Album Remarks & Appraisals:
On September 9, legendary jazz musician Herb Alpert will re-release 24 classic albums from his illustrious catalog. The albums were remastered from the original analog tape mixes by Grammy-winning mastering engineer Bernie Grundman, who was the mastering engineer on many of the Tijuana Brass and Alpert albums. All releases, several of which have been out of print for a number of years (in Europe, some have not been available in over 30 years!), will be presented with their original artwork, making this collection must-have for the Herb Alpert fan!
JazzTimes (p.101) - "SOUTH OF THE BORDER introduces Alpert's skill as an arranger."
Audio Remasterer: Bernie Grundman.
Recording information: Gold Stsar Recording Studios.
Arranger: Herb Alpert.
Herb Alpert was still using an array of SoCal studio all-stars as his Tijuana Brass when South of the Border (1964) began to restore the combo's good name after the modest Herb Alpert's Tijuana Brass, Vol. 2 (1963) failed to ignite a fire in listener's ears. Alpert later commented that the Sol Lake composition "Mexican Shuffle" "opened a new door for me." That passageway meant the loss of the Tijuana Brass' practically forced mariachi style and the rise of Alpert's approach in arranging familiar melodies in fresh, creative settings. Nowhere would this stylistic progression be as pronounced as in the horn-driven updates of several then-concurrent chart hits. For instance, the mod sonic wrinkle in "Girl from Ipanema" emits a darkness veiled in mystery, directly contrasting the light buoyancy of "Hello! Dolly" or the footloose feel of the Beatles' "All My Loving." They seamlessly fit in with Sol Lake's "Salud, Amor y Dinero" and a cover of Julius Wechter's playful, midtempo "Up Cherry Street" -- which Wechter's own Baja Marimba Band had just recorded for their 1964 self-titled debut. The ballads "I've Grown Accustomed to Her Face," "Angelito," and "Adios, Mi Corazon" provide contrasts with Alpert's sensitive scores never seeming maudlin or unnecessarily over the top. If the regal "El Presidente" sounds particularly familiar, it may well be due to Alpert's slight renovation of the "Winds of Barcelona" from the Tijuana Brass' previous effort, the less than impressive Herb Alpert's Tijuana Brass, Vol. 2. It was renamed "El Presidente," presumably to honor the then-recent memory of the slain U.S. leader John Fitzgerald Kennedy. ~ Lindsay Planer