Notes & Reviews:
Gramophone Magazine, February 1964 (Beethoven)
This recording reveals what a magnificent technique [Solti] possessed ... his playing is pretty good, and often remarkable for his very sparing use of the pedal [... ] [Kulenkampff's playing] of the slow movement is exquisitely expressive.
Gramophone Magazine, May 1965 (Brahms)
The great virtues of Kulenkampff were his sweet lyrical tone and his exquisite phrasing ... this is glorious playing [Brahms Op. 78] by both artists. The last page of the slow movement is really tremendous, and touched with inspiration.