/21/1993)
  • Running Time: 28 min. 7 sec.
  • Period Time: Romantic
  • Form: Vocal
  • Written: 1840
  • Studio/Live: Live

>Schumann, Robert : Romances and Ballades iii, Op. 53
  • Performers: Thomas Hampson; Wolfgang Sawallisch (Piano)
  • Notes: Giandomenico Studio, Collingswood, New Jersey (1994-10-09_1994-10-12&1994-)
  • Running Time: 4 min. 9 sec.
  • Period Time: Romantic
  • Written: 1840

>Berlioz, Hector : Irlande, Op. 2 :: La Belle Voyageuse
  • Performers: Thomas Hampson; Geoffrey Parsons (Piano)
  • Notes: Henry Wood Hall, London (1993-02-24_1993-02-26&1993-)
  • Running Time: 4 min. 56 sec.
  • Period Time: Romantic
  • Written: 12/1829

>Berlioz, Hector : Irlande, Op. 2 :: Elégie en prose
  • Performers: Thomas Hampson; Geoffrey Parsons (Piano)
  • Notes: Henry Wood Hall, London (1993-02-24_1993-02-26&1993-)
  • Running Time: 4 min. 58 sec.
  • Period Time: Romantic
  • Written: 12/1829

>Liszt, Franz : La tombe et la rose, song for voice & piano, S. 285 (LW N26)
  • Performers: Thomas Hampson; Geoffrey Parsons (Piano)
  • Notes: Henry Wood Hall, London (1993-02-24_1993-02-26&1993-)
  • Running Time: 4 min. 17 sec.
  • Period Time: Romantic
  • Written: 1843

>Liszt, Franz : Comment, disaient-ils, S 276 no 2 (2nd version)
  • Performers: Thomas Hampson; Geoffrey Parsons (Piano)
  • Notes: Henry Wood Hall, London (1993-02-24_1993-02-26&1993-)
  • Running Time: 1 min. 55 sec.
  • Period Time: Romantic
  • Form: Vocal
  • Written: 1842-1859

>Liszt, Franz : Oh! quand je dors (II), song for voice & piano, S. 282ii (LW N11/2)
  • Performers: Thomas Hampson; Geoffrey Parsons (Piano)
  • Notes: Henry Wood Hall, London (1993-02-24_1993-02-26&1993-)
  • Running Time: 5 min. 11 sec.
  • Period Time: Romantic
  • Written: 1859

>Liszt, Franz : Die Vätergruft, song for voice & piano (3 versions), S. 281 (LW N22a)
  • Performers: Thomas Hampson; Geoffrey Parsons (Piano)
  • Notes: Henry Wood Hall, London (1993-02-24_1993-02-26&1993-)
  • Running Time: 6 min. 15 sec.
  • Period Time: Romantic
  • Written: 1844

>Liszt, Franz : Ihr Auge, S 310
  • Performers: Thomas Hampson; Geoffrey Parsons (Piano)
  • Notes: Henry Wood Hall, London (1993-02-24_1993-02-26&1993-)
  • Period Time: Romantic
  • Written: circa 1849-1859

>Liszt, Franz : Über allen gipfeln ist Ruh', song for voice & piano (3 versions), S. 306 (LW N46)
  • Performers: Thomas Hampson; Geoffrey Parsons (Piano)
  • Notes: Henry Wood Hall, London (1993-02-24_1993-02-26&1993-)
  • Running Time: 4 min. 10 sec.
  • Period Time: Romantic
  • Written: 1846-1860

>Strauss, Richard : Himmelsboten zu Liebchens Himmelbett ("Der Mondschein"), song for voice & piano, Op. 32/5 (TrV 174/5
  • Performers: Thomas Hampson; Geoffrey Parsons (Piano)
  • Notes: Siemensvilla, Berlin (03/18/1989-03/22/1989)
  • Running Time: 3 min. 17 sec.
  • Period Time: Post Romantic
  • Written: 1896

