1 800 222 6872

Igor Markevitch, conductor: The Complete HMV Recordings - Rossini, Mendelssohn, R. Strauss, J.S. Bach, Prokofiev, Dallapiccola et al. ('Icon' Series) [18 CDs]

Album Summary

>Rossini, Gioachino : Barber of Seville, Overture
>Rossini, Gioachino : La scala di seta, Overture
>Rossini, Gioachino : William Tell, Overture
>Rossini, Gioachino : La gazza ladra, Overture
>Rossini, Gioachino : L' italiana in Algeri, Overture
>Rossini, Gioachino : La Cenerentola, Overture
>Mendelssohn, Felix : Symphony no 4 in A major, Op. 90 "Italian"
>Strauss, Richard : Der Bürger als Edelmann (Le bourgeois gentilhomme), suite from the ballet for orchestra, Op. 60-IIIa
>Bach, Johann Sebastian : Musical Offering, BWV 1079
>Markevitch, Igor : The Musical Offering
>Haydn, Franz Joseph : Symphony no 101 in D major, H 1 no 101 "Clock"
>Haydn, Franz Joseph : Symphony no 102 in B flat major, H 1 no 102
>Schubert, Franz : Symphony no 8 in B minor, D 759 "Unfinished"
>Tchaikovsky, Peter Ilyich : Symphony no 4 in F minor, Op. 36
>Shostakovich, Dmitri : Symphony no 1 in F minor, Op. 10
>Stravinsky, Igor : Le sacre du printemps
>Prokofiev, Sergey : Symphony no 1 in D major ("Classical"), Op. 25
>Stravinsky, Igor : Suite no 2
>Tchaikovsky, Peter Ilyich : Nutcracker Suite, Op. 71a
>Tchaikovsky, Peter Ilyich : Swan Lake Suite, Op. 20a
>Tchaikovsky, Peter Ilyich : Romeo & Juliet Fantasy Overture
>Bartók, Béla : Dance Suite for Orchestra, Sz 77
>Ravel, Maurice : La valse
>Satie, Erik : Parade
>Busoni, Ferruccio : Tanzwalzer, for orchestra, Op. 53, KiV 288
>Liadov, Anatole : Kikimora, Op. 63
>Chabrier, Emmanuel : Le roi malgré lui, opéra-comique in 3 acts
>Liszt, Franz : Zwei Episoden aus Lenaus Faust S110
>Weber, Carl Maria von : Invitation to the Dance, in D flat major J 260/Op. 65
>Chopin, Frédéric : Mazurka for piano no 23 in D major, Op. 33/2, CT. 73
>Debussy, Claude : Prélude à l'après-midi d'un faune (Prelude to the Afternoon of a Faun), for orchestra, L. 86
>Dukas, Paul : L'apprenti sorcier
>Falla, Manuel de : Danza del molinero (from "El sombrero de tres picos")
>Tommasini, Vincenzo : Le donne di buon umore (Good Humored Ladies), ballet (after Scarlatti Sonatas)
>Ravel, Maurice : Daphnis et Chloé Suite no 2
>Verdi, Giuseppe : Giovanna d'Arco
>Verdi, Giuseppe : Macbeth
>Verdi, Giuseppe : La battaglia di Legnano
>Verdi, Giuseppe : Luisa Miller
>Verdi, Giuseppe : La forta del destino
>Verdi, Giuseppe : Aida, opera
>Mozart, Wolfgang Amadeus : German Dances (3), K 605
>Berlioz, Hector : La Damnation de Faust Op. 24
>Saint-Saëns, Camille : Danse macabre in G minor, Op. 40
>Sibelius, Jean : Humoresque, for violin & piano no 4 (arranged by Karl Ekman), Op. 89/2
>Saint-Saëns, Camille : Carnival of the animals
>Prokofiev, Sergey : Peter and the Wolf, children's tale for narrator & orchestra, Op. 67
>Britten, Benjamin : The Young person's guide to the orchestra
>Glinka, Mikhail : A Life for the Tsar
>Prokofiev, Sergey : The Love for Three Oranges, suite for orchestra, Op. 33 bis
>Prokofiev, Sergey : Scythian Suite, for orchestra, Op. 20
>Prokofiev, Sergey : Le pas d'acier (The Steel Step), suite for orchestra, Op. 41 bis
>Mussorgsky, Modest : Night on Bald Mountain (Noch' na Lïsoy gore), symphonic poem, edited by Stokowski
>Stravinsky, Igor : Divertimento - Suite after Le Baiser de la fée
>Stravinsky, Igor : Suite italienne for Violin and Piano
>Stravinsky, Igor : Petrushka - excerpts
>Strauss, Richard : Till Eulenspiegels lustige Streiche, Op. 28
>Borodin, Alexander : Prince Igor
>Offenbach, Jacques : La Périchole, operetta in 2 acts
>Handel, George Frideric : Concerto Grosso in D major, Op.6/5, HWV 323
>Brahms, Johannes : Variations on a Theme of Haydn for orchestra, Op. 56a "St. Anthony"
>Dallapiccola, Luigi : Canti Di Prigionia for chorus, 2 pianos, 2 harps & percussion
>Markevitch, Igor : L' Envol d'Icare, ballet
>Markevitch, Igor : Le Nouvel Age, for orchestra
Performers Conductor Ensembles Composers
Notes & Reviews:

Recording information: Belgium (01/04/1955-01/05/1955); Kingsway Hall, London (01/04/1955-01/05/1955); No. 1 Studio, Abbey Road, London (01/04/1955-01/05/1955); No. 1 Studio, Abbey Road, London+ (01/04/1955-01/05/1955); No.1 Studio, Abbey Road, London (01/04/1955-01/05/1955); Salle de la Mutualité, Paris (01/04/1955-01/05/1955); Salle Wagram, Paris (01/04/1955-01/05/1955); Santa Cecilia, Rome (01/04/1955-01/05/1955); Théâtre des Champs-Élysées, Paris (01/04/1955-01/05/1955); Belgium (01/07/1955); Kingsway Hall, London (01/07/1955); No. 1 Studio, Abbey Road, London (01/07/1955); No. 1 Studio, Abbey Road, London+ (01/07/1955); No.1 Studio, Abbey Road, London (01/07/1955); Salle de la Mutualité, Paris (01/07/1955); Salle Wagram, Paris (01/07/1955); Santa Cecilia, Rome (01/07/1955); Théâtre des Champs-Élysées, Paris (01/07/1955); Belgium (01/12/1954); Kingsway Hall, London (01/12/1954); No. 1 Studio, Abbey Road, London (01/12/1954); No. 1 Studio, Abbey Road, London+ (01/12/1954); No.1 Studio, Abbey Road, London (01/12/1954); Salle de la Mutualité, Paris (01/12/1954); Salle Wagram, Paris (01/12/1954); Santa Cecilia, Rome (01/12/1954); Théâtre des Champs-Élysées, Paris (01/12/1954); Belgium (01/12/1955/01/14/1955); Kingsway Hall, London (01/12/1955/01/14/1955); No. 1 Studio, Abbey Road, London (01/12/1955/01/14/1955); No. 1 Studio, Abbey Road, London+ (01/12/1955/01/14/1955); No.1 Studio, Abbey Road, London (01/12/1955/01/14/1955); Salle de la Mutualité, Paris (01/12/1955/01/14/1955); Salle Wagram, Paris (01/12/1955/01/14/1955); Santa Cecilia, Rome (01/12/1955/01/14/1955); Théâtre des Champs-Élysées, Paris (01/12/1955/01/14/1955); Belgium (01/13/1954-01/14/1954); Kingsway Hall, London (01/13/1954-01/14/1954); No. 1 Studio, Abbey Road, London (01/13/1954-01/14/1954); No. 1 Studio, Abbey Road, London+ (01/13/1954-01/14/1954); No.1 Studio, Abbey Road, London (01/13/1954-01/14/1954); Salle de la Mutualité, Paris (01/13/1954-01/14/1954); Salle Wagram, Paris (01/13/1954-01/14/1954); Santa Cecilia, Rome (01/13/1954-01/14/1954); Théâtre des Champs-Élysées, Paris (01/13/1954-01/14/1954); Belgium (01/14/1955/01/18/1955); Kingsway Hall, London (01/14/1955/01/18/1955); No. 1 Studio, Abbey Road, London (01/14/1955/01/18/1955); No. 1 Studio, Abbey Road, London+ (01/14/1955/01/18/1955); No.1 Studio, Abbey Road, London (01/14/1955/01/18/1955); Salle de la Mutualité, Paris (01/14/1955/01/18/1955); Salle Wagram, Paris (01/14/1955/01/18/1955); Santa Cecilia, Rome (01/14/1955/01/18/1955); Théâtre des Champs-Élysées, Paris (01/14/1955/01/18/1955); Belgium (01/26/1951); Kingsway Hall, London (01/26/1951); No. 1 Studio, Abbey Road, London (01/26/1951); No. 1 Studio, Abbey Road, London+ (01/26/1951); No.1 Studio, Abbey Road, London (01/26/1951); Salle de la Mutualité, Paris (01/26/1951); Salle Wagram, Paris (01/26/1951); Santa Cecilia, Rome (01/26/1951); Théâtre des Champs-Élysées, Paris (01/26/1951); Belgium (01/27/1951); Kingsway Hall, London (01/27/1951); No. 1 Studio, Abbey Road, London (01/27/1951); No. 1 Studio, Abbey Road, London+ (01/27/1951); No.1 Studio, Abbey Road, London (01/27/1951); Salle de la Mutualité, Paris (01/27/1951); Salle Wagram, Paris (01/27/1951); Santa Cecilia, Rome (01/27/1951); Théâtre des Champs-Élysées, Paris (01/27/1951); Belgium (02/14/1950); Kingsway Hall, London (02/14/1950); No. 1 Studio, Abbey Road, London (02/14/1950); No. 1 Studio, Abbey Road, London+ (02/14/1950); No.1 Studio, Abbey Road, London (02/14/1950); Salle de la Mutualité, Paris (02/14/1950); Salle Wagram, Paris (02/14/1950); Santa Cecilia, Rome (02/14/1950); Théâtre des Champs-Élysées, Paris (02/14/1950); Belgium (02/15/1950); Kingsway Hall, London (02/15/1950); No. 1 Studio, Abbey Road, London (02/15/1950); No. 1 Studio, Abbey Road, London+ (02/15/1950); No.1 Studio, Abbey Road, London (02/15/1950); Salle de la Mutualité, Paris (02/15/1950); Salle Wagram, Paris (02/15/1950); Santa Cecilia, Rome (02/15/1950); Théâtre des Champs-Élysées, Paris (02/15/1950); Belgium (02/17/1959-02/18/1959); Kingsway Hall, London (02/17/1959-02/18/1959); No. 1 Studio, Abbey Road, London (02/17/1959-02/18/1959); No. 1 Studio, Abbey Road, London+ (02/17/1959-02/18/1959); No.1 Studio, Abbey Road, London (02/17/1959-02/18/1959); Salle de la Mutualité, Paris (02/17/1959-02/18/1959); Salle Wagram, Paris (02/17/1959-02/18/1959); Santa Cecilia, Rome (02/17/1959-02/18/1959); Théâtre des Champs-Élysées, Paris (02/17/1959-02/18/1959).



