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Schubert: Six Songs for Flute and Piano; Claude Debussy (1862-1918): Bilitis; Carl Reinecke (1824-1910): Sonata ôUndineö / Jennifer Parker-Harley, flute; Lydia Brown, piano; Robyn Hunt, reader

Album Summary

>Word, Spoken : Good Night, poem by Wilhelm Müller
>Boehm, Theobald : Songs (6) of Schubert, transcriptions for flute & piano
>Word, Spoken : Der Lindenbaum (The Linden Tree), poem by Wilhelm Müller
>Word, Spoken : Der Fischenmädchen (The Fisher Maiden), poem by Heinrich Heine
>Word, Spoken : Ständchen (Serenade), poem by Ludwig Rellstab
>Word, Spoken : Am Meer (The Sea), poem by Heinrich Heine
>Word, Spoken : Die Taubenpost (The Carrier Pigeon), poem by Johann Seidl
>Word, Spoken : Pour invoquer Pan, dieu du vent d'été (Pastoral Song), poem by Pierre Louÿs
>Debussy, Claude : Epigraphes antiques (6)
>Word, Spoken : Pour un tombeau sans nom (For a Nameless Tomb), poem by Pierre Louÿs
>Word, Spoken : Pour que la nuit soit propice (Song), poem by Pierre Louÿs
>Word, Spoken : Pour l'Égyptienne (The Egyptian Courtesans), poem by Pierre Louÿs
>Word, Spoken : Pour la danseuse aux crotales (Dancers with Crotales), poem by Pierre Louÿs
>Word, Spoken : Pour remercier la pluie au matin (Morning Rain), poem by Pierre Louÿs
>Word, Spoken : Ondine, poem by Aloysius Bertrand
>Reinecke, Carl : Sonata for flute & piano in E major ("Undine"), Op. 167
Performers Composers

Notes & Reviews:

"19th Century European intellectuals spent a considerable amount of time debating which art form, poetry or music, was the most natural and therefore supreme form of artistic expression. It was not a new argument, but the sweeping changes of Romanticism and the emergence of a secular scholarly class pushed it to the forefront of aesthetics. Poets and composers, freed from traditional clerical and state bonds, turned inward and sought innovative avenues of expression. Each piece heard on this marvelous new disc represents a fascinating synthesis of ideas, inviting the listener on a journey with an ultimate destination but many divergent and individual paths to follow."

Notes & Reviews:

Recording information: Edmunds Hall, Presbyterian College, Clinton, SC.



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Works Details

>Word, Spoken : Good Night, poem by Wilhelm Müller
  • Running Time: 1 min. 22 sec.
  • Period Time: Post Romantic

>Boehm, Theobald : Songs (6) of Schubert, transcriptions for flute & piano
  • Performers: Lydia Brown (Piano); Jennifer Parker-Harley (Flute)
  • Running Time: 23 min. 59 sec.
  • Period Time: Romantic

>Word, Spoken : Der Lindenbaum (The Linden Tree), poem by Wilhelm Müller
  • Running Time: 1 min. 10 sec.
  • Period Time: Post Romantic

>Boehm, Theobald : Songs (6) of Schubert, transcriptions for flute & piano
  • Performers: Lydia Brown (Piano); Jennifer Parker-Harley (Flute)
  • Running Time: 23 min. 59 sec.
  • Period Time: Romantic

>Word, Spoken : Der Fischenmädchen (The Fisher Maiden), poem by Heinrich Heine
  • Period Time: Post Romantic

>Boehm, Theobald : Songs (6) of Schubert, transcriptions for flute & piano
  • Performers: Lydia Brown (Piano); Jennifer Parker-Harley (Flute)
  • Running Time: 23 min. 59 sec.
  • Period Time: Romantic

>Word, Spoken : Ständchen (Serenade), poem by Ludwig Rellstab
  • Period Time: Post Romantic

>Boehm, Theobald : Songs (6) of Schubert, transcriptions for flute & piano
  • Performers: Lydia Brown (Piano); Jennifer Parker-Harley (Flute)
  • Running Time: 23 min. 59 sec.
  • Period Time: Romantic