>Mahler, Gustav : Rückert-Lieder :: Blicke mir nicht in die Lieder
  • Performers: Thomas Hampson; Wolfram Rieger (Piano)
  • Notes: No. 1 Studio, Abbey Road, London (03/19/1996-03/21/1996)
  • Running Time: 1 min. 16 sec.
  • Period Time: Post Romantic
  • Form: Vocal
  • Written: 1901-1902

>Mahler, Gustav : Rückert-Lieder :: Ich atmet' einen linden Duft
  • Performers: Thomas Hampson; Wolfram Rieger (Piano)
  • Notes: No. 1 Studio, Abbey Road, London (03/19/1996-03/21/1996)
  • Running Time: 2 min. 53 sec.
  • Period Time: Post Romantic
  • Form: Vocal
  • Written: 1901-1902

>Mahler, Gustav : Rückert-Lieder :: Liebst du um Schönheit
  • Performers: Thomas Hampson; Wolfram Rieger (Piano)
  • Notes: No. 1 Studio, Abbey Road, London (03/19/1996-03/21/1996)
  • Running Time: 2 min. 27 sec.
  • Period Time: Post Romantic
  • Form: Vocal
  • Written: 1901-1902

>Mahler, Gustav : Rückert-Lieder :: Um Mitternacht
  • Performers: Thomas Hampson; Wolfram Rieger (Piano)
  • Notes: No. 1 Studio, Abbey Road, London (03/19/1996-03/21/1996)
  • Running Time: 6 min. 33 sec.
  • Period Time: Post Romantic
  • Form: Vocal
  • Written: 1901-1902

>Mahler, Gustav : Rückert-Lieder :: Ich bin der Welt abhanden gekommen
  • Performers: Thomas Hampson; Wolfram Rieger (Piano)
  • Notes: No. 1 Studio, Abbey Road, London (03/19/1996-03/21/1996)
  • Running Time: 6 min. 54 sec.
  • Period Time: Post Romantic
  • Form: Vocal
  • Written: 1901-1902

>Mahler, Gustav : Das Lied von der Erde :: 2. Der Einsame im Herbst
  • Performer: Thomas Hampson
  • Conductor: Simon Rattle
  • Notes: Butterworth Hall, University of Warwick (12/28/1995-12/30/1995)
  • Running Time: 9 min. 41 sec.
  • Period Time: Post Romantic
  • Form: Vocal
  • Written: 1908-1909

>Mahler, Gustav : Das Lied von der Erde :: 2. Der Einsame im Herbst
  • Performers: Thomas Hampson; Wolfram Rieger (Piano)
  • Notes: No. 1 Studio, Abbey Road, London (03/19/1996-03/21/1996)
  • Running Time: 9 min. 20 sec.
  • Period Time: Post Romantic
  • Form: Vocal
  • Written: 1908-1909

>Korngold, Erich Wolfgang : Die tote Stadt (The Dead City) :: Act 2. Mein Sehnen, mein Wähnen (Pierrots Tanzlied)
  • Performer: Thomas Hampson
  • Conductor: Fabio Luisi
  • Notes: 1994-03-22_1994-03-25&1994-
  • Running Time: 5 min. 7 sec.
  • Period Time: Modern
  • Form: Opera/Operetta
  • Written: 1920

>Copland, Aaron : Old American Songs, Set 1
  • Performer: Thomas Hampson
  • Conductor: Hugh Wolff
  • Running Time: 24 min. 25 sec.
  • Period Time: Modern
  • Written: 1950-1952

>Hopkinson, Francis : My days have been so wondrous free
  • Performers: Thomas Hampson; Wolfram Rieger (Piano)
  • Notes: Teldec Studios, Berlin (05/10/2009-05/11/2008)
  • Running Time: 1 min. 29 sec.
  • Period Time: Classical