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Works Details

>Rossini, Gioachino : Barber of Seville, Overture
  • Conductor: Igor Markevitch
  • Ensemble: ChœurádeáRadio Franceá
  • Notes: Salle de la Mutualité, Paris (04/01/1957-04/04/1957)
  • Running Time: 7 min. 1 sec.
  • Period Time: Romantic
  • Written: 1816

>Rossini, Gioachino : La scala di seta, Overture
  • Conductor: Igor Markevitch
  • Ensemble: Orchestre philharmonique de Radio France
  • Notes: Salle de la Mutualité, Paris (04/01/1957-04/04/1957)
  • Running Time: 6 min. 28 sec.
  • Period Time: Romantic
  • Written: 1812

>Rossini, Gioachino : William Tell, Overture
  • Performer: Jacques Neilz (Cello)
  • Conductor: Igor Markevitch
  • Ensemble: Philharmonia Orchestra
  • Notes: Salle de la Mutualité, Paris (04/01/1957-04/04/1957)
  • Running Time: 11 min. 55 sec.
  • Period Time: Romantic
  • Written: 1829

>Rossini, Gioachino : La gazza ladra, Overture
  • Conductor: Igor Markevitch
  • Ensemble: Orchestre de Paris
  • Notes: Salle de la Mutualité, Paris (04/01/1957-04/04/1957)
  • Running Time: 10 min. 31 sec.
  • Period Time: Romantic
  • Form: Orchestral
  • Written: 1817

