1 800 222 6872

Erik Satie (1866-1925) & Friends - Original Albums Collection / Various artists

Album Summary

>Poulenc, Francis : Trois mouvements perpétuels, for piano, FP 14
>Poulenc, Francis : Nocturnes (8) for Piano
>Poulenc, Francis : Suite française (d'après Claude Gervaise), for piano (arr. from chamber version), FP 80
>Satie, Erik : Descriptions automatiques
>Satie, Erik : Gnossienne no 1
>Satie, Erik : Sarabandes
>Satie, Erik : Gnossienne 3
>Satie, Erik : Avant-dernières pensées (Next-to-last thoughts), pieces (3) for piano
>Satie, Erik : Croquis et agaceries d'un gros bonhomme en bois
>Poulenc, Francis : Quatre poèmes de Guillaume Apollinaire, for voice & piano, FP 58
>Poulenc, Francis : Tu vois le feu du soir, song for voice & piano (Miroirs brûlants), FP 98/1
>Poulenc, Francis : Main dominée par le coeur, song for voice & piano, FP 135
>Poulenc, Francis : Calligrammes, song cycle for voice & piano, FP 140
>Chabrier, Emmanuel : Mélodies (6), for voice and piano
>Debussy, Claude : Beau soir ("Lorsque au soleil couchant les rivières sont roses"), song for voice & piano, L. 6
>Debussy, Claude : L'échelonnement des haies, song for voice & piano, L. 81/3
>Debussy, Claude : Le promenoir des deux amants, song cycle for voice & piano, L.118
>Satie, Erik : Mélodies (3) of 1916, for voice & piano
>Milhaud, Darius : Concertino d'automne, for 2 pianos & 8 instruments, Op. 309
>Satie, Erik : En habit de cheval (In riding habit), 4 pieces for piano duet (or orchestra)
>Debussy, Claude : Épigraphes antiques (6), for piano, 2 or 4 hands (or orchestra), L. 131
>Poulenc, Francis : Sonata for piano, 4 hands, FP 8
>Debussy, Claude : Petite suite for Piano 4 hands
>Satie, Erik : Morceaux en forme de poire
>Chabrier, Emmanuel : Valses romantiques (3), for 2 pianos or orchestra
>Fauré, Gabriel : Dolly, Op. 56
>Françaix, Jean [Composer] : L' Horloge de Flore, for oboe & orchestra
>Satie, Erik : Gymnopédie 2
>Ibert, Jacques [Composer] : Symphonie concertante, for oboe & string orchestra
>Satie, Erik : Sports et divertissements
>Satie, Erik : Gymnopédies (3), for piano (also orchestrated by Debussy)
>Satie, Erik : Chapitres tournés en tous sens
>Satie, Erik : Nocturnes
>Satie, Erik : Vieux sequins et vieilles cuirasses
>Satie, Erik : Le Piège de Méduse, dances for piano
>Satie, Erik : Premier menuet, for piano
>Satie, Erik : Gnossiennes
>Satie, Erik : Véritables préludes flasques pour un chien (Truly Flabby Preludes for a Dog), for piano
>Satie, Erik : Embryons desséchés (3 dried-up embryos), for piano
>Satie, Erik : Parade
>Satie, Erik : Relâche (No Performance Today), ballet for orchestra (also piano version)
>Ravel, Maurice : Le Tombeau de Couperin, for piano, M. 68a
>Ravel, Maurice : Pavane pour une infante défunte
>Ravel, Maurice : Miroirs
>Debussy, Claude : La fille aux cheveux de lin
>Debussy, Claude : Rêverie, for piano, L. 68
>Chabrier, Emmanuel : Pièces pittoresques
>Fauré, Gabriel : Nocturne for piano no 6 in D flat major, Op. 63
>Fauré, Gabriel : Impromptu for piano no 3 in A flat major, Op. 34
>Poulenc, Francis : 3 Pièces, FP 48
>Ravel, Maurice : Histoires naturelles
>Satie, Erik : Tendrement, valse chantée for voice & piano
>Satie, Erik : L'omnibus automobile
>Satie, Erik : Je te veux (I Want You), café-concert song for voice & piano
>Satie, Erik : Ludions
>Satie, Erik : La diva de l'Empire, song for voice & piano
>Satie, Erik : Gnossienne 1
>Satie, Erik : Les valses (3) distinguées du précieux dégoûté (3 distinguished waltzes of a disgusted dandy), for p
>Satie, Erik : Gnossiennes (6) for Piano
>Satie, Erik : Sarabandes (3) for piano
>Satie, Erik : Nocturnes (5) for piano
>Satie, Erik : Gnossienne for piano no 4
>Satie, Erik : Sonatine bureaucratique, for piano
>Satie, Erik : Gymnopedies (3) for Piano
>Satie, Erik : Gnossienne for piano no 5
>Satie, Erik : Poudre d'or (Gold Dust), for piano
>Fauré, Gabriel : Pavane, Op. 50
>Ravel, Maurice : Introduction and Allegro for Harp, Flute, Clarinet and String Quartet
>Ravel, Maurice : Le tombeau de Couperin
>Saint-Saëns, Camille : Concerto for Piano no 4 in C minor, Op. 44
Performers Conductors Ensemble
  • >
Composers