>Bernstein, Leonard : Mass
  • Performers: Thomas Hampson; Wolfram Rieger (Piano)
  • Notes: Teldec Studios, Berlin (05/10/2009-05/11/2008)
  • Running Time: 4 min. 32 sec.
  • Period Time: Modern
  • Form: Vocal
  • Written: 1971

>Ives, Charles : Songs my mother taught me
  • Performers: Thomas Hampson; Wolfram Rieger (Piano)
  • Notes: Teldec Studios, Berlin (05/10/2009-05/11/2008)
  • Running Time: 2 min. 16 sec.
  • Period Time: Modern
  • Written: 1902

>Ives, Charles : Memories
  • Performers: Thomas Hampson; Craig Rutenberg (Piano)
  • Notes: Rose Studio, Lincoln Center, New York, NY (02/08/2009/02/16/2009)
  • Running Time: 2 min. 38 sec.
  • Period Time: Modern
  • Written: 1897

>Ungar, Jay : Ashokan Farewell
  • Performers: Thomas Hampson; Wolfram Rieger (Piano)
  • Notes: Teldec Studios, Berlin (05/10/2008-05/11/2008)
  • Running Time: 2 min. 55 sec.
  • Period Time: Modern

>Traditional, American : Shenandoah, folk song
  • Performers: Thomas Hampson; Wolfram Rieger (Piano)
  • Notes: Teldec Studios, Berlin (05/10/2008-05/11/2008)
  • Running Time: 2 min. 48 sec.
  • Period Time: Romantic
  • Written: 18th Century

>Warren, Elinor R. : God Be in My Heart
  • Performers: Thomas Hampson; Wolfram Rieger (Piano)
  • Notes: Teldec Studios, Berlin (05/10/2008-05/11/2008)
  • Running Time: 2 min. 7 sec.
  • Period Time: Modern

>Carpenter, John Alden : Looking-Glass River
  • Performers: Thomas Hampson; Craig Rutenberg (Piano)
  • Notes: Rose Studio, Lincoln Center, New York, NY (02/08/2009/02/16/2009)
  • Running Time: 2 min. 29 sec.
  • Period Time: Modern
  • Written: 1909

>Duke, John Woods : Miniver Cheevy for voice & piano
  • Performers: Thomas Hampson; Craig Rutenberg (Piano)
  • Notes: Rose Studio, Lincoln Center, New York, NY (02/08/2009/02/16/2009)
  • Running Time: 5 min. 38 sec.
  • Period Time: Modern

>Still, William G. : Grief, for voice & piano (or orchestra)
  • Performers: Thomas Hampson; Wolfram Rieger (Piano)
  • Notes: Teldec Studios, Berlin (05/10/2008-05/11/2008)
  • Running Time: 2 min. 22 sec.
  • Period Time: Modern
  • Written: 1953

>Bowles, Paul : Blue Mountain Ballads, songs (4) for voice & piano
  • Performers: Thomas Hampson; Craig Rutenberg (Piano)
  • Notes: Rose Studio, Lincoln Center, New York, NY (02/08/2009/02/16/2009)
  • Running Time: 6 min. 37 sec.
  • Period Time: Modern
  • Form: Vocal
  • Written: 1946

>Homer, Sidney : General Booth Enters into Heaven, for voice & piano
  • Performers: Thomas Hampson; Craig Rutenberg (Piano)
  • Notes: Rose Studio, Lincoln Center, New York, NY (02/08/2009/02/16/2009)
  • Running Time: 5 min. 22 sec.
  • Period Time: Modern

>MacDowell, Edward : Old American Songs :: The Sea
  • Performers: Thomas Hampson; Wolfram Rieger (Piano)
  • Notes: Teldec Studios, Berlin (05/10/2008-05/11/2008)
  • Running Time: 2 min. 20 sec.
  • Period Time: Post Romantic
  • Written: 1893

