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Herb Alpert: Magic Man

Track List

>Magic Man
>Manhattan Melody
>I Get It From You
>Secret Garden
>Besame Mucho
>This One's for Me
>Fantasy Island
>You Smile the Song Begins

Album Remarks & Appraisals:

On September 9, legendary jazz musician Herb Alpert will re-release 24 classic albums from his illustrious catalog. The albums were remastered from the original analog tape mixes by Grammy-winning mastering engineer Bernie Grundman, who was the mastering engineer on many of the Tijuana Brass and Alpert albums. All releases, several of which have been out of print for a number of years (in Europe, some have not been available in over 30 years!), will be presented with their original artwork, making this collection must-have for the Herb Alpert fan!

Album Notes

Personnel: Herb Alpert (vocals, trumpet, flugelhorn, piano, Fender Rhodes piano, Clavinet, background vocals); Steven L. Lukather (guitar); Gayle Levant (harp); Michael Stokes (piano, Fender Rhodes piano, Clavinet, background vocals); Michel Colombier (piano, Fender Rhodes piano); David Foster (keyboards, synthesizer); Steve Porcaro (synthesizer); Julius Wechter (vibraphone, marimba); John F. Robinson (drums); Eddie "Bongo" Brown (congas, bongos); Paulinho Da Costa, Steve Forman (percussion).

Audio Remasterer: Bernie Grundman.

Audio Remixer: Dan Hahn.

Recording information: A&M Recording Studios; Studio D, Hollywood, CA.

Illustrator: Taki Ono.

Photographer: Lisa Powers.

The high-flying confidence of Rise and the experimental bent of Beyond began to wear off by 1981, giving way to the more relaxed but musically weaker ministrations of Magic Man. With Michael Stokes, then A&M's director of Black Product/A&R, co-producing, Alpert came up with a pleasant collection of mostly forgettable, mild-mannered R&B/pop-slanted tunes, plus a fairly uneventful rendition-at-length of "Besame Mucho" and a redundant cha-cha/disco remake of his own "You Smile, The Song Begins." Alpert's haunting trumpet still reflects his post-"Rise" sense of command, but he doesn't have much to say this time; the material holds him back. ~ Richard S. Ginell


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