1 800 222 6872

Medieval & Renaissance - Works by Monteverdi, Dowland, Frescobaldi, Byrd, Wilbye, Dufay, Morley, Isaac, Desprez, et al / Consort of Musicke; Medieval Ensemble of London; New London Consort [50 CDs]

Album Summary

>Chant, Gregorian : Vexilla regis prodeunt, hymn in mode 1 (Liber Usualis 575)
>Chant, Gregorian : Service for Maundy Thursday
>Chant, Gregorian : Service for Good Friday
>Chant, Gregorian : Improperia for the Office for Good Friday
>Chant, Gregorian : Ecce lignum Crucis, antiphon
>Chant, Gregorian : Crucem tuam adoramus, antiphon
>Chant, Gregorian : Cum fabricator mundi, antiphon
>Chant, Gregorian : Pange lingua, hymn
>Suzay, Jehan : Prophilias, un des nobles de Roume, ballade
>Suzay, Jehan : A l'arbe sec puis estre comparé, ballade
>Suzay, Jehan : Pictagoras Jabol et Orpheüs, ballade
>Senleches, Jaquemin de : Je me merveil aucune fois comment - J'ay pluseurs fois pour mon esbatement, ballad
>Senleches, Jaquemin de : En ce gracieux tamps joli, virelai for 3 voices
>Senleches, Jaquemin de : Fuions de ci, fuions, povre compaigne, ballade
>Lange], Guido [de : Dieux gart qui bien le chantera, rondeau for 3 voices
>Lange], Guido [de : Or voit tout en aventure, ballade for 3 voices
>Senleches, Jaquemin de : La harpe de melodie, virelai for 3 voices
>Senleches, Jaquemin de : En attendant esperance conforte, ballade
>Senleches, Jaquemin de : Tel me voit et me regarde, virelai
>Olivier, Johannes : Si con cy gist mon cuer en grief martire, ballade
>Galiot, Johannes : Le Sault perilleux a l'aventure prins, ballade (from the Chantilly Manuscript)
>Galiot, Johannes : En atendant d'avoir la douce vie, rondeau (from the Chantilly Manuscript)
>Anonymous, French : En Albion de fluns environée, ballade
>Anonymous, French : Se j'ay perdu toute ma part, rondeau
>Anonymous, Carmina Burana : In Gedeonis ara, CB 37
>Anonymous, Carmina Burana : Homo qui vigeas, CB 22
>Anonymous, Carmina Burana : Ecce torpet probitas, CB 3
>Anonymous, Carmina Burana : Nomen a sollempnibus, CB 52
>Anonymous, Carmina Burana : Planctus ante nescia
>Anonymous, Carmina Burana : Michi confer, venditor, CB 16
>Anonymous, Carmina Burana : Olim sudor Herculis, CB 63
>Anonymous, Carmina Burana : Procurans odium, CB 12
>Anonymous, Carmina Burana : Dulce solum natalis patrie, CB 119
>Anonymous, Carmina Burana : Axe Phebus aureo, CB 71
>Anonymous, Carmina Burana : Alte clamat Epicurus, CB 211
>Anonymous, Carmina Burana : Exiit dilucolo rustica puella, CB 90
>Anonymous, Carmina Burana : Hiemali Tempore, CB 203
>Anonymous, Carmina Burana : Tempus est iocundum, CB 179
>Anonymous, Llibre Vermell de Montserrat : O Virgo splendens, canon for 3 voices (Llibre Vermell)
>Anonymous, Llibre Vermell de Montserrat : Stella splendens in monte, virelai for 2 voices (Llibre Vermell)
>Anonymous, Llibre Vermell de Montserrat : Laudemus virginem, canon for 3 voices
>Anonymous, Llibre Vermell de Montserrat : Mariam Matrem Virginem, virelai for 3 voices (Llibre Vermell)
>Anonymous, Llibre Vermell de Montserrat : Polorum Regina
>Anonymous, Llibre Vermell de Montserrat : Cuncti simus concanentes
>Anonymous, Llibre Vermell de Montserrat : Splendens ceptigera
>Anonymous, Llibre Vermell de Montserrat : Los Set gotxs recomptarem
>Anonymous, Llibre Vermell de Montserrat : Imperayritz de la Ciutat Joiosa
>Anonymous, Llibre Vermell de Montserrat : Ad Mortem Festinamus, virelai (fol. 26v)
>Anonymous : Feast of Fools
>Anonymous : Kyrie Asini
>Anonymous : Hac in die Salutari
>Anonymous : Verbum Patris Hodie, for chorus
>Sabio, Alfonso el : Cantiga de Santa María 103, Quena Virgen ben servirá
>Anonymous, Codex Las Huelgas : Belial Vocatur
>Anonymous, Codex Las Huelgas : Surrexit de tumulo
>Anonymous : Non e gran causa
>Anonymous, Codex Las Huelgas : Ex Illustri Nata Prosapia
>Anonymous, Codex Las Huelgas : Alpha, bovi, et leoni / [Domino]
>Anonymous, Codex Las Huelgas : Planctus (4)
>Anonymous, Codex Las Huelgas : Verbum bonum et suave
>Anonymous, Codex Las Huelgas : Agnus Dei / Regula Moris
>Anonymous, Codex Las Huelgas : Fa fa mi fa mi re
>Anonymous, Codex Calixtinus : Dum pater familias, chant de pèlerins
>Anonymous, El Escorial Codex J.B.2 San Lorenzo : De grad' á Santa Maria (Cantiga 253)
>Anonymous, Codex Calixtinus : Annua gaudia, Iacobi, conduit
>Anonymous, El Escorial Codex J.B.2 San Lorenzo : Ben Com'aos (Cantiga 49)
>Anonymous, Codex Calixtinus : Regi perhennis glorie, trope de Benedicamus à saint Jacques
>Anonymous, Codex Calixtinus : Nostra phalanx plaudat leta, conduit
>Anonymous, El Escorial Codex J.B.2 San Lorenzo : A Madre de Deus (Cantiga 184)
>Anonymous, Codex Calixtinus : Congaudeant catholici, trope de Benedicamus
>Martin Codax : Cantigas (7) de Amigo, song cycle for voice and accompaniment (music missing from 1 cantiga)
>Machaut, Guillaume de : Je ne cesse de prier ("Lay de la fonteinne"), lai for 3 voices
>Machaut, Guillaume de : Pour ce que plus proprement ("Lay de consolation"), lai for voice
>Wolkenstein, Oswald von : Ain guet geporen edelman
>Wolkenstein, Oswald von : Oben swebt
>Wolkenstein, Oswald von : Frölich zärtlich lieplich
>Wolkenstein, Oswald von : Der mai mit lieber zal
>Wolkenstein, Oswald von : Wol auff wir wellen slauffen
>Wolkenstein, Oswald von : Du ausserweltes schöns mein herz
>Wolkenstein, Oswald von : Frölich geschrai so well wir machen
>Wolkenstein, Oswald von : Ach senliches leiden
>Wolkenstein, Oswald von : Stand auff, Marendel
>Wolkenstein, Oswald von : Grasselick lif
>Wolkenstein, Oswald von : Wach auff mein hort!
>Wolkenstein, Oswald von : Nu huss sprach der Michel von Wolkenstein
>Wolkenstein, Oswald von : Durch Barbarei, Arabia
>Ockeghem, Johannes : Ma bouche rit, chanson for 3 voices
>Ockeghem, Johannes : La despourveue et la bannie, chanson for 3 voices
>Ockeghem, Johannes : D'un aultre amer, chanson for 3 voices
>Anonymous, French : Quant ce viendra, rondeau for 3 voices (attributed to Ockeghem and to Busnois)
>Ockeghem, Johannes : Il me m'en chault plus, chanson for 3 voices
>Ockeghem, Johannes : Presque transi
>Ockeghem, Johannes : Ma maitresse, chanson for 3 voices
>Ockeghem, Johannes : Les desléaux ont la saison, chanson for 3 voices
>Ockeghem, Johannes : Mort, tu as navré/Miserere, motet-chanson for 4 voices
>Ockeghem, Johannes : Quant de vous seul, chanson for 3 voices
>Ockeghem, Johannes : Au travail suis, chanson for 3 voices
>Ockeghem, Johannes : Prenez sur moi vostre exemple
>Ockeghem, Johannes : Fors seulement l'attente
>Ockeghem, Johannes : L'autre d'antan, chanson for 3 voices
>Ockeghem, Johannes : Petite camusette
>Ockeghem, Johannes : O rosa bella
>Ockeghem, Johannes : Tant fuz gentement resjouy
>Ockeghem, Johannes : J'en ay deuil, chanson for 4 voices
>Ockeghem, Johannes : Malheur me bat, rondeau a 3 (doubtful)
>Ockeghem, Johannes : Se vostre cuer eslongne, chanson for 3 voices
>Cornago, Johannes : Que 's mi vida, preguntays, for voice & ensemble
>Ockeghem, Johannes : Que's mi vida preguntays, chanson for 4 voices (by Cornago, arr. Ockeghem)
>Anonymous, French : Ce n'est pas jeu, rondeau for 3 voices (also as "Si mieulx ne vient"; attrib. to Ockeghem and to Hay
>Busnois, Antoine : Resjöis-toy terre de France / Rex pacificus magnificatus est, for 4 voices (attributed)
>Dufay, Guillaume : Departes vous, Malebouche et Envie, rondeau for 3 voices (attributed; also attributed to Ockeghem)
>Ockeghem, Johannes : Ung aultre l'a, chanson for 3 voices
>Ockeghem, Johannes : Aultre Venus estes
>Ockeghem, Johannes : Baisiés moy dont fort, chanson for 3 voices
>Ockeghem, Johannes : Fors seulement contre ce, chanson for 3 voices
>Perugia, Matteo da : Serà quel zorno may, ballata
>Perugia, Matteo da : Dame que j'aym, virelai
>Perugia, Matteo da : Pres du soloil deduissant s'esbanoye, ballade
>Perugia, Matteo da : Dame de honour plesant
>Perugia, Matteo da : Dame souverayne, virelai
>Perugia, Matteo da : Trover Ne Puis
>Perugia, Matteo da : Pour Bel Acueil
>Perugia, Matteo da : Ne me chaut, virelai (Modena Bibl. Estense aM.5.24)
>Perugia, Matteo da : Se je me plaing, ballade
>Perugia, Matteo da : Belle sans per d'haulte douchour paree, virelai
>Perugia, Matteo da : Helas! merci, rondeau (Modena Bibl. Estense aM.5.24)
>Perugia, Matteo da : Già da rete d'amor
>Bornelh, Giraut de : Reis glorios, monophonic alba
>Meaux, Etienne de : Trop est mes Maris Jalos
>Rudel de Blaye, Jaufre : Lanquan il jorn son lonc en may
>Brulé, Gace : Desconfortés, plain de dolor et d'ire, R 1498
>Bastart, Audefroi le : Fine amolurs en esperance
>Ventadorn, Bernart De : Can vei le lauzta mover
>Anonymous, Trouvères : Bele Yolanz en ses chambres seoit, chanson
>Dia, Beatriz de : A chantar m'er de so qu'en no volria, song
>, Teobald I, King of N. : Deus est ensi conme li pellicanz (The Lord is like the pelican)
>Fournival, Richard De : Onques n'amai tant que jou fui amée, rondeau-motet
>Bornelh, Giraut de : Si'us quer conselh, bel ami Alamanda
>Faidit, Gaucelm : Fortz causa es, for consort
>Dufay, Guillaume : Ce moys de may, rondeau for 3 voices
>Dufay, Guillaume : Je n'ay doubté fors que des envieux, rondeau for 3 voices
>Dufay, Guillaume : Se la face ay pale
>Dufay, Guillaume : J'ay grant (dolour), rondeau for 3 voices
>Dufay, Guillaume : Par le regard de vos beaux yeux
>Dufay, Guillaume : Resvelons nous/Alons ent bien tos
>Dufay, Guillaume : Ma belle dame souveraine, rondeau for 4 voices
>Dufay, Guillaume : Trop long temps ai esté en desplaisir, rondeau for 3 voices
>Dufay, Guillaume : Dona i ardenti ray, ballata for 3 voices
>Dufay, Guillaume : Helas, et quant vous veray, rondeau for 3 voices
>Dufay, Guillaume : J'ay mis mon cuer
>Dufay, Guillaume : O tres piteulx, cantilena motet for 4 voices ("Lamentatio sanctae matris ecclesiae Constantinopolita
>Dufay, Guillaume : Hé, compaignons, resvelons nous, rondeau for 4 voices
>Dufay, Guillaume : Puisque celle qui me tient en prison, rondeau for 3 voices
>Dufay, Guillaume : Entre vous, gentils amoureux, rondeau for 3 voices
>Dufay, Guillaume : Mille bonjours je vous presente, rondeau for 3 voices
>Dufay, Guillaume : Je me complains piteusement, ballade for 3 voices
>Dufay, Guillaume : Entre les plus plaines danoy, rondeau for 3 voices
>Dufay, Guillaume : Je vous pri, mon tres doulx ami, chanson for 4 voices
>Dufay, Guillaume : La Belle se siet au pied de la tour, chanson for 3 voices (only cantus II part by Dufay)
>Dufay, Guillaume : Or me veult bien Esperance mentir, ballade for 3 voices ("Portugaler") (doubtful)
>Dufay, Guillaume : J'atendray tant qu'il vous playra, rondeau for 3 voices
>Dufay, Guillaume : Adieu ces bons vins de Lannoys, rondeau for 3 voices
>Dufay, Guillaume : Les douleurs, dont me sens tel somme, rondeau for 4 voices
>Dufay, Guillaume : Belle, veulliés vostre mercy donner, rondeau for 3 voices
>Dufay, Guillaume : C'est bien raison de devoir essaucier
>Desprez, Josquin : Missa di dadi, for 4 parts
>Desprez, Josquin : Missa "Faisant Regretz," for four parts
>Desprez, Josquin : Mon mary ma'a diffamee, song for 3 parts
>Desprez, Josquin : Ce povre mendiant/Pauper sum ego, song for 3 parts
>Desprez, Josquin : De tous biens pleine, motet for 3 parts
>Desprez, Josquin : Fortuna d'un gran tempo, song for 3 parts (poss. spurious)
>Desprez, Josquin : La belle se siet, song for 3 parts
>Desprez, Josquin : Je me, song for 3 parts (poss. spurious)
>Desprez, Josquin : Que vous madame/In pace in idipsum, chanson for 3 parts
>Desprez, Josquin : Cela sans plus, instrumental piece for 3 parts
>Desprez, Josquin : Je n'ose plus, song for 3 parts (text incomplete)
>Desprez, Josquin : Si j'avoye Marion, song for 3 parts
>Desprez, Josquin : En l'ombre d'un buissonnet, Au matinet, song for 4 parts (poss. spurious)
>Desprez, Josquin : Quant je vous voye, song for 3 parts
>Desprez, Josquin : A la mort/Monstra te esse matrem, song for 3 parts
>Desprez, Josquin : La Bernardina, song for 3 parts
>Desprez, Josquin : Fortuna desperata, song for 3 parts (poss. spurious)
>Desprez, Josquin : Si j'ay perdu mon amy, song for 3 parts
>Desprez, Josquin : Helas madame, song for 3 or 4 parts
>Desprez, Josquin : La plus des plus, song for 3 parts
>Desprez, Josquin : Ile fantazies de Joskin, for instruments for 3 parts
>Desprez, Josquin : Entree suis en grant pensee, song for 3 parts
>Desprez, Josquin : En l'ombre d'un buissonnet, Tout au long, song for 3 parts
>Isaac, Heinrich : Fille, vous avez mal gardé, chanson for 4 voices (also known as "Wie sol ich mich")
>Isaac, Heinrich : Par ung jour de matinee, chanson for 4 voices (also known as "Hab mich lieb")
>Isaac, Heinrich : Et qui le dira
>Isaac, Heinrich : Helas que devera, chanson for 3 voices
>Isaac, Heinrich : Maudit soyt, chanson for 4 voices
>Isaac, Heinrich : J'ay pris amours, chanson for 3 voices
>Isaac, Heinrich : Je ne puis vivre a mon aise, chanson for 4 voices
>Isaac, Heinrich : Le serviteur, song for 3 voices (after DuFay)
>Isaac, Heinrich : Mon père m'a donné mari, chanson for 4 voices
>Anonymous, German : Et ie boi d'autant, chanson (attrib. Heinrich Isaac)
>Isaac, Heinrich : Donna di dentro/Dammene up pocho/Fortuna d'un gran tempo, song for 4 voices
>Isaac, Heinrich : Fortuna desperata, song for 3 voices
>Isaac, Heinrich : Ne più bella di queste, song for 4 voices
>Isaac, Heinrich : Hor'è di maggio, song for 4 voices (incomplete)
>Isaac, Heinrich : La martinella, song for 3 voices
>Isaac, Heinrich : Un di lieto giammai, song for 3 voices
>Isaac, Heinrich : La morra
>Isaac, Heinrich : Es het ein Baur ein Töchterlein, song for 4 voices
>Isaac, Heinrich : O Venus bant, chanson for 3 voices
>Isaac, Heinrich : Innsbruck, ich muß dich lassen (ii), song for 4 voices
>Isaac, Heinrich : Ain frewlich Wesen, song for 4 voices
>Isaac, Heinrich : Mich wundert hart, song for 4 voices
>Isaac, Heinrich : Zwischen Berg und tieffem Tal, song for 4 voices
>Isaac, Heinrich : Wann ich des Morgens, song for 4 voices
>Isaac, Heinrich : Der Hundt, song for 3 voices
>Isaac, Heinrich : Greiner, Zancker, Schnöpffitzer, song for 4 voices
>Tromboncino, Bartolomeo : Ave, Maria, gratia plena, for voice & lute
>Tromboncino, Bartolomeo : Se ben hor non scopro el foco
>Tromboncino, Bartolomeo : Che debb'io fare
>Tromboncino, Bartolomeo : Non val aqua al mio gran foco
>Tromboncino, Bartolomeo : Ite in pace, for 4 voices
>Tromboncino, Bartolomeo : A la guerra
>Tromboncino, Bartolomeo : Si è debil filo, for accompanied voice
>Tromboncino, Bartolomeo : O sacrum convivium
>Tromboncino, Bartolomeo : Ave Maria regina
>Tromboncino, Bartolomeo : Deh sì deh no deh si, for accompanied voice
>Tromboncino, Bartolomeo : Bench'el ciel me t'habbi tolto, for 4 voices
>Tromboncino, Bartolomeo : Ostinato vo'seguire for voice & ensemble
>Tromboncino, Bartolomeo : Hor che'l ciel e la terra
>Tromboncino, Bartolomeo : Stavasi amor dormendo soto a un fagio
