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Louis Vierne (1870-1937): Spleen et Detresse; Piano Quintet / Anaïk Morel, soprano. Terpsycordes Quartet

Album Summary

>Vierne, Louis : Spleens et Détresses, for voice & piano, Op. 38
>Vierne, Louis : Quintet for 2 violins, viola, cello & piano in C minor, Op 42
Performers Ensemble Composer

Notes & Reviews:

A pupil of Cesar Franck and Widor, Louis Vierne (1870-1937) was an influential organist, holding posts in such venues as the Notre Dame in Paris, where he was widely celebrated. Vierne's works are characterized by complicated counterpoint, dense harmonies, and an exalted atmosphere. His Piano Quintet, featured on this disc, was inspired by the death of Vierne's child, and displays an overwhelming emotional intensity. "Spleens et detresses" is a work based on poems by Verlaine. The song cycle exudes a feeling of mystical emotion.

Notes & Reviews:

Recording information: Fazioli Concert Hall, Sacile, Italy (06/16/2014-06/18/2014); Fazioli Concert Hall, Sacile, Italy (12/14/2015-12/16/2015).



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Works Details

>Vierne, Louis : Spleens et Détresses, for voice & piano, Op. 38 :: no 1, Dans l'interminable ennui de la plaine
  • Performers: Anaik Morel; Mûza Rubackyté (Piano)
  • Ensemble: Terpsycordes Quartet
  • Notes: Fazioli Concert Hall, Sacile, Italy (06/16/2014-06/18/2014)
  • Running Time: 3 min. 55 sec.
  • Period Time: Post Romantic

>Vierne, Louis : Spleens et Détresses, for voice & piano, Op. 38 :: no 2, Un grand sommeil noir
  • Performers: Anaik Morel; Mûza Rubackyté (Piano)
  • Notes: Fazioli Concert Hall, Sacile, Italy (06/16/2014-06/18/2014)
  • Running Time: 3 min. 23 sec.
  • Period Time: Post Romantic

>Vierne, Louis : Spleens et Détresses, for voice & piano, Op. 38 :: no 3, Spleen
  • Performers: Anaik Morel; Mûza Rubackyté (Piano)
  • Notes: Fazioli Concert Hall, Sacile, Italy (06/16/2014-06/18/2014)
  • Running Time: 2 min. 25 sec.
  • Period Time: Post Romantic

>Vierne, Louis : Spleens et Détresses, for voice & piano, Op. 38 :: no 4, Promenade sentimentale
  • Performers: Anaik Morel; Mûza Rubackyté (Piano)
  • Notes: Fazioli Concert Hall, Sacile, Italy (06/16/2014-06/18/2014)
  • Running Time: 3 min. 50 sec.
  • Period Time: Post Romantic

>Vierne, Louis : Spleens et Détresses, for voice & piano, Op. 38 :: no 5, A une femme
  • Performers: Anaik Morel; Mûza Rubackyté (Piano)
  • Notes: Fazioli Concert Hall, Sacile, Italy (06/16/2014-06/18/2014)
  • Running Time: 2 min. 22 sec.
  • Period Time: Post Romantic

>Vierne, Louis : Spleens et Détresses, for voice & piano, Op. 38 :: no 6, Sérénade
  • Performers: Anaik Morel; Mûza Rubackyté (Piano)
  • Notes: Fazioli Concert Hall, Sacile, Italy (06/16/2014-06/18/2014)
  • Running Time: 3 min. 3 sec.
  • Period Time: Post Romantic

>Vierne, Louis : Spleens et Détresses, for voice & piano, Op. 38 :: no 7, Le Son du cor
  • Performers: Anaik Morel; Mûza Rubackyté (Piano)
  • Notes: Fazioli Concert Hall, Sacile, Italy (06/16/2014-06/18/2014)
  • Running Time: 3 min. 56 sec.
  • Period Time: Post Romantic

>Vierne, Louis : Spleens et Détresses, for voice & piano, Op. 38 :: no 8, Sapho
  • Performers: Anaik Morel; Mûza Rubackyté (Piano)
  • Notes: Fazioli Concert Hall, Sacile, Italy (06/16/2014-06/18/2014)
  • Running Time: 2 min. 1 sec.
  • Period Time: Post Romantic

>Vierne, Louis : Spleens et Détresses, for voice & piano, Op. 38 :: no 9, Les faux beaux jour
  • Performers: Anaik Morel; Mûza Rubackyté (Piano)
  • Notes: Fazioli Concert Hall, Sacile, Italy (06/16/2014-06/18/2014)
  • Running Time: 5 min. 23 sec.
  • Period Time: Post Romantic

>Vierne, Louis : Spleens et Détresses, for voice & piano, Op. 38 :: no 10, Marine
  • Performers: Anaik Morel; Mûza Rubackyté (Piano)
  • Notes: Fazioli Concert Hall, Sacile, Italy (06/16/2014-06/18/2014)
  • Running Time: 1 min. 52 sec.
  • Period Time: Post Romantic

>Vierne, Louis : Quintet for 2 violins, viola, cello & piano in C minor, Op 42
  • Performer: Mûza Rubackyté (Piano)
  • Notes: Fazioli Concert Hall, Sacile, Italy (12/14/2015-12/16/2015)
  • Running Time: 34 min. 39 sec.
  • Period Time: Post Romantic
  • Form: Chamber Music
  • Written: 1917