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Various Artists: They Tried to Rock, Vol. 4: The Popsters [Digipak]

Track List

>Fat Man, The
>Ko Ko Mo (I Love You So)
>Rock Love - Billy Vaughn's Orchestra/The Fontane Sisters
>Tutti Frutti - Art Mooney & His Orchestra - (featuring Ocie Smith)
>I Got a Sweetie
>Fujiyama Mama
>Eddie My Love - Archie Bleyer & His Orchestra/The Chordettes
>Teardrops from My Eyes - The Hilltoppers
>Little White Lies
>(I'm) All Shook Up - Vicki Young/Big Dave & Orchestra
>Lovey Dovey
>Close Your Eyes
>Blue Suede Shoes
>How High the Moon
>Drinkin' Pop-Sodee Odee (Pop Pop) - The Dimensionals
>Susie Q - The Crew Cuts
>Bo Diddley
>Can't Rock and Roll to Save My Soul
>Bo Weevil - The Dick Jacobs Orchestra
>Shot Gun Boogie
>Send for Me
>Two Hearts, Two Kisses
>Rockabilly Party - Hugo & Luigi
>Rock-A-Billy
>Flip Flop and Fly
>Rock and Roll Ruby
>Why Do Fools Fall in Love - David Carroll & His Orchestra/The Diamonds
>My Boy Flat-Top
>Let's Go Steady - Cindy & Lindy/Lindy Doherty/Bill Leavitt Orchestra/Cindy Lord
>Teenage Prayer
>Rock Right - Hugo Perretti & His Orchestra
>See Saw - Don Cornell/Dick Jacobs Orchestra & Chorus
>Band of Gold - Don Cherry

Album Notes

Liner Note Authors: Hank Davis; Scott Parker ; Roy Forbes.

Illustrators: Hank Davis; Este ; Freddy Elzinga; Betty Johnson.

Photographers: Hank Davis; Este ; Freddy Elzinga; Betty Johnson.

Where its cousin, They Tried to Rock, Vol. 3: The Popsters, had a few big hits -- Louis Prima's "Jump Jive and Wail," the McGuire Sisters' "Sincerely," the Crew Cuts' "Sh Boom" -- there's nothing on the same level on They Tried to Rock, Vol. 4, but overall, it's a better example of how lost mainstream pop singers were in the wake of rock & roll. This disc, which runs 33 tracks just like its companion, has records that are embarrassingly square, along with some corkers that swing almost as hard as real rock & roll. Surprisingly, one of those sides comes from the Crew Cuts, whose version of "Suzie Q" is propelled by a little bit of fuzz guitar, but Rosemary Clooney's "Shot Gun Boogie" also swings like genuine country boogie, Nat King Cole's "Send for Me" is an insouciant shuffle, and Ella Mae Morse lays into "Lovey Dovey" with bluesy fervor. Most of these cuts, though, "can't rock and roll to save my soul," to borrow a phrase from Pearl Bailey. Her single treats rock & roll like so many different dance crazes, an understandable but misbegotten notion that fuels several other decided square singles here, including the absurd "Rockabilly Party" by Hugo & Luigi, Jean Dinning's stiff mambo through "Bo Diddley," Jo Stafford's reworking of "I Got a Woman" as "I Got a Sweetie," and Donny Baker's wild inversion of "Drinkin' Wine-Spo-Dee-O-Dee," "Drinkin' Pop-Sodee Odee (Pop Pop)." These records are cheerful embarrassments, but They Tried to Rock isn't about laughing at the past, it's a history lesson in just how odd and messy things were at the start of the rock & roll explosion, and most of the rest of the disc -- Tony Bennett's cheerful "Close Your Eyes," Pat Boone's oblivious "The Fat Man," Teresa Brewer's "Bo Weevil," a fairly raucous rendition of "Rock & Roll Ruby" from Lawrence Welk, and Johnnie Ray's overheated "Flip Flop and Fly" -- showcases singers ready to rock, if they only had some idea how. ~ Stephen Thomas Erlewine



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