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The Brotherhood of Lizards: Lizardland [Bonus Tracks]

Track List

>It Could Have Been Cheryl
>World Strikes One, The
>Dandelion Marine, The
>Rusty Iron Sun
>Happening Guy, The
>Clockwork Train
>Day After Yesterday, The
>Market Day
>Dear Anya
>Love the Anglian Way
>Sand Dragon
>She Dreamed She Could Fly
>On Planets Where I Was Young
>In Fireglow
>April Mo On
>Hey Hey Hey We're The...
>Tinny Rain
>Radiant Boy, The
>Bruvverho Od
>Duck House

Album Notes

The Brotherood Of Lizards: Martin Newell (vocals, electric & acoustic guitars, glockenspiel, bells, piano); Nelson (bass, acoustic guitar, glockenspiel, background vocals, drums, percussion, mandolin).

Recorded in Wivenhoe, England in the late 1980s. Includes liner notes by Martin Newell.

An unlisted song starts at 11:40 on track 13 of the CD.

Liner Note Authors: Martin Newell; Nelson Nice.

Dedicated Anglophiles' search for the quintessential British pop album shouldn't overlook the (so far) one and only outing from the Brotherhood of Lizards, a duo featuring Cleaners from Venus' Martin Newell and bassist/multi-instrumentalist Nelson. Recorded a step or two up from the Cleaners' rustic four-track catalog, Lizardland is soaked through with the cozy ambience of merry olde England, summoning up images of teatime, gardens and "misty chimneys smoking in the rain" via a collection of charming, chiming guitar pop that nods to obvious forefathers like the Beatles and Kinks, as well as later practitioners such as XTC. The delightful "The Happening Guy" has ba-ba-ba backing vocals straight out the '60s hit parade, while "The World Strikes One" is filled with sharp observations about ordinary folks, in the manner of Ray Davies himself. More of the same is available on the witty "Love the Anglican Way" and "Market Day," and there's even a droning number, "Rusty Iron Sun," that recalls great faux-Indian moments like "Norwegian Wood" and "Fancy." Newell's vision does outstrip his Spartan studio accessories: it would have been nice to have heard the songs with a live drummer, and the sound quality, while certainly acceptable, lacks that extra bit of punch common to higher-budget productions. But such concerns can't hold down songs as good as these. It was Newell's finest work at the time of its release, and continues to be a high water mark for the talented and idiosyncratic musician. ~ Dan LeRoy


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