>Tromboncino, Bartolomeo : Vale diva, vale in pace
>Tromboncino, Bartolomeo : Virgine belle, for vocal ensemble
>Cordiforme, Anonymous, C. : Hora gridar 'oimè
>Cordiforme, Anonymous, C. : Ben lo sa dio
>Dufay, Guillaume : Dona gentile, bella come l'oro, rondeau for 3 voices
>Bedyngham, Johannes : Gentil madonna
>Cordiforme, Anonymous, C. : Chiara fontana
>Cordiforme, Anonymous, C. : O pelegrina luce
>Cordiforme, Anonymous, C. : O rosa bella (Chansonnier Cordiforme no 7)
>Cordiforme, Anonymous, C. : La gracia de voi
>Cordiforme, Anonymous, C. : Perla mia cara
>Cordiforme, Anonymous, C. : Mort mercé
>Cordiforme, Anonymous, C. : Finir voglio la mia vita
>Cordiforme, Anonymous, C. : O meschin inamorati
>Cordiforme, Anonymous, C. : Comme ung homme desconforté
>Regis, Johannes : S'il vous plaist que vostre je soye
>Traditional, French : L'Autre jour par un matin, song
>Anonymous, French : J'ay pris amours à 3
>Ghizeghem, Hayne van : De tous biens plaine
>Busnois, Antoine : J'ay mayns de bien, virelai for 3 voices
>Dufay, Guillaume : Vostre bruit et vostre grant fame, rondeau for 3 voices
>Busnois, Antoine : Cent mille escus quant je vouldroye, rondeau for 3/4 voices (also attrib. to P.Caron)
>Morton, Robert : Le Souvenir de vous me tue, for 3 voices
>Barbingant : L' Omme Banni de Sa Plaisance, for 3 voices
>Morton, Robert : N'aray je jamais mieulx que j'ay
>Dufay, Guillaume : Le serviteur hault guerdonné, rondeau for 3 voices
>Vincenet, Johannes : Fortune par ta cruaulté
>Busnois, Antoine : Est-il merci, rondeau for 3 voices
>Cordiforme, Anonymous, C. : Comme femme desconfortee
>Frye, Walter : Tout a par moy
>Bedyngham, Johannes : Mon seul plaisier
>Cordiforme, Anonymous, C. : Ma bouche plaint
>Cordiforme, Anonymous, C. : Vray dieu d'amours
>Cordiforme, Anonymous, C. : Helas je n'ay pas osé dire
>Cordiforme, Anonymous, C. : Or ay je perdu
>Cordiforme, Anonymous, C. : Adieu vous dy
>Cordiforme, Anonymous, C. : Terriblement suis fortunee
>Cordiforme, Anonymous, C. : De mon pouvoir vous veul complaire
>Cordiforme, Anonymous, C. : Helas n'aray je jamais mieulx
>Cordiforme, Anonymous, C. : Quant du dire adieu
>Dufay, Guillaume : Je ne vis onques la pareille, rondeau for 3 voices (attributed; also attrib. to Binchois)
>Cordiforme, Anonymous, C. : Faites moy sçavoir de la belle
>Bedyngham, Johannes : Mi verry joy
>Bedyngham, Johannes : O rosa bella
>Bedyngham, Johannes : Le serviteur
>Bedyngham, Johannes : Myn hertis lust
>Dunstable, John : Durer ne puis, rondeau for 3 voices, MB 64 (also attrib. to Bedyngham)
>Bedyngham, Johannes : Fortune alas
>Bedyngham, Johannes : Say bylle to hir
>Dunstable, John : Puisque m'amour, MB 55
>Dunstable, John : Je languis
>Dunstable, John : I pray you alle
>Dunstable, John : O rosa bella, ballata for 3-6 voices, MB 54 (poss. by Bedyngham)
>Frye, Walter : Alas, alas is my chief song
>Frye, Walter : Watlin frew
>Frye, Walter : So ys emprentid
>Lassus, Orlando de : Lagrime di S Pietro (Tansillo), madrigal for 7 voices, H. xx
>Marini, Biagio : Le Lagrime d'Erminia, recitative for voice and guitar (or harpsichord), Op. 6
>Holborne, Anthony : Pavan for viol consort (Pavans, Galliards, Almains no 11)
>Holborne, Anthony : Galliard for viol consort (no 12, Pavans and Galliards)
>Holborne, Anthony : Heres Paternus for viol consort
>Holborne, Anthony : Muy Linda, for viol consort
>Holborne, Anthony : Pavans, Galliards, Almaines (65)
>Holborne, Anthony : Galliard for viol consort (Pavans, Galliards, Almains no 22)
>Holborne, Anthony : Pavan "Paradizo"
>Holborne, Anthony : Image of Melancholy
>Holborne, Anthony : Pavana Ploravit
>Holborne, Anthony : Sic semper soleo
>Holborne, Anthony : Pavan "The Funerals"
>Holborne, Anthony : Galliard for viol consort (no 32, Pavans and Galliards)
>Holborne, Anthony : Almayne (56) for consort
>Holborne, Anthony : As it fell on a holy eve
>Holborne, Anthony : Heigh-ho holyday
>Pickett, Philip : Fanfare, for ensemble (after Susato's "La Morisque")
>Susato, Tylman : Dansereye
>Susato, Tylman : Het derde musyck boexken...alderhande danserye
>Susato, Tylman : Ronde 'Pour quoy'
>Susato, Tylman : Het derde musyck boexken...alderhande denserye
>Susato, Tylman : Ronde 3
>Susato, Tylman : Ronde 4 (from Dansereye)
>Susato, Tylman : Ronde, "Wo Bistu"
>Susato, Tylman : Dont vient céla, Bergerette
>Susato, Tylman : De post
>Susato, Tylman : Branle quatre branles (Danserye)
>Susato, Tylman : Fagott for winds
>Susato, Tylman : Hoboecken Dans
>Susato, Tylman : Allemaingne & Recoupe (Danserye)
>Susato, Tylman : Allemaingne 2 (from Dansereye)
>Susato, Tylman : Allemaingne 3 (from Dansereye)
>Susato, Tylman : Allemaingne 5 (from Dansereye)
>Susato, Tylman : Allemaingne 6 (from Dansereye)
>Susato, Tylman : Allemaingne 7 (from Dansereye)
>Susato, Tylman : Allemaingne 8 & Recoupes (2) (from Dansereye)
>Susato, Tylman : Bergerette (La Brosse) (from Dansereye)
>Susato, Tylman : Pavane "Mille Regretz," for renaissance ensemble (from Danseyre)
>Susato, Tylman : Gaillarde 2 (from Dansereye)
>Susato, Tylman : Gaillarde 11 (from Dansereye)
>Susato, Tylman : Gaillarde 9 (from Dansereye)
>Susato, Tylman : Gaillarde 4 (from Dansereye)
>Susato, Tylman : Gaillarde 7 (from Dansereye)
>Susato, Tylman : Gaillarde Mille ducas
>Susato, Tylman : Gaillarde 3 (from Dansereye)
>Susato, Tylman : Gaillarde 15 ("Le Tout") (from Dansereye)
>Susato, Tylman : Basse Danse no 8, "Danse du Roy"
>Susato, Tylman : Entree du Fol
>Holborne, Anthony : My heavy sprite
>Martin, Richard : Change thy mind since she doth change, song (no 2 in the collection A Musicall Banquet)
>Hales, Robert : O Eyes, leave off your weeping
>Anonymous, English : Go, my flock, go get you hence, song (no 4 in the collection A Musicall Banquet)
>Traditional, English : Oh, Dear! What Can the Matter Be?, folk song
>Bacheler, Daniel : To plead my faith
>Tessier, Guillaume : In a grove most rich of shade, song (no 7 in the collection A Musicall Banquet)
>Dowland, John [Composer] : Far from the triumphing court, for voice, lute & bass viol (A Musicall Banquet)
>Dowland, John [Composer] : Lady if you so spite me, for voice, lute & bass viol (A Musical Banquet)
>Dowland, John [Composer] : In darkness let me dwell, for voice, lute & bass viol (A Musicall Banquet)
>Guédron, Pierre : Si le parler et le silence, chanson
>Guédron, Pierre : Ce penser qui sans fin tirannise ma vie, chanson
>Guédron, Pierre : Vous que le Bonheur rappelle, chanson
>Anonymous, Italian : Passava amor su arco desarmado
>Anonymous, Italian : Sta notte mi sognava
>Anonymous, Spanish : Vuestros ojos tienen d'amor
>Melli, Domenico Maria : Se di farmi morire, voce e liuto
>Caccini, Giulio : Dovrò dunque morire, song for voice & continuo or lute
>Caccini, Francesca : Amarilli mia bella
>Anonymous, Italian : O bella più che le stelle
>Gesualdo, Carlo : Madrigals for 5 voices, Book 5
>Morley, Thomas [Composer] : Arise, awake, you silly shepherds sleeping, madrigal for 5 voices
>Morley, Thomas [Composer] : Besides a fountain, madrigal for 4 voices
>Morley, Thomas [Composer] : No, no, Nigella, madrigal for 5 voices
>Morley, Thomas [Composer] : Singing alone satte my sweet Amarillis, madrigal for 5 voices
>Morley, Thomas [Composer] : With my love my life was nestled, song for voice with lute & bass viol
>Morley, Thomas [Composer] : Mistresse mine, well may you fare (O Mistress Mine), song for voice with lute & bass viol
>Morley, Thomas [Composer] : Stay, hart, runneth not so fast, madrigal for 6 voices
>Morley, Thomas [Composer] : Fyre and lightning from heaven, madrigal for 2 voices
>Morley, Thomas [Composer] : Phillis, I faine wold die now, madrigal for 7 voices
>Morley, Thomas [Composer] : Hard by a cristall fountaine, madrigal for 6 voices
>Morley, Thomas [Composer] : In every place, madrigal for 4 voices
>Morley, Thomas [Composer] : O griefe, even on the bud, madrigal for 5 voices
>Morley, Thomas [Composer] : Absence, hear thou my protestation, song for voice with lute & bass viol
>Morley, Thomas [Composer] : Deep lamenting, grief bewraying, madrigal for 3 voices
>Morley, Thomas [Composer] : Sleepe slumbring eyes, song for voice with lute & bass viol
>Morley, Thomas [Composer] : Harke; Alleluia cheerely, madrigal for 6 voices
>Wilbye, John [Composer] : Weep, Weep, Mine Eyes, My Heart Can Take No Rest, madrigal
>Wilbye, John [Composer] : Lady, when I behold, madrigal (no 10, The First Set of English Madrigals)
>Wilbye, John [Composer] : Thus Saith My Cloris Bright, madrigal
>Wilbye, John [Composer] : Adieu, sweet Amaryllis, madrigal (no 12, The First Set of English Madrigals)
>Wilbye, John [Composer] : Die hapless man (First Set of English Madrigals, no 13)
>Wilbye, John [Composer] : Lady, Your Words Do Spite Me, madrigal
>Wilbye, John [Composer] : Alas! what a wretched life (First Set of English Madrigals, no 19)
>Wilbye, John [Composer] : Lady, when I behold (First Set of English Madrigals, no 24)
>Wilbye, John [Composer] : When shall my wretched life (First Set of English Madrigals, no 25)
>Wilbye, John [Composer] : Of joys and pleasing pains (First Set of English Madrigals, no 26)
>Wilbye, John [Composer] : My throat is sore (First Set of English Madrigals, no 27)
>Wilbye, John [Composer] : Cruell, Behold My Heavie Ending, madrigal
>Wilbye, John [Composer] : Thou art but young, thou saye'st (First Set of English Madrigals, no 29)
>Wilbye, John [Composer] : Why dost thou shoot? (First Set of English Madrigals, no 30)
>Wilbye, John [Composer] : Sweet Hony Sucking Bees, madrigal
>Wilbye, John [Composer] : Yet sweet, take heed (Second Set of English Madrigals, no 18)
>Wilbye, John [Composer] : Ye That Do Live in Pleasures Plenty, madrigal
>Wilbye, John [Composer] : O Wretched Man, madrigal
>Wilbye, John [Composer] : Ah, Cannot Sighs, Nor Tears, Nor Aught Else Move Thee, madrigal
>Wilbye, John [Composer] : Draw On, Sweet Night, Best Friend unto Those Cares, madrigal
>Wilbye, John [Composer] : Stay, Corydon, Thou Swain, madrigal
>Wilbye, John [Composer] : Softly, O softly drop my eyes (Second Set of English Madrigals, no 33)
>Gabrieli, Giovanni : Magnificat for 14 voices
>Gabrieli, Giovanni : Intonationi d'organo
>Gabrieli, Giovanni : Quem vidistis pastores, motet for 14 voices
>Gabrieli, Giovanni : Buccinate in neomenia tuba
>Gabrieli, Giovanni : Symphoniae sacrae, Book 2
>Gabrieli, Giovanni : Jubilate Deo a 10
>Gabrieli, Giovanni : Magnificat a 33
>Gabrieli, Giovanni : Surrexit Christus, motet for 11 voices
>Gabrieli, Giovanni : Magnificat for 17 voices
>Coprario, Giovanni : Funeral Teares, for 1-2 voices, lute & bass viol
>Coprario, Giovanni : Work(s)
>Gibbons, Orlando : The First Set of Madrigals and Mottets, apt for Viols and Voyces, for 5 voices
>Byrd, William : Psalmes, Sonets and Songs
>Farnaby, Giles [Composer] : The Old Spagnoletta (Fitzwilliam Virginal Book), for keyboard
>Bull, John : Galliard for keyboard, "Regina"
>Marenzio, Luca : Work(s)
>Weelkes, Thomas : On the plains Fairy traines, madrigal for 5 voices
>Johnson, John : Flat Pavan and Galliard for 2 lutes
>Weelkes, Thomas : Sweet hart arise, madrigal for 5 voices
>Weelkes, Thomas : Welcome sweet pleasure, madrigal for 5 voices
>Johnson, John : Greensleeves for consort
>Ravenscroft, Thomas : Tomorrow the Fox Will Come to Town
>Bull, John : Pavan for keyboard "Spanish Paven"
>Bull, John : Coranto for keyboard, "Alarm"
>Bull, John : Coranto for keyboard, "Battle"
>Byrd, William : I joy not in no earthly bliss, consort song for voice & 4 viols
>Holborne, Anthony : Work(s)
>Holborne, Anthony : Mr. Holborn's Last Will and Testament
>Holborne, Anthony : Tinternell for lute
>Anonymous : Martyn Said to His Man
>Anonymous, English : The Baffled Knight, song
>Byrd, William : O God, give ear
>Byrd, William : O Lord, how long wilt thou forget?, anthem for 5 voices
>Byrd, William : If women could be fair
>Byrd, William : What pleasure have great princes?, madrigal for 5 voices (SATBB)
>Byrd, William : In fields abroad, consort song for voice & 4 viols
>Byrd, William : The match that's made, madrigal for 5 voices
>Byrd, William : All as a sea, madrigal for 5 voices
>Byrd, William : Susanna fair, song for voice & 4 viols
>Byrd, William : Care for thy soul, anthem for 5 voices
>Byrd, William : Lullaby
>Byrd, William : O that most rare breast, song for voice & 4 viols
>Byrd, William : Prelude and Ground a 5
>Byrd, William : In Nomine a 5, for instrumental consort no 4
>Byrd, William : Fantasia a 4, for instrumental consort in G minor
>Byrd, William : Browning a 5, for instrumental consort ("The Leaves Bee Greene")
>Byrd, William : Fantasia a 4, for instrumental consort in A minor (incomplete)
>Byrd, William : In Nomine a 5, for instrumental consort no 2
>Byrd, William : Fantasia a 6, for instrumental consort no 3 in G minor
>Byrd, William : Pavan and Galliard a 6 in C major
>Byrd, William : Fantasia a 3, for instrumental consort no 2 in C major
>Byrd, William : Fantasia a 5, for instrumental consort in C major
>Byrd, William : Work(s)
>Byrd, William : Christe Redemptor a 4
>Byrd, William : Fantasia a 6, for instrumental consort no 2 in G minor
>Byrd, William : Pavan & Galliard, for keyboard, Nos. 4a/4b, MB 4
>Byrd, William : Qui passe for my Lady Nevell, MB 19
>Byrd, William : The Battle, for keyboard, MB 94
>Byrd, William : Sellinger's Round, variations for keyboard, MB 84
>Byrd, William : Alman (Monsieur's Alman), for keyboard in C major, MB 44
>Byrd, William : Hugh Aston's Ground, for keyboard, MB 20
>Byrd, William : Galliard Jig, for keyboard, MB 18
>Byrd, William : Ground ("The seconde grownde"), for keyboard in C major, MB 42
>Byrd, William : Pavan ("Echo") & Galliard, for keyboard in G major no 5, MB 114 (doubtful)
>Byrd, William : The Carman's Whistle, air & variations for keyboard, MB 36
>Byrd, William : Fantasia (Voluntary for my Lady Neville), for keyboard in G major, MB 61
>Byrd, William : My Lady Nevell's Ground, for keyboard, MB 57
>Byrd, William : Will you walk the woods so wylde
>Byrd, William : Walsingham, variations for keyboard, MB 8
>Book, Anonymous, C. L. : Mall Symms, for lute
>Robinson, Thomas : Spanish Pavan for lute
>Book, Anonymous, C. L. : John Come Kiss Me Now, for lute
>Dowland, John [Composer] : Work(s)
>Dowland, John [Composer] : Lachrimae Pavan, for keyboard or lute (from "Lachrimae")
>Dowland, John [Composer] : The Frog Galliard, for lute, P 23
>Bacheler, Daniel : Work(s)
>Book, Anonymous, C. L. : Prelude for lute no 6
>Romanus, Laurencinus : Fantasia for lute (from the Cosens Lute Book)
>Romanus, Laurencinus : Exercitium, for lute (from the Cosens Lute Book)
>Danyel, John : Mistress Anne Grene Her Leaves Be Greene
>Book, Anonymous, C. L. : Paven for lute
>Smyth, Thomas : Work(s)
>Hollis, W. : John Bluedevills last farewell, for lute (from the Cosens Lute Book)
Performers Conductors Ensembles Composers