Notes & Reviews:

A collection of 13CDs to celebrate Erik Satie's 150th birthday A box set of captivatingly idiosyncratic piano pieces, songs and ballets by Satie and his friends such as Debussy, Ravel and Poulenc Features famous and popular pieces such as Vexation, a forerunner of Minimalism or the simple, haunting Gymnopédies (1888) and Gnossiennes (1890) who have become universally familiar from their use in TV adverts and movies Five of the discs for the first time on CD Plus a 1950 historic recording (CD1) of Francis Poulenc playing not only his own piano pieces but also those of his friend Erik Satie

Notes & Reviews:

Recording information: Boston, Symphony Hall (01/26/1953); Houston, City Auditorium (01/26/1953); London, EMI Studio No. 1, Abbey Road (01/26/1953); London, EMI Studios (01/26/1953); London, Walthamstow Town Hall (01/26/1953); New York City, Carnegie Hall (01/26/1953); New York City, Columbia 30th Street Studio (01/26/1953); New York City, Liederkranz Hall (01/26/1953); New York City, Webster Hall (01/26/1953); Paris (01/26/1953); Paris, Église Notre-Dame du Liban (01/26/1953); USA (01/26/1953); Winterthur (01/26/1953); Boston, Symphony Hall (02/05/1945); Houston, City Auditorium (02/05/1945); London, EMI Studio No. 1, Abbey Road (02/05/1945); London, EMI Studios (02/05/1945); London, Walthamstow Town Hall (02/05/1945); New York City, Carnegie Hall (02/05/1945); New York City, Columbia 30th Street Studio (02/05/1945); New York City, Liederkranz Hall (02/05/1945); New York City, Webster Hall (02/05/1945); Paris (02/05/1945); Paris, Église Notre-Dame du Liban (02/05/1945); USA (02/05/1945); Winterthur (02/05/1945); Boston, Symphony Hall (02/10/1950); Houston, City Auditorium (02/10/1950); London, EMI Studio No. 1, Abbey Road (02/10/1950); London, EMI Studios (02/10/1950); London, Walthamstow Town Hall (02/10/1950); New York City, Carnegie Hall (02/10/1950); New York City, Columbia 30th Street Studio (02/10/1950); New York City, Liederkranz Hall (02/10/1950); New York City, Webster Hall (02/10/1950); Paris (02/10/1950); Paris, Église Notre-Dame du Liban (02/10/1950); USA (02/10/1950); Winterthur (02/10/1950); Boston, Symphony Hall (02/10/1972); Houston, City Auditorium (02/10/1972); London, EMI Studio No. 1, Abbey Road (02/10/1972); London, EMI Studios (02/10/1972); London, Walthamstow Town Hall (02/10/1972); New York City, Carnegie Hall (02/10/1972); New York City, Columbia 30th Street Studio (02/10/1972); New York City, Liederkranz Hall (02/10/1972); New York City, Webster Hall (02/10/1972); Paris (02/10/1972); Paris, Église Notre-Dame du Liban (02/10/1972); USA (02/10/1972); Winterthur (02/10/1972); Boston, Symphony Hall (02/11/1950); Houston, City Auditorium (02/11/1950); London, EMI Studio No. 1, Abbey Road (02/11/1950); London, EMI Studios (02/11/1950); London, Walthamstow Town Hall (02/11/1950); New York City, Carnegie Hall (02/11/1950); New York City, Columbia 30th Street Studio (02/11/1950); New York City, Liederkranz Hall (02/11/1950); New York City, Webster Hall (02/11/1950); Paris (02/11/1950); Paris, Église Notre-Dame du Liban (02/11/1950); USA (02/11/1950); Winterthur (02/11/1950); Boston, Symphony Hall (03/21/1979-03/23/1979); Houston, City Auditorium (03/21/1979-03/23/1979); London, EMI Studio No. 1, Abbey Road (03/21/1979-03/23/1979); London, EMI Studios (03/21/1979-03/23/1979); London, Walthamstow Town Hall (03/21/1979-03/23/1979); New York City, Carnegie Hall (03/21/1979-03/23/1979); New York City, Columbia 30th Street Studio (03/21/1979-03/23/1979); New York City, Liederkranz Hall (03/21/1979-03/23/1979); New York City, Webster Hall (03/21/1979-03/23/1979); Paris (03/21/1979-03/23/1979); Paris, Église Notre-Dame du Liban (03/21/1979-03/23/1979); USA (03/21/1979-03/23/1979); Winterthur (03/21/1979-03/23/1979); Boston, Symphony Hall (03/23/1950); Houston, City Auditorium (03/23/1950); London, EMI Studio No. 1, Abbey Road (03/23/1950); London, EMI Studios (03/23/1950); London, Walthamstow Town Hall (03/23/1950); New York City, Carnegie Hall (03/23/1950); New York City, Columbia 30th Street Studio (03/23/1950); New York City, Liederkranz Hall (03/23/1950); New York City, Webster Hall (03/23/1950); Paris (03/23/1950); Paris, Église Notre-Dame du Liban (03/23/1950); USA (03/23/1950); Winterthur (03/23/1950); Boston, Symphony Hall (03/25/1950); Houston, City Auditorium (03/25/1950); London, EMI Studio No. 1, Abbey Road (03/25/1950); London, EMI Studios (03/25/1950); London, Walthamstow Town Hall (03/25/1950); New York City, Carnegie Hall (03/25/1950); New York City, Columbia 30th Street Studio (03/25/1950); New York City, Liederkranz Hall (03/25/1950).