>Rossini, Gioachino : L' italiana in Algeri, Overture
  • Conductor: Igor Markevitch
  • Ensemble: Belgian National Orchestra
  • Notes: Salle de la Mutualité, Paris (04/01/1957-04/04/1957)
  • Running Time: 7 min. 50 sec.
  • Period Time: Romantic
  • Written: 1813

>Rossini, Gioachino : La Cenerentola, Overture
  • Conductor: Igor Markevitch
  • Notes: Salle de la Mutualité, Paris (04/01/1957-04/04/1957)
  • Running Time: 7 min. 37 sec.
  • Period Time: Romantic
  • Written: 1817

>Mendelssohn, Felix : Symphony no 4 in A major, Op. 90 "Italian"
  • Conductor: Igor Markevitch
  • Notes: Salle de la Mutualité, Paris (01/12/1955/01/14/1955)
  • Running Time: 23 min. 36 sec.
  • Period Time: Romantic
  • Form: Orchestral
  • Written: 03/13/1833

>Strauss, Richard : Der Bürger als Edelmann (Le bourgeois gentilhomme), suite from the ballet for orchestra, Op. 60-IIIa
  • Performers: Henri Bronschwak (Violin); Fernand Dufrene (Flute); Denyse Gouarne (Harpsichord); Jacques Neilz (Cello)
  • Conductor: Igor Markevitch
  • Notes: Salle de la Mutualité, Paris (06/18/1956-06/29/1956)
  • Running Time: 32 min. 25 sec.
  • Period Time: Post Romantic
  • Written: 1920

>Bach, Johann Sebastian : Musical Offering, BWV 1079
  • Performers: Henri Bronschwak (Violin); Fernand Dufrene (Flute); Denyse Gouarne (Harpsichord); Jacques Neilz (Cello)
  • Conductor: Igor Markevitch
  • Notes: Salle de la Mutualité, Paris (06/18/1956-06/29/1956)
  • Running Time: 31 min. 36 sec.
  • Period Time: Baroque
  • Written: 05/1747-07/1747

>Markevitch, Igor : The Musical Offering :: Ricercar a 6
  • Conductor: Igor Markevitch
  • Notes: Salle de la Mutualité, Paris (06/18/1956-06/29/1956)
  • Running Time: 8 min. 20 sec.
  • Period Time: Modern
  • Written: 1949-1950

>Haydn, Franz Joseph : Symphony no 101 in D major, H 1 no 101 "Clock"
  • Conductor: Igor Markevitch
  • Running Time: 23 min. 39 sec.
  • Period Time: Classical
  • Form: Orchestral
  • Written: 1793-1794

>Haydn, Franz Joseph : Symphony no 102 in B flat major, H 1 no 102
  • Conductor: Igor Markevitch
  • Notes: Théâtre des Champs-Élysées, Paris (05/26/1955-05/27/1955)
  • Running Time: 21 min. 48 sec.
  • Period Time: Classical
  • Form: Orchestral
  • Written: 1794

>Schubert, Franz : Symphony no 8 in B minor, D 759 "Unfinished"
  • Conductor: Igor Markevitch
  • Notes: Salle de la Mutualité, Paris (01/14/1955/01/18/1955)
  • Running Time: 22 min. 2 sec.
  • Period Time: Romantic
  • Form: Orchestral
  • Written: 1822

>Tchaikovsky, Peter Ilyich : Symphony no 4 in F minor, Op. 36
  • Conductor: Igor Markevitch
  • Notes: Salle de la Mutualité, Paris (1956-10-29_1956-10-31&1956-)
  • Running Time: 40 min. 29 sec.
  • Period Time: Romantic
  • Form: Orchestral
  • Written: 1878

>Shostakovich, Dmitri : Symphony no 1 in F minor, Op. 10
  • Conductor: Igor Markevitch
  • Notes: Salle de la Mutualité, Paris (01/04/1955-01/05/1955)
  • Running Time: 28 min. 7 sec.
  • Period Time: Modern
  • Form: Orchestral
  • Written: 1923-1925

