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Eamonn Coyne: Through the Round Window

Audio Samples

>Connaught Jigs
>Whistling Reels
>Mazurka & Jigs
>Western Swing
>Mary J.
>Tommy & Jerry
>Hendon Road
>Nine String Susannah
>Walpoles Pipes
>Highlands
>Long Roads
>Ash Plant
>There and Back Again
>Wet Ones, The

Track List

>Connaught Jigs
>Whistling Reels
>Mazurka & Jigs
>Western Swing
>Mary J.
>Tommy & Jerry
>Hendon Road
>Nine String Susannah
>Walpoles Pipes
>Highlands
>Long Roads
>Ash Plant
>There and Back Again
>Wet Ones, The

Album Reviews:

New Age Voice (12/02, pp.17-18) - "...Coyne gives a new sound to tunes generally heard on fiddle, accordions and flutes, blending Celtic and American styles artfully and seamlessly..."

Album Notes

Personnel includes: Eammon Coyne (guitar, tenor banjo); Kevin Doherty (vocals, guitar); Michael McGoldrick (flute); Pat Marsh (bouzouki); Tom Morrow (fiddle); Russel Hunter (piano).

Personnel: Eamonn Coyne (guitar, National guitar, tenor guitar, banjo, mandolin); Kevin Doherty (vocals, guitar); Ciarán Curran (bouzouki); Michael McGoldrick (flute); Russell Hunter (piano); Dermot Byrne (melodeon); Jimmy Higgins, Kendrick Freeman (snare drum).

Audio Mixer: Peter Rawson.

Recording information: Clonmannon House Studios, Co., Wicklow, Ireland; Flying Lady Studio, Nashville, TN; ZWA Studios, Edinburgh, Scotland.

Arrangers: Eamonn Coyne; Paul O'Driscoll; Dermot Byrne ; Russell Hunter ; Jim Higgins; Alison Brown; Michael McGoldrick; Ciarán Curran.

The Nashville-based Compass Records label seems to have a knack for attracting Celtic musicians who are deeply rooted in tradition and yet carry something of a playful chip on their shoulder. Case in point: the wonderful tenor banjoist Eamonn Coyne, whose solo debut is a willfully eclectic assortment of tunes and styles that will simultaneously thrill and baffle traditionalists. They'll be thrilled first of all by the sprightly set of Connaught jigs that opens the program, then by the reels he plays in duet with his labelmate, flutist Michael McGoldrick. But toward the end of the album they may be baffled by the jazz guitar and piano that accompany Coyne on a set of highlands and by the not-entirely successful blues number featuring singer Kevin Doherty. In between are tunes and arrangements that fall at various places between those two stylistic extremes, though the album does not end up feeling scattershot or schizophrenic -- Coyne's unique talent is not so much his impressive banjo playing as it is his ability to pay homage to so many different musical influences and, by doing so, to make an album that hangs together so beautifully. ~ Rick Anderson



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