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Works Details

>Poulenc, Francis : Trois mouvements perpétuels, for piano, FP 14
  • Performer: Francis Poulenc (Piano)
  • Running Time: 4 min. 57 sec.
  • Period Time: Modern
  • Written: 1918

>Poulenc, Francis : Nocturnes (8) for Piano
  • Performer: Francis Poulenc (Piano)
  • Running Time: 3 min. 19 sec.
  • Period Time: Modern
  • Written: 1930

>Poulenc, Francis : Suite française (d'après Claude Gervaise), for piano (arr. from chamber version), FP 80
  • Performer: Francis Poulenc (Piano)
  • Running Time: 11 min. 32 sec.
  • Period Time: Modern
  • Written: 1935

>Satie, Erik : Descriptions automatiques
  • Performer: Francis Poulenc (Piano)
  • Running Time: 7 min. 37 sec.
  • Period Time: Post Romantic
  • Written: 1913

>Satie, Erik : Gnossienne no 1
  • Performer: Francis Poulenc (Piano)
  • Running Time: 2 min. 53 sec.
  • Period Time: Post Romantic
  • Written: 1888

>Satie, Erik : Sarabandes :: no 2
  • Performer: Francis Poulenc (Piano)
  • Running Time: 3 min. 46 sec.
  • Period Time: Post Romantic
  • Written: 1887

>Satie, Erik : Gnossienne 3
  • Performer: Francis Poulenc (Piano)
  • Running Time: 2 min. 15 sec.
  • Period Time: Post Romantic
  • Written: 1890

>Satie, Erik : Avant-dernières pensées (Next-to-last thoughts), pieces (3) for piano
  • Performer: Francis Poulenc (Piano)
  • Running Time: 7 min. 26 sec.
  • Period Time: Post Romantic
  • Written: 1915

>Satie, Erik : Croquis et agaceries d'un gros bonhomme en bois
  • Performer: Francis Poulenc (Piano)
  • Running Time: 9 min. 24 sec.
  • Period Time: Post Romantic
  • Written: 1913

>Poulenc, Francis : Quatre poèmes de Guillaume Apollinaire, for voice & piano, FP 58
  • Performers: Pierre Bernac (Baritone); Francis Poulenc (Piano)
  • Running Time: 4 min. 18 sec.
  • Period Time: Modern
  • Form: Vocal
  • Written: 1931

>Poulenc, Francis : Tu vois le feu du soir, song for voice & piano (Miroirs brûlants), FP 98/1
  • Performers: Pierre Bernac (Baritone); Francis Poulenc (Piano)
  • Running Time: 3 min. 56 sec.
  • Period Time: Modern
  • Written: 1938

>Poulenc, Francis : Main dominée par le coeur, song for voice & piano, FP 135
  • Performers: Pierre Bernac (Baritone); Francis Poulenc (Piano)
  • Running Time: 1 min. 11 sec.
  • Period Time: Modern
  • Written: 1946

>Poulenc, Francis : Calligrammes, song cycle for voice & piano, FP 140
  • Performers: Pierre Bernac (Baritone); Francis Poulenc (Piano)
  • Running Time: 8 min. 40 sec.
  • Period Time: Modern
  • Written: 1948

>Chabrier, Emmanuel : Mélodies (6), for voice and piano :: L'Ile heureuse
  • Performers: Pierre Bernac (Baritone); Francis Poulenc (Piano)
  • Running Time: 3 min. 6 sec.
  • Period Time: Post Romantic
  • Written: 1890

>Chabrier, Emmanuel : Mélodies (6), for voice and piano :: Villanelle des petits canards
  • Performers: Pierre Bernac (Baritone); Francis Poulenc (Piano)
  • Running Time: 1 min. 56 sec.
  • Period Time: Post Romantic
  • Written: 1890

