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John Dowland (1563-1626): Lachrimae / Thomas Dunford, Ruby Hughes, Reinoud van Mechelen, Paul Agnew, Alain Buet

Album Summary

>Dowland, John [Composer] : Preludium, for lute, P 98
>Dowland, John [Composer] : Come again, sweet love doth now invite, for 4 voices & lute (First Book of Songs)
>Dowland, John [Composer] : Fortune My Foe, song arranged for lute, P 62
>Dowland, John [Composer] : The King of Denmark, his Galliard, for lute, P 40
>Dowland, John [Composer] : I saw my lady weep, for 2 voices & lute (Second Book of Song)
>Dowland, John [Composer] : Flow, my tears, fall from your springs, for 2 voices & lute (Second Book of Songs)
>Dowland, John [Composer] : Semper Dowland semper dolens, pavan for lute, P 9
>Dowland, John [Composer] : Sorrow, stay, lend true repentant tears, for 2 voices & lute (Second Book of Songs)
>Dowland, John [Composer] : Mellancoly Galliard, for lute, P 25
>Dowland, John [Composer] : Can she excuse my wrongs, for 4 voices & lute (First Book of Songs)
>Dowland, John [Composer] : A Dream, pavan for lute, P 75 (possibly spurious)
>Dowland, John [Composer] : Go crystal tears, for 4 voices & lute (First Book of Songs)
>Dowland, John [Composer] : Lachrimae, for lute, P 15
>Dowland, John [Composer] : The Frog Galliard, for lute, P 23
>Dowland, John [Composer] : Now, O now I needs must part, for 4 voices & lute (First Book of Songs)
Performers Composer

Notes & Reviews:

After the success of the first fourteen reissues, which restored to the limelight some of the gems of the early music repertory in the catalogues of our labels, here are fourteen new titles to allow listeners to renew acquaintance with further treasures of the Renaissance and Baroque (and even a journey through time thanks to RaphaŽl Imbert's album Bach Coltrane), performed by some of the leading interpreters of the genre; most of these discs won one or more awards on their first release. As with the first series, the artists have been asked to contribute to the booklets, in which, with a few years' hindsight, they talk about their conception of the works and how they went about recording them. The photographers of the Magnum agency illustrate the covers of the series with their work; this time the common design element is the colour yellow.

Notes & Reviews:

Recording information: Studio 4, Flagey Hall, Brussels, Belgium (07/2012); Temple de l'Ascension, Paris, France (07/2012); Studio 4, Flagey Hall, Brussels, Belgium (08/2012); Temple de l'Ascension, Paris, France (08/2012).



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Works Details

>Dowland, John [Composer] : Preludium, for lute, P 98
  • Performer: Thomas Dunford (Lute)
  • Running Time: 1 min. 22 sec.
  • Period Time: Renaissance

>Dowland, John [Composer] : Come again, sweet love doth now invite, for 4 voices & lute (First Book of Songs)
  • Performers: Paul Agnew; Alain Buet (Bass); Thomas Dunford (Lute); Ruby Hughes (Soprano); Reinoud Van Mechelen
  • Running Time: 4 min. 33 sec.
  • Period Time: Renaissance
  • Written: 1597

>Dowland, John [Composer] : Fortune My Foe, song arranged for lute, P 62
  • Performer: Thomas Dunford (Lute)
  • Running Time: 2 min. 51 sec.
  • Period Time: Renaissance

>Dowland, John [Composer] : The King of Denmark, his Galliard, for lute, P 40
  • Performer: Thomas Dunford (Lute)
  • Running Time: 3 min. 12 sec.
  • Period Time: Renaissance
  • Written: by 1626

>Dowland, John [Composer] : I saw my lady weep, for 2 voices & lute (Second Book of Song)
  • Performers: Paul Agnew; Alain Buet (Bass); Thomas Dunford (Lute)
  • Running Time: 5 min. 53 sec.
  • Period Time: Renaissance
  • Written: by 1600

>Dowland, John [Composer] : Flow, my tears, fall from your springs, for 2 voices & lute (Second Book of Songs)
  • Performers: Alain Buet (Bass); Thomas Dunford (Lute); Ruby Hughes (Soprano)
  • Running Time: 4 min. 31 sec.
  • Period Time: Renaissance
  • Written: by 1600

>Dowland, John [Composer] : Semper Dowland semper dolens, pavan for lute, P 9
  • Performer: Thomas Dunford (Lute)
  • Running Time: 7 min. 21 sec.
  • Period Time: Renaissance
  • Written: 1600

>Dowland, John [Composer] : Sorrow, stay, lend true repentant tears, for 2 voices & lute (Second Book of Songs)
  • Performers: Alain Buet (Bass); Thomas Dunford (Lute); Ruby Hughes (Soprano)
  • Running Time: 3 min. 21 sec.
  • Period Time: Renaissance
  • Written: by 1600

>Dowland, John [Composer] : Mellancoly Galliard, for lute, P 25
  • Performer: Thomas Dunford (Lute)
  • Running Time: 3 min. 23 sec.
  • Period Time: Renaissance
  • Written: by 1626

>Dowland, John [Composer] : Can she excuse my wrongs, for 4 voices & lute (First Book of Songs)
  • Performers: Paul Agnew; Alain Buet (Bass); Thomas Dunford (Lute); Ruby Hughes (Soprano); Reinoud Van Mechelen
  • Running Time: 2 min. 25 sec.
  • Period Time: Renaissance
  • Form: Choral
  • Written: 1597

>Dowland, John [Composer] : A Dream, pavan for lute, P 75 (possibly spurious)
  • Performer: Thomas Dunford (Lute)
  • Running Time: 5 min. 45 sec.
  • Period Time: Renaissance

>Dowland, John [Composer] : Go crystal tears, for 4 voices & lute (First Book of Songs)
  • Performers: Paul Agnew; Alain Buet (Bass); Thomas Dunford (Lute); Ruby Hughes (Soprano); Reinoud Van Mechelen
  • Running Time: 3 min. 42 sec.
  • Period Time: Renaissance
  • Form: Vocal
  • Written: 1597

>Dowland, John [Composer] : Lachrimae, for lute, P 15
  • Performer: Thomas Dunford (Lute)
  • Running Time: 6 min. 3 sec.
  • Period Time: Renaissance
  • Written: by 1626

>Dowland, John [Composer] : The Frog Galliard, for lute, P 23
  • Performer: Thomas Dunford (Lute)
  • Running Time: 2 min. 3 sec.
  • Period Time: Renaissance

>Dowland, John [Composer] : Now, O now I needs must part, for 4 voices & lute (First Book of Songs)
  • Performers: Paul Agnew; Alain Buet (Bass); Thomas Dunford (Lute); Ruby Hughes (Soprano); Reinoud Van Mechelen
  • Running Time: 8 min. 13 sec.
  • Period Time: Renaissance
  • Written: by 1597