1 800 222 6872

Reger: The Centenary Collection - works for orchestra, chamber ensemble, piano, organ, choir & solo voice / Sabine Meyer, Christa Ludwig, Dietrich Fischer-Dieskau [8 CDs]

Album Summary

>Reger, Max [Composer] : Variations and Fugue on a Theme of J.A. Hiller for orchestra in E major, Op. 100
>Reger, Max [Composer] : Variations and Fugue on a Theme of Mozart for orchestra, Op. 132
>Reger, Max [Composer] : Ballet Suite for orchestra in D major, Op. 130
>Reger, Max [Composer] : Songs (2) for baritone, chorus & orchestra, Op. 144
>Reger, Max [Composer] : Romantic Suite for orchestra ("After J.F. Eichendorff"), Op. 125
>Reger, Max [Composer] : Clarinet Quintet in A major, Op. 146
>Reger, Max [Composer] : Sextet for 2 violins, 2 violas & 2 cellos in F major, Op. 118
>Reger, Max [Composer] : Lyric Andante (Liebesträum) for string orchestra in D major
>Reger, Max [Composer] : Variations and Fugue on a Theme of J.S. Bach for piano, Op. 81
>Reger, Max [Composer] : Variations and Fugue on a Theme of G.P. Telemann for piano, Op. 134
>Reger, Max [Composer] : Improvisation on Johann Strauss II's "An den schönen blauen Donau" for piano
>Reger, Max [Composer] : Chorale Fantasia for organ ("Wachet auf, ruft uns die Stimme"), Op. 52/2
>Reger, Max [Composer] : Pastorale for organ in F major, Op.59/2
>Reger, Max [Composer] : Benedictus for organ in D flat major, Op. 59/9
>Reger, Max [Composer] : Fantasia and Fugue for organ in D minor, Op. 135b
>Reger, Max [Composer] : Chorale Fantasia ("Halleluja! Gott zu loben, bleibe meine Seelenfreud"), for organ, Op. 52/3
>Reger, Max [Composer] : Chorale Fantasia for organ ("Straf' mich nicht in deinem Zorn"), Op. 40/2
>Reger, Max [Composer] : Introduction and Passacaglia for organ in D minor
>Reger, Max [Composer] : Prelude and Fugue for organ in F sharp minor
>Reger, Max [Composer] : Variations and Fugue on an Original Theme for organ in F sharp minor, Op. 73
>Reger, Max [Composer] : Romance for harmonium in A minor
>Reger, Max [Composer] : Chorale Preludes (13) for organ, Op. 79b
>Reger, Max [Composer] : Chorale Fantasia for organ ("Ein' Feste Burg ist unser Gott"), Op. 27
>Reger, Max [Composer] : Fantasia and Fugue on B-A-C-H for organ, Op. 46
>Reger, Max [Composer] : Organ Sonata no 2 in D minor, Op. 60
>Reger, Max [Composer] : Uns ist geboren ein Kindelein, for voice & piano (or harmonium or organ), Op. 137/3
>Reger, Max [Composer] : Morgengesang ("Steht auf, ihr lieben Kinderlein!"), for voice & piano (or harmonium or organ), Op. 1
>Reger, Max [Composer] : Christkindleins Wiegenlied ("Laßt uns das Kindlein wiegen"), for voice & piano (or harmonium or orga
>Reger, Max [Composer] : Maria am Rosenstrauch ("Maria sitz am Rosenbusch"), for voice & piano, Op. 142/3
>Reger, Max [Composer] : Ehre, sei Gott in der Höhe, song for voice & organ (or harmonium or piano)
>Reger, Max [Composer] : Sommernacht (Summer Night
>Reger, Max [Composer] : Warnung ("Männer suchen stets zu naschen"), song for voice & piano, Op. 104/2
>Reger, Max [Composer] : Waldeinsamkeit (Solitude in the Woods
>Reger, Max [Composer] : Einen Brief soll ich schreiben, song for voice & piano, Op. 76/8
>Reger, Max [Composer] : Sacred Songs (8) for chorus, Op. 138
>Reger, Max [Composer] : Ach, Herr, strafe mich nicht (O Lord, rebuke me not), motet for 5 voices, Op. 110/2
>Reger, Max [Composer] : O Tod, wie bitter bist du (Oh death, how bitter is the remembrance), motet for 5 voices, Op. 110/3
>Reger, Max [Composer] : Palmsonntagmorgen (Palm Sunday Morning), for 5 part chorus
>Reger, Max [Composer] : Responses, WoO VI/23
>Reger, Max [Composer] : Lasset uns den Herren preisen, Easter motet for 5 voices
>Reger, Max [Composer] : Fünf ausgewählte Volkslieder WoO VI/6
>Reger, Max [Composer] : Neun ausgewählte Volkslieder
Performers Conductors Ensembles Composer