>Debussy, Claude : Beau soir ("Lorsque au soleil couchant les rivières sont roses"), song for voice & piano, L. 6
  • Performers: Pierre Bernac (Baritone); Francis Poulenc (Piano)
  • Running Time: 2 min. 5 sec.
  • Period Time: Post Romantic
  • Written: 1880

>Debussy, Claude : L'échelonnement des haies, song for voice & piano, L. 81/3
  • Performers: Pierre Bernac (Baritone); Francis Poulenc (Piano)
  • Running Time: 1 min. 18 sec.
  • Period Time: Post Romantic
  • Written: 1891

>Debussy, Claude : Le promenoir des deux amants, song cycle for voice & piano, L.118
  • Performers: Pierre Bernac (Baritone); Francis Poulenc (Piano)
  • Running Time: 5 min. 44 sec.
  • Period Time: Post Romantic
  • Written: 1904-1910

>Satie, Erik : Mélodies (3) of 1916, for voice & piano
  • Performers: Pierre Bernac (Baritone); Francis Poulenc (Piano)
  • Running Time: 8 min. 53 sec.
  • Period Time: Post Romantic
  • Written: 1916

>Milhaud, Darius : Concertino d'automne, for 2 pianos & 8 instruments, Op. 309
  • Performers: Claus Adam (Cello); S. Baron (Flute); Harold Coletta (Viola); Robert Fizdale (Piano); Arthur Gold (Piano); Ralph Hersh (Viola); Gunther Schuller (Horn); H. Shuiman (Oboe); K. Wilber (Horn); Weldon Wilber (Horn)
  • Running Time: 10 min. 8 sec.
  • Period Time: Modern
  • Form: Concerto
  • Written: 1951

>Satie, Erik : En habit de cheval (In riding habit), 4 pieces for piano duet (or orchestra)
  • Performers: Robert Fizdale (Piano); Arthur Gold (Piano)
  • Running Time: 6 min. 19 sec.
  • Period Time: Post Romantic
  • Written: 1911

>Debussy, Claude : Épigraphes antiques (6), for piano, 2 or 4 hands (or orchestra), L. 131
  • Performers: Robert Fizdale (Piano); Arthur Gold (Piano)
  • Running Time: 12 min. 54 sec.
  • Period Time: Post Romantic
  • Written: 1914

>Poulenc, Francis : Sonata for piano, 4 hands, FP 8
  • Performers: Robert Fizdale (Piano); Arthur Gold (Piano)
  • Running Time: 4 min. 52 sec.
  • Period Time: Modern
  • Written: 1918

>Debussy, Claude : Petite suite for Piano 4 hands
  • Performers: Gaby Casadesus (Piano); Robert Casadesus (Piano)
  • Notes: Paris (06/25/1959/06/26/1959)
  • Running Time: 11 min. 1 sec.
  • Period Time: Post Romantic
  • Written: 1888-1889

>Satie, Erik : Morceaux en forme de poire
  • Performers: Gaby Casadesus (Piano); Robert Casadesus (Piano)
  • Notes: Paris (06/25/1959/06/26/1959)
  • Running Time: 24 min. 49 sec.
  • Period Time: Post Romantic
  • Written: 1903

>Chabrier, Emmanuel : Valses romantiques (3), for 2 pianos or orchestra
  • Performers: Gaby Casadesus (Piano); Robert Casadesus (Piano)
  • Notes: Paris (06/25/1959/06/26/1959)
  • Running Time: 11 min. 49 sec.
  • Period Time: Post Romantic
  • Form: Waltz
  • Written: 1883

>Fauré, Gabriel : Dolly, Op. 56
  • Performers: Gaby Casadesus (Piano); Robert Casadesus (Piano)
  • Notes: Paris (06/25/1959/06/26/1959)
  • Running Time: 13 min. 10 sec.
  • Period Time: Post Romantic
  • Written: 1893-1896

>Françaix, Jean [Composer] : L' Horloge de Flore, for oboe & orchestra
  • Performer: John de Lancie (Oboe)
  • Conductor: Andre Previn
  • Running Time: 16 min. 8 sec.
  • Period Time: Modern
  • Form: Concerto
  • Written: 1959

>Satie, Erik : Gnossienne no 1
  • Conductor: Andre Previn
  • Running Time: 2 min. 53 sec.
  • Period Time: Post Romantic
  • Written: 1888

>Satie, Erik : Gymnopédie 2
  • Conductor: Andre Previn
  • Running Time: 4 min. 4 sec.
  • Period Time: Post Romantic
  • Written: 1888

>Ibert, Jacques [Composer] : Symphonie concertante, for oboe & string orchestra
  • Performer: John de Lancie (Oboe)
  • Conductor: Andre Previn
  • Running Time: 27 min. 25 sec.
  • Period Time: Modern
  • Form: Concerto
  • Written: 1948-1949