>Stravinsky, Igor : Le sacre du printemps
  • Conductor: Igor Markevitch
  • Notes: No. 1 Studio, Abbey Road, London (11/12/1951-11/13/1951); No. 1 Studio, Abbey Road, London (1959-01-10&1959-01-12_1959-)
  • Running Time: 16 min. 46 sec.
  • Period Time: Modern
  • Form: Ballet
  • Written: 1911-1913

>Prokofiev, Sergey : Symphony no 1 in D major ("Classical"), Op. 25
  • Conductor: Igor Markevitch
  • Notes: No. 1 Studio, Abbey Road, London (1951-11-14&1952-09-11&1952-)
  • Running Time: 13 min. 34 sec.
  • Period Time: Post Romantic
  • Form: Orchestral
  • Written: 1916-1917

>Stravinsky, Igor : Suite no 2 :: II. Valse
  • Conductor: Igor Markevitch
  • Notes: Composition written: 1921.
  • Running Time: 1 min. 36 sec.
  • Period Time: Modern
  • Written: 1921

>Tchaikovsky, Peter Ilyich : Nutcracker Suite, Op. 71a
  • Conductor: Igor Markevitch
  • Notes: No.1 Studio, Abbey Road, London (02/17/1959-02/18/1959)
  • Running Time: 18 min. 12 sec.
  • Period Time: Romantic
  • Written: 1892

>Tchaikovsky, Peter Ilyich : Swan Lake Suite, Op. 20a
  • Conductor: Igor Markevitch
  • Notes: No. 1 Studio, Abbey Road, London (06/13/1954-06/15/1954)
  • Running Time: 2 min. 39 sec.
  • Period Time: Romantic
  • Written: 1875-1876

>Tchaikovsky, Peter Ilyich : Romeo & Juliet Fantasy Overture
  • Conductor: Igor Markevitch
  • Running Time: 21 min. 3 sec.
  • Period Time: Romantic
  • Form: Orchestral
  • Written: 1880

>Bartók, Béla : Dance Suite for Orchestra, Sz 77
  • Conductor: Igor Markevitch
  • Notes: No. 1 Studio, Abbey Road, London (01/13/1954-01/14/1954)
  • Running Time: 14 min. 11 sec.
  • Period Time: Modern
  • Written: 11/19/1923

>Ravel, Maurice : La valse
  • Conductor: Igor Markevitch
  • Running Time: 11 min. 18 sec.
  • Period Time: Modern
  • Form: Waltz
  • Written: 1919-1920

>Satie, Erik : Parade
  • Conductor: Igor Markevitch
  • Running Time: 8 min. 11 sec.
  • Period Time: Post Romantic
  • Form: Ballet
  • Written: 1916-1917

>Busoni, Ferruccio : Tanzwalzer, for orchestra, Op. 53, KiV 288
  • Conductor: Igor Markevitch
  • Notes: Composition written: 09/??/1920-10/02/1920.
  • Running Time: 9 min. 16 sec.
  • Period Time: Post Romantic

>Liadov, Anatole : Kikimora, Op. 63
  • Conductor: Igor Markevitch
  • Running Time: 7 min. 39 sec.
  • Period Time: Post Romantic
  • Form: Orchestral
  • Written: 1910

>Chabrier, Emmanuel : Le roi malgré lui, opéra-comique in 3 acts
  • Conductor: Igor Markevitch
  • Notes: Composition written: 1884-87.
  • Running Time: 7 min. 46 sec.
  • Period Time: Post Romantic
  • Form: Opera/Operetta
  • Written: 1884-1887

>Liszt, Franz : Zwei Episoden aus Lenaus Faust S110 :: no 2 Der Tanz in der Dorfschenke Mephisto Waltz no 1
  • Conductor: Igor Markevitch
  • Running Time: 11 min. 34 sec.
  • Period Time: Romantic
  • Form: Orchestral
  • Written: 1860

>Weber, Carl Maria von : Invitation to the Dance, in D flat major J 260/Op. 65
  • Conductor: Igor Markevitch
  • Running Time: 9 min. 9 sec.
  • Period Time: Classical
  • Written: 1819

>Chopin, Frédéric : Mazurka for piano no 23 in D major, Op. 33/2, CT. 73
  • Conductor: Igor Markevitch
  • Running Time: 2 min. 26 sec.
  • Period Time: Romantic
  • Written: 1837