Notes & Reviews:

This final L'Oiseau-Lyre set presents some of the most significant Medieval & Renaissance albums recorded by one of the most authoritative Early Music labels. Ranging from Anonymous 13th century hymns to Dowland's Lachrimae, the works explored in this 50CD, limited edition collection represent the dawn of the Western Music Tradition. Included are 6 albums new to CD, plus a 200-page booklet featuring historical overviews of the recorded works and a history of the label.

Notes & Reviews:

Includes work(s) by Anonymous, El Escorial Codex J.B.2 San Lorenzo.



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Works Details

>Chant, Gregorian : Vexilla regis prodeunt, hymn in mode 1 (Liber Usualis 575)
  • Ensemble: Consort of Musicke
  • Running Time: 3 min. 58 sec.
  • Period Time: Medieval

>Chant, Gregorian : Service for Maundy Thursday
  • Ensemble: Medieval Ensemble of London
  • Running Time: 3 min. 56 sec.
  • Period Time: Renaissance

>Chant, Gregorian : Service for Good Friday
  • Ensemble: New London Consort
  • Running Time: 5 min. 41 sec.
  • Period Time: Medieval
  • Form: Choral

>Chant, Gregorian : Improperia for the Office for Good Friday
  • Running Time: 6 min. 41 sec.
  • Period Time: Medieval
  • Form: Choral

>Chant, Gregorian : Ecce lignum Crucis, antiphon
  • Running Time: 1 min. 48 sec.
  • Period Time: Medieval
  • Form: Choral

>Chant, Gregorian : Crucem tuam adoramus, antiphon
  • Period Time: Medieval
  • Form: Choral

>Chant, Gregorian : Cum fabricator mundi, antiphon
  • Running Time: 4 min. 30 sec.
  • Period Time: Medieval
  • Form: Choral

>Chant, Gregorian : Pange lingua, hymn
  • Running Time: 12 min. 52 sec.
  • Period Time: Medieval

>Suzay, Jehan : Prophilias, un des nobles de Roume, ballade
  • Performers: Rogers Covey-Crump (Tenor); Paul Elliot; Margaret Philpot (Alto)
  • Ensemble: Medieval Ensemble of London
  • Running Time: 2 min. 16 sec.
  • Period Time: Medieval

>Suzay, Jehan : A l'arbe sec puis estre comparé, ballade
  • Performers: Rogers Covey-Crump (Tenor); Paul Elliot; Margaret Philpot (Alto)
  • Ensemble: Medieval Ensemble of London
  • Running Time: 1 min. 28 sec.
  • Period Time: Medieval

>Suzay, Jehan : Pictagoras Jabol et Orpheüs, ballade
  • Performers: Rogers Covey-Crump (Tenor); Paul Elliot; Margaret Philpot (Alto)
  • Ensemble: Medieval Ensemble of London
  • Running Time: 3 min. 27 sec.
  • Period Time: Medieval
  • Written: after 1350

>Senleches, Jaquemin de : Je me merveil aucune fois comment - J'ay pluseurs fois pour mon esbatement, ballad
  • Performers: Rogers Covey-Crump (Tenor); Paul Elliot; Margaret Philpot (Alto)
  • Ensemble: Medieval Ensemble of London
  • Running Time: 3 min. 43 sec.
  • Period Time: Medieval

>Senleches, Jaquemin de : En ce gracieux tamps joli, virelai for 3 voices
  • Performers: Rogers Covey-Crump (Tenor); Paul Elliot; Margaret Philpot (Alto)
  • Ensemble: Medieval Ensemble of London
  • Running Time: 2 min. 13 sec.
  • Period Time: Medieval
  • Written: circa 1385

>Senleches, Jaquemin de : Fuions de ci, fuions, povre compaigne, ballade
  • Performers: Rogers Covey-Crump (Tenor); Paul Elliot; Margaret Philpot (Alto)
  • Ensemble: Medieval Ensemble of London
  • Running Time: 3 min. 9 sec.
  • Period Time: Medieval
  • Written: after 1382

>Lange], Guido [de : Dieux gart qui bien le chantera, rondeau for 3 voices
  • Performers: Rogers Covey-Crump (Tenor); Paul Elliot; Margaret Philpot (Alto)
  • Ensemble: Medieval Ensemble of London
  • Running Time: 7 min. 33 sec.
  • Period Time: Baroque
  • Written: circa 1370

>Lange], Guido [de : Or voit tout en aventure, ballade for 3 voices
  • Performers: Rogers Covey-Crump (Tenor); Paul Elliot; Margaret Philpot (Alto)
  • Ensemble: Medieval Ensemble of London
  • Running Time: 3 min. sec.
  • Period Time: Baroque
  • Written: circa 1370

>Senleches, Jaquemin de : La harpe de melodie, virelai for 3 voices
  • Performers: Rogers Covey-Crump (Tenor); Paul Elliot; Margaret Philpot (Alto)
  • Ensemble: Medieval Ensemble of London
  • Running Time: 3 min. 35 sec.
  • Period Time: Medieval

>Senleches, Jaquemin de : En attendant esperance conforte, ballade
  • Performers: Rogers Covey-Crump (Tenor); Paul Elliot; Margaret Philpot (Alto)
  • Ensemble: Medieval Ensemble of London
  • Running Time: 3 min. 42 sec.
  • Period Time: Medieval

>Senleches, Jaquemin de : Tel me voit et me regarde, virelai
  • Performers: Rogers Covey-Crump (Tenor); Paul Elliot; Margaret Philpot (Alto)
  • Ensemble: Medieval Ensemble of London
  • Running Time: 3 min. 19 sec.
  • Period Time: Medieval

>Olivier, Johannes : Si con cy gist mon cuer en grief martire, ballade
  • Performers: Rogers Covey-Crump (Tenor); Paul Elliot; Margaret Philpot (Alto)
  • Ensemble: Medieval Ensemble of London
  • Running Time: 1 min. 57 sec.
  • Period Time: Medieval

>Galiot, Johannes : Le Sault perilleux a l'aventure prins, ballade (from the Chantilly Manuscript)
  • Performers: Rogers Covey-Crump (Tenor); Paul Elliot; Margaret Philpot (Alto)
  • Ensemble: Medieval Ensemble of London
  • Running Time: 2 min. 2 sec.
  • Period Time: Medieval

>Galiot, Johannes : En atendant d'avoir la douce vie, rondeau (from the Chantilly Manuscript)
  • Performers: Rogers Covey-Crump (Tenor); Paul Elliot; Margaret Philpot (Alto)
  • Ensemble: Medieval Ensemble of London
  • Running Time: 7 min. 25 sec.
  • Period Time: Medieval

>Anonymous, French : En Albion de fluns environée, ballade
  • Performers: Rogers Covey-Crump (Tenor); Paul Elliot; Margaret Philpot (Alto)
  • Ensemble: Medieval Ensemble of London
  • Running Time: 2 min. 51 sec.
  • Period Time: Medieval
  • Written: after 1350

>Anonymous, French : Se j'ay perdu toute ma part, rondeau
  • Performers: Rogers Covey-Crump (Tenor); Paul Elliot; Margaret Philpot (Alto)
  • Ensemble: Medieval Ensemble of London
  • Running Time: 9 min. 6 sec.
  • Period Time: Medieval

>Anonymous, Carmina Burana : In Gedeonis ara, CB 37
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 4 min. 25 sec.

>Anonymous, Carmina Burana : Homo qui vigeas, CB 22
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 3 min. 43 sec.
  • Period Time: Renaissance

>Anonymous, Carmina Burana : Ecce torpet probitas, CB 3
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 7 min. 11 sec.

>Anonymous, Carmina Burana : Nomen a sollempnibus, CB 52
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 4 min. 32 sec.
  • Period Time: Renaissance

>Anonymous, Carmina Burana : Planctus ante nescia
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 10 min. 42 sec.

>Anonymous, Carmina Burana : Michi confer, venditor, CB 16
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 2 min. 48 sec.

>Anonymous, Carmina Burana : Olim sudor Herculis, CB 63
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 9 min. 33 sec.
  • Period Time: Renaissance

>Anonymous, Carmina Burana : Procurans odium, CB 12
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 1 min. 54 sec.

>Anonymous, Carmina Burana : Dulce solum natalis patrie, CB 119
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 5 min. 27 sec.
  • Period Time: Renaissance

>Anonymous, Carmina Burana : Axe Phebus aureo, CB 71
  • Performer: Catherine Bott
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 3 min. 23 sec.
  • Period Time: Renaissance

>Anonymous, Carmina Burana : Alte clamat Epicurus, CB 211
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 6 min. 3 sec.
  • Period Time: Renaissance

>Anonymous, Carmina Burana : Exiit dilucolo rustica puella, CB 90
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 1 min. 53 sec.

>Anonymous, Carmina Burana : Hiemali Tempore, CB 203
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 3 min. 45 sec.
  • Period Time: Renaissance

>Anonymous, Carmina Burana : Tempus est iocundum, CB 179
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 3 min. 14 sec.
  • Period Time: Renaissance

>Anonymous, Llibre Vermell de Montserrat : O Virgo splendens, canon for 3 voices (Llibre Vermell)
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 7 min. 13 sec.

>Anonymous, Llibre Vermell de Montserrat : Stella splendens in monte, virelai for 2 voices (Llibre Vermell)
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 7 min. 34 sec.

>Anonymous, Llibre Vermell de Montserrat : Laudemus virginem, canon for 3 voices
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 5 min. 13 sec.

>Anonymous, Llibre Vermell de Montserrat : Mariam Matrem Virginem, virelai for 3 voices (Llibre Vermell)
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 4 min. 42 sec.
  • Period Time: Medieval
  • Form: Vocal
  • Written: circa 13th Century

>Anonymous, Llibre Vermell de Montserrat : Polorum Regina
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 2 min. 31 sec.
  • Period Time: Renaissance
  • Form: Vocal
  • Written: circa 13th Century

>Anonymous, Llibre Vermell de Montserrat : Cuncti simus concanentes
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 9 min. 32 sec.

>Anonymous, Llibre Vermell de Montserrat : Splendens ceptigera
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 5 min. 6 sec.

>Anonymous, Llibre Vermell de Montserrat : Los Set gotxs recomptarem
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 10 min. 46 sec.

>Anonymous, Llibre Vermell de Montserrat : Imperayritz de la Ciutat Joiosa
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 10 min. 36 sec.

>Anonymous, Llibre Vermell de Montserrat : Ad Mortem Festinamus, virelai (fol. 26v)
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 5 min. 59 sec.
  • Written: circa 13th Century

>Anonymous : Feast of Fools
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Period Time: Medieval

>Anonymous : Kyrie Asini
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 1 min. 29 sec.
  • Period Time: Medieval

>Anonymous : Feast of Fools
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Period Time: Medieval

>Anonymous : Hac in die Salutari
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 1 min. 30 sec.

>Anonymous : Feast of Fools
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Period Time: Medieval

>Anonymous : Verbum Patris Hodie, for chorus
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 2 min. 14 sec.
  • Period Time: Medieval
  • Written: 13th Century

>Anonymous : Feast of Fools
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Period Time: Medieval

>Sabio, Alfonso el : Cantiga de Santa María 103, Quena Virgen ben servirá
  • Performer: Catherine Bott
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 8 min. 21 sec.
  • Period Time: Medieval
  • Written: 1280-1283

>Anonymous, Codex Las Huelgas : Belial Vocatur
  • Performer: Catherine Bott
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 2 min. 10 sec.
  • Period Time: Medieval
  • Form: Choral

>Anonymous, Codex Las Huelgas : Surrexit de tumulo
  • Performer: Catherine Bott
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 1 min. 36 sec.
  • Period Time: Medieval
  • Form: Choral

>Anonymous : Non e gran causa
  • Performer: Catherine Bott
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 9 min. 51 sec.
  • Period Time: Renaissance

>Anonymous, Codex Las Huelgas : Ex Illustri Nata Prosapia
  • Performer: Catherine Bott
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 2 min. 1 sec.

>Anonymous, Codex Las Huelgas : Alpha, bovi, et leoni / [Domino]
  • Performer: Catherine Bott
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 1 min. 53 sec.

>Anonymous, Codex Las Huelgas : Planctus (4)
  • Performer: Catherine Bott
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 14 min. 22 sec.

>Anonymous, Codex Las Huelgas : Verbum bonum et suave
  • Performer: Catherine Bott
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 3 min. 41 sec.
  • Period Time: Contemporary
  • Form: Choral

>Anonymous, Codex Las Huelgas : Agnus Dei / Regula Moris
  • Performer: Catherine Bott
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 3 min. 1 sec.

>Anonymous, Codex Las Huelgas : Fa fa mi fa mi re
  • Performer: Catherine Bott
  • Conductor: Philip Pickett
  • Ensemble: New London Consort

>Anonymous, Codex Calixtinus : Dum pater familias, chant de pèlerins
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 5 min. 28 sec.

>Anonymous, El Escorial Codex J.B.2 San Lorenzo : De grad' á Santa Maria (Cantiga 253)
  • Performer: Catherine Bott
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 17 min. 27 sec.

>Anonymous, Codex Calixtinus : Annua gaudia, Iacobi, conduit
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 3 min. 9 sec.

>Anonymous, El Escorial Codex J.B.2 San Lorenzo : Ben Com'aos (Cantiga 49)
  • Performer: Catherine Bott
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 7 min. 46 sec.

>Anonymous, Codex Calixtinus : Regi perhennis glorie, trope de Benedicamus à saint Jacques
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 4 min. 38 sec.

>Anonymous, Codex Calixtinus : Nostra phalanx plaudat leta, conduit
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 3 min. 19 sec.

>Anonymous, El Escorial Codex J.B.2 San Lorenzo : A Madre de Deus (Cantiga 184)
  • Performer: Catherine Bott
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 6 min. 47 sec.