>Satie, Erik : Sports et divertissements
  • Performer: William Masselos (Piano)
  • Running Time: 11 min. 4 sec.
  • Period Time: Post Romantic
  • Written: 1914

>Satie, Erik : Gymnopédies (3), for piano (also orchestrated by Debussy)
  • Performer: William Masselos (Piano)
  • Running Time: 31 min. 15 sec.
  • Period Time: Post Romantic
  • Written: 1888

>Satie, Erik : Chapitres tournés en tous sens :: no 2 - Lent et triste
  • Performer: William Masselos (Piano)
  • Period Time: Post Romantic
  • Written: 1913

>Satie, Erik : Nocturnes :: no 3 - Lent et grave
  • Performer: William Masselos (Piano)
  • Running Time: 2 min. 10 sec.
  • Period Time: Post Romantic
  • Written: 1919

>Satie, Erik : Vieux sequins et vieilles cuirasses :: Celle qui parle trop
  • Performer: William Masselos (Piano)
  • Period Time: Post Romantic
  • Written: 1913

>Satie, Erik : Le Piège de Méduse, dances for piano
  • Performer: William Masselos (Piano)
  • Running Time: 3 min. 29 sec.
  • Period Time: Post Romantic
  • Written: 1913

>Satie, Erik : Premier menuet, for piano
  • Performer: William Masselos (Piano)
  • Running Time: 1 min. 48 sec.
  • Period Time: Post Romantic
  • Written: 1920

>Satie, Erik : Gnossiennes :: Nos 1-3
  • Performer: William Masselos (Piano)
  • Running Time: 7 min. 28 sec.
  • Period Time: Post Romantic
  • Written: 1889-1897

>Satie, Erik : Véritables préludes flasques pour un chien (Truly Flabby Preludes for a Dog), for piano
  • Performer: William Masselos (Piano)
  • Running Time: 2 min. 28 sec.
  • Period Time: Post Romantic
  • Written: 1912

>Satie, Erik : Croquis et agaceries d'un gros bonhomme en bois
  • Performer: William Masselos (Piano)
  • Running Time: 9 min. 24 sec.
  • Period Time: Post Romantic
  • Written: 1913

>Satie, Erik : Embryons desséchés (3 dried-up embryos), for piano
  • Performer: William Masselos (Piano)
  • Running Time: 10 min. 26 sec.
  • Period Time: Post Romantic
  • Written: 1913

>Satie, Erik : Parade
  • Performer: William Masselos (Piano)
  • Conductor: Philippe Entremont
  • Running Time: 13 min. 49 sec.
  • Period Time: Post Romantic
  • Form: Ballet
  • Written: 1916-1917

>Satie, Erik : Gymnopédies (3), for piano (also orchestrated by Debussy)
  • Performer: William Masselos (Piano)
  • Conductor: Philippe Entremont
  • Running Time: 31 min. 15 sec.
  • Period Time: Post Romantic
  • Written: 1888

>Satie, Erik : Relâche (No Performance Today), ballet for orchestra (also piano version)
  • Conductor: Philippe Entremont
  • Running Time: 9 min. 30 sec.
  • Period Time: Post Romantic
  • Form: Ballet
  • Written: 1924

>Ravel, Maurice : Le Tombeau de Couperin, for piano, M. 68a :: no 1
  • Performer: Philippe Entremont (Piano)
  • Conductor: Philippe Entremont
  • Running Time: 3 min. 1 sec.
  • Period Time: Modern
  • Written: 1914-1917

>Ravel, Maurice : Pavane pour une infante défunte
  • Performer: Philippe Entremont (Piano)
  • Conductor: Philippe Entremont
  • Running Time: 6 min. 42 sec.
  • Period Time: Modern
  • Written: 1899

>Ravel, Maurice : Miroirs :: Alborada del gracioso
  • Performer: Philippe Entremont (Piano)
  • Conductor: Philippe Entremont
  • Running Time: 6 min. 38 sec.
  • Period Time: Modern
  • Written: 1904-1905

>Debussy, Claude : La fille aux cheveux de lin
  • Performer: Philippe Entremont (Piano)
  • Running Time: 2 min. 8 sec.
  • Period Time: Post Romantic
  • Written: 1910

>Debussy, Claude : Rêverie, for piano, L. 68
  • Performer: Philippe Entremont (Piano)
  • Running Time: 3 min. 45 sec.
  • Period Time: Post Romantic
  • Written: 1890

>Chabrier, Emmanuel : Pièces pittoresques :: Alborada del gracioso
  • Performer: Philippe Entremont (Piano)
  • Running Time: 4 min. 18 sec.
  • Period Time: Post Romantic
  • Written: 1881

>Satie, Erik : Gymnopédies (3), for piano (also orchestrated by Debussy)
  • Performer: Philippe Entremont (Piano)
  • Running Time: 31 min. 15 sec.
  • Period Time: Post Romantic
  • Written: 1888