>Debussy, Claude : Prélude à l'après-midi d'un faune (Prelude to the Afternoon of a Faun), for orchestra, L. 86
  • Conductor: Igor Markevitch
  • Running Time: 9 min. 45 sec.
  • Period Time: Post Romantic
  • Written: 1894

>Dukas, Paul : L'apprenti sorcier
  • Conductor: Igor Markevitch
  • Running Time: 11 min. 22 sec.
  • Period Time: Post Romantic
  • Form: Orchestral
  • Written: 1897

>Falla, Manuel de : Danza del molinero (from "El sombrero de tres picos")
  • Conductor: Igor Markevitch
  • Notes: No. 1 Studio, Abbey Road, London (11/14/1951/09/13/1952)
  • Running Time: 12 min. 19 sec.
  • Period Time: Post Romantic
  • Written: 1921

>Tommasini, Vincenzo : Le donne di buon umore (Good Humored Ladies), ballet (after Scarlatti Sonatas)
  • Conductor: Igor Markevitch
  • Running Time: 1 min. 52 sec.
  • Period Time: Modern
  • Form: Ballet

>Ravel, Maurice : Daphnis et Chloé Suite no 2
  • Conductor: Igor Markevitch
  • Notes: No.1 Studio, Abbey Road, London (04/23/1954/06/03/1954)
  • Running Time: 15 min. 14 sec.
  • Period Time: Modern
  • Written: 1913

>Verdi, Giuseppe : Giovanna d'Arco :: Overture
  • Conductor: Igor Markevitch
  • Notes: This selection is a mono recording.
  • Running Time: 7 min. 49 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1845

>Verdi, Giuseppe : Macbeth :: Act III
  • Conductor: Igor Markevitch
  • Notes: This selection is a mono recording.
  • Running Time: 11 min. 12 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1847

>Verdi, Giuseppe : La battaglia di Legnano :: Overture
  • Conductor: Igor Markevitch
  • Notes: This selection is a mono recording.
  • Running Time: 9 min. 31 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1849

>Verdi, Giuseppe : Luisa Miller :: Overture
  • Conductor: Igor Markevitch
  • Notes: This selection is a mono recording.
  • Running Time: 5 min. 46 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1849

>Verdi, Giuseppe : La forta del destino :: Overture
  • Conductor: Igor Markevitch
  • Notes: This selection is a mono recording.
  • Running Time: 7 min. 47 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1862

>Verdi, Giuseppe : Aida, opera :: Prelude
  • Conductor: Igor Markevitch
  • Notes: This selection is a mono recording.
  • Running Time: 4 min. 49 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1871

>Weber, Carl Maria von : Invitation to the Dance, in D flat major J 260/Op. 65
  • Conductor: Igor Markevitch
  • Notes: This selection is a mono recording.
  • Running Time: 9 min. 9 sec.
  • Period Time: Classical
  • Written: 1819

>Mozart, Wolfgang Amadeus : German Dances (3), K 605
  • Conductor: Igor Markevitch
  • Notes: This selection is a mono recording.
  • Running Time: 2 min. 36 sec.
  • Period Time: Classical
  • Written: 1791

>Berlioz, Hector : La Damnation de Faust Op. 24 :: Ballet des sylphes
  • Conductor: Igor Markevitch
  • Notes: This selection is a mono recording.
  • Running Time: 2 min. 31 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 11/1845-10/1846

>Saint-Saëns, Camille : Danse macabre in G minor, Op. 40
  • Conductor: Igor Markevitch
  • Notes: This selection is a mono recording.
  • Running Time: 7 min. 25 sec.
  • Period Time: Post Romantic
  • Form: Orchestral
  • Written: 1874

>Sibelius, Jean : Humoresque, for violin & piano no 4 (arranged by Karl Ekman), Op. 89/2
  • Conductor: Igor Markevitch
  • Notes: This selection is a mono recording.
  • Running Time: 4 min. 44 sec.
  • Period Time: Post Romantic
  • Written: 1922

>Saint-Saëns, Camille : Carnival of the animals
  • Performers: Géza Anda (Piano); Bela Siki (Piano)
  • Conductor: Igor Markevitch
  • Notes: This selection is a mono recording.
  • Running Time: 18 min. 2 sec.
  • Period Time: Post Romantic
  • Written: 1886

