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Bill Easley: Business Man's Bounce

Track List

>Straighten Up and Fly Right
>September Song
>Chelsea Bridge
>In the Still of the Night
>Hi Fly
>Memphis Blues
>Spring Is Here
>Indian Summer
>Just in Time

Album Reviews:

JazzTimes (p.110) - "[T]he journeyman musician can play any reed instrument and, as he demonstrates here, he can play them in a variety of voices and styles."

Album Notes

Personnel: Bill Easley (tenor saxophone); Larry Ham (piano); Michael Carvin (drums); Off Broadway Woodwind Ensemble (background vocals).

Liner Note Author: Bill Easley.

Recording information: Showplace Studios, Dover, NJ (11/12/2006-11/14/2006).

Bill Easley has an extensive résumé as a sideman, but has led relatively few record dates of his own during his long career. But this excellent disc ought to open up more recording opportunities for him. With a potent rhythm section comprised of pianist Larry Ham, bassist Hassan JJ Shakur, and veteran drummer Michael Carvin (the latter a strong leader in his own right), the tenor saxophonist explores familiar material from a wide background in new avenues. His boisterous R&B-flavored take of Nat King Cole's "Straighten Up and Fly Right" features his gritty tenor and some comical spoken asides in spots. The Off Broadway Woodwind Ensemble add a lush background of reeds to several tracks, including a gorgeous rendition of "September Song," and provide additional color to the snappy setting of Randy Weston's "Hi Fly." "Chelsea Bridge" falls into a rut on many record dates, but Easley's breezy approach with a Latin undercurrent gives it a fresh sound. The leader is equally enjoyable soloing on clarinet (while overdubbing his tenor), playing a classic jazz gem like W.C. Handy's "Memphis Blues" that would find him at home with any traditional jazz band; cornetist Warren Vaché is a special guest and he provides the perfect foil for Easley. Finally, with the addition of fellow tenorist Frank Wess on Easley's cooking "Mentor," the quartet sounds like a much larger ensemble with the two full-bodied tenor players. Highly recommended. ~ Ken Dryden


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