>Fauré, Gabriel : Nocturne for piano no 6 in D flat major, Op. 63
  • Performer: Philippe Entremont (Piano)
  • Running Time: 9 min. 7 sec.
  • Period Time: Post Romantic
  • Written: 1894

>Fauré, Gabriel : Impromptu for piano no 3 in A flat major, Op. 34
  • Performer: Philippe Entremont (Piano)
  • Running Time: 4 min. 21 sec.
  • Period Time: Post Romantic
  • Written: 1883

>Poulenc, Francis : 3 Pièces, FP 48 :: no 1
  • Performer: Philippe Entremont (Piano)
  • Running Time: 2 min. 5 sec.
  • Period Time: Modern
  • Written: 1928

>Ravel, Maurice : Histoires naturelles
  • Performers: Régine Crespin (Soprano); Philippe Entremont (Piano)
  • Running Time: 18 min. 22 sec.
  • Period Time: Modern
  • Written: 1906

>Satie, Erik : Mélodies (3) of 1916, for voice & piano
  • Performers: Régine Crespin (Soprano); Philippe Entremont (Piano)
  • Running Time: 8 min. 53 sec.
  • Period Time: Post Romantic
  • Written: 1916

>Satie, Erik : Tendrement, valse chantée for voice & piano
  • Performers: Régine Crespin (Soprano); Philippe Entremont (Piano)
  • Running Time: 4 min. 17 sec.
  • Period Time: Post Romantic
  • Form: Waltz
  • Written: circa 1902

>Satie, Erik : Mélodies (3) of 1916, for voice & piano
  • Performers: Régine Crespin (Soprano); Philippe Entremont (Piano)
  • Running Time: 8 min. 53 sec.
  • Period Time: Post Romantic
  • Written: 1916

>Satie, Erik : L'omnibus automobile
  • Performers: Régine Crespin (Soprano); Philippe Entremont (Piano)
  • Running Time: 4 min. 37 sec.
  • Period Time: Post Romantic
  • Written: circa 1900-1906

>Satie, Erik : Mélodies (3) of 1916, for voice & piano
  • Performers: Régine Crespin (Soprano); Philippe Entremont (Piano)
  • Running Time: 8 min. 53 sec.
  • Period Time: Post Romantic
  • Written: 1916

>Satie, Erik : Je te veux (I Want You), café-concert song for voice & piano
  • Performers: Régine Crespin (Soprano); Philippe Entremont (Piano)
  • Running Time: 3 min. 59 sec.
  • Period Time: Post Romantic
  • Written: 1897

>Satie, Erik : Ludions :: Chanson du chat
  • Performers: Régine Crespin (Soprano); Philippe Entremont (Piano)
  • Period Time: Post Romantic
  • Written: 1923

>Satie, Erik : La diva de l'Empire, song for voice & piano
  • Performers: Régine Crespin (Soprano); Philippe Entremont (Piano)
  • Running Time: 3 min. 1 sec.
  • Period Time: Post Romantic
  • Written: 1904

>Satie, Erik : Gnossienne 1
  • Performer: Daniel Varsano (Piano)
  • Notes: Paris, Église Notre-Dame du Liban (03/21/1979-03/23/1979)
  • Running Time: 3 min. 25 sec.
  • Period Time: Post Romantic
  • Written: 1890

>Satie, Erik : Les valses (3) distinguées du précieux dégoûté (3 distinguished waltzes of a disgusted dandy), for p
  • Performer: Daniel Varsano (Piano)
  • Notes: Paris, Église Notre-Dame du Liban (03/21/1979-03/23/1979)
  • Running Time: 4 min. 29 sec.
  • Period Time: Post Romantic
  • Form: Waltz
  • Written: 1914

>Satie, Erik : Gnossiennes (6) for Piano
  • Performer: Daniel Varsano (Piano)
  • Notes: Paris, Église Notre-Dame du Liban (03/21/1979-03/23/1979)
  • Running Time: 2 min. 18 sec.
  • Period Time: Post Romantic
  • Written: 1890

>Satie, Erik : Avant-dernières pensées (Next-to-last thoughts), pieces (3) for piano
  • Performer: Daniel Varsano (Piano)
  • Notes: Paris, Église Notre-Dame du Liban (03/21/1979-03/23/1979)
  • Running Time: 7 min. 26 sec.
  • Period Time: Post Romantic
  • Written: 1915

>Satie, Erik : Gnossienne 3
  • Performer: Daniel Varsano (Piano)
  • Notes: Paris, Église Notre-Dame du Liban (03/21/1979-03/23/1979)
  • Running Time: 2 min. 15 sec.
  • Period Time: Post Romantic
  • Written: 1890

