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Cipriano De Rore (d.1565): Ancor Che Col Parire - Madrigals; Secular & Sacred Works / Cappella Mediterranea; Namur Chamber Choir et al.

Album Summary

>Rore, Cipriano de : Anchor che col partire, madrigal
>de Cabezón, Antonio : Ancol que col partire, for organ
>Rore, Cipriano de : Non è ch'il duol mi scemi, madrigal
>Rore, Cipriano de : Sine nomine, for 5 voices (textless, unspecified instrumentation)
>Bovicel, Giovanni Battista : Ancor che col partire
>Rore, Cipriano de : Io canterei d'amor, for string consort
>Rore, Cipriano de : Susanne un jour
>Gabrieli, Andrea : Anchor che co'l partire, transcription for keyboard of madrigal by Cipriano de Rore
>Phalèse, Pierre : Non è ch'il duol me scemi, for lute (after Cirpriano de Rore)
>Bassano, Giovanni : Io canterei d'amor, for soloists & chamber ensemble (after Cipriano de Rore)
>Della Casa, Girolamo : Non vide'l mondo, for 4 parts (after Cipriano de Rore's "Alla dolce ombra")
>Bassano, Giovanni : Non gemme, non fin' oro, transcription (after Cipriano de Rore)
>Bassano, Giovanni : Ancor che col partire, for voice & chamber ensemble (after Cipriano de Rore)
>Rore, Cipriano de : Calami Sonum Ferentes
>Rore, Cipriano de : Mon petit cueur, for 8 voices
>Rore, Cipriano de : Ave Regina Caelorum, Motet
>Bovicel, Giovanni Battista : Angelus ad pastores, motet (after de Rore's "Anchor che col partire")
Performers Ensembles Composers

Notes & Reviews:

RICERCAR now celebrates its 35th anniversary with a homage to the greatest Flemish composer of the Renaissance. The works of Cipriano de Rore (1515/16 - 1565) remained extremely popular until well after his death. Several of his madrigals later appeared in dozens of ornamented versions and continued to do so until the beginning of the 17th century; this was an extraordinary success for the time. Ricercar's leading ensembles of singers and instrumentalists have each made their own original contribution to this recording, providing a complete overview of de Rore's sacred and secular works. The madrigal Ancor che col partire binds the entire recording together, firstly through the original setting with its erotically charged text and secondly through many instrumental versions that were soon made from it.



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Works Details

>Rore, Cipriano de : Anchor che col partire, madrigal
  • Ensemble: Cappella Mediterranea
  • Running Time: 2 min. 50 sec.
  • Period Time: Renaissance
  • Form: Choral
  • Written: 1547

>de Cabezón, Antonio : Ancol que col partire, for organ
  • Performer: Marie Bournisien (Harp)
  • Ensemble: Cappella Mediterranea
  • Running Time: 3 min. 21 sec.
  • Period Time: Renaissance

>Rore, Cipriano de : Non è ch'il duol mi scemi, madrigal
  • Ensemble: Cappella Mediterranea
  • Running Time: 2 min. 55 sec.
  • Period Time: Renaissance
  • Form: Choral

>Rore, Cipriano de : Sine nomine, for 5 voices (textless, unspecified instrumentation)
  • Ensemble: Clematis
  • Notes: Molfetta, Chiesa di San Bernardino (06/2014); Notre-Dame de Centeilles (06/2014)
  • Running Time: 3 min. 58 sec.
  • Period Time: Renaissance

>Bovicel, Giovanni Battista : Ancor che col partire
  • Performer: Paulin Bündgen
  • Ensemble: Clematis
  • Notes: Molfetta, Chiesa di San Bernardino (06/2014); Notre-Dame de Centeilles (06/2014)
  • Running Time: 3 min. 31 sec.
  • Period Time: Renaissance

