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18th Century Vocal Music, 'Los Doce Músicos de Iriarte' - Works by Jose de San Juan, Toma Luis de Victoria, Matlas Juan Veana, Matlas Ruiz, Vicente Garcia Velcaire, Sebastian Duron et al / Laura Casanova, Regina Iberica

Album Summary

>de San Juan, José : Amando bien no se ofenderá un desdén
>Victoria, Tomás L. de : Vidi speciosam, motet for 6 voices
>Veanas, Matías Juan de : iA la fuente, a la selva!
>Ruiz, Matias : iAy, dulce sentimiento! iAy, pena amable!
>Velcaire, Vicente Garcia : Gigante de perla y nácar, tono
>Durón, Sebastián : Su poder en tus armas, fragmento de la zarzuela armónica Las nuebas armas de amor)
>Morales, Cristóbal de : Exaltata est sancta dei genetrix, for 6 voices
>Patiño, Carlo : Pastorcillo triste, tono humano
>Durón, Sebastián : Corazón, causa tenéis, tonada for voice, flute & continuo
>Guerrero, Francisco (Renaissance) : Maria Magdalene, motet for 6 voices
>Literes, Antonio : Déjame, ingrata, Ilorar, cantata
>Roldan, Juan Perez : Sepulto Domino, motet
>Nebra, José de : Ay, Dios aleve, song
Performers Conductor Ensemble Composers

Notes & Reviews:

In order to understand the taste of Tomas de Iriarte (1750-1791), it is possible to start with his admiration of Anton Raphael Meng's work. Maybe, the most representative painting of this artist "Jupiter and Ganymede," the fake that made history, pretending to be an antique painting and convincing the art theorist Winckelmann that the technique of fresco painting was perfected during the Classical Era. What is interesting of this painting is that it does not depict the exact moment of the kiss between the god and his beloved, but the intention of the kiss. Classical Art was based on suggesting, in persuading, and to subtly invite to reflect ("engage", Iriarte would say), through insinuation, unlike Baroque Art and its need to show in the raw every scene. This was the key to Classical aesthetics and the taste of the eighteenth century for the antique. For Iriate, Mengs was to painting as Horace was to literature and Haydn to music. These names sum up the ideal of the Enlightenment taste in the didactic poem "The Music," finished in 1779 and published a year later. The twelve protagonists Spanish composers of this record are mentioned in the Chant III of the poem, the central one, the keystone, called "dignity and the use of music and specially the one at the temple." The first two Chants (besides the inexcusable prologue with the justification of the poem) are meant, respectively to a didactic explanation of the elements of musical language and to the musical expression of the affections, while the fourth and fifth chants are centered in theatrical music and instrument music practiced in society.

Notes & Reviews:

Recording information: Sede de la Orquesta y Coro de la Comunidad de Madrid, S (08/10/2015-08/13/2015).



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Works Details

>de San Juan, José : Amando bien no se ofenderá un desdén :: Eurotas y Diana, zarzuela
  • Performer: Antoine Ladrette (Cello)
  • Conductor: Laura Casanova
  • Ensemble: Regina Iberica
  • Notes: Sede de la Orquesta y Coro de la Comunidad de Madrid, Spain (08/10/2015-08/13/2015)
  • Running Time: 1 min. 26 sec.
  • Period Time: Baroque
  • Written: 1721

>Victoria, Tomás L. de : Vidi speciosam, motet for 6 voices
  • Conductor: Laura Casanova
  • Ensemble: Regina Iberica
  • Notes: Sede de la Orquesta y Coro de la Comunidad de Madrid, Spain (08/10/2015-08/13/2015)
  • Running Time: 3 min. 23 sec.
  • Period Time: Renaissance
  • Written: 1572

>Veanas, Matías Juan de : íA la fuente, a la selva!
  • Conductor: Laura Casanova
  • Ensemble: Regina Iberica
  • Notes: Sede de la Orquesta y Coro de la Comunidad de Madrid, Spain (08/10/2015-08/13/2015)
  • Running Time: 2 min. 33 sec.
  • Period Time: Baroque
  • Form: Vocal

