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Saint-Saëns: Chamber Music - The sonatas for bassoon, oboe, clarinet; Romance for Horn, Op. 67; Romance for Flute, Op. 37; Caprice, Op. 79 / Akane Makita, piano

Album Summary

>Saint-Saëns, Camille : Sonata for bassoon & piano, in G major, Op. 168
>Saint-Saëns, Camille : Romance for horn & piano in E major, Op. 67 (from Suite for cello & piano)
>Saint-Saëns, Camille : Sonata for Oboe and Piano in D major, Op. 166
>Saint-Saëns, Camille : romance
>Saint-Saëns, Camille : Sonata for Clarinet and Piano in E flat major, Op. 167
>Saint-Saëns, Camille : Caprice on Danish and Russian Airs for Piano and Winds, Op. 79
Performers Ensemble Composer

Notes & Reviews:

The wind instrumentalists here are members of Rome's main orchestra, attached to the Accademia nazionale di Santa Cecilia, and their previous disc on Brilliant Classics with Akanè Makita, of chamber music by Henri Dutilleux (BC94738) won recognition both for the original combination of repertoire and the stylish performances: 'Francesco Bossone and Akanè Makita do the work proud, playing with real character and in excellent balance with each other' (Musicweb International). Here they turn to the instant charms of the chamber music by Camille Saint-Saëns, centred around the three sonatas for oboe, clarinet and bassoon. All written within the year 1921, they are the work of a composer who was born 10 years after the death of Beethoven and whose lifetime overlapped with the dawn of jazz in Europe. Little wonder, then, that such pieces embody a remarkable synthesis of styles, to the extent that they hardly seem to be by the same composer as the highly embellished chamber music for strings or the grand statements of the symphonies. They do, however, retain a sense of dramatic dialogue that runs through the composer's output, for Saint-Saëns was always a theatrical composer even when not writing for the stage. The constant stream of melodies speak of a master of refined simplicity and unfailingly elegant lightness of spirit. The two Romances for horn and piano date from much earlier in the composer's prolific career (1874 and 1885); they proceed not in the compressed version of sonata-form belonging to the later works, but in narrative sections which range from sweetly nostalgic to the turbulent or heroic. Rounding off this irresistible collection is the Op.79 Caprice on Russian and Danish Airs for flute, oboe, clarinet and piano: here is the cheerful Saint-Saëns of the Carnival of the Animals, running through folk tunes and their transformations with balletic grace and fluidity, underpinned by a brilliant, impetuous piano part that shows what a virtuoso this multi-talented composer was in his own right. This new recording contains the sonatas that Saint-Saëns wrote for wind instrument and piano: the clarinet, oboe, horn, flute and bassoon! Saint-Saëns' music may not be deep and soul-searching, but it is pure music of the highest order, featuring exquisite melodies, warm romantic harmonies and an infective vitality and instrumental brilliance. Included are the Clarinet Sonata, Bassoon Sonata, Oboe Sonata and two Romances for Horn and Flute, highly appealing music of beauty and charm. As a bonus is included the Caprice on Danish and Russian Airs for clarinet, oboe, flute and piano, big fun! Excellent and dedicated performances by soloists of the famous Italian Accademia di Santa Cecilia Roma, brilliantly accompanied by pianist Akanè Makita.

American Record Guide, May/June 2016
This collection of Saint-Saens chamber music for assorted winds and piano starts out well. Bassoonist Francesco Bossone is impressive in the Bassoon Sonata: excellent intonation even in the extreme high and low registers of the instrument, nice attention to musical line, and technical fluidity. The nostalgic, chanson-like Horn Romance (Op. 67, originally written for cello and piano) is also quite lovely. Alessio Allegrini has a rich, smooth, velvety tone. Andrea Oliva does a creditable job in the Flute Romance. Stefano Novelli's performance of the Clarinet Sonata is OK. The Caprice for flute, oboe, clarinet, and piano is a light work emphasizing fanfares and flourishes, and is appropriately played.

Notes & Reviews:

Recording information: Studio 1 Musicanti, Rome, Italy (05/2014).



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Works Details

>Saint-Saëns, Camille : Sonata for bassoon & piano, in G major, Op. 168
  • Performers: Francesco Bossone (Bassoon); Akane Makita (Piano)
  • Ensemble: Soloists of the Accademia di Santa Cecilia, Rome
  • Running Time: 12 min. 1 sec.
  • Period Time: Post Romantic
  • Written: 1921

>Saint-Saëns, Camille : Romance for horn & piano in E major, Op. 67 (from Suite for cello & piano)
  • Performers: Alessio Allegrini (Horn); Akane Makita (Piano)
  • Running Time: 9 min. 28 sec.
  • Period Time: Post Romantic
  • Written: 1885

>Saint-Saëns, Camille : Sonata for Oboe and Piano in D major, Op. 166
  • Performers: Akane Makita (Piano); Francesco Rosa (Oboe)
  • Running Time: 10 min. 32 sec.
  • Period Time: Post Romantic
  • Written: 1921

>Saint-Saëns, Camille : romance
  • Performers: Akane Makita (Piano); Andrea Oliva (Flute)
  • Running Time: 6 min. 39 sec.
  • Period Time: Post Romantic
  • Written: 1871

>Saint-Saëns, Camille : Sonata for Clarinet and Piano in E flat major, Op. 167
  • Performers: Akane Makita (Piano); Stefano Novelli (Clarinet)
  • Running Time: 15 min. 51 sec.
  • Period Time: Post Romantic
  • Written: 1921

>Saint-Saëns, Camille : Caprice on Danish and Russian Airs for Piano and Winds, Op. 79
  • Performers: Akane Makita (Piano); Stefano Novelli (Clarinet); Andrea Oliva (Flute); Francesco Rosa (Oboe)
  • Running Time: 10 min. 57 sec.
  • Period Time: Post Romantic
  • Written: 1887