>Anonymous, Codex Calixtinus : Congaudeant catholici, trope de Benedicamus
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Notes: Composition written: Spain.
  • Running Time: 4 min. 47 sec.
  • Period Time: Medieval

>Martin Codax : Cantigas (7) de Amigo, song cycle for voice and accompaniment (music missing from 1 cantiga)
  • Performer: Catherine Bott
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 12 min. 26 sec.
  • Period Time: Medieval
  • Form: Vocal
  • Written: 13th Century

>Anonymous, Codex Calixtinus : Dum pater familias, chant de pèlerins
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 5 min. 28 sec.

>Machaut, Guillaume de : Je ne cesse de prier ("Lay de la fonteinne"), lai for 3 voices
  • Ensemble: Medieval Ensemble of London
  • Running Time: 2 min. 3 sec.
  • Period Time: Medieval
  • Written: 13th Century

>Machaut, Guillaume de : Pour ce que plus proprement ("Lay de consolation"), lai for voice
  • Ensemble: Medieval Ensemble of London
  • Running Time: 1 min. 24 sec.
  • Period Time: Medieval
  • Written: 13th Century

>Wolkenstein, Oswald von : Ain guet geporen edelman
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 7 min. 53 sec.
  • Period Time: Medieval

>Wolkenstein, Oswald von : Oben swebt
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 8 min. 38 sec.
  • Period Time: Medieval

>Wolkenstein, Oswald von : Frölich zärtlich lieplich
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 3 min. 48 sec.
  • Period Time: Medieval

>Wolkenstein, Oswald von : Der mai mit lieber zal
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 2 min. 47 sec.
  • Period Time: Medieval

>Wolkenstein, Oswald von : Wol auff wir wellen slauffen
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 3 min. 27 sec.
  • Period Time: Medieval

>Wolkenstein, Oswald von : Du ausserweltes schöns mein herz
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 5 min. 32 sec.
  • Period Time: Medieval
  • Form: Vocal

>Wolkenstein, Oswald von : Frölich geschrai so well wir machen
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 1 min. 44 sec.
  • Period Time: Medieval
  • Form: Vocal

>Wolkenstein, Oswald von : Ach senliches leiden
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 3 min. 1 sec.
  • Period Time: Medieval

>Wolkenstein, Oswald von : Stand auff, Marendel
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 2 min. 51 sec.
  • Period Time: Medieval

>Wolkenstein, Oswald von : Grasselick lif
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 2 min. 12 sec.
  • Period Time: Medieval
  • Form: Vocal

>Wolkenstein, Oswald von : Wach auff mein hort!
  • Ensemble: New London Consort
  • Running Time: 2 min. 54 sec.
  • Period Time: Medieval

>Wolkenstein, Oswald von : Nu huss sprach der Michel von Wolkenstein
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 2 min. 52 sec.
  • Period Time: Medieval

>Wolkenstein, Oswald von : Durch Barbarei, Arabia
  • Performer: Michael George
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 9 min. 5 sec.
  • Period Time: Medieval

>Ockeghem, Johannes : Ma bouche rit, chanson for 3 voices
  • Ensemble: Medieval Ensemble of London
  • Running Time: 5 min. 13 sec.
  • Period Time: Renaissance
  • Form: Choral
  • Written: circa 1450-1480

>Ockeghem, Johannes : La despourveue et la bannie, chanson for 3 voices
  • Ensemble: Medieval Ensemble of London
  • Running Time: 6 min. 3 sec.
  • Period Time: Renaissance
  • Form: Choral

>Ockeghem, Johannes : D'un aultre amer, chanson for 3 voices
  • Ensemble: Medieval Ensemble of London
  • Running Time: 4 min. 30 sec.
  • Period Time: Renaissance
  • Form: Choral

>Anonymous, French : Quant ce viendra, rondeau for 3 voices (attributed to Ockeghem and to Busnois)
  • Ensemble: Medieval Ensemble of London
  • Running Time: 5 min. 25 sec.
  • Period Time: Renaissance

>Ockeghem, Johannes : Il me m'en chault plus, chanson for 3 voices
  • Ensemble: Medieval Ensemble of London
  • Running Time: 3 min. 54 sec.
  • Period Time: Renaissance
  • Form: Choral

>Ockeghem, Johannes : Presque transi
  • Ensemble: Medieval Ensemble of London
  • Running Time: 5 min. 54 sec.
  • Period Time: Renaissance
  • Form: Choral

>Ockeghem, Johannes : Ma maitresse, chanson for 3 voices
  • Ensemble: Medieval Ensemble of London
  • Running Time: 5 min. 3 sec.
  • Period Time: Renaissance
  • Form: Choral

>Ockeghem, Johannes : Les desléaux ont la saison, chanson for 3 voices
  • Ensemble: Medieval Ensemble of London
  • Running Time: 4 min. 41 sec.
  • Period Time: Renaissance
  • Form: Choral

>Ockeghem, Johannes : Mort, tu as navré/Miserere, motet-chanson for 4 voices
  • Ensemble: Medieval Ensemble of London
  • Running Time: 7 min. 15 sec.
  • Period Time: Renaissance
  • Form: Choral
  • Written: 1460

>Ockeghem, Johannes : Quant de vous seul, chanson for 3 voices
  • Ensemble: Medieval Ensemble of London
  • Running Time: 5 min. 2 sec.
  • Period Time: Renaissance
  • Form: Choral

>Ockeghem, Johannes : Au travail suis, chanson for 3 voices
  • Ensemble: Medieval Ensemble of London
  • Running Time: 4 min. 50 sec.
  • Period Time: Renaissance
  • Form: Choral

>Ockeghem, Johannes : Prenez sur moi vostre exemple
  • Ensemble: Medieval Ensemble of London
  • Running Time: 5 min. 11 sec.
  • Period Time: Renaissance
  • Form: Choral

>Ockeghem, Johannes : Fors seulement l'attente
  • Ensemble: Medieval Ensemble of London
  • Running Time: 7 min. 8 sec.
  • Period Time: Renaissance
  • Form: Choral

>Ockeghem, Johannes : L'autre d'antan, chanson for 3 voices
  • Ensemble: Medieval Ensemble of London
  • Running Time: 2 min. 40 sec.
  • Period Time: Renaissance
  • Form: Choral

>Ockeghem, Johannes : Petite camusette
  • Ensemble: Medieval Ensemble of London
  • Running Time: 4 min. 29 sec.
  • Period Time: Renaissance
  • Form: Choral
  • Written: after 1470

>Ockeghem, Johannes : O rosa bella
  • Ensemble: Medieval Ensemble of London
  • Running Time: 3 min. 30 sec.
  • Period Time: Renaissance
  • Form: Choral

>Ockeghem, Johannes : Tant fuz gentement resjouy
  • Ensemble: Medieval Ensemble of London
  • Running Time: 4 min. 23 sec.
  • Period Time: Renaissance
  • Form: Choral

>Ockeghem, Johannes : J'en ay deuil, chanson for 4 voices
  • Ensemble: Medieval Ensemble of London
  • Running Time: 5 min. 14 sec.
  • Period Time: Renaissance
  • Form: Choral

>Ockeghem, Johannes : Malheur me bat, rondeau a 3 (doubtful)
  • Ensemble: Medieval Ensemble of London
  • Running Time: 2 min. 11 sec.
  • Period Time: Renaissance

>Ockeghem, Johannes : Se vostre cuer eslongne, chanson for 3 voices
  • Ensemble: Medieval Ensemble of London
  • Running Time: 1 min. 21 sec.
  • Period Time: Renaissance
  • Form: Choral

>Cornago, Johannes : Que 's mi vida, preguntays, for voice & ensemble
  • Ensemble: Medieval Ensemble of London
  • Running Time: 2 min. 29 sec.
  • Period Time: Renaissance

>Ockeghem, Johannes : Que's mi vida preguntays, chanson for 4 voices (by Cornago, arr. Ockeghem)
  • Ensemble: Medieval Ensemble of London
  • Running Time: 3 min. 7 sec.
  • Period Time: Renaissance
  • Form: Choral

>Ockeghem, Johannes : J'en ay deuil, chanson for 4 voices
  • Ensemble: Medieval Ensemble of London
  • Running Time: 5 min. 14 sec.
  • Period Time: Renaissance
  • Form: Choral

>Anonymous, French : Ce n'est pas jeu, rondeau for 3 voices (also as "Si mieulx ne vient"; attrib. to Ockeghem and to Hay
  • Ensemble: Medieval Ensemble of London
  • Running Time: 6 min. 53 sec.
  • Period Time: Renaissance

>Busnois, Antoine : Resjöis-toy terre de France / Rex pacificus magnificatus est, for 4 voices (attributed)
  • Ensemble: Medieval Ensemble of London
  • Running Time: 2 min. 56 sec.
  • Period Time: Renaissance

>Dufay, Guillaume : Departes vous, Malebouche et Envie, rondeau for 3 voices (attributed; also attributed to Ockeghem)
  • Ensemble: Medieval Ensemble of London
  • Running Time: 1 min. 18 sec.
  • Period Time: Renaissance

>Ockeghem, Johannes : Ung aultre l'a, chanson for 3 voices
  • Ensemble: Medieval Ensemble of London
  • Running Time: 4 min. 20 sec.
  • Period Time: Renaissance
  • Form: Choral

>Ockeghem, Johannes : Aultre Vénus estes
  • Ensemble: Medieval Ensemble of London
  • Running Time: 4 min. 27 sec.
  • Period Time: Renaissance
  • Form: Choral

>Ockeghem, Johannes : Baisiés moy dont fort, chanson for 3 voices
  • Ensemble: Medieval Ensemble of London
  • Running Time: 1 min. 34 sec.
  • Period Time: Renaissance
  • Form: Choral

>Ockeghem, Johannes : Fors seulement contre ce, chanson for 3 voices
  • Ensemble: Medieval Ensemble of London
  • Running Time: 7 min. 41 sec.
  • Period Time: Renaissance
  • Form: Choral

>Perugia, Matteo da : Serà quel zorno may, ballata
  • Ensemble: Medieval Ensemble of London
  • Running Time: 6 min. 24 sec.
  • Period Time: Medieval

>Perugia, Matteo da : Dame que j'aym, virelai
  • Ensemble: Medieval Ensemble of London
  • Running Time: 2 min. 41 sec.
  • Period Time: Medieval

>Perugia, Matteo da : Pres du soloil deduissant s'esbanoye, ballade
  • Ensemble: Medieval Ensemble of London
  • Running Time: 3 min. 42 sec.
  • Period Time: Medieval

>Perugia, Matteo da : Dame de honour plesant
  • Ensemble: Medieval Ensemble of London
  • Running Time: 4 min. 25 sec.
  • Period Time: Medieval

>Perugia, Matteo da : Dame souverayne, virelai
  • Ensemble: Medieval Ensemble of London
  • Running Time: 2 min. 37 sec.
  • Period Time: Medieval

>Perugia, Matteo da : Trover Ne Puis
  • Ensemble: Medieval Ensemble of London
  • Running Time: 7 min. sec.
  • Period Time: Medieval

>Perugia, Matteo da : Pour Bel Acueil
  • Ensemble: Medieval Ensemble of London
  • Running Time: 4 min. 40 sec.
  • Period Time: Medieval

>Perugia, Matteo da : Ne me chaut, virelai (Modena Bibl. Estense aM.5.24)
  • Ensemble: Medieval Ensemble of London
  • Running Time: 2 min. 44 sec.
  • Period Time: Medieval

>Perugia, Matteo da : Se je me plaing, ballade
  • Ensemble: Medieval Ensemble of London
  • Running Time: 2 min. 29 sec.
  • Period Time: Medieval

>Perugia, Matteo da : Belle sans per d'haulte douchour paree, virelai
  • Ensemble: Medieval Ensemble of London
  • Notes: Composition written: By 1418.
  • Running Time: 3 min. 35 sec.
  • Period Time: Medieval
  • Written: by 1418

>Perugia, Matteo da : Helas! merci, rondeau (Modena Bibl. Estense aM.5.24)
  • Ensemble: Medieval Ensemble of London
  • Running Time: 6 min. 5 sec.
  • Period Time: Medieval

>Perugia, Matteo da : Già da rete d'amor
  • Ensemble: Medieval Ensemble of London
  • Running Time: 4 min. 21 sec.
  • Period Time: Medieval

>Bornelh, Giraut de : Reis glorios, monophonic alba
  • Performer: Catherine Bott
  • Running Time: 4 min. 43 sec.
  • Period Time: Medieval
  • Written: by 1215

>Meaux, Etienne de : Trop est mes Maris Jalos
  • Performer: Catherine Bott
  • Running Time: 2 min. 31 sec.
  • Period Time: Medieval

>Rudel de Blaye, Jaufre : Lanquan il jorn son lonc en may
  • Performer: Catherine Bott
  • Running Time: 6 min. 17 sec.
  • Period Time: Medieval

>Brulé, Gace : Desconfortés, plain de dolor et d'ire, R 1498
  • Performer: Catherine Bott
  • Running Time: 8 min. 28 sec.
  • Period Time: Medieval

>Bastart, Audefroi le : Fine amolurs en esperance
  • Performer: Catherine Bott
  • Running Time: 3 min. 21 sec.
  • Period Time: Medieval

>Ventadorn, Bernart De : Can vei le lauzta mover
  • Performer: Catherine Bott
  • Running Time: 6 min. 23 sec.
  • Period Time: Medieval
  • Form: Choral
  • Written: circa 1150

>Anonymous, Trouvères : Bele Yolanz en ses chambres seoit, chanson
  • Performer: Catherine Bott
  • Running Time: 3 min. 36 sec.

>Dia, Beatriz de : A chantar m'er de so qu'en no volria, song
  • Performer: Catherine Bott
  • Running Time: 5 min. 23 sec.
  • Period Time: Medieval
  • Written: 11th Century

>, Teobald I, King of N. : Deus est ensi conme li pellicanz (The Lord is like the pelican)
  • Performer: Catherine Bott
  • Running Time: 5 min. 26 sec.
  • Period Time: Medieval

>Fournival, Richard De : Onques n'amai tant que jou fui amée, rondeau-motet
  • Performer: Catherine Bott
  • Running Time: 3 min. 55 sec.
  • Period Time: Medieval
  • Form: Choral
  • Written: 12th Century

>Bornelh, Giraut de : Si'us quer conselh, bel ami Alamanda
  • Performer: Catherine Bott
  • Running Time: 5 min. 59 sec.
  • Period Time: Medieval

>Faidit, Gaucelm : Fortz causa es, for consort
  • Performer: Catherine Bott
  • Running Time: 9 min. 22 sec.
  • Period Time: Medieval

>Dufay, Guillaume : Ce moys de may, rondeau for 3 voices
  • Ensemble: Medieval Ensemble of London
  • Running Time: 3 min. 8 sec.
  • Period Time: Renaissance

>Dufay, Guillaume : Je n'ay doubté fors que des envieux, rondeau for 3 voices
  • Ensemble: Medieval Ensemble of London
  • Running Time: 1 min. 19 sec.
  • Period Time: Renaissance

>Dufay, Guillaume : Se la face ay pale
  • Ensemble: Medieval Ensemble of London
  • Running Time: 2 min. 50 sec.
  • Period Time: Renaissance

>Dufay, Guillaume : J'ay grant (dolour), rondeau for 3 voices
  • Ensemble: Medieval Ensemble of London
  • Running Time: 1 min. 26 sec.
  • Period Time: Renaissance

>Dufay, Guillaume : Par le regard de vos beaux yeux
  • Ensemble: Medieval Ensemble of London
  • Running Time: 3 min. 53 sec.
  • Period Time: Renaissance

>Dufay, Guillaume : Resvelons nous/Alons ent bien tos
  • Ensemble: Medieval Ensemble of London
  • Running Time: 1 min. 14 sec.
  • Period Time: Renaissance
  • Written: 1422

>Dufay, Guillaume : Ma belle dame souveraine, rondeau for 4 voices
  • Ensemble: Medieval Ensemble of London
  • Running Time: 3 min. 44 sec.
  • Period Time: Renaissance

>Dufay, Guillaume : Trop long temps ai esté en desplaisir, rondeau for 3 voices
  • Ensemble: Medieval Ensemble of London
  • Running Time: 1 min. 42 sec.
  • Period Time: Renaissance

>Dufay, Guillaume : Dona i ardenti ray, ballata for 3 voices
  • Ensemble: Medieval Ensemble of London
  • Running Time: 1 min. 50 sec.
  • Period Time: Renaissance

>Dufay, Guillaume : Helas, et quant vous veray, rondeau for 3 voices
  • Ensemble: Medieval Ensemble of London
  • Running Time: 1 min. 28 sec.
  • Period Time: Renaissance

>Dufay, Guillaume : J'ay mis mon cuer
  • Ensemble: Medieval Ensemble of London
  • Running Time: 1 min. 23 sec.
  • Period Time: Renaissance
  • Written: circa 1425

>Dufay, Guillaume : O tres piteulx, cantilena motet for 4 voices ("Lamentatio sanctae matris ecclesiae Constantinopolita
  • Ensemble: Medieval Ensemble of London
  • Running Time: 3 min. 15 sec.
  • Period Time: Renaissance
  • Written: circa 1455