Notes & Reviews:

Exuberant and prolific, Max Reger composed an extraordinary volume and variety of works in his short life – he was just 43 when he died in 1916. Reger saw himself as an heir to Brahms, Schumann, Beethoven and Bach, while also drawing inspiration from Wagner and Liszt. The energy, richness, rapture and contrapuntal invention of his art is celebrated in this 8-CD collection of works for orchestra, chamber ensemble, piano, organ, choir and solo voice.

Notes & Reviews:

Recording information: All Saints Church, Petersham, London, England (01/08/1995-01/09/1995); Bamberg (01/08/1995-01/09/1995); Baumgartner Casino, Vienna, Austria (01/08/1995-01/09/1995); Engelbrekts Church, Stockholm, Sweden (01/08/1995-01/09/1995); Hamburg (01/08/1995-01/09/1995); Hamburg, Bamberg (01/08/1995-01/09/1995); Liverpool Cathedral (01/08/1995-01/09/1995); Neuer Dom, Linz (01/08/1995-01/09/1995); No. 1 Studio Abbey Road, London (01/08/1995-01/09/1995); No. 1 Studio, Abbey Road, London (01/08/1995-01/09/1995); Norwich Cathedral, Norwich, Norfolk, England (01/08/1995-01/09/1995); Opéra National de Lyon (01/08/1995-01/09/1995); Palais des Fêtes, Strasbourg, France (01/08/1995-01/09/1995); Philharmonie Berlin (01/08/1995-01/09/1995); Philharmonie, Berlin (01/08/1995-01/09/1995); Selby Abbey, Yorkshire, England (01/08/1995-01/09/1995); Siemensvilla, Berlin (01/08/1995-01/09/1995); Västerledskyrkan, Stockholm (01/08/1995-01/09/1995); Zehlendorf Studio, Berlin (01/08/1995-01/09/1995); All Saints Church, Petersham, London, England (01/09/1995-01/11/1995); Bamberg (01/09/1995-01/11/1995); Baumgartner Casino, Vienna, Austria (01/09/1995-01/11/1995); Engelbrekts Church, Stockholm, Sweden (01/09/1995-01/11/1995); Hamburg (01/09/1995-01/11/1995); Hamburg, Bamberg (01/09/1995-01/11/1995); Liverpool Cathedral (01/09/1995-01/11/1995); Neuer Dom, Linz (01/09/1995-01/11/1995); No. 1 Studio Abbey Road, London (01/09/1995-01/11/1995); No. 1 Studio, Abbey Road, London (01/09/1995-01/11/1995); Norwich Cathedral, Norwich, Norfolk, England (01/09/1995-01/11/1995); Opéra National de Lyon (01/09/1995-01/11/1995); Palais des Fêtes, Strasbourg, France (01/09/1995-01/11/1995); Philharmonie Berlin (01/09/1995-01/11/1995); Philharmonie, Berlin (01/09/1995-01/11/1995); Selby Abbey, Yorkshire, England (01/09/1995-01/11/1995); Siemensvilla, Berlin (01/09/1995-01/11/1995); Västerledskyrkan, Stockholm (01/09/1995-01/11/1995); Zehlendorf Studio, Berlin (01/09/1995-01/11/1995); All Saints Church, Petersham, London, England (01/1994); Bamberg (01/1994); Baumgartner Casino, Vienna, Austria (01/1994); Engelbrekts Church, Stockholm, Sweden (01/1994); Hamburg (01/1994); Hamburg, Bamberg (01/1994); Liverpool Cathedral (01/1994); Neuer Dom, Linz (01/1994); No. 1 Studio Abbey Road, London (01/1994); No. 1 Studio, Abbey Road, London (01/1994); Norwich Cathedral, Norwich, Norfolk, England (01/1994); Opéra National de Lyon (01/1994); Palais des Fêtes, Strasbourg, France (01/1994); Philharmonie Berlin (01/1994); Philharmonie, Berlin (01/1994); Selby Abbey, Yorkshire, England (01/1994); Siemensvilla, Berlin (01/1994); Västerledskyrkan, Stockholm (01/1994); Zehlendorf Studio, Berlin (01/1994); All Saints Church, Petersham, London, England (03/29/1955-03/31/1955); Bamberg (03/29/1955-03/31/1955); Baumgartner Casino, Vienna, Austria (03/29/1955-03/31/1955); Engelbrekts Church, Stockholm, Sweden (03/29/1955-03/31/1955); Hamburg (03/29/1955-03/31/1955); Hamburg, Bamberg (03/29/1955-03/31/1955); Liverpool Cathedral (03/29/1955-03/31/1955); Neuer Dom, Linz (03/29/1955-03/31/1955); No. 1 Studio Abbey Road, London (03/29/1955-03/31/1955); No. 1 Studio, Abbey Road, London (03/29/1955-03/31/1955); Norwich Cathedral, Norwich, Norfolk, England (03/29/1955-03/31/1955); Opéra National de Lyon (03/29/1955-03/31/1955); Palais des Fêtes, Strasbourg, France (03/29/1955-03/31/1955); Philharmonie Berlin (03/29/1955-03/31/1955); Philharmonie, Berlin (03/29/1955-03/31/1955); Selby Abbey, Yorkshire, England (03/29/1955-03/31/1955); Siemensvilla, Berlin (03/29/1955-03/31/1955); Västerledskyrkan, Stockholm (03/29/1955-03/31/1955); Zehlendorf Studio, Berlin (03/29/1955-03/31/1955); All Saints Church, Petersham, London, England (04/01/1969); Bamberg (04/01/1969); Baumgartner Casino, Vienna, Austria (04/01/1969); Engelbrekts Church, Stockholm, Sweden (04/01/1969); Hamburg (04/01/1969); Hamburg, Bamberg (04/01/1969); Liverpool Cathedral (04/01/1969); Neuer Dom, Linz (04/01/1969); No. 1 Studio Abbey Road, London (04/01/1969); No. 1 Studio, Abbey Road, London (04/01/1969); Norwich Cathedral, Norwich, Norfolk, England (04/01/1969); Opéra National de Lyon (04/01/1969); Palais des Fêtes, Strasbourg, France (04/01/1969); Philharmonie Berlin (04/01/1969); Philharmonie, Berlin (04/01/1969); Selby Abbey, Yorkshire, England (04/01/1969); Siemensvilla, Berlin (04/01/1969); Västerledskyrkan, Stockholm (04/01/1969); Zehlendorf Studio, Berlin (04/01/1969); All Saints Church, Petersham, London, England (04/01/1969/04/08/1969); Bamberg (04/01/1969/04/08/1969); Baumgartner Casino, Vienna, Austria (04/01/1969/04/08/1969); Engelbrekts Church, Stockholm, Sweden (04/01/1969/04/08/1969).



