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Edition Bachakademie Vol 47 - Cantatas BWV 152-155 / Rilling

Album Summary

>Bach, Johann Sebastian : Cantata no 152, "Tritt auf due Glaubensbahn" BWV 152
>Bach, Johann Sebastian : Cantata no 153, "Schau, lieber Gott, wie meine Feind" BWV 153
>Bach, Johann Sebastian : Cantata no 154, "Mein liebster Jesus ist verloren" BWV 154
>Bach, Johann Sebastian : Cantata no 155, "Mein Gott, wie lang, ach lange" BWV 155
Performers Conductor Ensembles Composer


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Works Details

>Bach, Johann Sebastian : Cantata no 152, "Tritt auf due Glaubensbahn" BWV 152
  • Performers: Arleen Augér (Soprano); Wolfgang Schöne (Bass)
  • Conductor: Helmuth Rilling
  • Ensemble: Gächinger Kantorei Stuttgart
  • Period Time: Baroque
  • Form: Cantata/Oratorio
  • Written: 1714
  • Language: German
  • Studio/Live: Studio

>Bach, Johann Sebastian : Cantata no 153, "Schau, lieber Gott, wie meine Feind" BWV 153
  • Performers: Walter Heldwein (Bass); Adalbert Kraus (Tenor); Ann Murray (Mezzo Soprano)
  • Conductor: Helmuth Rilling
  • Ensemble: Gächinger Kantorei Stuttgart
  • Period Time: Baroque
  • Form: Cantata/Oratorio
  • Written: 1724
  • Language: German
  • Studio/Live: Studio

>Bach, Johann Sebastian : Cantata no 154, "Mein liebster Jesus ist verloren" BWV 154
  • Performers: Aldo Baldin (Tenor); Walter Heldwein (Bass); Ann Murray (Mezzo Soprano)
  • Conductor: Helmuth Rilling
  • Ensemble: Gächinger Kantorei Stuttgart
  • Period Time: Baroque
  • Form: Cantata/Oratorio
  • Written: 1724
  • Language: German
  • Studio/Live: Studio

>Bach, Johann Sebastian : Cantata no 155, "Mein Gott, wie lang, ach lange" BWV 155
  • Performers: Hanns-Friedrich Kunz (Bass); Norma Lerer (Mezzo Soprano); Friedreich Melzer (Tenor); Ingeborg Reichelt (Soprano)
  • Conductor: Helmuth Rilling
  • Ensemble: Gächinger Kantorei Stuttgart
  • Period Time: Baroque
  • Form: Cantata/Oratorio
  • Written: 1716
  • Language: German
  • Studio/Live: Studio