>Foster, Stephen : Nelly Was a Lady
  • Performers: Thomas Hampson; Craig Rutenberg (Piano)
  • Notes: Rose Studio, Lincoln Center, New York, NY (02/08/2009/02/16/2009)
  • Running Time: 3 min. 53 sec.
  • Period Time: Romantic

>Foster, Stephen : Hard times come again no more
  • Performers: Thomas Hampson; Craig Rutenberg (Piano)
  • Running Time: 4 min. 33 sec.
  • Period Time: Romantic
  • Written: 1854

>Lehár, Franz : The Merry Widow :: Act 1. O Vaterland, du machst bei Tag... Da geh' ich zu Maxim
  • Performer: Thomas Hampson
  • Conductor: Franz Welser-Möst
  • Notes: Royal Festival Hall, Southbank Centre, London (1993-07-18&1993-07-20&1003-)
  • Running Time: 2 min. 32 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1905

>Lehár, Franz : Der Zarewitsch :: Act 1. Wolgalied
  • Performers: Colin Downs (Guitar); James Ellis (Mandola); Thomas Hampson; Sue Mossop (Mandolin); Alison Stephens (Mandolin); Richard Wright (Mandola)
  • Conductor: Franz Welser-Möst
  • Notes: No. 1 Studio, Abbey Road, London (1994-10-19_1994-10-20&1998-)
  • Running Time: 4 min. 35 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta

>Kálmán, Imre : Gräfin Mariza :: Act 1. Komm Zigány
  • Performers: Thomas Hampson; Gregory Knowles (Cimbalom)
  • Conductor: Franz Welser-Möst
  • Notes: No. 1 Studio, Abbey Road, London (1994-10-19_1994-10-20&1998-)
  • Running Time: 6 min. 14 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1924

>Millöcker, Carl : Der Bettelstudent :: Act 1. Ich knüpfte manche zarte Bande
  • Performer: Thomas Hampson
  • Conductor: Franz Welser-Möst
  • Notes: No. 1 Studio, Abbey Road, London (1994-10-19_1994-10-20&1998-)
  • Running Time: 3 min. 8 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1882

>Stolz, Robert : Wien wird bei Nacht erst schön, for voice & orchestra (with chorus ad lib), Op. 216
  • Performer: Thomas Hampson
  • Conductor: Franz Welser-Möst
  • Notes: No. 1 Studio, Abbey Road, London (1994-10-19_1994-10-20&1998-)
  • Running Time: 4 min. 14 sec.
  • Period Time: Modern
  • Written: 1915

>Stolz, Robert : Trauminsel :: Ich hab' mich tausendmal verliebt
  • Performer: Thomas Hampson
  • Conductor: Franz Welser-Möst
  • Notes: No. 1 Studio, Abbey Road, London (1994-10-19_1994-10-20&1998-)
  • Running Time: 4 min. 3 sec.
  • Period Time: Modern
  • Form: Opera/Operetta
  • Written: 1962

>Tauber, Richard : Der Singende Traum :: Du bist die Wült für mich
  • Performer: Thomas Hampson
  • Conductor: Franz Welser-Möst
  • Notes: No. 1 Studio, Abbey Road, London (1994-10-19_1994-10-20&1998-)
  • Running Time: 4 min. 26 sec.
  • Period Time: Modern
  • Form: Opera/Operetta

>Zeller, Carl : Der Obersteiger :: Act 2. Sei nicht bös', es kann nicht sein
  • Performer: Thomas Hampson
  • Conductor: Franz Welser-Möst
  • Notes: No. 1 Studio, Abbey Road, London (1994-10-19_1994-10-20&1998-)
  • Running Time: 4 min. 24 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta

>Strauss II (Junior), Johann : Der Zigeunerbaron :: Act 1. Als flotter Geist, doch früh verwaist
  • Performer: Thomas Hampson
  • Conductor: Franz Welser-Möst
  • Notes: No. 1 Studio, Abbey Road, London (1994-10-19_1994-10-20&1998-)
  • Running Time: 3 min. 16 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 10/24/1885

