Rolling Stone - 3.5 stars out of 5 -- "[T]heir 10th album skips the signature escape-pod reverb washes, speeding up the tempos and shortening the song lengths to come up with the zippiest music they've ever made..."
Spin - "Built around modular synths and eccentric percussion instruments, it's definitely in line with the group's style."
NME (Magazine) - "'Hocus Pocus' disorientates with drone effects courtesy of ex-Velvet Underground guitarist John Cale, before surging into a sticky, psychedelic rush."
Clash (magazine) - "`Bagels In Kiev' proves to be a rare introspective moment, made more accessible in its reined-back tempo, and a substantive reference to family history."
Uncut (magazine) - "PAINTING WITH is striking because it manages to distill the essence of Animal Collective into 12 slices of bite-size psych-pop that have the punchy immediacy of a Ramones album..."
Wielding the lineup of Avey Tare (David Portner), Panda Bear (Noah Lennox), and Geologist (Brian Weitz) -- the same as on their most popular LP to date, 2009's Merriweather Post Pavilion -- beloved indie experimenters Animal Collective show no signs of dulling with age on their tenth long-player, Painting With. The album does, however, mark a change in approach. Bursting with creatively wacky pop tunes using a vibrant, at times '50s sci-fi-evoking electronics palette, Animal Collective could have more accurately called this their Devo album instead of "our Ramones record" as Geologist did in a pre-release Rolling Stone interview. The point is taken, though: forms are tightened, artificial reverb shed, experimental excursions not eliminated but greatly limited, and a premium is placed on lively beats and pleasing harmonies. Fans shouldn't worry that they've produced a collection of aerodynamic jingles, however; the songs still sound artful and uniquely Animal Collective. For instance, rhythmically complex tandem vocals skip and trip through the album, as on the exacting "Lying in the Grass" and "Hocus Pocus" (which also features John Cale on viola). Lyrics are repeated syllable by syllable until the two singers join for moments of harmony, keeping the melodies bouncing like a Max Fleischer cartoon. "Summing the Wretch" is a polyrhythmic ditty that uses these shadow vocals and a brisk tempo to challenge any attempted singalongs (imagine a stimulant-addled "Carol of the Bells"). Elsewhere, "On Delay" is the glitchiest song on the record but governed by fat, driving drum tones and a loose structure that glides along intermittent, railroad switch-like chord progressions, though at roller coaster pace. If that doesn't sound fun enough, samples of the Surfaris' "Wipeout" ("FloriDada") and dialogue from TV's The Golden Girls ("Golden Gal") also grace the album. Painting With was recorded in Studio 3 of EastWest Studios in Hollywood, California, the same space where many legendary albums including the Beach Boys' Pet Sounds were recorded. Undeniably great sounding, the record puts Animal Collective's brightest colors forward and, if history is any indication, is no predictor whatsoever of what they may do next. ~ Marcy Donelson
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- Oddsac (Perez, Danny)