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J.S. Bach: Violin Sonatas and Partitas / Mark Kaplan, violin

Album Summary

>Bach, Johann Sebastian : Sonata for Violin solo no 1 in G minor, BWV 1001
>Bach, Johann Sebastian : Partita for Violin solo no 1 in B minor, BWV 1002
>Bach, Johann Sebastian : Sonata for Violin solo no 2 in A minor, BWV 1003
>Bach, Johann Sebastian : Partita for Violin solo no 2 in D minor, BWV 1004
>Bach, Johann Sebastian : Sonata for Violin solo no 3 in C major, BWV 1005
Performer Composer

Notes & Reviews:

Mark Kaplan is one of the leading violinists of his generation. Kaplan has been soloist with the New York and Los Angeles Philharmonic Orchestras, the Cleveland and Philadelphia Orchestras, the Chicago and National Symphony Orchestras, and the symphony orchestras of St. Louis, Pittsburgh, Baltimore, Minnesota, Cincinnati and Indianapolis. He has collaborated with many of the world's foremost conductors, among them Ormandy, Tennstedt, Maazel, Ashkenazy, Dutoit, Bychkov, Conlon, Ivan Fischer, Foster, Gatti, Masur, Rattle, Robertson, Salonen, Semkov, Skrowaczewski, Slatkin and Zinman

Since 2005, Mark Kaplan has been Professor of Violin at Indiana University's Jacobs School of Music, and prior to that he served as Professor with Distinction at UCLA. He is a graduate of the Juilliard School, where he was a student of Dorothy DeLay and recipient of the Fritz Kreisler Memorial Scholarship. Mark Kaplan plays a violin made by Antonio Stradivari in 1685, known as the Marquis. This recording is Kaplan's second studio traversal of the Sonatas and Partitas. Two Discs sold for the price of one!

Notes & Reviews:

Recording information: The American Academy of Arts and Letters (2011-12-10_2011-12-12&2011-).



Reviews

Standout performances
It's a decidedly crowded field. I did a quick check and found over 180 different recordings of Bach's Sonatas and Partitas for Solo Violin. Because of the rich possibilities of the music -- and the fact that it's for one performer -- these pieces have become works that every serious violinist wants to record. They present rare opportunities for performers to fully express themselves unfiltered through the music.

So why should you listen to Mark Kaplan's version as opposed to any of those other 180+ recordings?

In this case, I think the liner notes make the difference. Kaplan writes thoughtful essays not just about each sonata and partita, but about higher concepts surrounding these works. Kaplan goes into detail explaining the significance of these works for him (and why he's recording them again after twenty years). Kaplan also looks at the relationship between musician and audience, historical vs. modern practices, and more.

He writes, "there is some basic kernel of what we might call 'the music itself' that shines through, no matter how we play it -- as long as we approach it with respect and love, with dedication and patience."

While Kaplan's performances stand on their own merits, his writing gives the listener additional insight into his interpretations. For me, his liner notes added to my appreciation of those performances.

So what do those performances sound like? Bridge's close-mic recording isn't too close -- there's a slightly resonant ambiance that frames the sound nicely. Kaplan's playing is precise without being fussy.

When I initially listened to this recording, I thought this was a good technical recording of these works. After I read the liner notes, I began to hear the more subtle nuances of Kaplan's interpretations, which deepened my appreciation of them.

Kaplan has a clear vision of the structure of each movement, and he seems to understand the role of every note within that structure. The music sounds cohesive and expressive. The intellectual nature of the construction (such as the fugues in the sonatas) seem to just vanish into the background. The music seems to just flow naturally.

I'm not going to suggest that this is the only recording of the Bach solo sonatas and partitas you should own. But for me, it's definitely one of the top ten.

Submitted on 09/09/16 by RGraves321 
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Works Details

>Bach, Johann Sebastian : Sonata for Violin solo no 1 in G minor, BWV 1001
  • Performer: Mark Kaplan (Violin)
  • Notes: The American Academy of Arts and Letters (2011-12-10_2011-12-12&2011-)
  • Running Time: 16 min. 12 sec.
  • Period Time: Baroque
  • Written: 1720

>Bach, Johann Sebastian : Partita for Violin solo no 1 in B minor, BWV 1002
  • Performer: Mark Kaplan (Violin)
  • Notes: The American Academy of Arts and Letters (2011-12-10_2011-12-12&2011-)
  • Running Time: 29 min. 28 sec.
  • Period Time: Baroque
  • Written: 1720

>Bach, Johann Sebastian : Sonata for Violin solo no 2 in A minor, BWV 1003
  • Performer: Mark Kaplan (Violin)
  • Notes: The American Academy of Arts and Letters (2011-12-10_2011-12-12&2011-)
  • Running Time: 22 min. 11 sec.
  • Period Time: Baroque
  • Written: 1720

>Bach, Johann Sebastian : Partita for Violin solo no 2 in D minor, BWV 1004
  • Performer: Mark Kaplan (Violin)
  • Notes: The American Academy of Arts and Letters (2011-12-10_2011-12-12&2011-)
  • Running Time: 32 min. 16 sec.
  • Period Time: Baroque
  • Written: 1720

>Bach, Johann Sebastian : Sonata for Violin solo no 3 in C major, BWV 1005
  • Performer: Mark Kaplan (Violin)
  • Notes: The American Academy of Arts and Letters (2011-12-10_2011-12-12&2011-)
  • Running Time: 21 min. 51 sec.
  • Period Time: Baroque
  • Written: 1720

>Bach, Johann Sebastian : Partita for Violin solo no 1 in B minor, BWV 1002
  • Performer: Mark Kaplan (Violin)
  • Notes: The American Academy of Arts and Letters (2011-12-10_2011-12-12&2011-)
  • Running Time: 13 min. 39 sec.
  • Period Time: Baroque
  • Written: 1720