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Tomas Luis de Victoria (1548-1611): Alio Modo / Musica Ficta, Raul Mallavibarrena; Sara Agueda, harp

Album Summary

>Victoria, Tomás L. de : Gaudent in coelis animae Sanctorum, motet for 4 voices
>Victoria, Tomás L. de : O magnum mysterium, motet for 4 voices
>Victoria, Tomás L. de : Ave Maria, gratia plena, motet for 8 voices & organ
>Victoria, Tomás L. de : Magi viderunt stellam, motet for 4 voices
>Guerrero, Francisco (Renaissance) : Claros y frescos ríos, song for 3 voices (attributed)
>Victoria, Tomás L. de : O Quam Gloriosum est regnum, motet for 4 voices
>Victoria, Tomás L. de : Quam pulchri sunt gressus tui, motet for 4 voices
>Victoria, Tomás L. de : O decus apostolicum, motet for 4 voices
>Cabezón, Hernando de : La Dama de demanda
>Victoria, Tomás L. de : Ne timeas, Maria (In Annuntiatione Benissimae Mariae), motet for 4 voices
>Byrd, William : Ave verum corpus
>Victoria, Tomás L. de : Benedicta sit Sancta Trinitas, motet for 6 voices
>Victoria, Tomás L. de : Estote fortes in bello
>Traditional, Christmas : Gaudete, Christus est natus
Performers Conductor Ensembles Composers

Notes & Reviews:

Nueva aproximación del conjunto MUSICA FICTA a la música de Victoria. Esta vez apostando por una cercanía total en cuanto a toma de sonido y concepción interpretativa, con el arpa como único acompañante. Una visión madrigalista en la que se subraya la personalidad independiente de cada voz, distinta así del planteamiento coral y eclesiástico que suele caracterizar las interpretaciones de la música sacra del XVI. A whole new approach by Ensemble Musica Ficta to music by Victoria. This time betting on total closeness in terms of making sound and interpretive conception, with the harp as sole companion. A madrigal vision of the independent personality of each voice is emphasized and different coral and ecclesiastical approach that usually characterizes the performances of sacred music of the XVI.

Notes & Reviews:

Recording information: Madrid (08/2015).



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Works Details

>Victoria, Tomás L. de : Gaudent in coelis animae Sanctorum, motet for 4 voices
  • Conductor: Raúl Mallavibarrena
  • Ensemble: Musica Ficta (Spain)
  • Running Time: 2 min. 19 sec.
  • Period Time: Renaissance
  • Form: Choral

>Victoria, Tomás L. de : O magnum mysterium, motet for 4 voices
  • Conductor: Raúl Mallavibarrena
  • Ensemble: Musica Ficta (Spain)
  • Running Time: 3 min. 10 sec.
  • Period Time: Renaissance
  • Form: Choral
  • Written: 1572

>Victoria, Tomás L. de : Ave Maria, gratia plena, motet for 8 voices & organ
  • Conductor: Raúl Mallavibarrena
  • Ensemble: Musica Ficta (Spain)
  • Running Time: 2 min. 24 sec.
  • Period Time: Renaissance
  • Form: Choral
  • Written: 1572

>Victoria, Tomás L. de : Magi viderunt stellam, motet for 4 voices
  • Conductor: Raúl Mallavibarrena
  • Ensemble: Musica Ficta (Spain)
  • Running Time: 3 min. 20 sec.
  • Period Time: Renaissance

>Guerrero, Francisco (Renaissance) : Claros y frescos ríos, song for 3 voices (attributed)
  • Performer: Sara Agueda (Harp)
  • Conductor: Raúl Mallavibarrena
  • Running Time: 2 min. 40 sec.
  • Period Time: Renaissance
  • Form: Vocal

>Victoria, Tomás L. de : O Quam Gloriosum est regnum, motet for 4 voices
  • Conductor: Raúl Mallavibarrena
  • Ensemble: Musica Ficta (Spain)
  • Running Time: 2 min. 46 sec.
  • Period Time: Renaissance
  • Form: Choral

>Victoria, Tomás L. de : Quam pulchri sunt gressus tui, motet for 4 voices
  • Conductor: Raúl Mallavibarrena
  • Ensemble: Musica Ficta (Spain)
  • Running Time: 3 min. 49 sec.
  • Period Time: Renaissance
  • Form: Choral

>Victoria, Tomás L. de : O decus apostolicum, motet for 4 voices
  • Conductor: Raúl Mallavibarrena
  • Ensemble: Musica Ficta (Spain)
  • Running Time: 2 min. 29 sec.
  • Period Time: Renaissance
  • Form: Choral

>Cabezón, Hernando de : La Dama de demanda
  • Performer: Sara Agueda (Harp)
  • Conductor: Raúl Mallavibarrena
  • Running Time: 4 min. 11 sec.
  • Period Time: Renaissance
  • Form: Vocal

>Victoria, Tomás L. de : Ne timeas, Maria (In Annuntiatione Benissimae Mariae), motet for 4 voices
  • Conductor: Raúl Mallavibarrena
  • Ensemble: Musica Ficta (Spain)
  • Running Time: 3 min. 5 sec.
  • Period Time: Renaissance

>Byrd, William : Ave verum corpus :: "O Lord, God of Israel"), motet for 4 voices (SATB)
  • Conductor: Raúl Mallavibarrena
  • Ensemble: Musica Ficta (Spain)
  • Running Time: 3 min. 39 sec.
  • Period Time: Renaissance
  • Written: 1605

>Victoria, Tomás L. de : Benedicta sit Sancta Trinitas, motet for 6 voices
  • Performer: Inigo Casali
  • Conductor: Raúl Mallavibarrena
  • Ensemble: Musica Ficta (Spain)
  • Running Time: 2 min. 52 sec.
  • Period Time: Renaissance

>Victoria, Tomás L. de : Ave Maria, gratia plena, motet for 8 voices & organ
  • Performer: Sara Agueda (Harp)
  • Conductor: Raúl Mallavibarrena
  • Running Time: 2 min. 24 sec.
  • Period Time: Renaissance
  • Form: Choral
  • Written: 1572

>Victoria, Tomás L. de : Estote fortes in bello :: Canto Ilano
  • Conductor: Raúl Mallavibarrena
  • Ensemble: Musica Ficta (Spain)
  • Period Time: Renaissance
  • Form: Choral

>Victoria, Tomás L. de : Estote fortes in bello
  • Conductor: Raúl Mallavibarrena
  • Ensemble: Musica Ficta (Spain)
  • Running Time: 2 min. 2 sec.
  • Period Time: Renaissance
  • Form: Choral

>Traditional, Christmas : Gaudete, Christus est natus
  • Performer: Inigo Casali
  • Conductor: Raúl Mallavibarrena
  • Ensemble: Musica Ficta (Spain)
  • Running Time: 3 min. 10 sec.
  • Form: Christmas