>Dufay, Guillaume : Hé, compaignons, resvelons nous, rondeau for 4 voices
  • Ensemble: Medieval Ensemble of London
  • Running Time: 3 min. 36 sec.
  • Period Time: Renaissance
  • Written: circa 1423

>Dufay, Guillaume : Puisque celle qui me tient en prison, rondeau for 3 voices
  • Ensemble: Medieval Ensemble of London
  • Period Time: Renaissance

>Dufay, Guillaume : Entre vous, gentils amoureux, rondeau for 3 voices
  • Ensemble: Medieval Ensemble of London
  • Running Time: 3 min. 19 sec.
  • Period Time: Renaissance

>Dufay, Guillaume : Mille bonjours je vous presente, rondeau for 3 voices
  • Ensemble: Medieval Ensemble of London
  • Running Time: 1 min. 27 sec.
  • Period Time: Renaissance

>Dufay, Guillaume : Je me complains piteusement, ballade for 3 voices
  • Ensemble: Medieval Ensemble of London
  • Running Time: 1 min. 56 sec.
  • Period Time: Renaissance
  • Written: ?1425

>Dufay, Guillaume : Entre les plus plaines danoy, rondeau for 3 voices
  • Ensemble: Medieval Ensemble of London
  • Running Time: 1 min. 6 sec.
  • Period Time: Renaissance

>Dufay, Guillaume : Je vous pri, mon tres doulx ami, chanson for 4 voices
  • Ensemble: Medieval Ensemble of London
  • Running Time: 1 min. 38 sec.
  • Period Time: Renaissance
  • Form: Choral

>Dufay, Guillaume : La Belle se siet au pied de la tour, chanson for 3 voices (only cantus II part by Dufay)
  • Ensemble: Medieval Ensemble of London
  • Running Time: 1 min. 37 sec.
  • Period Time: Renaissance

>Dufay, Guillaume : Or me veult bien Esperance mentir, ballade for 3 voices ("Portugaler") (doubtful)
  • Ensemble: Medieval Ensemble of London
  • Running Time: 2 min. 31 sec.
  • Period Time: Renaissance

>Dufay, Guillaume : J'atendray tant qu'il vous playra, rondeau for 3 voices
  • Ensemble: Medieval Ensemble of London
  • Running Time: 1 min. 43 sec.
  • Period Time: Renaissance

>Dufay, Guillaume : Adieu ces bons vins de Lannoys, rondeau for 3 voices
  • Ensemble: Medieval Ensemble of London
  • Running Time: 4 min. 10 sec.
  • Period Time: Renaissance
  • Written: 1426

>Dufay, Guillaume : Les douleurs, dont me sens tel somme, rondeau for 4 voices
  • Ensemble: Medieval Ensemble of London
  • Running Time: 5 min. 25 sec.
  • Period Time: Renaissance

>Dufay, Guillaume : Belle, veulliés vostre mercy donner, rondeau for 3 voices
  • Ensemble: Medieval Ensemble of London
  • Running Time: 4 min. 31 sec.
  • Period Time: Renaissance

>Dufay, Guillaume : C'est bien raison de devoir essaucier
  • Ensemble: Medieval Ensemble of London
  • Running Time: 9 min. 29 sec.
  • Period Time: Renaissance
  • Written: circa 1433

>Desprez, Josquin : Missa di dadi, for 4 parts
  • Ensemble: Medieval Ensemble of London
  • Running Time: 29 min. 20 sec.
  • Period Time: Renaissance
  • Form: Choral
  • Written: by 1514

>Desprez, Josquin : Missa "Faisant Regretz," for four parts
  • Ensemble: Medieval Ensemble of London
  • Running Time: 21 min. 17 sec.
  • Period Time: Renaissance
  • Form: Choral

>Desprez, Josquin : Mon mary ma'a diffamee, song for 3 parts
  • Ensemble: Medieval Ensemble of London
  • Running Time: 1 min. 17 sec.
  • Period Time: Renaissance

>Desprez, Josquin : Ce povre mendiant/Pauper sum ego, song for 3 parts
  • Ensemble: Medieval Ensemble of London
  • Running Time: 1 min. 45 sec.
  • Period Time: Renaissance

>Desprez, Josquin : De tous biens pleine, motet for 3 parts
  • Ensemble: Medieval Ensemble of London
  • Running Time: 1 min. 18 sec.
  • Period Time: Renaissance
  • Form: Choral

>Desprez, Josquin : Fortuna d'un gran tempo, song for 3 parts (poss. spurious)
  • Ensemble: Medieval Ensemble of London
  • Running Time: 1 min. 10 sec.
  • Period Time: Renaissance

>Desprez, Josquin : La belle se siet, song for 3 parts
  • Ensemble: Medieval Ensemble of London
  • Running Time: 3 min. 58 sec.
  • Period Time: Renaissance

>Desprez, Josquin : Je me, song for 3 parts (poss. spurious)
  • Ensemble: Medieval Ensemble of London
  • Running Time: 2 min. 49 sec.
  • Period Time: Renaissance

>Desprez, Josquin : Que vous madame/In pace in idipsum, chanson for 3 parts
  • Ensemble: Medieval Ensemble of London
  • Running Time: 5 min. 16 sec.
  • Period Time: Renaissance
  • Written: 1504

>Desprez, Josquin : Cela sans plus, instrumental piece for 3 parts
  • Ensemble: Medieval Ensemble of London
  • Running Time: 1 min. 19 sec.
  • Period Time: Renaissance

>Desprez, Josquin : Je n'ose plus, song for 3 parts (text incomplete)
  • Ensemble: Medieval Ensemble of London
  • Running Time: 1 min. 4 sec.
  • Period Time: Renaissance

>Desprez, Josquin : Si j'avoye Marion, song for 3 parts
  • Ensemble: Medieval Ensemble of London
  • Running Time: 1 min. 57 sec.
  • Period Time: Renaissance

>Desprez, Josquin : En l'ombre d'un buissonnet, Au matinet, song for 4 parts (poss. spurious)
  • Ensemble: Medieval Ensemble of London
  • Running Time: 2 min. 4 sec.
  • Period Time: Renaissance
  • Written: circa 1475-1520

>Desprez, Josquin : Quant je vous voye, song for 3 parts
  • Ensemble: Medieval Ensemble of London
  • Running Time: 1 min. 17 sec.
  • Period Time: Renaissance

>Desprez, Josquin : A la mort/Monstra te esse matrem, song for 3 parts
  • Ensemble: Medieval Ensemble of London
  • Running Time: 1 min. 35 sec.
  • Period Time: Renaissance

>Desprez, Josquin : La Bernardina, song for 3 parts
  • Ensemble: Medieval Ensemble of London
  • Running Time: 1 min. sec.
  • Period Time: Renaissance
  • Form: Choral

>Desprez, Josquin : Fortuna desperata, song for 3 parts (poss. spurious)
  • Ensemble: Medieval Ensemble of London
  • Running Time: 1 min. 26 sec.
  • Period Time: Renaissance

>Desprez, Josquin : Si j'ay perdu mon amy, song for 3 parts
  • Ensemble: Medieval Ensemble of London
  • Running Time: 2 min. 20 sec.
  • Period Time: Renaissance

>Desprez, Josquin : Helas madame, song for 3 or 4 parts
  • Ensemble: Medieval Ensemble of London
  • Running Time: 2 min. 41 sec.
  • Period Time: Renaissance

>Desprez, Josquin : La plus des plus, song for 3 parts
  • Ensemble: Medieval Ensemble of London
  • Running Time: 8 min. 7 sec.
  • Period Time: Renaissance
  • Written: 1501

>Desprez, Josquin : Helas madame, song for 3 or 4 parts
  • Ensemble: Medieval Ensemble of London
  • Running Time: 2 min. 41 sec.
  • Period Time: Renaissance

>Desprez, Josquin : Ile fantazies de Joskin, for instruments for 3 parts
  • Ensemble: Medieval Ensemble of London
  • Running Time: 1 min. 46 sec.
  • Period Time: Renaissance

>Desprez, Josquin : Entree suis en grant pensee, song for 3 parts
  • Ensemble: Medieval Ensemble of London
  • Running Time: 1 min. 41 sec.
  • Period Time: Renaissance

>Desprez, Josquin : En l'ombre d'un buissonnet, Tout au long, song for 3 parts
  • Ensemble: Medieval Ensemble of London
  • Running Time: 1 min. 22 sec.
  • Period Time: Renaissance

>Isaac, Heinrich : Fille, vous avez mal gardé, chanson for 4 voices (also known as "Wie sol ich mich")
  • Ensemble: Medieval Ensemble of London
  • Running Time: 1 min. 53 sec.
  • Period Time: Renaissance

>Isaac, Heinrich : Par ung jour de matinee, chanson for 4 voices (also known as "Hab mich lieb")
  • Ensemble: Medieval Ensemble of London
  • Running Time: 1 min. 2 sec.
  • Period Time: Renaissance

>Isaac, Heinrich : Et qui le dira
  • Ensemble: Medieval Ensemble of London
  • Running Time: 2 min. 9 sec.
  • Period Time: Renaissance

>Isaac, Heinrich : Helas que devera, chanson for 3 voices
  • Ensemble: Medieval Ensemble of London
  • Running Time: 2 min. 21 sec.
  • Period Time: Renaissance

>Isaac, Heinrich : Maudit soyt, chanson for 4 voices
  • Ensemble: Medieval Ensemble of London
  • Notes: Composition written: By 1518.
  • Running Time: 2 min. 1 sec.
  • Period Time: Renaissance
  • Form: Choral
  • Written: by 1518

>Isaac, Heinrich : J'ay pris amours, chanson for 3 voices
  • Ensemble: Medieval Ensemble of London
  • Running Time: 2 min. 9 sec.
  • Period Time: Renaissance
  • Written: by 1500

>Isaac, Heinrich : Je ne puis vivre a mon aise, chanson for 4 voices
  • Ensemble: Medieval Ensemble of London
  • Running Time: 8 min. 37 sec.
  • Period Time: Renaissance

>Isaac, Heinrich : Le serviteur, song for 3 voices (after DuFay)
  • Ensemble: Medieval Ensemble of London
  • Running Time: 1 min. 42 sec.
  • Period Time: Renaissance
  • Form: Vocal

>Isaac, Heinrich : Mon père m'a donné mari, chanson for 4 voices
  • Ensemble: Medieval Ensemble of London
  • Running Time: 1 min. 18 sec.
  • Period Time: Renaissance

>Anonymous, German : Et ie boi d'autant, chanson (attrib. Heinrich Isaac)
  • Ensemble: Medieval Ensemble of London
  • Running Time: 1 min. 9 sec.
  • Period Time: Medieval
  • Form: Choral

>Isaac, Heinrich : Donna di dentro/Dammene up pocho/Fortuna d'un gran tempo, song for 4 voices
  • Ensemble: Medieval Ensemble of London
  • Running Time: 1 min. 36 sec.
  • Period Time: Renaissance
  • Written: 1480s

>Isaac, Heinrich : Fortuna desperata, song for 3 voices
  • Ensemble: Medieval Ensemble of London
  • Running Time: 2 min. 39 sec.
  • Period Time: Renaissance

>Isaac, Heinrich : Ne più bella di queste, song for 4 voices
  • Ensemble: Medieval Ensemble of London
  • Running Time: 3 min. 15 sec.
  • Period Time: Renaissance

>Isaac, Heinrich : Hor'è di maggio, song for 4 voices (incomplete)
  • Ensemble: Medieval Ensemble of London
  • Running Time: 1 min. 30 sec.
  • Period Time: Renaissance

>Isaac, Heinrich : La martinella, song for 3 voices
  • Ensemble: Medieval Ensemble of London
  • Running Time: 2 min. sec.
  • Period Time: Renaissance

>Isaac, Heinrich : Un di lieto giammai, song for 3 voices
  • Ensemble: Medieval Ensemble of London
  • Running Time: 4 min. 21 sec.
  • Period Time: Renaissance

>Isaac, Heinrich : La morra
  • Ensemble: Medieval Ensemble of London
  • Running Time: 1 min. 36 sec.
  • Period Time: Renaissance
  • Form: Vocal
  • Written: circa 1492

>Isaac, Heinrich : Es het ein Baur ein Töchterlein, song for 4 voices
  • Ensemble: Medieval Ensemble of London
  • Running Time: 1 min. 57 sec.
  • Period Time: Renaissance

>Isaac, Heinrich : O Venus bant, chanson for 3 voices
  • Ensemble: Medieval Ensemble of London
  • Running Time: 1 min. 9 sec.
  • Period Time: Renaissance

>Isaac, Heinrich : Innsbruck, ich muß dich lassen (ii), song for 4 voices
  • Ensemble: Medieval Ensemble of London
  • Running Time: 3 min. 4 sec.
  • Period Time: Renaissance
  • Written: 1510

>Isaac, Heinrich : Ain frewlich Wesen, song for 4 voices
  • Ensemble: Medieval Ensemble of London
  • Running Time: 2 min. 8 sec.
  • Period Time: Renaissance
  • Form: Vocal

>Isaac, Heinrich : Mich wundert hart, song for 4 voices
  • Ensemble: Medieval Ensemble of London
  • Running Time: 5 min. 56 sec.
  • Period Time: Renaissance
  • Form: Vocal

>Isaac, Heinrich : Zwischen Berg und tieffem Tal, song for 4 voices
  • Ensemble: Medieval Ensemble of London
  • Running Time: 1 min. 51 sec.
  • Period Time: Renaissance

>Isaac, Heinrich : Wann ich des Morgens, song for 4 voices
  • Ensemble: Medieval Ensemble of London
  • Running Time: 1 min. 1 sec.
  • Period Time: Renaissance

>Isaac, Heinrich : Der Hundt, song for 3 voices
  • Ensemble: Medieval Ensemble of London
  • Running Time: 4 min. 18 sec.
  • Period Time: Renaissance

>Isaac, Heinrich : Greiner, Zancker, Schnöpffitzer, song for 4 voices
  • Ensemble: Medieval Ensemble of London
  • Running Time: 1 min. 18 sec.
  • Period Time: Renaissance

>Tromboncino, Bartolomeo : Ave, Maria, gratia plena, for voice & lute
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 2 min. 30 sec.
  • Period Time: Renaissance

>Tromboncino, Bartolomeo : Se ben hor non scopro el foco
  • Performer: Emma Kirkby (Soprano)
  • Conductor: Anthony Rooley
  • Running Time: 1 min. 25 sec.
  • Period Time: Renaissance

>Tromboncino, Bartolomeo : Che debb'io fare
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 2 min. 44 sec.
  • Period Time: Renaissance

>Tromboncino, Bartolomeo : Non val aqua al mio gran foco
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 5 min. 12 sec.
  • Period Time: Renaissance

>Tromboncino, Bartolomeo : Ite in pace, for 4 voices
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 6 min. 38 sec.
  • Period Time: Renaissance
  • Written: 1505

>Tromboncino, Bartolomeo : A la guerra
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 2 min. 41 sec.
  • Period Time: Renaissance

>Tromboncino, Bartolomeo : Si è debil filo, for accompanied voice
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 3 min. 24 sec.
  • Period Time: Renaissance
  • Form: Vocal

>Tromboncino, Bartolomeo : O sacrum convivium
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 1 min. 43 sec.
  • Period Time: Renaissance

>Tromboncino, Bartolomeo : Ave Maria regina
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 4 min. 14 sec.
  • Period Time: Renaissance

>Tromboncino, Bartolomeo : Deh sì deh no deh si, for accompanied voice
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 2 min. 6 sec.
  • Period Time: Renaissance
  • Form: Vocal

>Tromboncino, Bartolomeo : Bench'el ciel me t'habbi tolto, for 4 voices
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 4 min. 43 sec.
  • Period Time: Renaissance
  • Written: 1509

>Tromboncino, Bartolomeo : Ostinato vo'seguire for voice & ensemble
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 3 min. sec.
  • Period Time: Renaissance

>Tromboncino, Bartolomeo : Hor che'l ciel e la terra
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 2 min. 17 sec.
  • Period Time: Renaissance

>Tromboncino, Bartolomeo : Stavasi amor dormendo soto a un fagio
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 1 min. 9 sec.
  • Period Time: Renaissance
  • Form: Vocal

>Tromboncino, Bartolomeo : Vale diva, vale in pace
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 4 min. 59 sec.
  • Period Time: Renaissance

>Tromboncino, Bartolomeo : Virgine belle, for vocal ensemble
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 4 min. 9 sec.
  • Period Time: Renaissance
  • Written: by 1510

>Cordiforme, Anonymous, C. : Hora gridar 'oimè
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 2 min. 49 sec.
  • Period Time: Renaissance

>Cordiforme, Anonymous, C. : Ben lo sa dio
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 3 min. 6 sec.
  • Period Time: Renaissance

>Dufay, Guillaume : Dona gentile, bella come l'oro, rondeau for 3 voices
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 4 min. 40 sec.
  • Period Time: Renaissance

