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Maddie & Tae: Start Here

Track List

>Waitin' on a Plane
>Girl in a Country Song
>Shut Up and Fish
>Your Side of Town
>Right Here, Right Now
>No Place Like You
>After the Storm Blows Through
>Downside of Growing Up

Album Reviews:

Rolling Stone - 3.5 stars out of 5 -- "[They] topped the country charts last year with 'Girl in a Country Song,' a sly shot at Nashville sexism in the era of the bro. Their first studio album offers more variations on that theme..."

Spin - "Comprised of radio-friendly pop-rock and Dixie Chicks-inspired mid-tempo ballads, START HERE speaks loudest with its small-scale anecdotes of teenage mishaps and first-time thrills."

Billboard - 4 stars out of 5 -- "START HERE has a decidedly reflective bent with effervescent acoustic textures."

Album Notes

Personnel: Dann Huff (acoustic guitar, electric guitar, dobro, banjo); Aaron Scherz (acoustic guitar, electric guitar); Ilya Toshinskiy (acoustic guitar, banjo, mandolin); Derek Wells, Jerry McPherson (electric guitar); Dan Dugmore (steel guitar, lap steel guitar); Paul Franklin (steel guitar); Stuart Duncan, Jonathan Yudkin (fiddle); Charlie Judge, Mike Rojas (keyboards); Shannon Forrest, Dorian Crozier (drums); David Huff (percussion, programming); Eric Darken (percussion); Jason Bonilla (programming).

Recording information: Blackbird Studios, Nashville, TN; Love Shack Studios, Nashville, TN; Room With A View Studio, Nashville, TN; Sound Stage Studios, Nashville, TN; Starstruck Studios, Nashville, TN.

Photographers: Joseph Llanes; Allister Ann.

Maddie & Tae constructed their initial single, "Girl in a Country Song," as a battle cry camouflaged as satire: it took dead aim at the bros, but the duo smiled as they sank in the shiv. Clever as it was, "Girl in a Country Song" ran the risk of pegging Maddie & Tae as a novelty act but their full-length 2015 debut, Start Here, proves the hit was an opening salvo in a long-term mission to take back the contemporary country airwaves from hunks in tight jeans. Start Here is a proudly female album in addition to being a record that fully embraces the joys and occasional sorrows of being young, smart, funny, and ambitious. Given their precocious, pop-friendly attitude and association with Big Machine Records, it's easy to compare Madison Marlow and Taylor Dye to Taylor Swift, but Maddie & Tae emulate neither the skillful adolescent poetry nor the folky fragility of early Swift. They're an unabashed country act, gliding between heartbreak harmonies and punch lines with aplomb, the gilded ease masquerading the careful craft behind these 11 songs, every one of which bears songwriting credits by the duo. Craft is always a key component of the Nashville machine and producer Dann Huff ensures that Start Here follows the contours of commercial country; this isn't outsider music, this is bright, shiny country that cherishes polish as much as twang. The reason Start Here feels fresh lies entirely with Maddie & Tae, how they're tomboys who wish their boyfriend would just "Shut Up and Fish," how they feel as genuine when they're settling into sentiment on "Fly" as they do on "Sierra" when they pray for the downfall of a mean girl. In another's hands, such scheming could seem crass or nasty but placed in the context of Start Here, where it's surrounded by both sweetness and swagger, it simply adds another dimension to an album that embodies all the complex contradictions and unfettered optimism of modern country-pop in 2015. ~ Stephen Thomas Erlewine


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