>Word, Spoken : Am Meer (The Sea), poem by Heinrich Heine
  • Period Time: Post Romantic

>Boehm, Theobald : Songs (6) of Schubert, transcriptions for flute & piano
  • Performers: Lydia Brown (Piano); Jennifer Parker-Harley (Flute)
  • Running Time: 23 min. 59 sec.
  • Period Time: Romantic

>Word, Spoken : Die Taubenpost (The Carrier Pigeon), poem by Johann Seidl
  • Running Time: 1 min. 20 sec.
  • Period Time: Post Romantic

>Boehm, Theobald : Songs (6) of Schubert, transcriptions for flute & piano
  • Performers: Lydia Brown (Piano); Jennifer Parker-Harley (Flute)
  • Running Time: 23 min. 59 sec.
  • Period Time: Romantic

>Word, Spoken : Pour invoquer Pan, dieu du vent d'été (Pastoral Song), poem by Pierre Lous
  • Running Time: 1 min. 6 sec.
  • Period Time: Post Romantic

>Debussy, Claude : Epigraphes antiques (6)
  • Performers: Lydia Brown (Piano); Jennifer Parker-Harley (Flute)
  • Running Time: 14 min. 5 sec.
  • Period Time: Post Romantic
  • Form: Chamber Music
  • Written: 1900-1901

>Word, Spoken : Pour un tombeau sans nom (For a Nameless Tomb), poem by Pierre Lous
  • Running Time: 1 min. 1 sec.
  • Period Time: Post Romantic

>Debussy, Claude : Epigraphes antiques (6)
  • Performers: Lydia Brown (Piano); Jennifer Parker-Harley (Flute)
  • Running Time: 14 min. 5 sec.
  • Period Time: Post Romantic
  • Form: Chamber Music
  • Written: 1900-1901

>Word, Spoken : Pour que la nuit soit propice (Song), poem by Pierre Lous
  • Running Time: 1 min. 16 sec.
  • Period Time: Post Romantic

>Debussy, Claude : Epigraphes antiques (6)
  • Performers: Lydia Brown (Piano); Jennifer Parker-Harley (Flute)
  • Running Time: 14 min. 5 sec.
  • Period Time: Post Romantic
  • Form: Chamber Music
  • Written: 1900-1901

>Word, Spoken : Pour l'Égyptienne (The Egyptian Courtesans), poem by Pierre Lous
  • Running Time: 1 min. 24 sec.
  • Period Time: Post Romantic

>Debussy, Claude : Epigraphes antiques (6)
  • Performers: Lydia Brown (Piano); Jennifer Parker-Harley (Flute)
  • Running Time: 14 min. 5 sec.
  • Period Time: Post Romantic
  • Form: Chamber Music
  • Written: 1900-1901

>Word, Spoken : Pour la danseuse aux crotales (Dancers with Crotales), poem by Pierre Lous
  • Running Time: 1 min. 4 sec.
  • Period Time: Post Romantic

>Debussy, Claude : Epigraphes antiques (6)
  • Performers: Lydia Brown (Piano); Jennifer Parker-Harley (Flute)
  • Running Time: 14 min. 5 sec.
  • Period Time: Post Romantic
  • Form: Chamber Music
  • Written: 1900-1901

>Word, Spoken : Pour remercier la pluie au matin (Morning Rain), poem by Pierre Lous
  • Running Time: 1 min. 9 sec.
  • Period Time: Post Romantic

>Debussy, Claude : Epigraphes antiques (6)
  • Performers: Lydia Brown (Piano); Jennifer Parker-Harley (Flute)
  • Running Time: 14 min. 5 sec.
  • Period Time: Post Romantic
  • Form: Chamber Music
  • Written: 1900-1901

>Word, Spoken : Ondine, poem by Aloysius Bertrand
  • Running Time: 1 min. 42 sec.
  • Period Time: Post Romantic

>Reinecke, Carl : Sonata for flute & piano in E major ("Undine"), Op. 167
  • Performers: Lydia Brown (Piano); Jennifer Parker-Harley (Flute)
  • Running Time: 19 min. 35 sec.
  • Period Time: Post Romantic
  • Written: 1885