>Bedyngham, Johannes : Gentil madonna
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 2 min. 29 sec.
  • Period Time: Renaissance

>Cordiforme, Anonymous, C. : Chiara fontana
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 1 min. 22 sec.
  • Period Time: Renaissance

>Cordiforme, Anonymous, C. : O pelegrina luce
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 2 min. 8 sec.
  • Period Time: Renaissance

>Cordiforme, Anonymous, C. : O rosa bella (Chansonnier Cordiforme no 7)
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 4 min. 29 sec.
  • Period Time: Renaissance

>Cordiforme, Anonymous, C. : La gracia de voi
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 2 min. 11 sec.
  • Period Time: Renaissance

>Cordiforme, Anonymous, C. : Perla mia cara
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 2 min. 11 sec.
  • Period Time: Renaissance

>Cordiforme, Anonymous, C. : Mort mercé
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 2 min. 48 sec.
  • Period Time: Renaissance

>Cordiforme, Anonymous, C. : Finir voglio la mia vita
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Period Time: Renaissance

>Cordiforme, Anonymous, C. : O pelegrina luce
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 2 min. 8 sec.
  • Period Time: Renaissance

>Cordiforme, Anonymous, C. : O meschin inamorati
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 3 min. 8 sec.
  • Period Time: Renaissance

>Cordiforme, Anonymous, C. : Comme ung homme desconforté
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 4 min. 43 sec.
  • Period Time: Renaissance

>Regis, Johannes : S'il vous plaist que vostre je soye
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 5 min. 46 sec.
  • Period Time: Renaissance

>Traditional, French : L'Autre jour par un matin, song
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 3 min. 2 sec.
  • Period Time: Classical

>Anonymous, French : J'ay pris amours à 3
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 4 min. 45 sec.
  • Form: Choral

>Ockeghem, Johannes : L'autre d'antan, chanson for 3 voices
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 2 min. 40 sec.
  • Period Time: Renaissance
  • Form: Choral

>Ghizeghem, Hayne van : De tous biens plaine
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 4 min. 27 sec.
  • Period Time: Renaissance
  • Written: circa 1470-1480

>Busnois, Antoine : J'ay mayns de bien, virelai for 3 voices
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 3 min. 49 sec.
  • Period Time: Renaissance

>Dufay, Guillaume : Vostre bruit et vostre grant fame, rondeau for 3 voices
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 5 min. 10 sec.
  • Period Time: Renaissance

>Busnois, Antoine : Cent mille escus quant je vouldroye, rondeau for 3/4 voices (also attrib. to P.Caron)
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 4 min. 11 sec.
  • Period Time: Renaissance

>Morton, Robert : Le Souvenir de vous me tue, for 3 voices
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 3 min. 5 sec.
  • Period Time: Renaissance

>Barbingant : L' Omme Banni de Sa Plaisance, for 3 voices
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 4 min. 16 sec.
  • Period Time: Renaissance

>Morton, Robert : N'aray je jamais mieulx que j'ay
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 3 min. 15 sec.
  • Period Time: Renaissance

>Dufay, Guillaume : Le serviteur hault guerdonné, rondeau for 3 voices
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 5 min. 48 sec.
  • Period Time: Renaissance

>Vincenet, Johannes : Fortune par ta cruaulté
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 5 min. 44 sec.
  • Period Time: Renaissance

>Busnois, Antoine : Est-il merci, rondeau for 3 voices
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 3 min. 54 sec.
  • Period Time: Renaissance

>Cordiforme, Anonymous, C. : Comme femme desconfortee
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 6 min. 27 sec.
  • Period Time: Renaissance

>Frye, Walter : Tout a par moy
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 6 min. 48 sec.
  • Period Time: Renaissance

>Ockeghem, Johannes : Ma bouche rit, chanson for 3 voices
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 5 min. 13 sec.
  • Period Time: Renaissance
  • Form: Choral
  • Written: circa 1450-1480

>Bedyngham, Johannes : Mon seul plaisier
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 4 min. 19 sec.
  • Period Time: Renaissance
  • Written: 14th Century

>Cordiforme, Anonymous, C. : Ma bouche plaint
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 1 min. 40 sec.
  • Period Time: Renaissance

>Cordiforme, Anonymous, C. : Vray dieu d'amours
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 3 min. 54 sec.
  • Period Time: Renaissance

>Cordiforme, Anonymous, C. : Helas je n'ay pas osé dire
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 1 min. 1 sec.
  • Period Time: Renaissance

>Cordiforme, Anonymous, C. : Or ay je perdu
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 4 min. 47 sec.
  • Period Time: Renaissance

>Cordiforme, Anonymous, C. : Adieu vous dy
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 4 min. 43 sec.
  • Period Time: Renaissance

>Cordiforme, Anonymous, C. : Terriblement suis fortunee
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 4 min. 21 sec.
  • Period Time: Renaissance

>Cordiforme, Anonymous, C. : De mon pouvoir vous veul complaire
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 4 min. 42 sec.
  • Period Time: Renaissance

>Cordiforme, Anonymous, C. : Helas n'aray je jamais mieulx
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 3 min. 25 sec.
  • Period Time: Renaissance

>Cordiforme, Anonymous, C. : Quant du dire adieu
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 3 min. 9 sec.
  • Period Time: Renaissance

>Dufay, Guillaume : Je ne vis onques la pareille, rondeau for 3 voices (attributed; also attrib. to Binchois)
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 4 min. 36 sec.
  • Period Time: Renaissance
  • Written: 1454

>Cordiforme, Anonymous, C. : Faites moy sçavoir de la belle
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 4 min. 57 sec.
  • Period Time: Renaissance

>Bedyngham, Johannes : Mi verry joy
  • Ensemble: Medieval Ensemble of London
  • Running Time: 4 min. 42 sec.
  • Period Time: Renaissance

>Bedyngham, Johannes : O rosa bella
  • Ensemble: Medieval Ensemble of London
  • Running Time: 3 min. 55 sec.
  • Period Time: Renaissance

>Bedyngham, Johannes : Le serviteur
  • Ensemble: Medieval Ensemble of London
  • Running Time: 6 min. 38 sec.
  • Period Time: Renaissance

>Bedyngham, Johannes : Myn hertis lust
  • Ensemble: Medieval Ensemble of London
  • Running Time: 2 min. 8 sec.
  • Period Time: Renaissance

>Dunstable, John : Durer ne puis, rondeau for 3 voices, MB 64 (also attrib. to Bedyngham)
  • Ensemble: Medieval Ensemble of London
  • Running Time: 5 min. 50 sec.
  • Period Time: Medieval
  • Written: circa 1410-1453

>Bedyngham, Johannes : Fortune alas
  • Ensemble: Medieval Ensemble of London
  • Running Time: 2 min. 7 sec.
  • Period Time: Renaissance

>Bedyngham, Johannes : Say bylle to hir
  • Ensemble: Medieval Ensemble of London
  • Running Time: 6 min. 33 sec.
  • Period Time: Renaissance

>Dunstable, John : Puisque m'amour, MB 55
  • Ensemble: Medieval Ensemble of London
  • Running Time: 4 min. 33 sec.
  • Period Time: Medieval
  • Written: circa 1410-1453

>Dunstable, John : Je languis
  • Ensemble: Medieval Ensemble of London
  • Running Time: 5 min. 41 sec.
  • Period Time: Medieval
  • Written: circa 1410-1453

>Dunstable, John : I pray you alle
  • Ensemble: Medieval Ensemble of London
  • Running Time: 2 min. 20 sec.
  • Period Time: Medieval
  • Written: circa 1410-1453

>Dunstable, John : O rosa bella, ballata for 3-6 voices, MB 54 (poss. by Bedyngham)
  • Ensemble: Medieval Ensemble of London
  • Running Time: 3 min. 42 sec.
  • Period Time: Medieval
  • Written: circa 1410-1453

>Frye, Walter : Alas, alas is my chief song
  • Ensemble: Medieval Ensemble of London
  • Running Time: 2 min. 57 sec.
  • Period Time: Renaissance

>Frye, Walter : Watlin frew
  • Ensemble: Medieval Ensemble of London
  • Running Time: 1 min. 29 sec.
  • Period Time: Renaissance

>Frye, Walter : So ys emprentid
  • Ensemble: Medieval Ensemble of London
  • Running Time: 3 min. sec.
  • Period Time: Renaissance

>Frye, Walter : Tout a par moy
  • Ensemble: Medieval Ensemble of London
  • Running Time: 6 min. 48 sec.
  • Period Time: Renaissance

>Lassus, Orlando de : Lagrime di S Pietro (Tansillo), madrigal for 7 voices, H. xx
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 45 min. 27 sec.
  • Period Time: Renaissance
  • Form: Choral

>Marini, Biagio : Le Lagrime d'Erminia, recitative for voice and guitar (or harpsichord), Op. 6
  • Performers: Anthony Rooley (Lute); Nigel Vocal] (Tenor)
  • Running Time: 5 min. 14 sec.
  • Period Time: Baroque
  • Written: 12/10/1622

>Holborne, Anthony : Pavan for viol consort (Pavans, Galliards, Almains no 11)
  • Conductor: Trevor Jones
  • Ensemble: Guildhall Waits
  • Running Time: 3 min. 26 sec.
  • Period Time: Renaissance

>Holborne, Anthony : Galliard for viol consort (no 12, Pavans and Galliards)
  • Conductor: Trevor Jones
  • Ensemble: Guildhall Waits
  • Running Time: 1 min. sec.
  • Period Time: Renaissance

>Holborne, Anthony : Heres Paternus for viol consort
  • Conductor: Trevor Jones
  • Ensemble: Guildhall Waits
  • Running Time: 4 min. 47 sec.
  • Period Time: Renaissance

>Holborne, Anthony : Muy Linda, for viol consort
  • Conductor: Trevor Jones
  • Ensemble: Guildhall Waits
  • Running Time: 1 min. 12 sec.
  • Period Time: Renaissance
  • Form: Vocal
  • Written: circa 1565-1602

>Holborne, Anthony : Pavans, Galliards, Almaines (65)
  • Conductor: Trevor Jones
  • Ensemble: Guildhall Waits
  • Running Time: 3 min. 58 sec.
  • Period Time: Renaissance

>Holborne, Anthony : Galliard for viol consort (Pavans, Galliards, Almains no 22)
  • Conductor: Trevor Jones
  • Ensemble: Guildhall Waits
  • Running Time: 1 min. 11 sec.
  • Period Time: Renaissance

>Holborne, Anthony : Pavan "Paradizo"
  • Conductor: Trevor Jones
  • Ensemble: Guildhall Waits
  • Running Time: 2 min. 36 sec.
  • Period Time: Renaissance

>Holborne, Anthony : Pavans, Galliards, Almaines (65)
  • Conductor: Trevor Jones
  • Ensemble: Guildhall Waits
  • Running Time: 1 min. 33 sec.
  • Period Time: Renaissance

>Holborne, Anthony : Image of Melancholy
  • Conductor: Trevor Jones
  • Ensemble: Guildhall Waits
  • Running Time: 4 min. 44 sec.
  • Period Time: Renaissance

>Holborne, Anthony : Pavans, Galliards, Almaines (65)
  • Conductor: Trevor Jones
  • Ensemble: Guildhall Waits
  • Running Time: 1 min. 21 sec.
  • Period Time: Renaissance

>Holborne, Anthony : Pavana Ploravit
  • Conductor: Trevor Jones
  • Ensemble: Guildhall Waits
  • Running Time: 5 min. 1 sec.
  • Period Time: Renaissance

>Holborne, Anthony : Sic semper soleo
  • Conductor: Trevor Jones
  • Ensemble: Guildhall Waits
  • Running Time: 1 min. 24 sec.
  • Period Time: Renaissance

>Holborne, Anthony : Pavan "The Funerals"
  • Conductor: Trevor Jones
  • Ensemble: Guildhall Waits
  • Running Time: 4 min. 33 sec.
  • Period Time: Renaissance
  • Written: 1586

>Holborne, Anthony : Galliard for viol consort (no 32, Pavans and Galliards)
  • Conductor: Trevor Jones
  • Ensemble: Guildhall Waits
  • Running Time: 1 min. 15 sec.
  • Period Time: Renaissance

>Holborne, Anthony : Almayne (56) for consort
  • Conductor: Trevor Jones
  • Ensemble: Guildhall Waits
  • Running Time: 1 min. 3 sec.
  • Period Time: Renaissance

>Holborne, Anthony : Pavans, Galliards, Almaines (65)
  • Conductor: Trevor Jones
  • Ensemble: Guildhall Waits
  • Running Time: 1 min. 13 sec.
  • Period Time: Renaissance
  • Written: circa 1565-1602

>Holborne, Anthony : As it fell on a holy eve
  • Conductor: Trevor Jones
  • Ensemble: Guildhall Waits
  • Period Time: Renaissance
  • Written: 15th Century

>Holborne, Anthony : Heigh-ho holyday
  • Conductor: Trevor Jones
  • Ensemble: Guildhall Waits
  • Running Time: 1 min. 2 sec.
  • Period Time: Renaissance
  • Written: circa 1565-1602

>Pickett, Philip : Fanfare, for ensemble (after Susato's "La Morisque")
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 2 min. 2 sec.
  • Period Time: Contemporary

>Susato, Tylman : Dansereye :: Passe e medio / Reprise 'Le Pingue'
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 1 min. 26 sec.
  • Period Time: Renaissance
  • Written: 1551

>Susato, Tylman : Het derde musyck boexken...alderhande danserye
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 3 min. 8 sec.
  • Period Time: Renaissance

>Susato, Tylman : Ronde 'Pour quoy'
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 2 min. 2 sec.
  • Period Time: Renaissance

>Susato, Tylman : Het derde musyck boexken...alderhande denserye
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 2 min. 29 sec.
  • Period Time: Renaissance
  • Written: 1551

>Susato, Tylman : Ronde 3
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 1 min. 27 sec.
  • Period Time: Renaissance

>Susato, Tylman : Ronde 4 (from Dansereye)
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Period Time: Renaissance
  • Written: 1551

>Susato, Tylman : Ronde, "Wo Bistu"
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Period Time: Renaissance

>Susato, Tylman : Dansereye :: Den VI Ronde / Saltarelle
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 1 min. 51 sec.
  • Period Time: Renaissance
  • Written: 1551

>Susato, Tylman : Dansereye :: Den XI Ronde / Aliud
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 1 min. 52 sec.
  • Period Time: Renaissance
  • Written: 1551

>Susato, Tylman : Dont vient céla, Bergerette
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 2 min. 18 sec.
  • Period Time: Renaissance

>Susato, Tylman : Dansereye :: Danse de HErcules oft maticine / De Madrigale
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 2 min. 6 sec.
  • Period Time: Renaissance
  • Written: 1551

>Susato, Tylman : De post
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Period Time: Renaissance

>Susato, Tylman : Branle quatre branles (Danserye)
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 1 min. 58 sec.
  • Period Time: Renaissance

>Susato, Tylman : Fagott for winds
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Period Time: Renaissance

>Susato, Tylman : Hoboecken Dans
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 1 min. 48 sec.
  • Period Time: Renaissance

>Susato, Tylman : Dansereye :: Basse danse 'Mon Desir' / Reprise 'Le cueur est bon'
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 3 min. 45 sec.
  • Period Time: Renaissance
  • Written: 1551

>Susato, Tylman : Allemaingne & Recoupe (Danserye)
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 3 min. 30 sec.
  • Period Time: Renaissance

>Susato, Tylman : Allemaingne 2 (from Dansereye)
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 1 min. 2 sec.
  • Period Time: Renaissance
  • Written: 1551

>Susato, Tylman : Allemaingne 3 (from Dansereye)
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 2 min. 1 sec.
  • Period Time: Renaissance
  • Written: 1551

>Susato, Tylman : Allemaingne 5 (from Dansereye)
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Period Time: Renaissance
  • Written: 1551

>Susato, Tylman : Allemaingne 6 (from Dansereye)
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Period Time: Renaissance
  • Written: 1551

>Susato, Tylman : Allemaingne 7 (from Dansereye)
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Period Time: Renaissance
  • Written: 1551

>Susato, Tylman : Allemaingne 8 & Recoupes (2) (from Dansereye)
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 1 min. 28 sec.
  • Period Time: Renaissance

>Susato, Tylman : Bergerette (La Brosse) (from Dansereye)
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 2 min. 10 sec.
  • Period Time: Renaissance
  • Written: 1551

>Susato, Tylman : Het derde musyck boexken...alderhande danserye :: La Bataille, for instrumental ensemble
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 4 min. 31 sec.
  • Period Time: Renaissance
  • Written: 1551

>Susato, Tylman : Pavane "Mille Regretz," for renaissance ensemble (from Danseyre)
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 1 min. 54 sec.
  • Period Time: Renaissance

>Susato, Tylman : Gaillarde 2 (from Dansereye)
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 1 min. 7 sec.
  • Period Time: Renaissance
  • Written: 1551

>Susato, Tylman : Gaillarde 11 (from Dansereye)
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Period Time: Renaissance
  • Written: 1551

>Susato, Tylman : Gaillarde 9 (from Dansereye)
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Period Time: Renaissance
  • Written: 1551

>Susato, Tylman : Gaillarde 4 (from Dansereye)
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 1 min. 37 sec.
  • Period Time: Renaissance
  • Written: 1551

>Susato, Tylman : Gaillarde 7 (from Dansereye)
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 1 min. 28 sec.
  • Period Time: Renaissance
  • Written: 1551

>Susato, Tylman : Gaillarde Mille ducas
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 1 min. 29 sec.
  • Period Time: Renaissance

>Susato, Tylman : Gaillarde 3 (from Dansereye)
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 1 min. 22 sec.
  • Period Time: Renaissance
  • Written: 1551

>Susato, Tylman : Gaillarde 15 ("Le Tout") (from Dansereye)
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 1 min. 37 sec.
  • Period Time: Renaissance
  • Written: 1551

>Susato, Tylman : Basse Danse no 8, "Danse du Roy"
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 2 min. 26 sec.
  • Period Time: Renaissance

>Susato, Tylman : Entree du Fol
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 1 min. 6 sec.
  • Period Time: Renaissance

>Susato, Tylman : Het derde musyck boexken...alderhande danserye
  • Conductor: Philip Pickett
  • Ensemble: New London Consort
  • Running Time: 1 min. 56 sec.
  • Period Time: Renaissance
  • Written: 1551

>Holborne, Anthony : My heavy sprite
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 2 min. 39 sec.
  • Period Time: Renaissance

>Martin, Richard : Change thy mind since she doth change, song (no 2 in the collection A Musicall Banquet)
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 3 min. 7 sec.
  • Period Time: Renaissance

>Hales, Robert : O Eyes, leave off your weeping
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 3 min. 8 sec.
  • Period Time: Renaissance

>Anonymous, English : Go, my flock, go get you hence, song (no 4 in the collection A Musicall Banquet)
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 3 min. 37 sec.

