Album Remarks & Appraisals:
60th anniversary audiophile reissue of Ella Fitzgerald Sings The Cole Porter Songbook, the legendary recording which launched Norman Granz's Verve Records label. The two SACD set was authored by Gus Skinas at the Super Audio Center and is housed in a Stoughton old style tip-on mini LP jacket.
Personnel includes: Ella Fitzgerald (vocals); Buddy Bregaman (arranger, conductor).
Producer: Norman Granz.
Reissue producer: Richard Seidel.
Recorded at Capitol Studios, Los Angeles, California in February 1956. Includes liner notes by Robert Kimball.
Digitally remastered by Dennis Drake (PolyGram Studios).
Personnel includes: Ella Fitzgerald (vocals); Buddy Bregman (conductor); Bud Shank (alto saxophone, flute, clarinet); Herb Geller (alto saxophone, clarinet); Ted Nash (tenor saxophone, flute, clarinet); Bob Cooper (tenor saxophone, clarinet, oboe); Chuck Gentry (baritone saxophone, bass clarinet); Pete Candoli, Harry "Sweets" Edison, Maynard Ferguson, Conrad Gozzo (trumpet); Milt Bernhart, Joe Howard, Lloyd Ulyate (trombone); George Roberts (bass trombone); Robert La Marchina, Edgar Lustgarten (cello); Corky Hale (harp); Paul Smith (piano, celeste); Barney Kessel (guitar); Joe Mondragon (bass); Alvin Stoller (drums).
Recorded at Capitol Studios, Hollywood, California on February 7-9 and March 27, 1956. Includes original release liner notes by Don Freeman, Fred Lounsberry and Norman Granz and liner notes by Neil Tesser.
Ella Fitzgerald had the ability to personalize some of the most recognizable material from the foremost songwriters in American popular music history. In this instance, the combination of Cole Porter's words and Fitzgerald's interpretation of them created one of the most sought after sessions in vocal history -- embraced by jazz and pop fans alike, transcending boundaries often associated with those genres. Originally released in 1956 on the Verve label, such standards as "Night and Day," "I Love Paris," "What Is This Thing Called Love," "I've Got You Under My Skin," "You're the Top," and "Love for Sale" secured one of Ella Fitzgerald's crowning moments. The success of these early Porter (and previous Gershwin) sessions brought about numerous interpretations of other songbooks throughout the next several years including those of Rodgers and Hart, Duke Ellington, Johnny Mercer, Harold Arlen, and Irving Berlin. ~ Al Campbell
ReviewsThere are currently no reviews, be the first one!
- Norman Granz Presents Duke: The Last Jam Session [ (Ellington, Duke)
- Live in Stockholm 1957 (Ella Fitzgerald & Her Orchestra)
- Ella & Basie The Perfect Match '79 (Basie, Count)
- Les 5 Plus Grandes Divas Du Jazz [Box] (Washington, Dinah)