1 800 222 6872

17th-Century Funeral Music: Works of Schütz, Praetorius, Schein & Demantius / Schütz-Akademie; Arman

Album Summary

>Schütz, Heinrich : Musikalische Exequien (Funeral Music), for double chorus & continuo, SWV 279-281 (Op. 7)
>Praetorious, Michael : Herzlich lieb hab ich dich, song
>Praetorious, Michael : Mit Fried und Freud ich fahr dahin
>Praetorious, Michael : Hört auf mit Weinen und Klagen (from "Musae Sioniae 8")
>Schein, Johann H. : Threnus, funeral motet for 6 voices & basso continuo
>Schütz, Heinrich : Geistliche Chor-Musik Op. 11
>Demantius, Christoph : Threnodia "Quis dabit oculis"
Performers Conductor Ensembles Composers

Notes & Reviews:

The death of a nobleman in 17th-century Germany was an event that warranted the highest level of attention. When Prince Heinrich der Jngere died in 1635, celebrated composer and organist Heinrich Schtz was entrusted with composing the music to accompany religious texts personally selected by the devout prince the year before. This rather macabre set of instructions resulted in some of the composer's most beautiful and haunting music, the Musikalische Exequien, and Schtz even structured the composition around the textual design of the prince's coffin, which was to be decorated with biblical verse. Taking the form of a German-language Kyrie and Gloria, the words 'Christe eleison' - the very heart of the composition's text, representing Christ's resurrection - not only represent the symbolic point at which the lid and case of the prince's coffin joined, but also the climax of Schtz's music. The more joyful aspects of the prince's passing were also celebrated by the innovative composer, who positioned a separate small choir 'in die Ferne geordnet' - 'set up in the distance' - to represent heavenly angels welcoming the prince's soul to paradise. Also sung at the service were a number of chorales, and those of Michael Praetorius, typical of the time, could well have been among them. Included on this release too is music by Johann Hermann Schein, a friend of Schtz and a gifted composer in his own right. Schein had composed Threnus on the death of Dorothea Maria of Saxony in 1617. In 1630, when Schein himself lay dying, he asked Schtz to compose a burial motet in his honour: 'Das ist je gewilich wahr', a work that beautifully complements the other motets on this release. Demantius, the last composer to be featured here, was no stranger to death, outliving almost all of his children, a hardship which perhaps inspired his two Threnodiae. Death was certainly never far away in 17th-century Germany, and the losses, whether of an admired patron or far more personal, certainly inspired some of the most touching and eloquent music of the period. The works are performed by the Schtz-Akademie, an ensemble that was founded in 1991 with the support of the Heinrich Schtz Haus in Bad-Kstritz, leading their performances to be extensively grounded in historical research. This CD brings together 17th century vocal works in which death and burial play a central role, the agony, the penitence and the consolation of the hereafter. Reformation composers didn't write Requiem Masses for the dead, but they commemorate their beloved deceased in smaller forms of a vocal ensemble accompanied by an instrument group of violin, theorbo and organ. The selection include works by Heinrich Schtz, Michael Praetorius, Johann Hermann Schein, and Johannes Demantius, music of poignant beauty, devotion and consolation. Beautiful performances by the Schtz-Akademie, recorded in the intimate atmosphere of the Salvator Church in Gera. Recording from 1992, licensed from Berlin Classics. Sung texts available at www.brilliantclassics.com Recorded in Germany in 1992. Contains notes on the works in both German and English written by Howard Arman.

Notes & Reviews:

Recording information: Festival Hall, Castle, Crossen, Germany (05/1993); Salvatorkirche, Gera, Germany (05/1993); Festival Hall, Castle, Crossen, Germany (06/1992); Salvatorkirche, Gera, Germany (06/1992).



Reviews

There are currently no reviews, be the first one!
Login or Create an Account to write a review
 

Also Purchased

Works Details

>Schütz, Heinrich : Musikalische Exequien (Funeral Music), for double chorus & continuo, SWV 279-281 (Op. 7)
  • Performers: Hans-Werner Apel (Theorbo); Stella Arman; Johannes Chum (Tenor); Reinhard Decker (Bass); Wolfgang Katschner (Theorbo); Colin Mason (Voice); Eric Mentzel (Tenor); Hermann Oswald (Tenor); Mieke Sluis (Voice); Irena Troupova-Wilde (Voice); Niklas Trustedt (Violin); Barbara Ullrich (Soprano); Manuel Warwitz (Tenor)
  • Conductor: Howard Arman
  • Ensemble: Schütz-Akademie
  • Running Time: 30 min. 26 sec.
  • Period Time: Baroque
  • Form: Choral