>Traditional, English : Oh, Dear! What Can the Matter Be?, folk song
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 4 min. 9 sec.

>Bacheler, Daniel : To plead my faith
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 2 min. 39 sec.
  • Period Time: Renaissance

>Tessier, Guillaume : In a grove most rich of shade, song (no 7 in the collection A Musicall Banquet)
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 4 min. 50 sec.
  • Period Time: Renaissance

>Dowland, John [Composer] : Far from the triumphing court, for voice, lute & bass viol (A Musicall Banquet)
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 8 min. 44 sec.
  • Period Time: Renaissance
  • Written: 1610

>Dowland, John [Composer] : Lady if you so spite me, for voice, lute & bass viol (A Musical Banquet)
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 2 min. 26 sec.
  • Period Time: Renaissance
  • Form: Vocal
  • Written: 1610

>Dowland, John [Composer] : In darkness let me dwell, for voice, lute & bass viol (A Musicall Banquet)
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 4 min. 24 sec.
  • Period Time: Renaissance
  • Written: 1610

>Guédron, Pierre : Si le parler et le silence, chanson
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 3 min. 44 sec.
  • Period Time: Renaissance

>Guédron, Pierre : Ce penser qui sans fin tirannise ma vie, chanson
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 3 min. 34 sec.
  • Period Time: Renaissance

>Guédron, Pierre : Vous que le Bonheur rappelle, chanson
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 2 min. 28 sec.
  • Period Time: Renaissance

>Anonymous, Italian : Passava amor su arco desarmado
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 2 min. 19 sec.
  • Period Time: Renaissance

>Anonymous, Italian : Sta notte mi sognava
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 2 min. 26 sec.
  • Period Time: Renaissance

>Anonymous, Spanish : Vuestros ojos tienen d'amor
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 1 min. 14 sec.
  • Period Time: Renaissance

>Melli, Domenico Maria : Se di farmi morire, voce e liuto
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 2 min. 39 sec.
  • Period Time: Renaissance

>Caccini, Giulio : Dovrò dunque morire, song for voice & continuo or lute
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 3 min. 9 sec.
  • Period Time: Renaissance
  • Form: Vocal
  • Written: 1602

>Caccini, Francesca : Amarilli mia bella
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 2 min. 32 sec.
  • Period Time: Baroque

>Anonymous, Italian : O bella più che le stelle
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 2 min. 33 sec.
  • Period Time: Renaissance

>Gesualdo, Carlo : Madrigals for 5 voices, Book 5
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 50 min. 28 sec.
  • Period Time: Renaissance
  • Form: Choral
  • Written: 1611

>Morley, Thomas [Composer] : Arise, awake, you silly shepherds sleeping, madrigal for 5 voices
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 2 min. 22 sec.
  • Period Time: Renaissance
  • Written: by 1601

>Morley, Thomas [Composer] : Besides a fountain, madrigal for 4 voices
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 2 min. 6 sec.
  • Period Time: Renaissance
  • Written: by 1594

>Morley, Thomas [Composer] : No, no, Nigella, madrigal for 5 voices
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 3 min. 3 sec.
  • Period Time: Renaissance
  • Written: by 1595

>Morley, Thomas [Composer] : Singing alone satte my sweet Amarillis, madrigal for 5 voices
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 2 min. 54 sec.
  • Period Time: Renaissance
  • Written: by 1595

>Morley, Thomas [Composer] : With my love my life was nestled, song for voice with lute & bass viol
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 2 min. 10 sec.
  • Period Time: Renaissance
  • Written: by 1600

>Morley, Thomas [Composer] : Mistresse mine, well may you fare (O Mistress Mine), song for voice with lute & bass viol
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 2 min. 37 sec.
  • Period Time: Renaissance
  • Written: by 1600

>Morley, Thomas [Composer] : Stay, hart, runneth not so fast, madrigal for 6 voices
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 2 min. 41 sec.
  • Period Time: Renaissance
  • Written: by 1597

>Morley, Thomas [Composer] : Fyre and lightning from heaven, madrigal for 2 voices
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 1 min. 12 sec.
  • Period Time: Renaissance
  • Written: by 1595

>Morley, Thomas [Composer] : Phillis, I faine wold die now, madrigal for 7 voices
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 4 min. 23 sec.
  • Period Time: Renaissance
  • Written: by 1595

>Morley, Thomas [Composer] : Hard by a cristall fountaine, madrigal for 6 voices
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 3 min. 39 sec.
  • Period Time: Renaissance
  • Written: by 1601

>Morley, Thomas [Composer] : In every place, madrigal for 4 voices
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 2 min. 27 sec.
  • Period Time: Renaissance
  • Written: by 1594

>Morley, Thomas [Composer] : O griefe, even on the bud, madrigal for 5 voices
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 1 min. 58 sec.
  • Period Time: Renaissance
  • Written: by 1597

>Morley, Thomas [Composer] : Absence, hear thou my protestation, song for voice with lute & bass viol
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 6 min. 10 sec.
  • Period Time: Renaissance
  • Written: by 1600

>Morley, Thomas [Composer] : Deep lamenting, grief bewraying, madrigal for 3 voices
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 3 min. 24 sec.
  • Period Time: Renaissance
  • Written: by 1593

>Morley, Thomas [Composer] : Sleepe slumbring eyes, song for voice with lute & bass viol
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 6 min. 8 sec.
  • Period Time: Renaissance
  • Written: by 1600

>Morley, Thomas [Composer] : Harke; Alleluia cheerely, madrigal for 6 voices
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 2 min. 8 sec.
  • Period Time: Renaissance
  • Form: Choral
  • Written: by 1597

>Wilbye, John [Composer] : Weep, Weep, Mine Eyes, My Heart Can Take No Rest, madrigal
  • Ensemble: Consort of Musicke
  • Running Time: 1 min. 59 sec.
  • Period Time: Renaissance
  • Form: Choral
  • Written: 1609

>Wilbye, John [Composer] : Lady, when I behold, madrigal (no 10, The First Set of English Madrigals)
  • Ensemble: Consort of Musicke
  • Running Time: 2 min. 17 sec.
  • Period Time: Renaissance
  • Form: Choral
  • Written: 1598

>Wilbye, John [Composer] : Thus Saith My Cloris Bright, madrigal
  • Ensemble: Consort of Musicke
  • Running Time: 1 min. 12 sec.
  • Period Time: Renaissance
  • Form: Choral
  • Written: 1598

>Wilbye, John [Composer] : Adieu, sweet Amaryllis, madrigal (no 12, The First Set of English Madrigals)
  • Ensemble: Consort of Musicke
  • Running Time: 2 min. sec.
  • Period Time: Renaissance
  • Form: Choral
  • Written: 1609

>Wilbye, John [Composer] : Die hapless man (First Set of English Madrigals, no 13)
  • Ensemble: Consort of Musicke
  • Running Time: 1 min. 58 sec.
  • Period Time: Renaissance
  • Form: Choral

>Wilbye, John [Composer] : Lady, Your Words Do Spite Me, madrigal
  • Ensemble: Consort of Musicke
  • Running Time: 1 min. 41 sec.
  • Period Time: Renaissance
  • Form: Choral
  • Written: 1598

>Wilbye, John [Composer] : Alas! what a wretched life (First Set of English Madrigals, no 19)
  • Ensemble: Consort of Musicke
  • Running Time: 1 min. 46 sec.
  • Period Time: Renaissance
  • Form: Choral

>Wilbye, John [Composer] : Lady, when I behold (First Set of English Madrigals, no 24)
  • Ensemble: Consort of Musicke
  • Running Time: 2 min. 34 sec.
  • Period Time: Renaissance
  • Form: Choral

>Wilbye, John [Composer] : When shall my wretched life (First Set of English Madrigals, no 25)
  • Ensemble: Consort of Musicke
  • Running Time: 2 min. 47 sec.
  • Period Time: Renaissance
  • Form: Choral

>Wilbye, John [Composer] : Of joys and pleasing pains (First Set of English Madrigals, no 26)
  • Ensemble: Consort of Musicke
  • Running Time: 2 min. 20 sec.
  • Period Time: Renaissance
  • Form: Choral

>Wilbye, John [Composer] : My throat is sore (First Set of English Madrigals, no 27)
  • Ensemble: Consort of Musicke
  • Running Time: 2 min. 18 sec.
  • Period Time: Renaissance
  • Form: Choral

>Wilbye, John [Composer] : Cruell, Behold My Heavie Ending, madrigal
  • Ensemble: Consort of Musicke
  • Running Time: 2 min. 39 sec.
  • Period Time: Renaissance
  • Form: Choral
  • Written: 1598

>Wilbye, John [Composer] : Thou art but young, thou saye'st (First Set of English Madrigals, no 29)
  • Ensemble: Consort of Musicke
  • Running Time: 1 min. 45 sec.
  • Period Time: Renaissance
  • Form: Choral

>Wilbye, John [Composer] : Why dost thou shoot? (First Set of English Madrigals, no 30)
  • Ensemble: Consort of Musicke
  • Running Time: 1 min. 26 sec.
  • Period Time: Renaissance
  • Form: Choral

>Wilbye, John [Composer] : Sweet Hony Sucking Bees, madrigal
  • Ensemble: Consort of Musicke
  • Running Time: 1 min. 45 sec.
  • Period Time: Renaissance
  • Form: Choral
  • Written: 1609

>Wilbye, John [Composer] : Yet sweet, take heed (Second Set of English Madrigals, no 18)
  • Ensemble: Consort of Musicke
  • Running Time: 2 min. 20 sec.
  • Period Time: Renaissance
  • Form: Choral

>Wilbye, John [Composer] : Ye That Do Live in Pleasures Plenty, madrigal
  • Ensemble: Consort of Musicke
  • Running Time: 2 min. 18 sec.
  • Period Time: Baroque

>Wilbye, John [Composer] : O Wretched Man, madrigal
  • Ensemble: Consort of Musicke
  • Running Time: 2 min. 32 sec.
  • Period Time: Renaissance
  • Form: Choral
  • Written: 1609

>Wilbye, John [Composer] : Ah, Cannot Sighs, Nor Tears, Nor Aught Else Move Thee, madrigal
  • Ensemble: Consort of Musicke
  • Running Time: 3 min. 19 sec.
  • Period Time: Renaissance
  • Form: Choral
  • Written: 1609

>Wilbye, John [Composer] : Draw On, Sweet Night, Best Friend unto Those Cares, madrigal
  • Ensemble: Consort of Musicke
  • Running Time: 4 min. 38 sec.
  • Period Time: Renaissance
  • Form: Choral
  • Written: 1609

>Wilbye, John [Composer] : Stay, Corydon, Thou Swain, madrigal
  • Ensemble: Consort of Musicke
  • Running Time: 2 min. 32 sec.
  • Period Time: Renaissance
  • Written: 1609

>Wilbye, John [Composer] : Softly, O softly drop my eyes (Second Set of English Madrigals, no 33)
  • Ensemble: Consort of Musicke
  • Running Time: 3 min. 11 sec.
  • Period Time: Renaissance
  • Form: Choral

>Gabrieli, Giovanni : Magnificat for 14 voices
  • Performers: Martyn Hill; Emma Kirkby (Soprano); Nigel Vocal] (Tenor)
  • Conductor: Andrew Parrott
  • Ensemble: London Cornett and Sackbutt Ensemble
  • Running Time: 6 min. 13 sec.
  • Period Time: Renaissance
  • Form: Choral

>Gabrieli, Giovanni : Intonationi d'organo
  • Performers: Rogers Covey-Crump (Tenor); Paul Elliot; Brian Etheridge (Bass); Martyn Hill; Nigel Vocal] (Tenor)
  • Conductor: Andrew Parrott
  • Ensemble: London Cornett and Sackbutt Ensemble
  • Running Time: 4 min. 35 sec.
  • Period Time: Renaissance
  • Form: Choral

>Gabrieli, Giovanni : Quem vidistis pastores, motet for 14 voices
  • Performers: Paul Elliot; Martyn Hill; William Mason (Bass-Baritone); Geoffrey Shaw (Bass-Baritone); Kevin Smith (Countertenor); David Thomas (Bass); Nigel Vocal] (Tenor)
  • Conductor: Andrew Parrott
  • Ensemble: London Cornett and Sackbutt Ensemble
  • Running Time: 7 min. 59 sec.
  • Period Time: Renaissance
  • Form: Choral

>Gabrieli, Giovanni : Buccinate in neomenia tuba
  • Performers: Brian Etheridge (Bass); Timothy Penrose (Countertenor); Nigel Vocal] (Tenor)
  • Conductor: Andrew Parrott
  • Ensemble: London Cornett and Sackbutt Ensemble
  • Running Time: 4 min. 7 sec.
  • Period Time: Renaissance

>Gabrieli, Giovanni : Symphoniae sacrae, Book 2
  • Performers: Paul Elliot; Martyn Hill; Timothy Penrose (Countertenor); Nigel Vocal] (Tenor)
  • Conductor: Andrew Parrott
  • Ensemble: London Cornett and Sackbutt Ensemble
  • Running Time: 7 min. 5 sec.
  • Period Time: Renaissance

>Gabrieli, Giovanni : Jubilate Deo a 10
  • Performers: Paul Elliot; Emma Kirkby (Soprano); Timothy Penrose (Countertenor); Kevin Smith (Countertenor); Nigel Vocal] (Tenor)
  • Conductor: Andrew Parrott
  • Ensemble: London Cornett and Sackbutt Ensemble
  • Running Time: 5 min. 15 sec.
  • Period Time: Renaissance
  • Form: Choral

>Gabrieli, Giovanni : Magnificat a 33
  • Performers: Rogers Covey-Crump (Tenor); Emma Kirkby (Soprano); Nigel Vocal] (Tenor)
  • Conductor: Andrew Parrott
  • Ensemble: London Cornett and Sackbutt Ensemble
  • Running Time: 4 min. 6 sec.
  • Period Time: Renaissance
  • Form: Choral

>Gabrieli, Giovanni : Surrexit Christus, motet for 11 voices
  • Performers: Rogers Covey-Crump (Tenor); Brian Etheridge (Bass); Nigel Vocal] (Tenor)
  • Conductor: Andrew Parrott
  • Ensemble: London Cornett and Sackbutt Ensemble
  • Running Time: 3 min. 54 sec.
  • Period Time: Renaissance
  • Form: Choral

>Gabrieli, Giovanni : Magnificat for 17 voices
  • Performers: Martyn Hill; Emma Kirkby (Soprano); John Skinner (Countertenor); Nigel Vocal] (Tenor)
  • Conductor: Andrew Parrott
  • Ensemble: London Cornett and Sackbutt Ensemble
  • Running Time: 6 min. 57 sec.
  • Period Time: Renaissance
  • Form: Choral

>Coprario, Giovanni : Funeral Teares, for 1-2 voices, lute & bass viol
  • Performer: Emma Kirkby (Soprano)
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 21 min. 39 sec.
  • Period Time: Renaissance
  • Written: 1606

