- Marc-André Hamelin (Piano)
Notes & Reviews:
"Vol. 22 in Hyperion's exploration of "The Romantic Piano Concerto" addresses one of the most gargantuan works ever devised, Ferruccio Busoni's five-movement, 70-minute epic of 1903-4. Scored for piano, augmented orchestra and male chorus, this leviathan places almost intolerable demands on any soloist...Hamelin's performance never once falters...Hamelin often lives right on the edge...and survives." ***** -BBC Music
'Sensational... Anyone who has the slightest doubts about Busoni's stature as a composer will surely be won over by this magisterial recording' (Piano International)
'Dark, turbulent, horribly difficult to play, very long - and probably my disc of the year... This fine new recording does full justice to every aspect of the work. [It] will surely help to establish Busoni as an unarguably major composer' (Classic CD)
Gramophone Classical Music Guide
Busoni's Piano Concerto has never become a repertoire piece. It fits awkwardly into a concert programme, due to its length and its choral finale, and the extreme difficulty of its solo writing can't quite disguise the fact that it's really more of a symphony with an elaborate piano part than a real concerto. This new recording might just change all that, for like no other performance (not even Garrick Ohlsson's stunning account on Telarc) it proves what a richly enjoyable piece it is. Without in the least understating the grandeur of the central movement (or its Faustian pointers to Busoni's later style), it finds humour not only of the gallows kind in the first Scherzo (even a touch of irony to its nostalgic centre), while the brilliant tarantella second Scherzo is often very funny indeed: Busoni celebrates his Italian ancestry, but at times bursts into helpless laughter at it as well. Hamelin obviously loves the work's opportunities for grand romantic pianism and barnstorming, and he has a fine ear for its stark boldness. Elder is splendidly eloquent, from the nobly Brahmsian introduction to the full-throatedly sung finale.
Both are at their best in the central Pezzo Serioso, which is grand and grave, but alert to the pres- ence of Chopin as well as Liszt. The recording is warm and spacious, the piano at times just a touch (but forgivably) close. This is a remarkable performance.
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Works DetailsBusoni, Ferruccio : Piano Concerto, for piano & orchestra with male chorus in C major, Op. 39, KiV 247
- Performer: Marc-André Hamelin (Piano)
- Conductor: Mark Elder
- Ensemble: City of Birmingham Symphony Orchestra Chorus
- Notes: Symphony Hall, Birmingham, England (06/20/1999-06/21/1999)
- Running Time: 47 min. 52 sec.
- Period Time: Post Romantic
- Form: Concerto