>Strauss II (Junior), Johann : Die Fledermaus :: Act 1. Komm mit mir zum Souper
  • Performers: Jerry Hadley (Tenor); Thomas Hampson
  • Conductor: Carlo Rizzi
  • Notes: Brangwyn Hall, Swansea (08/26/1992-08/31/1992)
  • Running Time: 3 min. 43 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1874

>Berlin, Irving : Annie Get Your Gun :: I'm a Bad, Bad Man
  • Performer: Thomas Hampson
  • Conductor: John McGlinn
  • Notes: No. 1 Studio, Abbey Road, London (06/30/1990-07/03/1009)
  • Running Time: 6 min. 8 sec.
  • Period Time: Modern
  • Written: 1945-1946

>Porter, Cole : Kiss Me, Kate :: So in Love
  • Performer: Thomas Hampson
  • Conductor: John McGlinn
  • Notes: No. 1 Studio, Abbey Road, London (06/20/1989-06/20/1989)
  • Running Time: 2 min. 54 sec.
  • Period Time: Modern
  • Written: 1948

>Weill, Kurt : Love Life :: Here I'll Stay
  • Performers: Thomas Hampson; Jeanne Lehman (Soprano)
  • Conductor: John McGlinn
  • Notes: Lyndhurst Hall, Air Studios, London (06/09/1994-06/11/1994)
  • Running Time: 5 min. 51 sec.
  • Period Time: Modern
  • Written: 07/1947-08/1948

>Kern, Jerome : Music in the Air
  • Performer: Thomas Hampson
  • Conductor: John McGlinn
  • Notes: No. 1 Studio, Abbey Road, London (11/03/1992-11/06/1992)
  • Running Time: 3 min. 13 sec.
  • Period Time: Modern

>Bach, Johann Sebastian : Cantata no 140 :: Wachet auf, ruft uns die Stimme, BWV 140
  • Performer: Thomas Hampson
  • Conductor: Nikolaus Harnoncourt
  • Ensemble: Concentus Musicus Wien
  • Notes: Casino Zögernitz, Vienna (01/19/1983-01/22/1983)
  • Running Time: 1 min. 38 sec.
  • Period Time: Baroque
  • Written: 11/25/1731

>Bach, Johann Sebastian : Cantata no 140 :: Wachet auf, ruft uns die Stimme, BWV 140
  • Performer: Thomas Hampson
  • Conductor: Nikolaus Harnoncourt
  • Ensemble: Concentus Musicus Wien
  • Notes: Casino Zögernitz, Vienna (01/19/1983-01/22/1983)
  • Running Time: 6 min. 32 sec.
  • Period Time: Baroque
  • Written: 11/25/1731

>Mozart, Wolfgang Amadeus : Grabmusik, K 42/35a :: Recitative
  • Performer: Thomas Hampson
  • Conductor: Nikolaus Harnoncourt
  • Ensemble: Concentus Musicus Wien
  • Notes: Casino Zögernitz, Vienna (12/14/1991-12/17/1991)
  • Running Time: 1 min. sec.
  • Period Time: Classical
  • Written: 1767

>Mozart, Wolfgang Amadeus : Grabmusik, K 42/35a :: Aria
  • Performer: Thomas Hampson
  • Conductor: Nikolaus Harnoncourt
  • Ensemble: Concentus Musicus Wien
  • Notes: Casino Zögernitz, Vienna (12/14/1991-12/17/1991)
  • Running Time: 6 min. 1 sec.
  • Period Time: Classical
  • Written: 1767

>Brahms, Johannes : German Requiem, Op. 45 :: 3. Herr, lehre doch mich
  • Performer: Thomas Hampson
  • Conductor: Daniel Barenboim
  • Notes: Orchestra Hall, Chicago (1992-09-17_1992-09-19&1992-)
  • Running Time: 10 min. 43 sec.
  • Period Time: Romantic
  • Form: Choral
  • Written: 1857-1868

