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Bach: Lutheran Masses Vol 2 / Argenta, Chance, Harvey, et al

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> Trio Sonata No. 5 in C major, BWV 529 (arr. for string quartet) - I. Allegro
> Trio Sonata No. 5 in C major, BWV 529 (arr. for string quartet) - II. [Largo]
> Trio Sonata No. 5 in C major, BWV 529 (arr. for string quartet) - III. Allegro
> Mass in G major, BWV 236 - Kyrie
> Mass in G major, BWV 236 - Gloria
> Mass in G major, BWV 236 - Gratias
> Mass in G major, BWV 236 - Domine Deus
> Mass in G major, BWV 236 - Quoniam
> Mass in G major, BWV 236 - Cum Sancto Spiritu
> Mass in F Major, BWV 233 - Kyrie
> Mass in F Major, BWV 233 - Gloria
> Mass in F Major, BWV 233 - Domine Deus
> Mass in F Major, BWV 233 - Qui tollis
> Mass in F Major, BWV 233 - Quoniam
> Mass in F Major, BWV 233 - Cum Sancto Spiritu

Album Summary

>Bach, Johann Sebastian : Trio Sonata for Organ no 5 in C major, BWV 529
>Bach, Johann Sebastian : Mass for 4 voices, chorus, 2 oboes, strings & continuo in G major, BWV 236 (BC E4)
>Bach, Johann Sebastian : Mass for 3 voices, chorus, orchestra & continuo in F major, BWV 233 (BC E6)
Performers Ensemble Composer

Notes & Reviews:

"Here the performances are one-on-a-part for both instruments and voices. The singers seem entirely at home in this daunting idiom, and each presents a clear delineation of Bach's most florid and athletic lines without making them sound like hard work...In general, these are genial readings that turn festive liturgical choral music into elegant chamber concertos for voices and instruments..." -Gatens, ARG

Gramophone Classical Music Guide
The absurd prejudice that long deprived us of adequate recordings of Bach's four Lutheran Masses (or short Masses, as they're also known because, in accordance with Lutheran usage, they set only the Kyrie and Gloria) seems finally to have died a death. The Masses' crime has been to be made up almost entirely of paraphrases of cantata movements from the 1720s, yet Bach is Bach, whatever the circumstances, and this is wonderful music which, like the B minor Mass, offers sober old-style polyphonic choral movements of impressive cumulative power alongside choruses of almost physical excitement and clamour and some first-rate arias with instrumental obbligato.

As with volume 1, a one-to-a-part approach is taken, with the four vocal soloists also forming the choir and the Purcell Quartet being augmented by whatever extra instruments are needed. The result doesn't sound at all underpowered, and gains considerably over Herreweghe's typically well-turned but more traditional choral approach in vividness of texture and harmony, crispness of attack and a madrigalian litheness of expressive response.

The recording allows just the right amount of bloom without becoming washy. There are times when the two higher voices sound further forward than the others, and Michael Chance occasionally disappears a bit towards the bottom of his range, but in general this release brings nothing but pleasure both in the music and in the stylish and lively performances.



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Works Details

>Bach, Johann Sebastian : Trio Sonata for Organ no 5 in C major, BWV 529
  • Ensemble: Purcell Quartet
  • Running Time: 12 min. 34 sec.
  • Period Time: Baroque
  • Written: 1730

>Bach, Johann Sebastian : Mass for 4 voices, chorus, 2 oboes, strings & continuo in G major, BWV 236 (BC E4)
  • Performers: Michael Chance (Countertenor); Nancy Argenta (Soprano); Jane Rogers (Viola); Anthony Robson (Oboe); Catherine Latham (Oboe); Mark Padmore
  • Ensemble: Purcell Quartet
  • Notes: St. Jude on the Hill, Hampstead, London, England (07/07/1999-07/09/1999)
  • Running Time: 25 min. 3 sec.
  • Period Time: Baroque
  • Form: Choral
  • Written: 1738-1739

>Bach, Johann Sebastian : Mass for 3 voices, chorus, orchestra & continuo in F major, BWV 233 (BC E6)
  • Performers: Michael Chance (Countertenor); Nancy Argenta (Soprano); Roger Montgomery (Horn); Jane Rogers (Viola); Anthony Halstead (Horn); Anthony Robson (Oboe); Catherine Latham (Oboe); Mark Padmore
  • Ensemble: Purcell Quartet
  • Notes: St. Jude on the Hill, Hampstead, London, England (07/07/1999-07/09/1999)
  • Running Time: 24 min. 35 sec.
  • Period Time: Baroque
  • Form: Choral
  • Written: 1738-1739