>Coprario, Giovanni : Work(s) :: Fantasia 5
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 7 min. 28 sec.
  • Period Time: Renaissance

>Coprario, Giovanni : Work(s) :: Fantasia 1
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 9 min. 59 sec.
  • Period Time: Renaissance

>Coprario, Giovanni : Work(s) :: Fantasia 8
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 8 min. 7 sec.
  • Period Time: Renaissance

>Gibbons, Orlando : The First Set of Madrigals and Mottets, apt for Viols and Voyces, for 5 voices
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 1 min. 17 sec.
  • Period Time: Renaissance

>Holborne, Anthony : Heres Paternus for viol consort
  • Conductor: Christopher Hogwood
  • Running Time: 4 min. 47 sec.
  • Period Time: Renaissance

>Byrd, William : Psalmes, Sonets and Songs
  • Performer: Judith Nelson (Soprano)
  • Conductor: Christopher Hogwood
  • Running Time: 2 min. 12 sec.
  • Period Time: Renaissance
  • Form: Choral
  • Written: 1588

>Farnaby, Giles [Composer] : The Old Spagnoletta (Fitzwilliam Virginal Book), for keyboard
  • Conductor: Christopher Hogwood
  • Running Time: 1 min. 43 sec.
  • Period Time: Baroque

>Bull, John : Galliard for keyboard, "Regina"
  • Conductor: Christopher Hogwood
  • Running Time: 1 min. 54 sec.
  • Period Time: Renaissance

>Marenzio, Luca : Work(s) :: I must depart all hapless
  • Performers: Mary Beverly (Soprano); Paul Elliot; David James (Countertenor); Judith Nelson (Soprano); David Thomas (Bass)
  • Conductor: Christopher Hogwood
  • Running Time: 2 min. 18 sec.
  • Period Time: Renaissance

>Weelkes, Thomas : On the plains Fairy traines, madrigal for 5 voices
  • Performers: Mary Beverly (Soprano); Paul Elliot; David James (Countertenor); Judith Nelson (Soprano); David Thomas (Bass)
  • Conductor: Christopher Hogwood
  • Running Time: 1 min. 28 sec.
  • Period Time: Renaissance

>Johnson, John : Flat Pavan and Galliard for 2 lutes
  • Conductor: Christopher Hogwood
  • Running Time: 3 min. 36 sec.
  • Period Time: Renaissance

>Weelkes, Thomas : Sweet hart arise, madrigal for 5 voices
  • Performers: Mary Beverly (Soprano); Paul Elliot; David James (Countertenor); Judith Nelson (Soprano); David Thomas (Bass)
  • Conductor: Christopher Hogwood
  • Running Time: 1 min. 23 sec.
  • Period Time: Renaissance

>Weelkes, Thomas : Welcome sweet pleasure, madrigal for 5 voices
  • Performers: Mary Beverly (Soprano); Paul Elliot; David James (Countertenor); Judith Nelson (Soprano); David Thomas (Bass)
  • Conductor: Christopher Hogwood
  • Running Time: 1 min. 47 sec.
  • Period Time: Renaissance

>Johnson, John : Greensleeves for consort
  • Performer: Nigel North (Lute)
  • Conductor: Christopher Hogwood
  • Running Time: 4 min. 55 sec.
  • Period Time: Renaissance

>Ravenscroft, Thomas : Tomorrow the Fox Will Come to Town
  • Performers: Mary Beverly (Soprano); Paul Elliot; David James (Countertenor); Judith Nelson (Soprano); David Thomas (Bass)
  • Conductor: Christopher Hogwood
  • Running Time: 2 min. 16 sec.
  • Period Time: Baroque

>Bull, John : Pavan for keyboard "Spanish Paven"
  • Conductor: Christopher Hogwood
  • Running Time: 3 min. 46 sec.
  • Period Time: Renaissance

>Bull, John : Coranto for keyboard, "Alarm"
  • Conductor: Christopher Hogwood
  • Running Time: 1 min. 17 sec.
  • Period Time: Renaissance

>Bull, John : Coranto for keyboard, "Battle"
  • Conductor: Christopher Hogwood
  • Running Time: 1 min. 45 sec.
  • Period Time: Renaissance

>Holborne, Anthony : Muy Linda, for viol consort
  • Conductor: Christopher Hogwood
  • Running Time: 1 min. 12 sec.
  • Period Time: Renaissance
  • Form: Vocal
  • Written: circa 1565-1602

>Byrd, William : I joy not in no earthly bliss, consort song for voice & 4 viols
  • Performer: Judith Nelson (Soprano)
  • Conductor: Christopher Hogwood
  • Running Time: 1 min. 56 sec.
  • Period Time: Renaissance

>Holborne, Anthony : Work(s) :: Gaillard
  • Conductor: Christopher Hogwood
  • Running Time: 1 min. 21 sec.
  • Period Time: Renaissance
  • Written: 16th Century

>Holborne, Anthony : Pavans, Galliards, Almaines (65)
  • Conductor: Christopher Hogwood
  • Running Time: 1 min. 21 sec.
  • Period Time: Renaissance
  • Form: Vocal
  • Written: circa 1565-1602

>Holborne, Anthony : Mr. Holborn's Last Will and Testament
  • Conductor: Christopher Hogwood
  • Running Time: 2 min. 53 sec.
  • Period Time: Renaissance

>Holborne, Anthony : Tinternell for lute
  • Conductor: Christopher Hogwood
  • Running Time: 3 min. 21 sec.
  • Period Time: Renaissance

>Anonymous : Martyn Said to His Man
  • Performers: Mary Beverly (Soprano); Paul Elliot; David James (Countertenor); Judith Nelson (Soprano); David Thomas (Bass)
  • Conductor: Christopher Hogwood
  • Running Time: 1 min. 43 sec.
  • Period Time: Renaissance

>Anonymous, English : The Baffled Knight, song
  • Performers: Mary Beverly (Soprano); Paul Elliot; David James (Countertenor); Judith Nelson (Soprano); David Thomas (Bass)
  • Conductor: Christopher Hogwood
  • Running Time: 3 min. 33 sec.
  • Period Time: Renaissance

>Byrd, William : O God, give ear
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 4 min. 47 sec.
  • Period Time: Renaissance

>Byrd, William : O Lord, how long wilt thou forget?, anthem for 5 voices
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 6 min. 1 sec.
  • Period Time: Renaissance
  • Form: Choral

>Byrd, William : If women could be fair
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 3 min. 54 sec.
  • Period Time: Renaissance
  • Form: Choral

>Byrd, William : What pleasure have great princes?, madrigal for 5 voices (SATBB)
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 5 min. 20 sec.
  • Period Time: Renaissance
  • Form: Choral

>Byrd, William : In fields abroad, consort song for voice & 4 viols
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 4 min. 8 sec.
  • Period Time: Renaissance

>Byrd, William : The match that's made, madrigal for 5 voices
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 5 min. 10 sec.
  • Period Time: Renaissance
  • Form: Choral

>Byrd, William : All as a sea, madrigal for 5 voices
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 3 min. 7 sec.
  • Period Time: Renaissance
  • Form: Choral

>Byrd, William : Susanna fair, song for voice & 4 viols
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 4 min. 1 sec.
  • Period Time: Renaissance

>Byrd, William : Care for thy soul, anthem for 5 voices
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 6 min. 40 sec.
  • Period Time: Renaissance
  • Form: Choral

>Byrd, William : Lullaby
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 8 min. 44 sec.
  • Period Time: Renaissance
  • Written: 1588

>Byrd, William : Psalmes, Sonets and Songs
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 4 min. 57 sec.
  • Period Time: Renaissance
  • Written: circa 1580

>Byrd, William : O that most rare breast, song for voice & 4 viols
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Running Time: 8 min. 5 sec.
  • Period Time: Renaissance

>Byrd, William : Prelude and Ground a 5
  • Conductor: Trevor Jones
  • Ensemble: Consort of Musicke
  • Running Time: 5 min. 56 sec.
  • Period Time: Renaissance

>Byrd, William : In Nomine a 5, for instrumental consort no 4
  • Conductor: Trevor Jones
  • Ensemble: Consort of Musicke
  • Running Time: 3 min. 19 sec.
  • Period Time: Renaissance

>Byrd, William : Fantasia a 4, for instrumental consort in G minor
  • Conductor: Trevor Jones
  • Ensemble: Consort of Musicke
  • Running Time: 2 min. 46 sec.
  • Period Time: Renaissance

>Byrd, William : Browning a 5, for instrumental consort ("The Leaves Bee Greene")
  • Conductor: Trevor Jones
  • Ensemble: Consort of Musicke
  • Notes: Composition written: Circa 1590.
  • Running Time: 4 min. 51 sec.
  • Period Time: Renaissance
  • Form: Vocal
  • Written: circa 1590

>Byrd, William : Fantasia a 4, for instrumental consort in A minor (incomplete)
  • Conductor: Trevor Jones
  • Ensemble: Consort of Musicke
  • Running Time: 2 min. 28 sec.
  • Period Time: Renaissance

>Byrd, William : In Nomine a 5, for instrumental consort no 2
  • Conductor: Trevor Jones
  • Ensemble: Consort of Musicke
  • Running Time: 2 min. 23 sec.
  • Period Time: Renaissance

>Byrd, William : Fantasia a 6, for instrumental consort no 3 in G minor
  • Conductor: Trevor Jones
  • Ensemble: Consort of Musicke
  • Running Time: 4 min. 22 sec.
  • Period Time: Renaissance

>Byrd, William : Pavan and Galliard a 6 in C major
  • Conductor: Trevor Jones
  • Ensemble: Consort of Musicke
  • Notes: Composition written: Circa 1600-10.
  • Running Time: 4 min. 26 sec.
  • Period Time: Renaissance
  • Written: circa 1600-1610

>Byrd, William : Fantasia a 3, for instrumental consort no 2 in C major
  • Conductor: Trevor Jones
  • Ensemble: Consort of Musicke
  • Running Time: 2 min. 19 sec.
  • Period Time: Renaissance

>Byrd, William : Fantasia a 5, for instrumental consort in C major
  • Conductor: Trevor Jones
  • Ensemble: Consort of Musicke
  • Running Time: 5 min. 51 sec.
  • Period Time: Renaissance

>Byrd, William : Work(s) :: In nomine à 4 (I) / In nomine à 4 (II)
  • Conductor: Trevor Jones
  • Ensemble: Consort of Musicke
  • Running Time: 4 min. 28 sec.
  • Period Time: Renaissance

>Byrd, William : Christe Redemptor a 4
  • Conductor: Trevor Jones
  • Ensemble: Consort of Musicke
  • Running Time: 2 min. 50 sec.
  • Period Time: Renaissance

>Byrd, William : Fantasia a 6, for instrumental consort no 2 in G minor
  • Conductor: Trevor Jones
  • Ensemble: Consort of Musicke
  • Running Time: 6 min. 1 sec.
  • Period Time: Renaissance

>Byrd, William : Pavan & Galliard, for keyboard, Nos. 4a/4b, MB 4
  • Performer: Christopher Hogwood (Organ)
  • Running Time: 2 min. 25 sec.
  • Period Time: Renaissance

>Byrd, William : Qui passe for my Lady Nevell, MB 19
  • Performer: Christopher Hogwood (Virginal)
  • Running Time: 3 min. 9 sec.
  • Period Time: Renaissance

>Byrd, William : The Battle, for keyboard, MB 94
  • Performer: Christopher Hogwood (Virginal)
  • Running Time: 10 min. 53 sec.
  • Period Time: Renaissance

>Byrd, William : Sellinger's Round, variations for keyboard, MB 84
  • Performer: Christopher Hogwood (Virginal)
  • Running Time: 5 min. 40 sec.
  • Period Time: Renaissance

>Byrd, William : Alman (Monsieur's Alman), for keyboard in C major, MB 44
  • Performer: Christopher Hogwood (Harpsichord)
  • Running Time: 6 min. 29 sec.
  • Period Time: Renaissance

>Byrd, William : Hugh Aston's Ground, for keyboard, MB 20
  • Performer: Christopher Hogwood (Harpsichord)
  • Running Time: 7 min. 22 sec.
  • Period Time: Renaissance

>Byrd, William : Galliard Jig, for keyboard, MB 18
  • Performer: Christopher Hogwood (Harpsichord)
  • Running Time: 1 min. 55 sec.
  • Period Time: Renaissance

>Byrd, William : Ground ("The seconde grownde"), for keyboard in C major, MB 42
  • Performer: Christopher Hogwood (Harpsichord)
  • Running Time: 8 min. 30 sec.
  • Period Time: Renaissance

>Byrd, William : Pavan ("Echo") & Galliard, for keyboard in G major no 5, MB 114 (doubtful)
  • Performer: Christopher Hogwood (Harpsichord)
  • Running Time: 4 min. 48 sec.
  • Period Time: Renaissance

>Byrd, William : The Carman's Whistle, air & variations for keyboard, MB 36
  • Performer: Christopher Hogwood (Harpsichord)
  • Running Time: 4 min. 4 sec.
  • Period Time: Renaissance
  • Written: circa 1590

>Byrd, William : Fantasia (Voluntary for my Lady Neville), for keyboard in G major, MB 61
  • Performer: Christopher Hogwood (Organ)
  • Running Time: 3 min. 54 sec.
  • Period Time: Renaissance

>Byrd, William : My Lady Nevell's Ground, for keyboard, MB 57
  • Performer: Christopher Hogwood (Virginal)
  • Running Time: 5 min. 24 sec.
  • Period Time: Renaissance
  • Written: circa 1590

>Byrd, William : Fantasia (Voluntary for my Lady Neville), for keyboard in G major, MB 61
  • Performer: Christopher Hogwood (Harpsichord)
  • Running Time: 3 min. 54 sec.
  • Period Time: Renaissance

>Byrd, William : Will you walk the woods so wylde
  • Performer: Christopher Hogwood (Virginal)
  • Running Time: 3 min. 21 sec.
  • Period Time: Renaissance
  • Written: 1590

>Byrd, William : Walsingham, variations for keyboard, MB 8
  • Performer: Christopher Hogwood (Harpsichord)
  • Running Time: 8 min. 36 sec.
  • Period Time: Renaissance

>Book, Anonymous, C. L. : Mall Symms, for lute
  • Performer: Anthony Rooley (Lute)
  • Running Time: 1 min. 44 sec.
  • Period Time: Renaissance

>Robinson, Thomas : Spanish Pavan for lute
  • Performer: Anthony Rooley (Lute)
  • Running Time: 2 min. 42 sec.
  • Period Time: Baroque

>Book, Anonymous, C. L. : John Come Kiss Me Now, for lute
  • Performer: Anthony Rooley (Lute)
  • Running Time: 2 min. 22 sec.
  • Period Time: Renaissance

>Dowland, John [Composer] : Work(s) :: Fancy
  • Performer: Anthony Rooley (Lute)
  • Running Time: 2 min. 28 sec.
  • Period Time: Renaissance

>Dowland, John [Composer] : Lachrimae Pavan, for keyboard or lute (from "Lachrimae")
  • Performer: Anthony Rooley (Lute)
  • Running Time: 4 min. 50 sec.
  • Period Time: Renaissance
  • Written: 1612

>Dowland, John [Composer] : The Frog Galliard, for lute, P 23
  • Performer: Anthony Rooley (Lute)
  • Running Time: 2 min. 9 sec.
  • Period Time: Renaissance

>Bacheler, Daniel : Work(s) :: Pavan and Galliard
  • Performer: Anthony Rooley (Lute)
  • Running Time: 6 min. 3 sec.
  • Period Time: Renaissance

>Book, Anonymous, C. L. : Prelude for lute no 6
  • Performer: Anthony Rooley (Lute)
  • Running Time: 1 min. 35 sec.
  • Period Time: Renaissance

>Romanus, Laurencinus : Fantasia for lute (from the Cosens Lute Book)
  • Performer: Anthony Rooley (Lute)
  • Running Time: 1 min. 33 sec.
  • Period Time: Renaissance

>Romanus, Laurencinus : Exercitium, for lute (from the Cosens Lute Book)
  • Performer: Anthony Rooley (Lute)
  • Running Time: 1 min. 49 sec.
  • Period Time: Renaissance

>Danyel, John : Mistress Anne Grene Her Leaves Be Greene
  • Performer: Anthony Rooley (Lute)
  • Running Time: 5 min. 21 sec.
  • Period Time: Renaissance
  • Form: Vocal

>Book, Anonymous, C. L. : Paven for lute
  • Performer: Anthony Rooley (Lute)
  • Running Time: 3 min. 22 sec.
  • Period Time: Renaissance

>Smyth, Thomas : Work(s) :: Two Galliards
  • Performer: Anthony Rooley (Lute)
  • Running Time: 2 min. 20 sec.
  • Period Time: Renaissance

>Hollis, W. : John Bluedevills last farewell, for lute (from the Cosens Lute Book)
  • Performer: Anthony Rooley (Lute)
  • Running Time: 5 min. 20 sec.
  • Period Time: Renaissance