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Linda Ronstadt: Mas Canciones

Track List

>Ta Ta Dios [Father God]
>Toro Relajo [The Troublesome Bull], El
>Mi Ranchito [My Little Ranch]
>Mariquita [Lady Bug], La
>Gritenme Piedras Del Campo [Scream to Me Stones in the Field]
>Siempre Hace Frio [Always Cold]
>Crucifijo de Piedra [The Crucifix of Stone], El
>Palomita de Ojos Negros [A Little White Dove With Black Eyes]
>Pena De los Amores [Love's Sorrows]
>Camino [The Road], El
>Gustito [Delight], El
>Sueno [Dreaming], El

Album Notes

Personnel includes: Linda Ronstadt, Mike Ronstadt, Pete Ronstadt (vocals); Gilberto Puente, Raul Puente, Leonel Galves (guitar); Nati Cano, Jose "Pepe" Martinez (violin); Katie McElrath, Angela Koregalos (flute); Martin Lara (trumpet); Flaco Jiminez (accordion).

Producers: George Massenburg, Ruben Fuentes.

Recorded at Skywalker Sound, Marin County, California.

Personnel: Leonel Galvez, Raul Puente, Gilberto Puente, Rafael Palomar (guitar); Enrique Santiago (guitarron); Santiago Maldonado (harp); Victor Cárdenas (vihuela); Jose "Pepe" Martinez, Pedro Garcia, Mario Rodriguez , Juan Jose Almaguer, Jesus "Chuy" Guzman (violin); Katie McElrath, Angela Koregelos (flute); Flaco Jiménez (accordion); Martin Lara, Federico Torres (trumpet).

Audio Mixer: George Massenburg.

Recording information: Skywalker Sound, Marin County; The Site, Marin County.

Photographer: William Coupon.

Translators: Rossy Crosly; Mercedes Dalton; Linda Ronstadt.

Arranger: Rubén Fuentes.

This 1991 followup to 1987's successful CANCIONES DE MI PADRE continues Linda Ronstadt's innovative musical exploration of her roots. Once again, producer and arranger Ruben Fuentes is on hand to provide authentic orchestral accompaniment to classic Mexican songs handpicked by Linda and her brothers, who sing together as a trio on several tracks. The orchestra is also bit smaller this time, which perhaps accounts for Ronstadt's greater confidence in presenting this delightful material. What strikes the listener again is how different Ronstadt sounds performing this material. She swoops and sways and twists her syllables like a native, while manifesting a highly expressive sob never heard when she sings in English.



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