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Impérial Oïstrakh! - Violin Concertos by Beethoven, Brahms & Bruch: Violin Sonatas by Beethoven & Franck; Mozart: Violin Concertos nos 3-5 et al. / David Oistrakh, violin

Album Summary

>Beethoven, Ludwig van : Concerto for Violin in D major, Op. 61
>Beethoven, Ludwig van : Sonate pour violon et pinao no 9 'A Kreutzer' en la majeur, Op. 47
>Beethoven, Ludwig van : Triple Concerto pour violon, violoncelle et pinao en ut majeur, Op. 56
>Schubert, Franz : Trio pour piano, violin et violoncello no 1 en si bémol majeur, D. 898
>Bruch, Max [Composer] : Concerto pour violon no 1 en sol mineur, Op. 26
>Mozart, Wolfgang Amadeus : Concerto for Violin in D major, K 271a (271i)
>Mozart, Wolfgang Amadeus : Concerto pour violin no 3 en sol majeur, K. 216
>Mozart, Wolfgang Amadeus : Concerto pour violon no 5 en la majeur, K. 219
>Mozart, Wolfgang Amadeus : Sinfonia concertante pour violon et violoncello en mi bémol majeur, K. 364
>Wieniawski, Henryk : Cadenza to Viotti's Violin Concerto no 17
>Brahms, Johannes : Concerto for Violin in D major, Op. 77
>Brahms, Johannes : Sonate pour violon et pinao no 3 en ré mineur, Op. 108
>Brahms, Johannes : Double Concerto pour violon et violoncelle en la mineur, Op. 102
>Franck, César : Sonate pour violon et piano en la majeur
>Lalo, Edouard : Symphonie espagnole, Op. 23
Performers Conductors Ensembles Composers

Notes & Reviews:

David Oistrakh (1908-1974) was without a doubt one of the greatest violinists and has his place in musical history among other legends of the instrument such as Jascha Heifetz, Nathan Milstein, Yehudi Menuhin and Isaac Stern. He was also the most renowned Soviet violinist. His recordings were global hits and remain milestones of the catalog. David Oistrakh is famed for the fullness of his tone, his unequaled sense of legato, a warm, powerful and deep sound, his incredible mastery of the bow, and an immediately recognizable sonority. This 3-CD box includes some of the most beloved works for solo violin, including the concertos of Beethoven and Brahms, Franck's Sonata in A major and Lalo's Symphonie Espagnole.

Notes & Reviews:

Recording information: Abbey Road, Studio no. 1, Londres (02/18/1956); Kingsway Hall, Londres (02/18/1956); Paris (02/18/1956); Salle Coloniale, Bruxelles (02/18/1956); Salle Wagram, Paris (02/18/1956); Severance Hall, Cleveland (02/18/1956); Stockholm (02/18/1956); Zehlendorfer Gemeindehaus, Berlin, Germany (02/18/1956); Abbey Road, Studio no. 1, Londres (03/1972); Kingsway Hall, Londres (03/1972); Paris (03/1972); Salle Coloniale, Bruxelles (03/1972); Salle Wagram, Paris (03/1972); Severance Hall, Cleveland (03/1972); Stockholm (03/1972); Zehlendorfer Gemeindehaus, Berlin, Germany (03/1972); Abbey Road, Studio no. 1, Londres (03/22/1971-03/23/1971); Kingsway Hall, Londres (03/22/1971-03/23/1971); Paris (03/22/1971-03/23/1971); Salle Coloniale, Bruxelles (03/22/1971-03/23/1971); Salle Wagram, Paris (03/22/1971-03/23/1971); Severance Hall, Cleveland (03/22/1971-03/23/1971); Stockholm (03/22/1971-03/23/1971); Zehlendorfer Gemeindehaus, Berlin, Germany (03/22/1971-03/23/1971); Abbey Road, Studio no. 1, Londres (05/08/1954); Kingsway Hall, Londres (05/08/1954); Paris (05/08/1954); Salle Coloniale, Bruxelles (05/08/1954); Salle Wagram, Paris (05/08/1954); Severance Hall, Cleveland (05/08/1954); Stockholm (05/08/1954); Zehlendorfer Gemeindehaus, Berlin, Germany (05/08/1954); Abbey Road, Studio no. 1, Londres (05/10/1958); Kingsway Hall, Londres (05/10/1958); Paris (05/10/1958); Salle Coloniale, Bruxelles (05/10/1958); Salle Wagram, Paris (05/10/1958); Severance Hall, Cleveland (05/10/1958); Stockholm (05/10/1958); Zehlendorfer Gemeindehaus, Berlin, Germany (05/10/1958); Abbey Road, Studio no. 1, Londres (05/13/1958-05/16/1958); Kingsway Hall, Londres (05/13/1958-05/16/1958); Paris (05/13/1958-05/16/1958); Salle Coloniale, Bruxelles (05/13/1958-05/16/1958); Salle Wagram, Paris (05/13/1958-05/16/1958); Severance Hall, Cleveland (05/13/1958-05/16/1958); Stockholm (05/13/1958-05/16/1958); Zehlendorfer Gemeindehaus, Berlin, Germany (05/13/1958-05/16/1958); Abbey Road, Studio no. 1, Londres (05/13/1969/05/16/1969); Kingsway Hall, Londres (05/13/1969/05/16/1969); Paris (05/13/1969/05/16/1969); Salle Coloniale, Bruxelles (05/13/1969/05/16/1969); Salle Wagram, Paris (05/13/1969/05/16/1969); Severance Hall, Cleveland (05/13/1969/05/16/1969); Stockholm (05/13/1969/05/16/1969); Zehlendorfer Gemeindehaus, Berlin, Germany (05/13/1969/05/16/1969); Abbey Road, Studio no. 1, Londres (05/20/1955); Kingsway Hall, Londres (05/20/1955); Paris (05/20/1955); Salle Coloniale, Bruxelles (05/20/1955); Salle Wagram, Paris (05/20/1955); Severance Hall, Cleveland (05/20/1955); Stockholm (05/20/1955); Zehlendorfer Gemeindehaus, Berlin, Germany (05/20/1955); Abbey Road, Studio no. 1, Londres (11/08/1958/11/10/1958); Kingsway Hall, Londres (11/08/1958/11/10/1958); Paris (11/08/1958/11/10/1958); Salle Coloniale, Bruxelles (11/08/1958/11/10/1958); Salle Wagram, Paris (11/08/1958/11/10/1958); Severance Hall, Cleveland (11/08/1958/11/10/1958); Stockholm (11/08/1958/11/10/1958); Zehlendorfer Gemeindehaus, Berlin, Germany (11/08/1958/11/10/1958); Abbey Road, Studio no. 1, Londres (11/13/1954-11/14/1954); Kingsway Hall, Londres (11/13/1954-11/14/1954); Paris (11/13/1954-11/14/1954); Salle Coloniale, Bruxelles (11/13/1954-11/14/1954); Salle Wagram, Paris (11/13/1954-11/14/1954); Severance Hall, Cleveland (11/13/1954-11/14/1954); Stockholm (11/13/1954-11/14/1954); Zehlendorfer Gemeindehaus, Berlin, Germany (11/13/1954-11/14/1954); Abbey Road, Studio no. 1, Londres (11/17/1954-11/18/1958); Kingsway Hall, Londres (11/17/1954-11/18/1958); Paris (11/17/1954-11/18/1958); Salle Coloniale, Bruxelles (11/17/1954-11/18/1958); Salle Wagram, Paris (11/17/1954-11/18/1958); Severance Hall, Cleveland (11/17/1954-11/18/1958); Stockholm (11/17/1954-11/18/1958); Zehlendorfer Gemeindehaus, Berlin, Germany (11/17/1954-11/18/1958); Abbey Road, Studio no. 1, Londres (11/1970); Kingsway Hall, Londres (11/1970); Paris (11/1970); Salle Coloniale, Bruxelles (11/1970); Salle Wagram, Paris (11/1970); Severance Hall, Cleveland (11/1970); Stockholm (11/1970); Zehlendorfer Gemeindehaus, Berlin, Germany (11/1970); Abbey Road, Studio no. 1, Londres (1953); Kingsway Hall, Londres (1953); Paris (1953).



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Works Details

>Beethoven, Ludwig van : Concerto for Violin in D major, Op. 61
  • Performer: David Oistrakh (Violin)
  • Conductor: André Cluytens
  • Ensemble: Berlin Philharmonic
  • Notes: Salle Wagram, Paris (11/08/1958-11/10/1958)
  • Running Time: 45 min. 1 sec.
  • Period Time: Classical
  • Form: Concerto
  • Written: 1806

>Beethoven, Ludwig van : Sonate pour violon et pinao no 9 'A Kreutzer' en la majeur, Op. 47 :: II. Andante con variazioni
  • Performers: Lev Oborine (Piano); David Oistrakh (Violin)
  • Conductor: Alceo Galliera
  • Ensemble: French National Radio Orchestra
  • Running Time: 2 min. 42 sec.
  • Period Time: Classical
  • Written: 1802-1803

>Beethoven, Ludwig van : Sonate pour violon et pinao no 9 'A Kreutzer' en la majeur, Op. 47 :: Variation 1
  • Performers: Lev Oborine (Piano); David Oistrakh (Violin)
  • Conductor: George Szell
  • Ensemble: Cleveland Orchestra
  • Running Time: 2 min. 11 sec.
  • Period Time: Classical
  • Written: 1802-1803

>Beethoven, Ludwig van : Triple Concerto pour violon, violoncelle et pinao en ut majeur, Op. 56 :: III. Rondo alla polacca
  • Performers: Svyatoslav Knushevitsky (Cello); Lev Oborine (Piano); David Oistrakh (Violin)
  • Conductor: Malcolm Sargent
  • Running Time: 13 min. 1 sec.
  • Period Time: Classical
  • Written: 1803-1804

