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Bayarbaatar Davaasuren/Baasankhuu Chinbat: The Art of the Mongolian Khöömii (Throat Singing)

Track List

>Magtaal Ger
>Minii Eej [My Mother]
>Ih Khaanii Duulal
>Gurvan Shariin Nuruu Magtaal
>Tosongiin Oroi
>Hulsan Huur
>Tumur Huur
>Tengeriin Duu [Le Chant du Ciel]
>Tungalag Buyant
>Buurul Aav
>Nariin Saihan Heer

Album Remarks & Appraisals:

Multi award-winning khöömii master Bayarbaatar Davaasuren presents a relaxing and interesting album of overtone/throat singing. After four years of directing traditional Mongolian dances and learning to play different Mongolian instruments, Davaasuren toured Mongolia with the Altai Ensemble. His awards and achievements include: 2003 Order of Artistic Merit from the Mongolian State; 2004 winner of the National Throat Singing Competition of Mongolia; 2005 winner of the Chinggis Khaan Award in China; and the 2009 Grand Prize of the International Throat Singing Symposium. This album presents not only throat singing but a wide variety of Mongolian instruments including the Morin-khuur, the Tovshuur, the Jew's Harp, and the Yatga. Davaasuren is joined on this album by Chinbat Baasankhuu who plays the 13 and 21-string yatga. This exciting new release from ARC Music offers eleven pieces of traditional and new Mongolian music!

Album Notes

Audio Mixer: Bernard Fort.

Liner Note Authors: Bernard Fort; Bayarbaatar Davaasuren.

Recording information: Abbaye de Noirlac, Lyon, France.

Photographers: Bernard Fort; Christian Varlet.

Translator: Sangidkhorloo Bulgantamir.

Admittedly, the course sounds of throat singing, or Khöömii, are an acquired taste for most casual listeners, but this intimate collection from Mongolian master Bayarbaatar Davaasuren is worth spending time with. Recorded at an abbey in Central France, these 11 tracks appear unedited and totally unprocessed, save for mastering, which, even in folk music is a rarity in modern recordings. Accompanying himself on the tovshuur (a goat-skin lute) and morin-khuur (a two-stringed horsehair fiddle) with additional support from Chinbat Baasankhuu on the bowed, zither-like yatga, Davaasuren fills the space with the ethereal, multi-toned harmonics of his own voice. From a textural standpoint, this is a beautifully captured recording with the mellow timbres of the instruments offsetting the severity of Davaasuren's often guttural singing. Tracks like the ten-minute "Gurvan Shariin Nuruu Magtaal" are both arresting and utterly meditative, segueing from long, single-note drones to complex rhythmic chants. The immediacy of the performances and the stark presentation really serve to capture the uniqueness of this strange tradition. ~ Timothy Monger


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