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Works Details

>Reger, Max [Composer] : Variations and Fugue on a Theme of J.A. Hiller for orchestra in E major, Op. 100
  • Conductor: Joseph Keilberth
  • Notes: Hamburg (03/29/1955-03/31/1955)
  • Running Time: 42 min. 22 sec.
  • Period Time: Romantic
  • Written: 07/06/1907

>Reger, Max [Composer] : Variations and Fugue on a Theme of Mozart for orchestra, Op. 132
  • Conductor: Joseph Keilberth
  • Ensemble: Hilliard Ensemble
  • Notes: Bamberg (07/23/1962-07/25/1962)
  • Running Time: 30 min. 11 sec.
  • Period Time: Romantic
  • Written: 07/20/1914

>Reger, Max [Composer] : Ballet Suite for orchestra in D major, Op. 130
  • Conductor: Joseph Keilberth
  • Notes: Hamburg, Bamberg (07/24/1962-07/25/1962)
  • Running Time: 16 min. 16 sec.
  • Period Time: Romantic
  • Written: 08/24/1913

>Reger, Max [Composer] : Songs (2) for baritone, chorus & orchestra, Op. 144
  • Performer: Max van Egmond (Bass)
  • Conductor: Joachim Martini
  • Notes: Composition written: 07/19/1915-08/??/1915.
  • Running Time: 21 min. 37 sec.
  • Period Time: Romantic
  • Studio/Live: Live

>Reger, Max [Composer] : Romantic Suite for orchestra ("After J.F. Eichendorff"), Op. 125
  • Notes: Opéra National de Lyon (04/20/1994-04/22/1994)
  • Running Time: 26 min. 30 sec.
  • Period Time: Romantic
  • Written: 09/1912

>Reger, Max [Composer] : Clarinet Quintet in A major, Op. 146
  • Performers: Erich Höbarth (Violin); Rudolf Leopold (Cello); Peter Matzka (Violin); Sabine Meyer (Clarinet); Thomas Riebel (Viola)
  • Notes: Baumgartner Casino, Vienna, Austria (01/08/1995-01/09/1995)
  • Running Time: 33 min. 33 sec.
  • Period Time: Romantic
  • Form: Chamber Music
  • Written: 03/1916

>Reger, Max [Composer] : Sextet for 2 violins, 2 violas & 2 cellos in F major, Op. 118
  • Performers: Susanne Ehn (Cello); Siegfried Fuhrlinger (Viola); Erich Höbarth (Violin); Rudolf Leopold (Cello); Peter Matzka (Violin); Sabine Meyer (Clarinet); Thomas Riebel (Viola)
  • Notes: Casino, Wien (01/09/1995-01/11/1995)
  • Running Time: 34 min. 27 sec.
  • Period Time: Romantic
  • Form: Chamber Music
  • Written: 12/29/1910

>Reger, Max [Composer] : Lyric Andante (Liebesträum) for string orchestra in D major
  • Performers: Jorg Baumann (Cello); Bernd Gellerman (Violin); Bernhard Hartog (Violin); Rainer Moog (Viola); Klaus Stoll (Double Bass)
  • Ensemble: Berliner Solisten (Chamber Ensemble)
  • Running Time: 3 min. 23 sec.
  • Period Time: Romantic
  • Written: 06/05/1898

>Reger, Max [Composer] : Variations and Fugue on a Theme of J.S. Bach for piano, Op. 81
  • Performer: Mark Latimer (Piano)
  • Notes: All Saints Church, Petersham (04/04/1994-04/05/1994)
  • Running Time: 27 min. 8 sec.
  • Period Time: Romantic
  • Written: 08/12/1904

>Reger, Max [Composer] : Variations and Fugue on a Theme of G.P. Telemann for piano, Op. 134
  • Performer: Mark Latimer (Piano)
  • Notes: All Saints Church, Petersham (04/04/1994-04/05/1994)
  • Running Time: 35 min. 59 sec.
  • Period Time: Romantic
  • Written: 08/15/1914

>Reger, Max [Composer] : Improvisation on Johann Strauss II's "An den schönen blauen Donau" for piano
  • Performer: Konstantin Scherbakov (Piano)
  • Notes: No. 1 Studio, Abbey Road, London (11/27/1995-11/29/1995)
  • Running Time: 7 min. 36 sec.
  • Period Time: Romantic
  • Written: 1898