>Schubert, Franz : Trio pour piano, violin et violoncello no 1 en si bémol majeur, D. 898 :: IV. Rondo
  • Performers: Svyatoslav Knushevitsky (Cello); Lev Oborine (Piano); David Oistrakh (Violin)
  • Notes: Abbey Road, Studio no. 1, Londres (05/13/1958-05/16/1958)
  • Running Time: 8 min. 32 sec.
  • Period Time: Romantic
  • Form: Chamber Music
  • Written: ?1827

>Bruch, Max [Composer] : Concerto pour violon no 1 en sol mineur, Op. 26 :: III. Finale
  • Performer: David Oistrakh (Violin)
  • Conductor: Lovro Matacic
  • Notes: Abbey Road, Studio no. 1, Londres (11/17/1954-11/18/1954)
  • Running Time: 7 min. 17 sec.
  • Period Time: Post Romantic
  • Form: Concerto
  • Written: 1864-1867

>Mozart, Wolfgang Amadeus : Concerto for Violin in D major, K 271a (271i)
  • Performer: David Oistrakh (Violin)
  • Conductor: David Oistrakh
  • Running Time: 25 min. 28 sec.
  • Period Time: Classical
  • Form: Concerto
  • Written: 1775

>Mozart, Wolfgang Amadeus : Concerto pour violin no 3 en sol majeur, K. 216 :: I. Allegro
  • Performer: David Oistrakh (Violin)
  • Conductor: David Oistrakh
  • Notes: Zehlendorfer Gemeindehaus, Berlin, Germany (03/22/1971-03/23/1971)
  • Running Time: 9 min. 6 sec.
  • Period Time: Classical
  • Form: Concerto
  • Written: 1775

>Mozart, Wolfgang Amadeus : Concerto pour violon no 5 en la majeur, K. 219 :: II. Adagio
  • Performer: David Oistrakh (Violin)
  • Conductor: David Oistrakh
  • Running Time: 11 min. 15 sec.
  • Period Time: Classical
  • Form: Concerto
  • Written: 1775

>Mozart, Wolfgang Amadeus : Sinfonia concertante pour violon et violoncello en mi bémol majeur, K. 364 :: I. Allegro Maestoso
  • Performer: Igor Oistrakh (Violin)
  • Conductor: David Oistrakh
  • Running Time: 13 min. 22 sec.
  • Period Time: Classical
  • Written: 1779

>Mozart, Wolfgang Amadeus : Concerto pour violin no 3 en sol majeur, K. 216 :: II. Andante
  • Performer: Igor Oistrakh (Violin)
  • Conductor: David Oistrakh
  • Running Time: 11 min. 56 sec.
  • Period Time: Classical
  • Form: Concerto
  • Written: 1775

>Wieniawski, Henryk : Cadenza to Viotti's Violin Concerto no 17
  • Performers: David Oistrakh (Violin); Vladimir Yampolsky (Piano)
  • Running Time: 7 min. 26 sec.
  • Period Time: Romantic

>Brahms, Johannes : Concerto for Violin in D major, Op. 77
  • Performer: David Oistrakh (Violin)
  • Conductor: George Szell
  • Notes: Severance Hall, Cleveland (05/13/1969/05/16/1969)
  • Running Time: 40 min. 6 sec.
  • Period Time: Romantic
  • Form: Concerto
  • Written: 1878

>Brahms, Johannes : Sonate pour violon et pinao no 3 en ré mineur, Op. 108 :: III. Un poco presto e con sentimento
  • Performers: David Oistrakh (Violin); Vladimir Yampolsky (Piano)
  • Running Time: 3 min. 9 sec.
  • Period Time: Romantic
  • Written: 1886-1888

>Brahms, Johannes : Double Concerto pour violon et violoncelle en la mineur, Op. 102 :: I. Allegro
  • Performers: Pierre Fournier (Cello); David Oistrakh (Violin)
  • Conductor: Alceo Galliera
  • Notes: Kingsway Hall, Londres (1956-02-29&1956-03-02_1956-)
  • Running Time: 16 min. 12 sec.
  • Period Time: Romantic
  • Written: 1887

>Franck, César : Sonate pour violon et piano en la majeur :: I. Allegretto ben moderato
  • Performers: David Oistrakh (Violin); Vladimir Yampolsky (Piano)
  • Notes: Composition written: 1886.
  • Running Time: 6 min. 18 sec.
  • Period Time: Post Romantic
  • Written: 1886

>Franck, César : Sonate pour violon et piano en la majeur :: IV. Allegretto poco mosso
  • Performers: David Oistrakh (Violin); Vladimir Yampolsky (Piano)
  • Notes: Composition written: 1886.
  • Running Time: 6 min. 26 sec.
  • Period Time: Post Romantic
  • Written: 1886

>Lalo, Edouard : Symphonie espagnole, Op. 23 :: II. Scherzando
  • Performer: David Oistrakh (Violin)
  • Conductor: Jean Martinon
  • Notes: Abbey Road, Studio no. 1, Londres (11/13/1954-11/14/1954)
  • Running Time: 4 min. 39 sec.
  • Period Time: Post Romantic
  • Form: Concerto
  • Written: 1874