>Satie, Erik : Sarabandes (3) for piano :: Sarabande no 1
  • Performer: Daniel Varsano (Piano)
  • Notes: Paris, Église Notre-Dame du Liban (03/21/1979-03/23/1979)
  • Running Time: 5 min. 21 sec.
  • Period Time: Post Romantic
  • Written: 1887

>Satie, Erik : Sarabandes (3) for piano :: Sarabande no 3
  • Performer: Daniel Varsano (Piano)
  • Notes: Paris, Église Notre-Dame du Liban (03/21/1979-03/23/1979)
  • Running Time: 4 min. 17 sec.
  • Period Time: Post Romantic
  • Written: 1887

>Satie, Erik : Nocturnes (5) for piano :: Nocturne no 1
  • Performer: Daniel Varsano (Piano)
  • Notes: Paris, Église Notre-Dame du Liban (03/21/1979-03/23/1979)
  • Running Time: 3 min. 29 sec.
  • Period Time: Post Romantic
  • Written: 1919

>Satie, Erik : Gnossienne for piano no 4
  • Performer: Daniel Varsano (Piano)
  • Notes: Paris, Église Notre-Dame du Liban (03/21/1979-03/23/1979)
  • Running Time: 2 min. 49 sec.
  • Period Time: Post Romantic
  • Written: 1891

>Satie, Erik : Gnossienne no 1
  • Performer: Daniel Varsano (Piano)
  • Notes: Paris, Église Notre-Dame du Liban (03/21/1979-03/23/1979)
  • Running Time: 2 min. 53 sec.
  • Period Time: Post Romantic
  • Written: 1888

>Satie, Erik : Embryons desséchés (3 dried-up embryos), for piano
  • Performer: Daniel Varsano (Piano)
  • Notes: Paris, Église Notre-Dame du Liban (03/21/1979-03/23/1979)
  • Running Time: 10 min. 26 sec.
  • Period Time: Post Romantic
  • Written: 1913

>Satie, Erik : Gymnopédie 2
  • Performer: Daniel Varsano (Piano)
  • Notes: Paris, Église Notre-Dame du Liban (03/21/1979-03/23/1979)
  • Running Time: 4 min. 4 sec.
  • Period Time: Post Romantic
  • Written: 1888

>Satie, Erik : Sonatine bureaucratique, for piano
  • Performer: Daniel Varsano (Piano)
  • Notes: Paris, Église Notre-Dame du Liban (03/21/1979-03/23/1979)
  • Running Time: 3 min. 57 sec.
  • Period Time: Post Romantic
  • Written: 1916-1917

>Satie, Erik : Gymnopédies (3) for Piano
  • Performer: Daniel Varsano (Piano)
  • Notes: Paris, Église Notre-Dame du Liban (03/21/1979-03/23/1979)
  • Running Time: 2 min. 40 sec.
  • Period Time: Post Romantic
  • Written: 1888

>Satie, Erik : Gnossienne for piano no 5
  • Performer: Daniel Varsano (Piano)
  • Notes: Paris, Église Notre-Dame du Liban (03/21/1979-03/23/1979)
  • Running Time: 3 min. 18 sec.
  • Period Time: Post Romantic
  • Written: 1889

>Satie, Erik : Je te veux (I Want You), café-concert song for voice & piano
  • Performer: Philippe Entremont (Piano)
  • Running Time: 3 min. 59 sec.
  • Period Time: Post Romantic
  • Written: 1897

>Satie, Erik : Poudre d'or (Gold Dust), for piano
  • Performer: Philippe Entremont (Piano)
  • Running Time: 4 min. 59 sec.
  • Period Time: Post Romantic
  • Form: Waltz
  • Written: 1900

>Satie, Erik : Gymnopédies (3), for piano (also orchestrated by Debussy)
  • Performer: Philippe Entremont (Piano)
  • Running Time: 31 min. 15 sec.
  • Period Time: Post Romantic
  • Written: 1888

>Satie, Erik : Descriptions automatiques
  • Performer: Philippe Entremont (Piano)
  • Running Time: 7 min. 37 sec.
  • Period Time: Post Romantic
  • Written: 1913

>Satie, Erik : Les valses (3) distinguées du précieux dégoûté (3 distinguished waltzes of a disgusted dandy), for p
  • Performer: Philippe Entremont (Piano)
  • Running Time: 4 min. 29 sec.
  • Period Time: Post Romantic
  • Form: Waltz
  • Written: 1914

>Satie, Erik : Gnossienne 1
  • Performer: Philippe Entremont (Piano)
  • Running Time: 3 min. 25 sec.
  • Period Time: Post Romantic
  • Written: 1890

>Satie, Erik : Gnossiennes (6) for Piano
  • Performer: Philippe Entremont (Piano)
  • Running Time: 2 min. 18 sec.
  • Period Time: Post Romantic
  • Written: 1890

>Satie, Erik : Gnossienne 3
  • Performer: Philippe Entremont (Piano)
  • Running Time: 2 min. 15 sec.
  • Period Time: Post Romantic
  • Written: 1890