>Prokofiev, Sergey : Peter and the Wolf, children's tale for narrator & orchestra, Op. 67
  • Conductor: Igor Markevitch
  • Notes: This selection is a mono recording.
  • Running Time: 28 min. 9 sec.
  • Period Time: Post Romantic
  • Written: 1936

>Britten, Benjamin : The Young person's guide to the orchestra
  • Conductor: Igor Markevitch
  • Notes: This selection is a mono recording.
  • Running Time: 19 min. 40 sec.
  • Period Time: Modern
  • Written: 1946

>Glinka, Mikhail : A Life for the Tsar
  • Conductor: Igor Markevitch
  • Notes: Salle de la Mutualité, Paris (11/26/1957-12/18/1957)
  • Running Time: 8 min. 15 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1834-1836

>Tchaikovsky, Peter Ilyich : Romeo & Juliet Fantasy Overture
  • Conductor: Igor Markevitch
  • Notes: This selection is a mono recording.
  • Running Time: 21 min. 3 sec.
  • Period Time: Romantic
  • Form: Orchestral
  • Written: 1880

>Prokofiev, Sergey : The Love for Three Oranges, suite for orchestra, Op. 33 bis
  • Conductor: Igor Markevitch
  • Notes: This selection is a mono recording.
  • Running Time: 13 min. 27 sec.
  • Period Time: Post Romantic
  • Written: 1919

>Prokofiev, Sergey : Scythian Suite, for orchestra, Op. 20
  • Conductor: Igor Markevitch
  • Notes: This selection is a mono recording.
  • Running Time: 18 min. 1 sec.
  • Period Time: Post Romantic
  • Written: 1914-1915

>Prokofiev, Sergey : Le pas d'acier (The Steel Step), suite for orchestra, Op. 41 bis
  • Conductor: Igor Markevitch
  • Notes: This selection is a mono recording.
  • Running Time: 21 min. 38 sec.
  • Period Time: Post Romantic
  • Written: 1926

>Mussorgsky, Modest : Night on Bald Mountain (Noch' na Lïsoy gore), symphonic poem, edited by Stokowski
  • Conductor: Igor Markevitch
  • Notes: This selection is a mono recording.
  • Running Time: 9 min. 44 sec.
  • Period Time: Romantic
  • Written: 1938

>Stravinsky, Igor : Divertimento - Suite after Le Baiser de la fée :: I. Sinfonia
  • Conductor: Igor Markevitch
  • Notes: This selection is a mono recording.
  • Running Time: 6 min. 21 sec.
  • Period Time: Modern
  • Form: Ballet
  • Written: 1928

>Stravinsky, Igor : Divertimento - Suite after Le Baiser de la fée :: II. Danses suisses
  • Conductor: Igor Markevitch
  • Notes: This selection is a mono recording.
  • Running Time: 6 min. 37 sec.
  • Period Time: Modern
  • Form: Ballet
  • Written: 1928

>Stravinsky, Igor : Divertimento - Suite after Le Baiser de la fée :: III. Scherzo
  • Conductor: Igor Markevitch
  • Notes: This selection is a mono recording.
  • Running Time: 3 min. 51 sec.
  • Period Time: Modern
  • Form: Ballet
  • Written: 1928

>Stravinsky, Igor : Divertimento - Suite after Le Baiser de la fée :: IV. Pas de deux
  • Conductor: Igor Markevitch
  • Notes: This selection is a mono recording.
  • Running Time: 3 min. 28 sec.
  • Period Time: Modern
  • Form: Ballet
  • Written: 1928

>Stravinsky, Igor : Divertimento - Suite after Le Baiser de la fée :: IV. Pas de deux
  • Conductor: Igor Markevitch
  • Notes: This selection is a mono recording.
  • Running Time: 1 min. 15 sec.
  • Period Time: Modern
  • Form: Ballet
  • Written: 1928

>Stravinsky, Igor : Divertimento - Suite after Le Baiser de la fée :: IV. Pas de deux
  • Conductor: Igor Markevitch
  • Notes: This selection is a mono recording.
  • Running Time: 2 min. 15 sec.
  • Period Time: Modern
  • Form: Ballet
  • Written: 1928

>Stravinsky, Igor : Suite italienne for Violin and Piano
  • Conductor: Igor Markevitch
  • Notes: This selection is a mono recording.
  • Running Time: 1 min. 55 sec.
  • Period Time: Modern
  • Written: 1932