>Reger, Max [Composer] : Chorale Fantasia for organ ("Wachet auf, ruft uns die Stimme"), Op. 52/2
  • Performer: Anton Heiller (Organ)
  • Notes: Selby Abbey, Yorkshire, England (04/26/1971-04/29/1971)
  • Running Time: 18 min. 6 sec.
  • Period Time: Romantic
  • Written: 09/1900

>Reger, Max [Composer] : Pastorale for organ in F major, Op.59/2
  • Performer: Anton Heiller (Organ)
  • Notes: Selby Abbey, Yorkshire, England (04/26/1971-04/29/1971)
  • Running Time: 2 min. 55 sec.
  • Period Time: Romantic
  • Written: 01/07/1901

>Reger, Max [Composer] : Benedictus for organ in D flat major, Op. 59/9
  • Performer: Anton Heiller (Organ)
  • Notes: Selby Abbey, Yorkshire, England (04/26/1971-04/29/1971)
  • Running Time: 4 min. 55 sec.
  • Period Time: Romantic
  • Written: 01/07/1901

>Reger, Max [Composer] : Fantasia and Fugue for organ in D minor, Op. 135b
  • Performer: Anton Heiller (Organ)
  • Notes: Selby Abbey, Yorkshire, England (04/26/1971-04/29/1971)
  • Running Time: 17 min. 38 sec.
  • Period Time: Romantic
  • Written: 03/01/1916

>Reger, Max [Composer] : Chorale Fantasia ("Halleluja! Gott zu loben, bleibe meine Seelenfreud"), for organ, Op. 52/3
  • Performer: Fernando Germani (Organ)
  • Notes: Selby Abbey, Yorkshire, England (07/03/1961/07/04/1961)
  • Running Time: 7 min. 28 sec.
  • Period Time: Romantic
  • Written: 09/1900

>Reger, Max [Composer] : Chorale Fantasia for organ ("Straf' mich nicht in deinem Zorn"), Op. 40/2
  • Performer: Brian Runnett (Organ)
  • Running Time: 14 min. 2 sec.
  • Period Time: Romantic
  • Written: 09/1899

>Reger, Max [Composer] : Introduction and Passacaglia for organ in D minor
  • Performer: Ian Tracey (Organ)
  • Running Time: 6 min. 14 sec.
  • Period Time: Romantic
  • Written: 10/19/1899

>Reger, Max [Composer] : Prelude and Fugue for organ in F sharp minor
  • Performer: Christoph Bossert (Organ)
  • Running Time: 7 min. 16 sec.
  • Period Time: Romantic
  • Written: 1912

>Reger, Max [Composer] : Variations and Fugue on an Original Theme for organ in F sharp minor, Op. 73
  • Performer: Christoph Bossert (Organ)
  • Running Time: 37 min. 24 sec.
  • Period Time: Romantic
  • Written: 1903

>Reger, Max [Composer] : Romance for harmonium in A minor
  • Performer: Christoph Bossert (Organ)
  • Running Time: 3 min. 58 sec.
  • Period Time: Romantic
  • Written: ?1904

>Reger, Max [Composer] : Chorale Preludes (13) for organ, Op. 79b
  • Performer: Christoph Bossert (Organ)
  • Running Time: 23 min. 15 sec.
  • Period Time: Romantic
  • Written: 1901-1903

>Reger, Max [Composer] : Chorale Fantasia for organ ("Ein' Feste Burg ist unser Gott"), Op. 27
  • Performer: Franz Lehrndorfer (Organ)
  • Running Time: 14 min. 21 sec.
  • Period Time: Romantic
  • Written: 08/1898

>Reger, Max [Composer] : Fantasia and Fugue on B-A-C-H for organ, Op. 46
  • Performer: Franz Lehrndorfer (Organ)
  • Running Time: 22 min. 7 sec.
  • Period Time: Romantic
  • Written: 02/21/1900