>Satie, Erik : Croquis et agaceries d'un gros bonhomme en bois
  • Performer: Philippe Entremont (Piano)
  • Running Time: 9 min. 24 sec.
  • Period Time: Post Romantic
  • Written: 1913

>Satie, Erik : Avant-dernières pensées (Next-to-last thoughts), pieces (3) for piano
  • Performer: Philippe Entremont (Piano)
  • Running Time: 7 min. 26 sec.
  • Period Time: Post Romantic
  • Written: 1915

>Satie, Erik : Nocturnes (5) for piano :: Nocturne no 1
  • Performer: Philippe Entremont (Piano)
  • Running Time: 3 min. 18 sec.
  • Period Time: Post Romantic
  • Written: 1919

>Satie, Erik : Gnossienne no 1
  • Performers: Brown James (Horn); David Theodore (Oboe); John Wilbraham (Trumpet)
  • Conductor: Charles Gerhardt
  • Running Time: 2 min. 53 sec.
  • Period Time: Post Romantic
  • Written: 1888

>Satie, Erik : Gymnopédie 2
  • Performers: Brown James (Horn); David Theodore (Oboe); John Wilbraham (Trumpet)
  • Conductor: Charles Gerhardt
  • Running Time: 4 min. 4 sec.
  • Period Time: Post Romantic
  • Written: 1888

>Fauré, Gabriel : Pavane, Op. 50
  • Performers: Brown James (Horn); David Theodore (Oboe); John Wilbraham (Trumpet)
  • Conductor: Charles Gerhardt
  • Running Time: 5 min. 47 sec.
  • Period Time: Post Romantic
  • Written: 1887

>Ravel, Maurice : Introduction and Allegro for Harp, Flute, Clarinet and String Quartet
  • Performers: William Bennett (Flute); Brown James (Horn); Tom Kelly (Clarinet); David Theodore (Oboe); David Watkins (Harp); John Wilbraham (Trumpet)
  • Conductor: Charles Gerhardt
  • Running Time: 10 min. 30 sec.
  • Period Time: Modern
  • Form: Chamber Music
  • Written: 1905

>Ravel, Maurice : Le tombeau de Couperin
  • Performers: Brown James (Horn); David Theodore (Oboe); John Wilbraham (Trumpet)
  • Conductor: Charles Gerhardt
  • Running Time: 16 min. 25 sec.
  • Period Time: Modern
  • Written: 1919

>Ravel, Maurice : Pavane pour une infante défunte
  • Performers: Brown James (Horn); David Theodore (Oboe); John Wilbraham (Trumpet)
  • Conductor: Charles Gerhardt
  • Running Time: 6 min. 42 sec.
  • Period Time: Modern
  • Written: 1899

>Saint-Saëns, Camille : Concerto for Piano no 4 in C minor, Op. 44
  • Performer: Robert Casadesus (Piano)
  • Conductor: Artur Rodzinski
  • Running Time: 10 min. 55 sec.
  • Period Time: Post Romantic
  • Form: Concerto
  • Written: 1875

>Satie, Erik : Morceaux en forme de poire
  • Performers: Gaby Casadesus (Piano); Robert Casadesus (Piano)
  • Conductor: Charles Gerhardt
  • Running Time: 24 min. 49 sec.
  • Period Time: Post Romantic
  • Written: 1903

>Satie, Erik : Mélodies (3) of 1916, for voice & piano
  • Performers: George Reeves (Piano); Jennie Tourel (Mezzo Soprano)
  • Conductor: Charles Gerhardt
  • Running Time: 8 min. 53 sec.
  • Period Time: Post Romantic
  • Written: 1916

>Satie, Erik : Je te veux (I Want You), café-concert song for voice & piano
  • Performers: George Reeves (Piano); Jennie Tourel (Mezzo Soprano)
  • Conductor: Charles Gerhardt
  • Running Time: 3 min. 59 sec.
  • Period Time: Post Romantic
  • Written: 1897

>Satie, Erik : Gnossienne no 1
  • Conductor: Sergey Koussevitzky
  • Running Time: 2 min. 53 sec.
  • Period Time: Post Romantic
  • Written: 1888

>Satie, Erik : Parade
  • Conductor: Efrem Kurtz
  • Running Time: 13 min. 49 sec.
  • Period Time: Post Romantic
  • Form: Ballet
  • Written: 1916-1917

>Satie, Erik : Gnossienne no 1
  • Conductor: Sergey Koussevitzky
  • Running Time: 2 min. 53 sec.
  • Period Time: Post Romantic
  • Written: 1888

>Satie, Erik : Gymnopédie 2
  • Performer: Robert Casadesus (Piano)
  • Conductor: Sergey Koussevitzky
  • Running Time: 4 min. 4 sec.
  • Period Time: Post Romantic
  • Written: 1888