>Rore, Cipriano de : Io canterei d'amor, for string consort
  • Performer: Paulin Bündgen
  • Ensemble: Clematis
  • Notes: Molfetta, Chiesa di San Bernardino (06/2014); Notre-Dame de Centeilles (06/2014)
  • Running Time: 2 min. 16 sec.
  • Period Time: Renaissance

>Rore, Cipriano de : Susanne un jour
  • Performers: Marie Bournisien (Harp); Quito Gato (Theorbo)
  • Notes: Molfetta, Chiesa di San Bernardino (06/2014); Notre-Dame de Centeilles (06/2014)
  • Running Time: 2 min. 37 sec.
  • Period Time: Renaissance

>Gabrieli, Andrea : Anchor che co'l partire, transcription for keyboard of madrigal by Cipriano de Rore
  • Performer: Bernard Foccroulle (Organ)
  • Running Time: 3 min. 24 sec.
  • Period Time: Renaissance

>Phalèse, Pierre : Non è ch'il duol me scemi, for lute (after Cirpriano de Rore)
  • Performer: Miguel Henry (Lute)
  • Ensemble: L'Achéron (Viol Consort)
  • Running Time: 3 min. 56 sec.
  • Period Time: Renaissance

>Bassano, Giovanni : Io canterei d'amor, for soloists & chamber ensemble (after Cipriano de Rore)
  • Ensemble: L'Achéron (Viol Consort)
  • Running Time: 3 min. 25 sec.
  • Period Time: Renaissance

>Della Casa, Girolamo : Non vide'l mondo, for 4 parts (after Cipriano de Rore's "Alla dolce ombra")
  • Performer: Philippe Grisvard (Harpsichord)
  • Ensemble: L'Achéron (Viol Consort)
  • Running Time: 3 min. 17 sec.
  • Period Time: Renaissance

>Bassano, Giovanni : Non gemme, non fin' oro, transcription (after Cipriano de Rore)
  • Performer: Philippe Grisvard (Harpsichord)
  • Ensemble: L'Achéron (Viol Consort)
  • Running Time: 3 min. 40 sec.
  • Period Time: Renaissance

>Bassano, Giovanni : Ancor che col partire, for voice & chamber ensemble (after Cipriano de Rore)
  • Ensemble: L'Achéron (Viol Consort)
  • Running Time: 2 min. 57 sec.
  • Period Time: Renaissance

>Rore, Cipriano de : Calami Sonum Ferentes
  • Ensemble: L'Achéron (Viol Consort)
  • Running Time: 5 min. 8 sec.
  • Period Time: Renaissance
  • Written: 1555

>Rore, Cipriano de : Mon petit cueur, for 8 voices
  • Ensemble: Doulce Mémoire
  • Running Time: 4 min. 50 sec.
  • Period Time: Renaissance

>de Cabezón, Antonio : Ancol que col partire, for organ
  • Ensemble: Doulce Mémoire
  • Running Time: 3 min. 21 sec.
  • Period Time: Renaissance

>Rore, Cipriano de : Ave Regina Caelorum, Motet
  • Running Time: 4 min. 40 sec.
  • Period Time: Renaissance
  • Form: Choral

>Bassano, Giovanni : Ancor che col partire, for voice & chamber ensemble (after Cipriano de Rore)
  • Performers: Lionel Desmeules (Organ); Juliette Perret
  • Notes: Molfetta, Chiesa di San Bernardino (06/2014); Notre-Dame de Centeilles (06/2014)
  • Running Time: 2 min. 57 sec.
  • Period Time: Renaissance

>Bovicel, Giovanni Battista : Angelus ad pastores, motet (after de Rore's "Anchor che col partire")
  • Performers: Lionel Desmeules (Organ); Juliette Perret
  • Notes: Molfetta, Chiesa di San Bernardino (06/2014); Notre-Dame de Centeilles (06/2014)
  • Running Time: 3 min. 40 sec.
  • Period Time: Renaissance