>Reger, Max [Composer] : Organ Sonata no 2 in D minor, Op. 60
  • Performer: Franz Lehrndorfer (Organ)
  • Running Time: 16 min. 26 sec.
  • Period Time: Romantic
  • Written: 1901

>Reger, Max [Composer] : Uns ist geboren ein Kindelein, for voice & piano (or harmonium or organ), Op. 137/3
  • Performers: Olaf Bär (Baritone); Helmut Deutsch (Piano)
  • Notes: No. 1 Studio Abbey Road, London (05/02/1996-05/05/1996)
  • Period Time: Romantic
  • Written: 09/06/1914

>Reger, Max [Composer] : Morgengesang ("Steht auf, ihr lieben Kinderlein!"), for voice & piano (or harmonium or organ), Op. 1
  • Performers: Olaf Bär (Baritone); Helmut Deutsch (Piano)
  • Notes: No. 1 Studio Abbey Road, London (05/02/1996-05/05/1996)
  • Running Time: 1 min. 8 sec.
  • Period Time: Romantic
  • Form: Vocal
  • Written: 09/06/1914

>Reger, Max [Composer] : Christkindleins Wiegenlied ("Laßt uns das Kindlein wiegen"), for voice & piano (or harmonium or orga
  • Performers: Olaf Bär (Baritone); Helmut Deutsch (Piano)
  • Notes: No. 1 Studio Abbey Road, London (05/02/1996-05/05/1996)
  • Running Time: 1 min. 27 sec.
  • Period Time: Romantic
  • Written: 09/06/1914

>Reger, Max [Composer] : Maria am Rosenstrauch ("Maria sitz am Rosenbusch"), for voice & piano, Op. 142/3
  • Performers: Olaf Bär (Baritone); Helmut Deutsch (Piano)
  • Notes: No. 1 Studio Abbey Road, London (05/02/1996-05/05/1996)
  • Running Time: 1 min. 38 sec.
  • Period Time: Romantic
  • Written: 05/1915

>Reger, Max [Composer] : Ehre, sei Gott in der Höhe, song for voice & organ (or harmonium or piano)
  • Performers: Olaf Bär (Baritone); Helmut Deutsch (Piano)
  • Notes: No. 1 Studio Abbey Road, London (05/02/1996-05/05/1996)
  • Running Time: 4 min. 33 sec.
  • Period Time: Romantic
  • Written: 1905

>Reger, Max [Composer] : Sommernacht (Summer Night :: "Im Garten rauscht die Sommernacht"), song for voice & piano, Op. 98/5
  • Performers: Christa Ludwig; Gerald Moore (Piano)
  • Notes: Zehlendorf Studio, Berlin (09/08/1970-09/10/1970)
  • Running Time: 2 min. 19 sec.
  • Period Time: Romantic
  • Written: 08/1906

>Reger, Max [Composer] : Warnung ("Männer suchen stets zu naschen"), song for voice & piano, Op. 104/2
  • Performers: Christa Ludwig; Gerald Moore (Piano)
  • Notes: Zehlendorf Studio, Berlin (09/08/1970-09/10/1970)
  • Running Time: 1 min. 30 sec.
  • Period Time: Romantic
  • Written: 07/10/1907

>Reger, Max [Composer] : Waldeinsamkeit (Solitude in the Woods :: "Gestern abend in der stillen Ruh' "), song for voice & piano
  • Performers: Christa Ludwig; Gerald Moore (Piano)
  • Notes: Zehlendorf Studio, Berlin (11/29/1965/12/01/1965)
  • Running Time: 1 min. 51 sec.
  • Period Time: Romantic
  • Written: 1903-1904

>Reger, Max [Composer] : Einen Brief soll ich schreiben, song for voice & piano, Op. 76/8
  • Performers: Christa Ludwig; Gerald Moore (Piano)
  • Notes: Zehlendorf Studio, Berlin (11/29/1965/12/01/1965)
  • Running Time: 1 min. 18 sec.
  • Period Time: Romantic
  • Written: 1903-1904