>Praetorious, Michael : Herzlich lieb hab ich dich, song
  • Performers: Thomas Herberich (Bass); Eric Mentzel (Tenor); Hermann Oswald (Tenor); Susanne Rydén (Soprano); Gunther Schmidt (Bass-Baritone); Irena Troupova-Wilde (Voice); Manuel Warwitz (Tenor)
  • Conductor: Howard Arman
  • Running Time: 3 min. 30 sec.
  • Period Time: Renaissance
  • Form: Vocal

>Schütz, Heinrich : Musikalische Exequien (Funeral Music), for double chorus & continuo, SWV 279-281 (Op. 7)
  • Performers: Hans-Werner Apel (Theorbo); Reinhard Decker (Bass); Wolfgang Katschner (Theorbo); Colin Mason (Voice); Hermann Oswald (Tenor); Mieke Sluis (Voice); Irena Troupova-Wilde (Voice); Niklas Trustedt (Violin); Manuel Warwitz (Tenor)
  • Conductor: Howard Arman
  • Running Time: 30 min. 26 sec.
  • Period Time: Baroque
  • Form: Choral

>Praetorious, Michael : Mit Fried und Freud ich fahr dahin
  • Performers: Thomas Herberich (Bass); Eric Mentzel (Tenor); Hermann Oswald (Tenor); Susanne Rydén (Soprano); Gunther Schmidt (Bass-Baritone); Norbert Schuster; Irena Troupova-Wilde (Voice); Manuel Warwitz (Tenor)
  • Conductor: Howard Arman
  • Period Time: Renaissance

>Praetorious, Michael : Hört auf mit Weinen und Klagen (from "Musae Sioniae 8")
  • Performers: Thomas Herberich (Bass); Eric Mentzel (Tenor); Hermann Oswald (Tenor); Susanne Rydén (Soprano); Gunther Schmidt (Bass-Baritone); Norbert Schuster; Irena Troupova-Wilde (Voice); Manuel Warwitz (Tenor)
  • Conductor: Howard Arman
  • Running Time: 1 min. 20 sec.
  • Period Time: Renaissance

>Schein, Johann H. : Threnus, funeral motet for 6 voices & basso continuo
  • Performers: Reinhard Decker (Bass); Hermann Oswald (Tenor); Mieke Sluis (Voice); Irena Troupova-Wilde (Voice); Manuel Warwitz (Tenor)
  • Conductor: Howard Arman
  • Running Time: 4 min. 54 sec.
  • Period Time: Baroque
  • Form: Choral

>Schütz, Heinrich : Geistliche Chor-Musik Op. 11 :: Die mit Tränen säen SWV378
  • Performers: Johannes Chum (Tenor); Colin Mason (Voice); Hermann Oswald (Tenor); Mieke Sluis (Voice); Irena Troupova-Wilde (Voice); Niklas Trustedt (Violin)
  • Conductor: Howard Arman
  • Running Time: 3 min. 19 sec.
  • Period Time: Baroque
  • Form: Choral

>Schütz, Heinrich : Geistliche Chor-Musik Op. 11 :: Das ist je gewißlich wahr SWV388
  • Performers: Stella Arman; Johannes Chum (Tenor); Reinhard Decker (Bass); Colin Mason (Voice); Eric Mentzel (Tenor); Hermann Oswald (Tenor); Mieke Sluis (Voice); Irena Troupova-Wilde (Voice); Niklas Trustedt (Violin); Barbara Ullrich (Soprano); Manuel Warwitz (Tenor)
  • Conductor: Howard Arman
  • Running Time: 4 min. 14 sec.
  • Period Time: Baroque
  • Form: Choral

>Demantius, Christoph : Threnodia "Quis dabit oculis"
  • Performers: Stella Arman; Johannes Chum (Tenor); Reinhard Decker (Bass); Colin Mason (Voice); Hermann Oswald (Tenor); Mieke Sluis (Voice); Irena Troupova-Wilde (Voice); Niklas Trustedt (Violin); Barbara Ullrich (Soprano); Manuel Warwitz (Tenor)
  • Conductor: Howard Arman
  • Running Time: 11 min. 6 sec.
  • Period Time: Baroque
  • Written: 1611