>Brahms, Johannes : German Requiem, Op. 45 :: 4. Denn wir haben hier keine bleibende Statt
  • Performer: Thomas Hampson
  • Conductor: Daniel Barenboim
  • Notes: Orchestra Hall, Chicago (1992-09-17_1992-09-19&1992-)
  • Running Time: 12 min. 4 sec.
  • Period Time: Romantic
  • Form: Choral
  • Written: 1857-1868

>Fauré, Gabriel : Requiem :: 2. Offertoire
  • Performer: Thomas Hampson
  • Conductor: Michel Legrand
  • Notes: Watford Town Hall (06/05/1993-06/08/1993)
  • Running Time: 8 min. 33 sec.
  • Period Time: Post Romantic
  • Form: Choral
  • Written: 1887-1900

>Fauré, Gabriel : Requiem :: 6. Libera me
  • Performer: Thomas Hampson
  • Conductor: Michel Legrand
  • Notes: Watford Town Hall (06/05/1993-06/08/1993)
  • Running Time: 4 min. 40 sec.
  • Period Time: Post Romantic
  • Form: Choral
  • Written: 1887-1900

>Puccini, Giacomo : Messa di Gloria :: Sanctus Dominus Deus Sabaoth -
  • Performer: Thomas Hampson
  • Conductor: Antonio Pappano
  • Notes: No. 1 Studio, Abbey Road, London (10/12/2000-10/16/2000)
  • Running Time: 1 min. 25 sec.
  • Period Time: Post Romantic
  • Form: Choral
  • Written: 1880

>Puccini, Giacomo : Messa di Gloria :: Benedictus qui venit in nomine Domini
  • Performer: Thomas Hampson
  • Conductor: Antonio Pappano
  • Notes: No. 1 Studio, Abbey Road, London (10/12/2000-10/16/2000)
  • Running Time: 2 min. 9 sec.
  • Period Time: Post Romantic
  • Form: Choral
  • Written: 1880

>Puccini, Giacomo : Messa di Gloria :: Agnus Dei
  • Performers: Roberto Alagna (Tenor); Thomas Hampson
  • Conductor: Antonio Pappano
  • Notes: No. 1 Studio, Abbey Road, London (10/12/2000-10/16/2000)
  • Running Time: 2 min. 37 sec.
  • Period Time: Post Romantic
  • Form: Choral
  • Written: 1880

>Duruflé, Maurice : Requiem :: 3. Domine Jesus Christe -
  • Performers: Marie-Claire Alain (Organ); Thomas Hampson
  • Conductor: Michel Plasson
  • Notes: Eglise Notre Dame La Daurade, Toulouse, France (04/09/1999-04/10/1999)
  • Running Time: 5 min. 25 sec.
  • Period Time: Modern
  • Form: Choral
  • Written: 1947

>Duruflé, Maurice : Requiem :: Hostias
  • Performers: Marie-Claire Alain (Organ); Thomas Hampson
  • Conductor: Michel Plasson
  • Notes: Eglise Notre Dame La Daurade, Toulouse, France (04/09/1999-04/10/1999)
  • Running Time: 3 min. 24 sec.
  • Period Time: Modern
  • Form: Choral
  • Written: 1947

>Duruflé, Maurice : Requiem :: 8. Libera me
  • Performers: Marie-Claire Alain (Organ); Thomas Hampson
  • Conductor: Michel Plasson
  • Notes: Eglise Notre Dame La Daurade, Toulouse, France (04/09/1999-04/10/1999)
  • Running Time: 6 min. 18 sec.
  • Period Time: Modern
  • Form: Choral
  • Written: 1947

>Word, Spoken : Thomas Hampson, An Interview Portrait
  • Running Time: 2 min. 43 sec.
  • Period Time: Post Romantic