>Reger, Max [Composer] : Sacred Songs (8) for chorus, Op. 138
  • Conductor: Eric Ericson
  • Running Time: 17 min. 54 sec.
  • Period Time: Romantic
  • Form: Vocal
  • Written: 09/1914

>Reger, Max [Composer] : Ach, Herr, strafe mich nicht (O Lord, rebuke me not), motet for 5 voices, Op. 110/2
  • Conductor: Eric Ericson
  • Running Time: 18 min. 30 sec.
  • Period Time: Romantic
  • Written: 08/1911

>Reger, Max [Composer] : O Tod, wie bitter bist du (Oh death, how bitter is the remembrance), motet for 5 voices, Op. 110/3
  • Conductor: Eric Ericson
  • Running Time: 8 min. 16 sec.
  • Period Time: Romantic
  • Written: 07/23/1912

>Reger, Max [Composer] : Palmsonntagmorgen (Palm Sunday Morning), for 5 part chorus
  • Notes: Philharmonie Berlin (04/01/1969/04/08/1969)
  • Running Time: 4 min. 47 sec.
  • Period Time: Romantic
  • Written: 1902

>Reger, Max [Composer] : Responses, WoO VI/23 :: Es kommt die Zeit, so spricht der Herrr, WoO VI/23 no 1
  • Conductor: Joachim Martini
  • Ensemble: Junge Kantorei
  • Notes: Philharmonie Berlin (04/01/1969/04/08/1969)
  • Running Time: 1 min. 57 sec.
  • Period Time: Romantic

>Reger, Max [Composer] : Responses, WoO VI/23 :: Christ, von den Toten erweckt, WoO VI/23 no 5
  • Conductor: Joachim Martini
  • Ensemble: Junge Kantorei
  • Notes: Philharmonie Berlin (04/01/1969/04/08/1969)
  • Running Time: 1 min. 34 sec.
  • Period Time: Romantic

>Reger, Max [Composer] : Responses, WoO VI/23 :: Wir loben den Vater und den Sohn, WoO VI/23 no 8
  • Conductor: Joachim Martini
  • Ensemble: Junge Kantorei
  • Notes: Philharmonie Berlin (04/01/1969/04/08/1969)
  • Running Time: 1 min. 26 sec.
  • Period Time: Romantic

>Reger, Max [Composer] : Lasset uns den Herren preisen, Easter motet for 5 voices
  • Conductor: Joachim Martini
  • Ensemble: Junge Kantorei
  • Notes: Philharmonie Berlin (04/01/1969/04/08/1969)
  • Running Time: 2 min. 26 sec.
  • Period Time: Romantic
  • Form: Choral
  • Written: ?1911

>Reger, Max [Composer] : Fünf ausgewählte Volkslieder WoO VI/6 :: Liebchens Bote
  • Notes: No. 1 Studio, Abbey Road, London (09/12/1989-09/14/1989)
  • Running Time: 2 min. sec.
  • Period Time: Romantic
  • Written: 1899

>Reger, Max [Composer] : Fünf ausgewählte Volkslieder WoO VI/6 :: Ich hab' die Nacht geträumet
  • Notes: No. 1 Studio, Abbey Road, London (09/12/1989-09/14/1989)
  • Running Time: 2 min. 35 sec.
  • Period Time: Romantic
  • Written: 1899

>Reger, Max [Composer] : Neun ausgewählte Volkslieder :: 7. Verlorenes Lieb
  • Ensemble: The Hilliard Ensemble
  • Notes: No. 1 Studio, Abbey Road, London (09/12/1989-09/14/1989)
  • Running Time: 3 min. 24 sec.
  • Period Time: Romantic
  • Written: 1899

>Reger, Max [Composer] : Neun ausgewählte Volkslieder :: 9. Der Tod als Schnitter
  • Ensemble: The Hilliard Ensemble
  • Notes: No. 1 Studio, Abbey Road, London (09/12/1989-09/14/1989)
  • Running Time: 3 min. 38 sec.
  • Period Time: Romantic
  • Written: 1899