>Stravinsky, Igor : Petrushka - excerpts :: Part I (The Shrovetide Fair) - IV. Russian Dance
  • Conductor: Igor Markevitch
  • Notes: This selection is a mono recording.
  • Running Time: 2 min. 29 sec.
  • Period Time: Modern
  • Form: Ballet
  • Written: 1947

>Stravinsky, Igor : Petrushka - excerpts :: Part II (Petrushka's Cell)
  • Conductor: Igor Markevitch
  • Notes: This selection is a mono recording.
  • Running Time: 4 min. 22 sec.
  • Period Time: Modern
  • Form: Ballet
  • Written: 1947

>Stravinsky, Igor : Petrushka - excerpts :: Part IV (The Shrovetide Fair [Evening]
  • Conductor: Igor Markevitch
  • Notes: This selection is a mono recording.
  • Running Time: 9 min. 36 sec.
  • Period Time: Modern
  • Form: Ballet
  • Written: 1947

>Strauss, Richard : Till Eulenspiegels lustige Streiche, Op. 28
  • Conductor: Igor Markevitch
  • Notes: Salle de la Mutualité, Paris (11/01/1956/11/02/1956)
  • Running Time: 14 min. 48 sec.
  • Period Time: Post Romantic
  • Form: Orchestral
  • Written: 1894-1895

>Borodin, Alexander : Prince Igor :: Chorus and Dance of the Polovtsian Maidens
  • Conductor: Igor Markevitch
  • Running Time: 2 min. 25 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1869-1887

>Borodin, Alexander : Prince Igor :: Polovtsian Dances
  • Conductor: Igor Markevitch
  • Running Time: 9 min. 33 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: 1869-1887

>Prokofiev, Sergey : Peter and the Wolf, children's tale for narrator & orchestra, Op. 67
  • Conductor: Igor Markevitch
  • Notes: Salle Wagram, Paris (06/18/1969/06/19/1969)
  • Running Time: 28 min. 9 sec.
  • Period Time: Post Romantic
  • Written: 1936

>Britten, Benjamin : The Young person's guide to the orchestra
  • Conductor: Igor Markevitch
  • Notes: Salle Wagram, Paris (06/16/1969-06/18/1969)
  • Running Time: 19 min. 40 sec.
  • Period Time: Modern
  • Written: 1946

>Offenbach, Jacques : La Périchole, operetta in 2 acts
  • Conductor: Igor Markevitch
  • Notes: Salle de la Mutualité, Paris (05/27/1958-05/30/1958); Salle de la Mutualité, Paris (1958-06-02&1958-06-18&1958-)
  • Running Time: 25 min. 31 sec.
  • Period Time: Romantic
  • Form: Opera/Operetta
  • Written: circa 1868-1874

>Handel, George Frideric : Concerto Grosso in D major, Op.6/5, HWV 323
  • Conductor: Igor Markevitch
  • Notes: This selection is a mono recording.
  • Running Time: 16 min. 27 sec.
  • Period Time: Baroque
  • Form: Orchestral
  • Written: 1739

>Brahms, Johannes : Variations on a Theme of Haydn for orchestra, Op. 56a "St. Anthony"
  • Conductor: Igor Markevitch
  • Notes: This selection is a mono recording.
  • Running Time: 16 min. 11 sec.
  • Period Time: Romantic
  • Written: 1873

>Dallapiccola, Luigi : Canti Di Prigionia for chorus, 2 pianos, 2 harps & percussion
  • Conductor: Igor Markevitch
  • Notes: This selection is a mono recording.
  • Running Time: 23 min. 32 sec.
  • Period Time: Modern
  • Written: 1938-1941

>Markevitch, Igor : L' Envol d'Icare, ballet
  • Conductor: Igor Markevitch
  • Notes: This selection is a mono recording.
  • Running Time: 22 min. 6 sec.
  • Period Time: Modern
  • Form: Ballet
  • Written: 1933

>Markevitch, Igor : Le Nouvel Age, for orchestra
  • Conductor: Igor Markevitch
  • Notes: This selection is a mono recording.
  • Running Time: 23 min. 42 sec.
  • Period Time: Modern
  • Form: Orchestral
  • Written: 03/1937-11/1937