>Ruiz, Matias : íAy, dulce sentimiento! íAy, pena amable!
  • Conductor: Laura Casanova
  • Ensemble: Regina Iberica
  • Notes: Sede de la Orquesta y Coro de la Comunidad de Madrid, Spain (08/10/2015-08/13/2015)
  • Running Time: 3 min. 45 sec.
  • Period Time: Baroque
  • Form: Vocal

>Velcaire, Vicente Garcia : Gigante de perla y nácar, tono
  • Conductor: Laura Casanova
  • Ensemble: Regina Iberica
  • Notes: Sede de la Orquesta y Coro de la Comunidad de Madrid, Spain (08/10/2015-08/13/2015)
  • Running Time: 4 min. 20 sec.
  • Period Time: Baroque
  • Form: Vocal

>Durón, Sebastián : Su poder en tus armas, fragmento de la zarzuela armónica Las nuebas armas de amor) :: Su poder en tus
  • Conductor: Laura Casanova
  • Ensemble: Regina Iberica
  • Notes: Sede de la Orquesta y Coro de la Comunidad de Madrid, Spain (08/10/2015-08/13/2015)
  • Running Time: 3 min. 2 sec.
  • Period Time: Baroque

>Morales, Cristóbal de : Exaltata est sancta dei genetrix, for 6 voices
  • Conductor: Laura Casanova
  • Ensemble: Regina Iberica
  • Notes: Sede de la Orquesta y Coro de la Comunidad de Madrid, Spain (08/10/2015-08/13/2015)
  • Running Time: 2 min. 43 sec.
  • Period Time: Renaissance

>Patiño, Carlo : Pastorcillo triste, tono humano
  • Performer: Simon Andueza
  • Conductor: Laura Casanova
  • Ensemble: Regina Iberica
  • Notes: Sede de la Orquesta y Coro de la Comunidad de Madrid, Spain (08/10/2015-08/13/2015)
  • Running Time: 2 min. 7 sec.
  • Period Time: Baroque

>Durón, Sebastián : Corazón, causa tenéis, tonada for voice, flute & continuo
  • Performer: Antoine Ladrette (Cello)
  • Conductor: Laura Casanova
  • Ensemble: Regina Iberica
  • Notes: Sede de la Orquesta y Coro de la Comunidad de Madrid, Spain (08/10/2015-08/13/2015)
  • Running Time: 4 min. 12 sec.
  • Period Time: Baroque

>Guerrero, Francisco (Renaissance) : Maria Magdalene, motet for 6 voices
  • Conductor: Laura Casanova
  • Ensemble: Regina Iberica
  • Notes: Sede de la Orquesta y Coro de la Comunidad de Madrid, Spain (08/10/2015-08/13/2015)
  • Running Time: 3 min. 49 sec.
  • Period Time: Renaissance
  • Form: Choral
  • Written: 1602

>Literes, Antonio : Déjame, ingrata, Ilorar, cantata
  • Conductor: Laura Casanova
  • Ensemble: Regina Iberica
  • Notes: Sede de la Orquesta y Coro de la Comunidad de Madrid, Spain (08/10/2015-08/13/2015)
  • Running Time: 11 min. 10 sec.
  • Period Time: Baroque

>Roldan, Juan Perez : Sepulto Domino, motet
  • Conductor: Laura Casanova
  • Ensemble: Regina Iberica
  • Notes: Sede de la Orquesta y Coro de la Comunidad de Madrid, Spain (08/10/2015-08/13/2015)
  • Running Time: 2 min. 33 sec.
  • Period Time: Baroque

>Nebra, José de : Ay, Dios aleve, song
  • Conductor: Laura Casanova
  • Ensemble: Regina Iberica
  • Notes: Sede de la Orquesta y Coro de la Comunidad de Madrid, Spain (08/10/2015-08/13/2015)
  • Running Time: 4 min. 14 sec.
  • Period Time: Baroque
  • Form: Vocal